Like so many artists and designers, husband and wife John McGuire (1920–2013) and Elinor Stevenson (1914–2005) became masters in their trade by accident. For the founders of McGuire Furniture Company, well, furniture wasn’t actually in the plans.

The couple met just before the start of World War II (during which John was in the U.S. Navy and Elinor was a navigation instructor) and got married after it ended. They settled down in San Francisco where John held a couple of jobs — among them selling newspaper ads for the San Francisco Examiner while Elinor worked for Boeing Aircraft. Soon, an old Navy buddy of John’s asked him to help sell a bunch of rattan furniture and, needing the money, John agreed. His side business became so successful that John decided to quit his ad-sales job and work full-time in design.

In 1948, McGuire Furniture Company was born. Alongside the mid-century modern furniture designs then gaining popularity in the United States, John introduced an unconventional idea: traditional armchairs, stools and tables made of natural materials such as bamboo, which was strong yet could be rendered pliable when steamed, that were intended for the indoors rather than the front porch.

The brand’s first success was the now famous Director’s X-Chair by Leonard Linden. The military-campaign-style solid oak folding chair launched in 1956 and saw rattan binded with rawhide strips and a high-grade leather slug seat and back that eliminated the need for a plush cushion. Elinor, too, designed some of the brand’s popular pieces, such as 1968’s Cracked Ice chair. With its rattan oval back a dazzling celebration of geometric forms that give it its charming moniker, the Cracked Ice chair was an instant classic and is one of the brand’s most recognizable designs.

Today, McGuire and another American furniture manufacturer, Baker Furniture Company, comprise Baker Interiors Group. McGuire remains true to the founders’ ideals and commitment to crafting the kind of organic modern furnishings that are synonymous with the warm and relaxed feel of California design. The company has collaborated with interior designers Steven Volpe, Orlando Diaz-Azcuy and Nicole Hollis, and, as of 2019, its luxury furnishings share a 16,500-square-foot showroom with Baker’s in San Francisco. Some of the earliest McGuire Furniture Company designs are part of the permanent collection at the Cooper Hewitt, Smithsonian Design Museum in New York City.

Find a range of McGuire Furniture on 1stDibs.

A Close Look at Mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

Emerged during the mid-20th century
Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
A heyday of innovation in postwar America
Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

Simplicity, organic forms, clean lines
A blend of neutral and bold Pop art colors
Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood
Light-filled spaces with colorful upholstery
Glass walls and an emphasis on the outdoors
Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

Charles and Ray Eames
Eero Saarinen
Milo Baughman
Florence Knoll
Harry Bertoia
Isamu Noguchi
George Nelson
Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively.

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer.

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Materials: Brass Furniture

Whether burnished or lacquered, antique, new and vintage brass furniture can elevate a room.

From traditional spaces that use brass as an accent — by way of brass dining chairs or brass pendant lights — to contemporary rooms that embrace bold brass decor, there are many ways to incorporate the golden-hued metal.

“I find mixed metals to be a very updated approach, as opposed to the old days, when it was all shiny brass of dulled-out silver tones,” says interior designer Drew McGukin. “I especially love working with brass and blackened steel for added warmth and tonality. To me, aged brass is complementary across many design styles and can trend contemporary or traditional when pushed either way.”

He proves his point in a San Francisco entryway, where a Lindsey Adelman light fixture hangs above a limited-edition table and stools by Kelly Wearstler — also an enthusiast of juxtapositions — all providing bronze accents. The walls were hand-painted by artist Caroline Lizarraga and the ombré stair runner is by DMc.

West Coast designer Catherine Kwong chose a sleek brass and lacquered-parchment credenza by Scala Luxury to fit this San Francisco apartment. “The design of this sideboard is reminiscent of work by French modernist Jean Prouvé. The brass font imbues the space with warmth and the round ‘portholes’ provide an arresting geometric element.”

Find antique, new and vintage brass tables, case pieces and other furnishings now on 1stDibs.

Finding the Right Serving-tables for You

Vintage, new and antique serving tables, similar to tray tables, were designed for convenience and portability. These furnishings resemble small bedside tables and typically come with wheels for smooth transitions from room to room.

Serving tables — which are sometimes called servers — are primarily used for serving food in your dining room but are adaptable for other purposes, such as offering storage in a kitchen or workspace. These tables differ from buffets in that they are smaller and more formal pieces of furniture. Serving tables are also popular as bar carts. If you don’t have the room to create a cheerful home bar, a serving table can fit in tight spaces.

While most serving tables have wheels, some have stationary feet, depending on the style or period of the piece. Many antique serving tables dating back to the 18th century and earlier, for instance, do not have wheels.

Whether you’re seeking out a stationary design to provide extra storage space or a large wheeled model, browse 1stDibs for an extensive inventory of serving tables and other tables today.