Margaret Keane Lithograph

Margaret Keane was born Peggy Doris Hawkins on September 15, 1927, in Nashville, Tennessee. When she was two years old, her eardrum was permanently damaged during a mastoid operation. Unable to hear properly, Keane learned to watch the eyes of the person talking to her to understand them. 

Keane started drawing as a child. At age 10 she took classes at the Watkins Institute in Nashville. She created her first oil painting of two little girls — one crying and one laughing — when she was 10 years old and gave the work to her grandmother. Keane became well known at the local church for her sketches of angels with big eyes and floppy wings. 

At age 18 Keane attended the Traphagen School of Design in New York City for a year. She initially earned money by painting clothing and baby cribs in the 1950s until she finally began painting portraits. Early on Keane experimented with kitsch. She worked in both acrylics and oil-based paints and limited the subjects of her artwork to women, children and familiar animals (cats, dogs and horses). 

Keane's paintings are recognizable by the oversized doe-like eyes of her subjects. She said she was always interested in the eyes and used to draw them in her school books. She began painting her signature "Keane eyes" when she started to create portraits of children. 

"Children do have big eyes,” Keane said. “When I'm doing a portrait, the eyes are the most expressive part of the face. And they just got bigger and bigger and bigger." 

Keane focused on the eyes as they better illuminate the inner person. The artist cited Modigliani's work as a major influence on the way she had painted women since 1959. Other artists who influenced her use of color, dimension and composition include Van Gogh, Picasso and Klimt. She was named a Fellow of the Society of Western Artists after exhibiting in three Annual Juried Shows in the M.H. De Young Memorial Museum in San Francisco.

Keane's works are in collections all over the world. Public collections include the National Museum of Contemporary Art in Madrid, the National Museum of Western Art in Tokyo, the Tennessee Fine Arts Museum in Nashville and more.

Find original Margaret Keane paintings and prints on 1stDibs.

(Biography provided by Lucille Lucas Gallery)

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.