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Steady My Steed, limited edition photograph, archival, signed and numbered
By Tom Chambers
Located in Sante Fe, NM
the photomontage using a Nikon D700 or a medium format film camera, generally a Mamiya Pro TL or a
Category

2010s Surrealist Figurative Photography

Materials

Archival Pigment

Steady My Steed, limited edition photograph, archival, signed and numbered

Tom Chambers
Steady My Steed, limited edition photograph, archival, signed and numbered , 2022

H 20 in W 20 in
Morning On The Grand Canal, limited edition photograph, archival, signed
By Tom Chambers
Located in Sante Fe, NM
the photomontage using a Nikon D700 or a medium format film camera, generally a Mamiya Pro TL or a
Category

2010s Surrealist Figurative Photography

Materials

Archival Pigment

Morning On The Grand Canal, limited edition photograph, archival, signed

Tom Chambers
Morning On The Grand Canal, limited edition photograph, archival, signed, 2022

H 20 in W 20 in
The Gamekeeper's Charge, limited edition photograph, archival, signed
By Tom Chambers
Located in Sante Fe, NM
the photomontage using a Nikon D700 or a medium format film camera, generally a Mamiya Pro TL or a
Category

2010s Surrealist Figurative Photography

Materials

Archival Pigment

The Gamekeeper's Charge, limited edition photograph, archival, signed

Tom Chambers
The Gamekeeper's Charge, limited edition photograph, archival, signed , 2024

H 20 in W 20 in
Fragment Attraction, limited edition photograph, archival, signed and numbered
By Tom Chambers
Located in Sante Fe, NM
the photomontage using a Nikon D700 or a medium format film camera, generally a Mamiya Pro TL or a
Category

2010s Surrealist Figurative Photography

Materials

Archival Pigment

Fragment Attraction, limited edition photograph, archival, signed and numbered

Tom Chambers
Fragment Attraction, limited edition photograph, archival, signed and numbered , 2024

H 20 in W 20 in
Tart to the Taste, limited edition photograph, archival, signed and numbered
By Tom Chambers
Located in Sante Fe, NM
the photomontage using a Nikon D700 or a medium format film camera, generally a Mamiya Pro TL or a
Category

2010s Surrealist Figurative Photography

Materials

Archival Pigment

Tart to the Taste, limited edition photograph, archival, signed and numbered

Tom Chambers
Tart to the Taste, limited edition photograph, archival, signed and numbered , 2024

H 20 in W 20 in
Lightening in a Jar
By Tom Chambers
Located in Sante Fe, NM
photomontage using a Nikon D700 or a medium format film camera, generally a Mamiya Pro TL or a Fuji Rangefinder
Category

2010s Color Photography

Materials

Archival Pigment

Lightening in a Jar

Tom Chambers
Lightening in a Jar, 2018

H 21 in W 11.75 in
Edward Weston's Desk, Black and White Photograph, Wild Cat Hill
By Kim Weston
Located in Soquel, CA
photograph was taken in the former home of Edward Weston, Kim Weston's grandfather, and antique camera
Category

Early 2000s Realist Black and White Photography

Materials

Photographic Paper, Silver Gelatin, Black and White

Edward Weston's Desk, Black and White Photograph, Wild Cat Hill
Edward Weston's Desk, Black and White Photograph, Wild Cat Hill

Kim Weston
Edward Weston's Desk, Black and White Photograph, Wild Cat Hill , 2001

H 17.88 in W 15 in D 0.13 in
Prescott Trees
By Brian Kosoff
Located in Westwood, NJ
cameras, Fuji 680 and Fuji 617 cameras, Mamiya 7 rangefinders and Rolleiflex SLR’s and chooses his
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Prescott Trees

Brian Kosoff
Prescott Trees, 2012

H 16 in W 20 in
Dixon Cemetery
By Brian Kosoff
Located in Westwood, NJ
cameras, Fuji 680 and Fuji 617 cameras, Mamiya 7 rangefinders and Rolleiflex SLR’s and chooses his
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Dixon Cemetery

Brian Kosoff
Dixon Cemetery, 2012

H 16 in W 20 in
Lake Superior #3
By Brian Kosoff
Located in Westwood, NJ
cameras, Fuji 680 and Fuji 617 cameras, Mamiya 7 rangefinders and Rolleiflex SLR’s and chooses his
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Lake Superior #3

Brian Kosoff
Lake Superior #3, 2012

H 16 in W 20 in
Winter Trees
By Brian Kosoff
Located in Westwood, NJ
cameras, Fuji 680 and Fuji 617 cameras, Mamiya 7 rangefinders and Rolleiflex SLR’s and chooses his
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Winter Trees

Brian Kosoff
Winter Trees, 2012

H 16 in W 20 in
Lighthouse, Norway
By Brian Kosoff
Located in Westwood, NJ
cameras, Fuji 680 and Fuji 617 cameras, Mamiya 7 rangefinders and Rolleiflex SLR’s and chooses his
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Lighthouse, Norway

Brian Kosoff
Lighthouse, Norway, 2005

H 16 in W 20 in
Hay Bales
By Brian Kosoff
Located in Westwood, NJ
cameras, Fuji 680 and Fuji 617 cameras, Mamiya 7 rangefinders and Rolleiflex SLR’s and chooses his
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Hay Bales

Brian Kosoff
Hay Bales, 2007

H 16 in W 20 in
Boat , Lake Ontario
By Brian Kosoff
Located in Westwood, NJ
cameras, Fuji 680 and Fuji 617 cameras, Mamiya 7 rangefinders and Rolleiflex SLR’s and chooses his
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Boat , Lake Ontario

Brian Kosoff
Boat , Lake Ontario, 2005

H 16 in W 20 in
Misty View from Skye
By Brian Kosoff
Located in Westwood, NJ
cameras, Fuji 680 and Fuji 617 cameras, Mamiya 7 rangefinders and Rolleiflex SLR’s and chooses his
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Misty View from Skye

Brian Kosoff
Misty View from Skye, 2012

H 16 in W 20 in
Pier Pilings in Still Water
By Brian Kosoff
Located in Westwood, NJ
cameras, Fuji 680 and Fuji 617 cameras, Mamiya 7 rangefinders and Rolleiflex SLR’s and chooses his
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Pier Pilings in Still Water

Brian Kosoff
Pier Pilings in Still Water, 2012

H 16 in W 20 in
Tuscan Hay Bales
By Brian Kosoff
Located in Westwood, NJ
cameras, Fuji 680 and Fuji 617 cameras, Mamiya 7 rangefinders and Rolleiflex SLR’s and chooses his
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Tuscan Hay Bales

Brian Kosoff
Tuscan Hay Bales, 2012

H 16 in W 20 in
Refinery, Fidalgo Bay
By Brian Kosoff
Located in Westwood, NJ
cameras, Fuji 680 and Fuji 617 cameras, Mamiya 7 rangefinders and Rolleiflex SLR’s and chooses his
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Refinery, Fidalgo Bay

Brian Kosoff
Refinery, Fidalgo Bay, 2007

H 16 in W 20 in
Dune Silhouette
By Brian Kosoff
Located in Westwood, NJ
cameras, Fuji 680 and Fuji 617 cameras, Mamiya 7 rangefinders and Rolleiflex SLR’s and chooses his
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Dune Silhouette

Brian Kosoff
Dune Silhouette, 2012

H 11 in W 14 in
Columbia River #3
By Brian Kosoff
Located in Westwood, NJ
cameras, Fuji 680 and Fuji 617 cameras, Mamiya 7 rangefinders and Rolleiflex SLR’s and chooses his
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Columbia River #3

Brian Kosoff
Columbia River #3, 2007

H 16 in W 20 in
I Can Touch
By Tom Chambers
Located in Sante Fe, NM
a medium format film camera, generally a Mamiya Pro TL or a Fuji Rangefinder. The greatest challenge
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

I Can Touch

Tom Chambers
I Can Touch, 2019

H 21 in W 11.75 in
Wild By Nature
By Tom Chambers
Located in Sante Fe, NM
a medium format film camera, generally a Mamiya Pro TL or a Fuji Rangefinder. The greatest challenge
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

Wild By Nature

Tom Chambers
Wild By Nature , 2019

H 21 in W 11.75 in
No You Don't
By Tom Chambers
Located in Sante Fe, NM
photograph each piece of the photomontage using a Nikon D700 or a medium format film camera, generally a
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

No You Don't

Tom Chambers
No You Don't, 2019

H 21 in W 11.75 in D 0.01 in
Forever In A Day
By Tom Chambers
Located in Sante Fe, NM
photograph each piece of the photomontage using a Nikon D700 or a medium format film camera, generally a
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

Forever In A Day

Tom Chambers
Forever In A Day, 2019

H 21 in W 11.75 in D 0.01 in
Tunnel Vision
By Tom Chambers
Located in Sante Fe, NM
camera, generally a Mamiya Pro TL or a Fuji Rangefinder. The greatest challenge is in making sure the
Category

2010s Contemporary Photography

Materials

Archival Pigment

Tunnel Vision

Tom Chambers
Tunnel Vision, 2013

H 14 in W 14 in
Opening Act
By Tom Chambers
Located in Sante Fe, NM
camera, generally a Mamiya Pro TL or a Fuji Rangefinder. The greatest challenge is in making sure the
Category

2010s Contemporary Photography

Materials

Archival Pigment

Opening Act

Tom Chambers
Opening Act, 2013

H 14 in W 14 in
Fly By
By Tom Chambers
Located in Sante Fe, NM
camera, generally a Mamiya Pro TL or a Fuji Rangefinder. The greatest challenge is in making sure the
Category

2010s Contemporary Photography

Materials

Archival Pigment

Fly By

Tom Chambers
Fly By, 2013

H 14 in W 14 in
As The Crow Flies
By Tom Chambers
Located in Sante Fe, NM
camera, generally a Mamiya Pro TL or a Fuji Rangefinder. The greatest challenge is in making sure the
Category

2010s Contemporary Photography

Materials

Archival Pigment

As The Crow Flies

Tom Chambers
As The Crow Flies, 2013

H 14 in W 14 in
Horse Talk
By Tom Chambers
Located in Sante Fe, NM
photograph each piece of the photomontage using a Nikon D700 or a medium format film camera, generally a
Category

2010s Contemporary Photography

Materials

Archival Pigment

Horse Talk

Tom Chambers
Horse Talk, 1999

H 14 in W 16.5 in
Its Only Natural
By Tom Chambers
Located in Sante Fe, NM
camera, generally a Mamiya Pro TL or a Fuji Rangefinder. The greatest challenge is in making sure the
Category

2010s Contemporary Photography

Materials

Archival Pigment

Its Only Natural

Tom Chambers
Its Only Natural, 2013

H 14 in W 14 in
Rain for Galileo
By Tom Chambers
Located in Sante Fe, NM
camera, generally a Mamiya Pro TL or a Fuji Rangefinder. The greatest challenge is in making sure the
Category

2010s Contemporary Photography

Materials

Archival Pigment

Rain for Galileo

Tom Chambers
Rain for Galileo, 2013

H 14 in W 14 in
Accidents Will Happen
By Tom Chambers
Located in Sante Fe, NM
camera, generally a Mamiya Pro TL or a Fuji Rangefinder. The greatest challenge is in making sure the
Category

2010s Contemporary Photography

Materials

Archival Pigment

Accidents Will Happen

Tom Chambers
Accidents Will Happen, 2013

H 14 in W 14 in
Stealing Crow
By Tom Chambers
Located in Sante Fe, NM
photograph each piece of the photomontage using a Nikon D700 or a medium format film camera, generally a
Category

2010s Contemporary Photography

Materials

Archival Pigment

Stealing Crow

Tom Chambers
Stealing Crow, 1999

H 13.5 in W 17 in
Aground
By Tom Chambers
Located in Sante Fe, NM
camera, generally a Mamiya Pro TL or a Fuji Rangefinder. The greatest challenge is in making sure the
Category

2010s Contemporary Photography

Materials

Archival Pigment

Aground

Tom Chambers
Aground, 2012

H 13 in W 17 in
What Was That World I Was Dreaming Of
By Tom Chambers
Located in Sante Fe, NM
camera, generally a Mamiya Pro TL or a Fuji Rangefinder. The greatest challenge is in making sure the
Category

2010s Contemporary Photography

Materials

Archival Pigment

What Was That World I Was Dreaming Of

Tom Chambers
What Was That World I Was Dreaming Of, 2013

H 14 in W 14 in
Grimalkin's Opus
By Tom Chambers
Located in Sante Fe, NM
camera, generally a Mamiya Pro TL or a Fuji Rangefinder. The greatest challenge is in making sure the
Category

2010s Contemporary Photography

Materials

Archival Pigment

Grimalkin's Opus

Tom Chambers
Grimalkin's Opus, 2012

H 14 in W 14 in
Prom Gown #3
By Tom Chambers
Located in Sante Fe, NM
photomontage using a Nikon D700 or a medium format film camera, generally a Mamiya Pro TL or a Fuji Rangefinder
Category

2010s Contemporary Photography

Materials

Archival Pigment

Prom Gown #3

Tom Chambers
Prom Gown #3, 2005

H 14 in W 14 in
Medici Gold
By Tom Chambers
Located in Sante Fe, NM
camera, generally a Mamiya Pro TL or a Fuji Rangefinder. The greatest challenge is in making sure the
Category

2010s Contemporary Photography

Materials

Archival Pigment

Medici Gold

Tom Chambers
Medici Gold, 2012

H 14 in W 14 in
Night Light
By Tom Chambers
Located in Sante Fe, NM
camera, generally a Mamiya Pro TL or a Fuji Rangefinder. The greatest challenge is in making sure the
Category

2010s Contemporary Photography

Materials

Archival Pigment

Night Light

Tom Chambers
Night Light, 2006

H 14 in W 14 in
Moat Float
By Tom Chambers
Located in Sante Fe, NM
camera, generally a Mamiya Pro TL or a Fuji Rangefinder. The greatest challenge is in making sure the
Category

2010s Contemporary Photography

Materials

Archival Pigment

Moat Float

Tom Chambers
Moat Float, 2013

H 14 in W 14.5 in
U2 Bono 2005 - Oversize Signed Limited Edition Print
By Kevin Westenberg
Located in London, GB
captured moments shot on TX120mm film and my Mamiya RZ. I always knew when using this camera, there would
Category

Early 2000s Modern Portrait Photography

Materials

Black and White, Archival Pigment

U2 Bono 2005 - Oversize Signed Limited Edition Print

Kevin Westenberg
U2 Bono 2005 - Oversize Signed Limited Edition Print, 2020

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H 30 in W 40 in
Tea for Two
By Tom Chambers
Located in Sante Fe, NM
photomontage using a Nikon D700 or a medium format film camera, generally a Mamiya Pro TL or a Fuji Rangefinder
Category

2010s Color Photography

Materials

Archival Pigment

Tea for Two

Tom Chambers
Tea for Two, 2018

H 22 in W 12.25 in
Newton's Mamiya
By Joshua Hershman
Located in Asheville, NC
1704. These images were transferred onto pre cut glass layers and embedded into the camera. The Mamiya
Category

21st Century and Contemporary Contemporary Still-life Sculptures

Materials

Found Objects, Glass, Mixed Media

Newton's Mamiya

Joshua Hershman
Newton's Mamiya, 2015

H 25 in W 9.5 in D 9.5 in
Oksen, Norway
By Brian Kosoff
Located in Westwood, NJ
cameras, Fuji 680 and Fuji 617 cameras, Mamiya 7 rangefinders and Rolleiflex SLR’s and chooses his
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Oksen, Norway

Brian Kosoff
Oksen, Norway, 2007

H 16 in W 20 in
Four Flowers
By Brian Kosoff
Located in Westwood, NJ
cameras, Fuji 680 and Fuji 617 cameras, Mamiya 7 rangefinders and Rolleiflex SLR’s and chooses his
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Four Flowers

Brian Kosoff
Four Flowers, 2006

H 16 in W 20 in
Tea for Two
By Tom Chambers
Located in Sante Fe, NM
photomontage using a Nikon D700 or a medium format film camera, generally a Mamiya Pro TL or a Fuji Rangefinder
Category

2010s Color Photography

Materials

Archival Pigment

Tea for Two

Tom Chambers
Tea for Two, 2018

H 22 in W 12.25 in
The Notorious B.I.G. (Biggie Smalls)
By David McIntyre
Located in New York, NY
camera strung around my neck, and well Biggie (by name and nature) from the hardscrabble streets of
Category

1990s Other Art Style Portrait Photography

Materials

Silver Gelatin

The Notorious B.I.G. (Biggie Smalls)

David McIntyre
The Notorious B.I.G. (Biggie Smalls), 1994

H 24 in W 20 in
The Notorious B.I.G. (Biggie Smalls)
By David McIntyre
Located in New York, NY
camera strung around my neck, and well Biggie (by name and nature) from the hardscrabble streets of
Category

1990s Other Art Style Portrait Photography

Materials

Silver Gelatin

The Notorious B.I.G. (Biggie Smalls)

David McIntyre
The Notorious B.I.G. (Biggie Smalls), 1994

H 20 in W 16 in
The Notorious B.I.G. (Biggie Smalls)
By David McIntyre
Located in New York, NY
camera strung around my neck, and well Biggie (by name and nature) from the hardscrabble streets of
Category

1990s Other Art Style Portrait Photography

Materials

Silver Gelatin

The Notorious B.I.G. (Biggie Smalls)

David McIntyre
The Notorious B.I.G. (Biggie Smalls), 1994

H 20 in W 16 in
The Notorious B.I.G. (Biggie Smalls)
By David McIntyre
Located in New York, NY
camera strung around my neck, and well Biggie (by name and nature) from the hardscrabble streets of
Category

1990s Other Art Style Portrait Photography

Materials

Silver Gelatin

The Notorious B.I.G. (Biggie Smalls)

David McIntyre
The Notorious B.I.G. (Biggie Smalls), 1994

H 20 in W 16 in
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Mamiya Cameras For Sale on 1stDibs

There is a broad range of mamiya cameras for sale on 1stDibs. Browse a selection of contemporary or modern versions of these works for sale today — there are 36 contemporary and 1 modern examples available. There are many variations of these items available, from those made as long ago as the 20th Century to those made as recently as the 21st Century. You can search the mamiya cameras that we have for sale on 1stDibs by color — popular works were created in bold and neutral palettes with elements of gray, black, beige and blue. Tom Chambers, Brian Kosoff, David McIntyre, Joshua Hershman and Kevin Westenberg took a thoughtful approach to this subject that are worth considering. Each of these unique pieces was handmade with extraordinary care, with artists most often working in archival pigment print, pigment print and silver gelatin print.

How Much are Mamiya Cameras?

Prices for art of this kind can differ depending upon size, time period and other attributes — mamiya cameras in our inventory begin at $750 and can go as high as $10,000, while the average can fetch as much as $1,150.

Finding the Right photography for You

Find a broad range of photography on 1stDibs today.

The first permanent image created by a camera — which materialized during the 1820s — is attributed to Joseph Nicéphore Niépce. The French inventor was on to something for sure. Kodak introduced roll film in the 1880s, allowing photography to become more democratic, although cameras wouldn’t be universally accessible until several decades later. 

Digital photographic techniques, software, smartphone cameras and social-networking platforms such as Instagram have made it even easier in the modern era for budding photographers to capture the world around them as well as disseminate their images far and wide. 

What might leading figures of visual art such as Andy Warhol have done with these tools at their disposal?

Today, when we aren’t looking at the digital photos that inundate us on our phones, we look to the past to celebrate the photographers who have broken rules as well as records — provocative and prolific artists like Horst P. Horst, Lillian Bassman and Helmut Newton, who altered the face of fashion and portrait photography; visionary documentary photographers such as Gordon Parks, whose best-known work was guided by social justice; and pioneers of street photography such as Henri Cartier-Bresson, who shot for revolutionary travel magazines like Holiday with the likes of globetrotting society lensman Slim Aarons.

Find photographers you may not know in Introspective and The Study — where you’ll read about Berenice Abbott, who positioned herself atop skyscrapers for the perfect shot, or “conceptual artist-adventurer” Charles Lindsay, whose work combines scientific rigor with artistic expression, or Massimo Listri, known for his epic interiors of opulent Old World libraries. Photographer Jeannette Montgomery Barron was given a Kodak camera as a child. Later, she shot on Polaroid film before buying her first 35mm camera in her teens. Barron's stunning portraits of Jean-Michel Basquiat, Warhol and other artists chronicle a crucial chapter of New York’s cultural history.

Throughout the past two centuries, photographers have used their medium to create expressive work that has resonated for generations. Shop a voluminous collection of this powerful fine photography on 1stDibs. Search by photographer to find the perfect piece for your living room wall, or spend some time with the work organized under various categories, such as landscape photography, nude photography and more. 

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