Line Vautrin Tudor

Celebrated as the “poetess of metal” by Vogue magazine, designer Line Vautrin’s provocative works, which span furniture and jewelry, are characterized by fanciful forms and technical excellence. An audacious decorative artist and intellectual during a time when women were expected to fall into traditional roles, her inspirational designs show her passion for literature, wordplay and mythological allegory.

Born in 1914, Vautrin possessed a sense of curiosity and keen observational skills that led her to start creating at an early age. A talented autodidact, she taught herself to work with metal while spending time in her family’s bronze foundry. Vautrin had already mastered the skills of casting, carving, gilding and polishing bronze by the time she was in her early teens, and introduced her first line of jewelry when she was only twenty years old, offering her unique brooches, belt clasps and buttons to a select group of customers. In 1937, Vautrin helmed a small booth at the Paris International Exposition, where she gained some notoriety for her handcrafted accessories. Around the same time, Vautrin worked briefly for Elsa Schiaparelli, a like-minded fashion designer whose achievements propelled her onto the cover of Time magazine in 1934.

Vautrin opened a modest boutique near the Champs-Élysées in the late 1930s. During World War II, she created playful and sophisticated necklaces, powder boxes, earrings and other items that gave her clientele a welcome respite from wartime hardships. There was great demand for Vautrin’s work, and she opened a larger shop on rue du Faubourg Saint-Honoré in 1946. Shortly thereafter, she opened her own atelier in Paris’s then run-down Marais district with her husband, interior decorator Jacques Armand Bonnaud. The neighborhood would later become world-famous for its boutiques and designer shops.

Vautrin’s boundless curiosity led her to constantly experiment with new materials and processes. In 1955, she perfected her technique with a new form of cellulose acetate resin, which she patented under the name Talosel. Vautrin used this material extensively to create complicated mirrored inlays, which became one of her signature motifs.

Throughout her life, Vautrin played with literary and religious iconography in her designs, drawing inspiration from common aphorisms, ancient world mythologies and alchemical principles. Her passion for symbology and the written word is reflected in her work, which often features intricate lettering and carefully rendered shapes and figures. Vautrin's pieces were imbued with her own sense of humor and love of fantasy.

In 1969, Vautrin closed her shop, and, alongside her daughter, Marie-Laure Bonnaud-Vautrin, opened a craft school to teach her innovative techniques to aspiring artists. Vautrin retired in 1980 but continued to create art from her apartment up until her death in 1997. Her individualism earned her a place among the most iconic creators of mid-century jewelry and decorative objects. Actress Brigitte Bardot and fashion designer Yves Saint Laurent became notable collectors of her work.

In 1992, Vautrin was recognized for her work in developing new decorative techniques by the Société d'Encouragement aux Métiers d’Art (later the Institut National des Métiers d’Art). Her designs were also celebrated by the Musée des Arts Décoratifs, which held a retrospective of her works in 1999.

Find vintage Line Vautrin mirrors, decorative objects and collectibles on 1stDibs.

Arguably the world’s most ubiquitous man-made material, plastic has impacted nearly every industry. In contemporary spaces, new and vintage plastic furniture is quite popular and its use pairs well with a range of design styles.

From the Italian lighting artisans at Fontana Arte to venturesome Scandinavian modernists such as Verner Panton, who created groundbreaking interiors as much as he did seating — see his revolutionary Panton chair — to contemporary multidisciplinary artists like Faye Toogood, furniture designers have been pushing the boundaries of plastic forever.

When The Graduate's Mr. McGuire proclaimed, “There’s a great future in plastics,” it was more than a laugh line. The iconic quote is an allusion both to society’s reliance on and its love affair with plastic. Before the material became an integral part of our lives — used in everything from clothing to storage to beauty and beyond — people relied on earthly elements for manufacturing, a process as time-consuming as it was costly.

Soon after American inventor John Wesley Hyatt created celluloid, which could mimic luxury products like tortoiseshell and ivory, production hit fever pitch, and the floodgates opened for others to explore plastic’s full potential. The material altered the history of design — mid-century modern legends Charles and Ray Eames, Joe Colombo and Eero Saarinen regularly experimented with plastics in the development of tables and chairs, and today plastic furnishings and decorative objects are seen as often indoors as they are outside.

Find vintage plastic lounge chairs, outdoor furniture, lighting and more on 1stDibs.

Vintage and antique wall mirrors add depth and openness to a space — they can help create the illusion that a narrow hallway isn’t so narrow. But you don’t need hundreds of enormous arched French or Italian mirrors framed in gilded bronze to dress up your home (maybe just a few).

A few well-placed large wall mirrors and other types of mirrors can amplify lighting and help showcase the decorative and architectural features of your home. For the Palace of Versailles during the 17th century, French King Louis XIV ordered the construction of the Hall of Mirrors after spending millions of dollars importing expensive Venetian mirrors from the revered glass-blowing factories on the island of Murano. A mirror-manufacturing rivalry between Paris and Venice took shape, and soon, across from 17 large windows that open out over the adjacent Palace Gardens on one side of the Hall, more than 350 mirrors — large mirrors made of groupings of small panes — were installed, effectively bringing the radiant colors of the outdoors into the opulent corridor.

Wall mirrors for your living room can work miracles — pull your landscaping’s colors and textures indoors, Louis XIV–style, by covering the length of an interior wall across from your living-room windows with wall mirrors.

For a similar effect, surrounding your mid-century modern wall mirror with leafy air plants and fern floor plants can amplify the sense of serenity that greenery offers in your home. Choose wall mirror frame styles to match your home’s decor, or shop for a frameless, organically shaped mirror that’s cut or beveled for a clean yet distinctive showpiece. For a free-spirited Bohemian feel, create a cluster of mismatched antique wall mirrors — an arrangement of circular Art Deco wall mirrors, Rococo-style silver leaf mirrors and decorative oval Victorian mirrors could add spice to an otherwise unadorned dining-room wall.

Elsewhere, there’s nothing vain about buying a full-length mirror for your bedroom, bathroom or walk-in closet to help you perfect your look for the day. Another may be needed in your entryway for a last-minute ensemble inspection. In fact, a shimmering 18th-century hall of mirrors awaits visitors behind the steel door of Stephen Cavallo’s atelier in Manhattan.

“We like to see the look on people’s faces when they walk in,” says Cavallo.

Decorating your home and office with wall mirrors is an art form in and of itself — get started today with the variety of antique and vintage wall mirrors on 1stDibs.