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Mademoiselle Giclee Print

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Mod Girl, Playfully Crossing Eyes, 1958
By Mark Shaw
Located in New York, NY
Mademoiselle Model Having Fun -- An out take from a photo shoot for the June 1958 issue of
Category

1950s Modern Black and White Photography

Materials

Giclée

Mod Girl, Playfully Crossing Eyes, 1958
By Mark Shaw
Located in New York, NY
Mademoiselle Model Having Fun -- An out take from a photo shoot for the June 1958 issue of
Category

1950s Modern Black and White Photography

Materials

Giclée

Mod Girl, Playfully Crossing Eyes, 1958
By Mark Shaw
Located in New York, NY
Mademoiselle Model Having Fun -- An out take from a photo shoot for the June 1958 issue of
Category

1950s Modern Black and White Photography

Materials

Giclée

Mod Girl, Playfully Crossing Eyes, Close Up, 1958
By Mark Shaw
Located in New York, NY
Mod Girl Crosseyed Alternative -- Mademoiselle Model Having Fun. An out take from a photo shoot for
Category

1950s Modern Black and White Photography

Materials

Giclée

Mod Girl, Playfully Crossing Eyes, Close Up, 1958
By Mark Shaw
Located in New York, NY
Mod Girl Crosseyed Alternative -- Mademoiselle Model Having Fun. An out take from a photo shoot for
Category

1950s Modern Black and White Photography

Materials

Giclée

Mod Girl, Playfully Crossing Eyes, Close Up, 1958
By Mark Shaw
Located in New York, NY
Mod Girl Crosseyed Alternative -- Mademoiselle Model Having Fun. An out take from a photo shoot for
Category

1950s Modern Black and White Photography

Materials

Giclée

Cary Grant Seated Looks Left, 1955
By Mark Shaw
Located in New York, NY
Cary Grant Seated Looks Left -- Photographed by Mark Shaw for a 1955 issue of Mademoiselle. Cary
Category

1950s Modern Black and White Photography

Materials

Giclée

Cary Grant Seated Looks Left, 1955
By Mark Shaw
Located in New York, NY
Cary Grant Seated Looks Left -- Photographed by Mark Shaw for a 1955 issue of Mademoiselle. Cary
Category

1950s Modern Black and White Photography

Materials

Giclée

Cary Grant Seated Looks Left, 1955
By Mark Shaw
Located in New York, NY
Cary Grant Seated Looks Left -- Photographed by Mark Shaw for a 1955 issue of Mademoiselle. Cary
Category

1950s Modern Black and White Photography

Materials

Giclée

Cary Grant Seated Looks Left, 1955
By Mark Shaw
Located in New York, NY
Cary Grant Seated Looks Left -- Photographed by Mark Shaw for a 1955 issue of Mademoiselle. Cary
Category

1950s Modern Black and White Photography

Materials

Giclée

Cary Grant Seated Looks Left, 1955
By Mark Shaw
Located in New York, NY
Cary Grant Seated Looks Left -- Photographed by Mark Shaw for a 1955 issue of Mademoiselle. Cary
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Smiling, Left Frame, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle. Her dress is a Claire McCardell creation. Image size is 22" x 22" (for 24" x 36" paper size). All
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Head Resting on Hand, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle. Her dress is a Claire McCardell creation. Image size is 16" x 16" (for 17" x 22" paper size). All
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Head Resting on Hand, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle. Her dress is a Claire McCardell creation. Image size is 10" x 10" (for 11" x 17" paper size). All
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Head Resting on Hand, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle. Her dress is a Claire McCardell creation. Image size is 22" x 22" (for 24" x 36" paper size). All
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Smiling, Left Frame, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle. Her dress is a Claire McCardell creation. Image size is 10" x 10" (for 11" x 17" paper size). All
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Smiling, Left Frame, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle. Her dress is a Claire McCardell creation. Image size is 16" x 16" (for 17" x 22" paper size). All
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Staring with Head Back, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle. Her dress is a Claire McCardell creation. Image size is 22" x 22" (for 24" x 36" paper size). All
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Staring, Center Frame, 1954
By Mark Shaw
Located in New York, NY
Audrey Hepburn 54_0309a_e – Audrey Hepburn was photographed for the June 1954 issue of Mademoiselle
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Smiling, Center Frame, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle. Her dress is a Claire McCardell creation. Image size is 22" x 22" (for 24" x 36" paper size). All
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Smiling with Head Back, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle. Her dress is a Claire McCardell creation. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AN
Category

1950s Modern Black and White Photography

Materials

Giclée

Beach White Chair, Circa 1955
By Mark Shaw
Located in New York, NY
Beach White Chair -- A classic 1950s beach image photographed by Mark Shaw for Mademoiselle. Image
Category

1950s Modern Color Photography

Materials

Giclée

Audrey Hepburn Applies Makeup in Mirror, Backstage at Ondine, 1954
By Mark Shaw
Located in New York, NY
photographed for Mademoiselle in 1954. After years of perfect blondes, Audrey's look was fresh and new
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Applies Makeup in Mirror, Backstage at Ondine, 1954
By Mark Shaw
Located in New York, NY
photographed for Mademoiselle in 1954. After years of perfect blondes, Audrey's look was fresh and new
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Applies Makeup in Mirror, Backstage at Ondine, 1954
By Mark Shaw
Located in New York, NY
photographed for Mademoiselle in 1954. After years of perfect blondes, Audrey's look was fresh and new
Category

1950s Modern Black and White Photography

Materials

Giclée

Beach White Chair, Circa 1955
By Mark Shaw
Located in New York, NY
Beach White Chair -- A classic 1950s beach image photographed by Mark Shaw for Mademoiselle. Image
Category

1950s Modern Color Photography

Materials

Giclée

Beach White Chair, Circa 1955
By Mark Shaw
Located in New York, NY
Beach White Chair -- A classic 1950s beach image photographed by Mark Shaw for Mademoiselle. Image
Category

1950s Modern Color Photography

Materials

Giclée

Beach White Chair, Circa 1955
By Mark Shaw
Located in New York, NY
Beach White Chair -- A classic 1950s beach image photographed by Mark Shaw for Mademoiselle. Image
Category

1950s Modern Color Photography

Materials

Giclée

Beach White Chair, Circa 1955
By Mark Shaw
Located in New York, NY
Beach White Chair -- A classic 1950s beach image photographed by Mark Shaw for Mademoiselle. Image
Category

1950s Modern Color Photography

Materials

Giclée

Audrey Hepburn Smiling, Center Frame, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle. Her dress is a Claire McCardell creation. Image size is 16" x 16" (for 17" x 22" paper size). All
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Staring with Head Back, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle. Her dress is a Claire McCardell creation. Image size is 16" x 16" (for 17" x 22" paper size). All
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Smiling with Head Back, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle. Her dress is a Claire McCardell creation. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AN
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Staring with Head Back, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle. Her dress is a Claire McCardell creation. Image size is 10" x 10" (for 11" x 17" paper size). All
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Staring, Center Frame, 1954
By Mark Shaw
Located in New York, NY
Audrey Hepburn 54_0309a_e – Audrey Hepburn was photographed for the June 1954 issue of Mademoiselle
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Smiling, Center Frame, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle. Her dress is a Claire McCardell creation. Image size is 10" x 10" (for 11" x 17" paper size). All
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Smiling with Head Back, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle. Her dress is a Claire McCardell creation. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AN
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Staring, Center Frame, 1954
By Mark Shaw
Located in New York, NY
Audrey Hepburn 54_0309a_e – Audrey Hepburn was photographed for the June 1954 issue of Mademoiselle
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Looking Back Smiling, Backstage at Ondine, 1954
By Mark Shaw
Located in New York, NY
photographed for Mademoiselle in 1954. After years of perfect blondes, Audrey's look was fresh and new
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Applies Lipstick in Mirror, Backstage at Ondine, 1954
By Mark Shaw
Located in New York, NY
photographed for Mademoiselle in 1954. After years of perfect blondes, Audrey's look was fresh and new
Category

1950s Modern Black and White Photography

Materials

Giclée

Beach Striped Chair, Circa 1955
By Mark Shaw
Located in New York, NY
Beach Striped Chair -- A classic 1950s beach image. Photographed for Mademoiselle. Image size is 22
Category

1950s Modern Color Photography

Materials

Giclée

Audrey Hepburn Looking Back Smiling, Backstage at Ondine, 1954
By Mark Shaw
Located in New York, NY
photographed for Mademoiselle in 1954. After years of perfect blondes, Audrey's look was fresh and new
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Looking Back Smiling, Backstage at Ondine, 1954
By Mark Shaw
Located in New York, NY
photographed for Mademoiselle in 1954. After years of perfect blondes, Audrey's look was fresh and new
Category

1950s Modern Black and White Photography

Materials

Giclée

Beach Striped Chair, Circa 1955
By Mark Shaw
Located in New York, NY
Beach Striped Chair -- A classic 1950s beach image. Photographed for Mademoiselle. Image size is 16
Category

1950s Modern Color Photography

Materials

Giclée

Beach Striped Chair, Circa 1955
By Mark Shaw
Located in New York, NY
Beach Striped Chair -- A classic 1950s beach image. Photographed for Mademoiselle. Image size is 32
Category

1950s Modern Color Photography

Materials

Giclée

Beach Striped Chair, Circa 1955
By Mark Shaw
Located in New York, NY
Beach Striped Chair -- A classic 1950s beach image. Photographed for Mademoiselle. Image size is 10
Category

1950s Modern Color Photography

Materials

Giclée

Beach Striped Chair, Circa 1955
By Mark Shaw
Located in New York, NY
Beach Striped Chair -- A classic 1950s beach image. Photographed for Mademoiselle. Image size is 40
Category

1950s Modern Color Photography

Materials

Giclée

Audrey Hepburn Applies Lipstick in Mirror, Backstage at Ondine, 1954
By Mark Shaw
Located in New York, NY
photographed for Mademoiselle in 1954. After years of perfect blondes, Audrey's look was fresh and new
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Applies Lipstick in Mirror, Backstage at Ondine, 1954
By Mark Shaw
Located in New York, NY
photographed for Mademoiselle in 1954. After years of perfect blondes, Audrey's look was fresh and new
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Applies Makeup in Two Mirrors with Eyes Closed, Backstage at Ondi
By Mark Shaw
Located in New York, NY
photographed for Mademoiselle in 1954. After years of perfect blondes, Audrey's look was fresh and new
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Applies Makeup in Two Mirrors with Eyes Closed, Backstage at Ondi
By Mark Shaw
Located in New York, NY
photographed for Mademoiselle in 1954. After years of perfect blondes, Audrey's look was fresh and new
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Applies Makeup in Two Mirrors, Backstage at Ondine, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle in 1954 in her dressing room backstage at Ondine. After years of perfect blondes, Audrey’s look
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Applies Makeup in Two Mirrors, Backstage at Ondine, 1954
By Mark Shaw
Located in New York, NY
Mademoiselle in 1954 in her dressing room backstage at Ondine. After years of perfect blondes, Audrey’s look
Category

1950s Modern Black and White Photography

Materials

Giclée

Model with Grey Persian Cat, 1954
By Mark Shaw
Located in New York, NY
Model with Longhaired Cat -- Shot for the May 1954 issue of Mademoiselle, Mark Shaw photographs a
Category

1950s Modern Black and White Photography

Materials

Giclée

Model with Grey Persian Cat, 1954
By Mark Shaw
Located in New York, NY
Model with Longhaired Cat -- Shot for the May 1954 issue of Mademoiselle, Mark Shaw photographs a
Category

1950s Modern Black and White Photography

Materials

Giclée

Model with Grey Persian Cat, 1954
By Mark Shaw
Located in New York, NY
Model with Longhaired Cat -- Shot for the May 1954 issue of Mademoiselle, Mark Shaw photographs a
Category

1950s Modern Black and White Photography

Materials

Giclée

Alice Bruno with Siamese Cat, 1950
By Mark Shaw
Located in New York, NY
Model with Siamese Cat -- Mark Shaw photographed model Alice Bruno for Mademoiselle in 1950 holding
Category

1950s Modern Black and White Photography

Materials

Giclée

Alice Bruno with Siamese Cat, 1950
By Mark Shaw
Located in New York, NY
Model with Siamese Cat -- Mark Shaw photographed model Alice Bruno for Mademoiselle in 1950 holding
Category

1950s Modern Black and White Photography

Materials

Giclée

Alice Bruno with Siamese Cat, 1950
By Mark Shaw
Located in New York, NY
Model with Siamese Cat -- Mark Shaw photographed model Alice Bruno for Mademoiselle in 1950 holding
Category

1950s Modern Black and White Photography

Materials

Giclée

Audrey Hepburn Applies Makeup in Two Mirrors with Eyes Closed, Backstage at Ondi
By Mark Shaw
Located in New York, NY
photographed for Mademoiselle in 1954. After years of perfect blondes, Audrey's look was fresh and new
Category

1950s Modern Black and White Photography

Materials

Giclée

King of Spades, Paris c1928
By Max Vibert
Located in Long Island City, NY
This limited edition large format giclée print of “King of Spades” is one of four cards — Queen
Category

1920s Art Deco More Prints

Materials

Archival Ink, Digital, Rag Paper

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Mademoiselle Giclee Print For Sale on 1stDibs

Find the exact mademoiselle giclee print you’re shopping for in the variety available on 1stDibs. In our selection of items, you can find modern examples as well as a Art Deco version. If you’re looking for a mademoiselle giclee print from a specific time period, our collection is diverse and broad-ranging, and you’ll find at least one that dates back to the 20th Century while another version may have been produced as recently as the 21st Century. On 1stDibs, the right mademoiselle giclee print is waiting for you and the choices span a range of colors that includes gray and black. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in digital print, giclée print and inkjet print can add an especially memorable touch.

How Much is a Mademoiselle Giclee Print?

The average selling price for a mademoiselle giclee print we offer is $1,500, while they’re typically $1,100 on the low end and $6,600 for the highest priced.

A Close Look at modern Art

The first decades of the 20th century were a period of artistic upheaval, with modern art movements including Cubism, Surrealism, Futurism and Dadaism questioning centuries of traditional views of what art should be. Using abstraction, experimental forms and interdisciplinary techniques, painters, sculptors, photographers, printmakers and performance artists all pushed the boundaries of creative expression.

Major exhibitions, like the 1913 Armory Show in New York City — also known as the “International Exhibition of Modern Art,” in which works like the radically angular Nude Descending a Staircase by Marcel Duchamp caused a sensation — challenged the perspective of viewers and critics and heralded the arrival of modern art in the United States. But the movement’s revolutionary spirit took shape in the 19th century.

The Industrial Revolution, which ushered in new technology and cultural conditions across the world, transformed art from something mostly commissioned by the wealthy or the church to work that responded to personal experiences. The Impressionist style emerged in 1860s France with artists like Claude Monet, Paul Cézanne and Edgar Degas quickly painting works that captured moments of light and urban life. Around the same time in England, the Pre-Raphaelites, like Edward Burne-Jones and Dante Gabriel Rossetti, borrowed from late medieval and early Renaissance art to imbue their art with symbolism and modern ideas of beauty.

Emerging from this disruption of the artistic status quo, modern art went further in rejecting conventions and embracing innovation. The bold legacy of leading modern artists Georges Braque, Pablo Picasso, Frida Kahlo, Salvador Dalí, Henri Matisse, Joan Miró, Marc Chagall, Piet Mondrian and many others continues to inform visual culture today.

Find a collection of modern paintings, sculptures, prints and other fine art on 1stDibs.

Finding the Right black-white-photography for You

There’s a lot to love about black and white photography.

The unique and timeless quality of a black and white photograph accentuates any room. Some might argue that we’re naturally drawn to color photography because it’s the world we know best. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. Composition and textures are crisp and engaging. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints.

When decorating with fine photography, keep in mind that some color photographs may not be suitable for every space. However, you can be more daring with black and white photos. The gray tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.

Black and white photography adapts to its surroundings like a chameleon might. A single large-scale black and white photograph above the sofa in your living room is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography — a hallmark of minimalist decor — is a particularly natural choice for such a setting.

Another advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing color scheme. Black and white photographs actually harmonize well with accent colors such as yellow, red and green. Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.

Black and white photography also complements a variety of other art. Black and white photos pair well with drawings and etchings in monochromatic hues. They can also form part of specific color schemes. For example, you can place black and white prints in colored picture frames for a pop of color. And while there are no hard and fast rules, it’s best to keep black and white prints separate from color photographs. Color prints stand out in a room more than black and white prints do. Pairing them may detract attention from your black and white photography. Instead, dedicate separate walls or spaces to each.

Once you’ve selected the photography that best fits your space, you’ll need to decide how to hang the images. If you want to hang multiple photos, it’s essential to know how to arrange wall art. A proper arrangement can significantly enhance a living space.

On 1stDibs, explore a vast collection of compelling black and white photography by artists such as Mark Shaw, Jack Mitchell (a photographer you should know), Berenice Abbott and David Yarrow.