Mens 1996 Versace

The signature extravagance of legendary fashion designer Gianni Versace — forever aligned with glamour, sex, celebrity and spectacle — can overshadow the Italian couturier’s broad and deep engagement with history and culture. Today, his vintage dresses and gowns, handbags, sunglasses and other accessories look astonishingly fresh and freshly relevant.

More than any designer before him, Versace mined celebrity, music and Pop art for inspiration, and his subversive, maximalist and unabashedly seductive designs infused high fashion with an entirely new ethos. “I don’t believe in good taste,” he once explained. Instead, he had a sexy good time with fashion — as he did with life. 

Gianni Versace was born in Calabria, Italy. His mother was a successful dressmaker who employed more than 40 seamstresses. As a child, little Gianni marveled at her workshop, which would become a university of sorts, where he learned the exceptional construction techniques that were at the foundation of his creative expression.

In 1972, at age 25, he moved to Milan to work in fashion. He launched his first collection — and his label — in 1978, with his older brother Santo managing the business concerns. Soon, sister Donatella, whom Gianni dressed and took to discos when she was still a child, joined the family venture, where she had a creative role and managed enormously popular ready-to-wear lines such as Versus.

Vintage Versace — and Gianni Versace Couture, which debuted in 1989 — has become catnip for modern fashion enthusiasts who seek out the now-iconic house codes that originated in the designs of the 1980s and 1990s. His glamorous and seductive apparel — the clingy skirts and slender, strappy party dresses, as well as the erotic magazine ads that publicized them — looms large, but Versace’s art and historical influences were also vast.

Versace was an art collector, and he took on commissions to create costumes for theatrical performances during the 1980s and spoke of looking to numerous cultures for inspiration. The New York Times noted in 1997 that the fashion industry “is now driven by contemporary culture because Mr. Versace made it that way.”

Insiders consider his 1991/1992 Autumn/Winter runway show — which featured supermodels Christy Turlington, Cindy Crawford, Naomi Campbell and Linda Evangelista lip-synching George Michael’s “Freedom” — as the moment when the two worlds of fashion and pop culture became one, changing both forever.

Versace's adventurous spirit of design resulted in his creating jewel-toned prints rooted in Grecian motifs, Etruscan symbols, the Italian Baroque and Andy Warholʼs Marilyn Monroe. There were slinky dresses in Oroton, his patented chain-mail textile that draped like satin, and leather bondage ensembles. Sex sold, for both women and men. Wrote the late curator Richard Martin, “[Versace] became the standard-bearer of gay men’s fashion because he eschewed decorum and designed for desire.”

Following Versace’s tragic murder in 1997, Donatella took over the role of artistic director and continued to evolve the house codes with a twist of her feminine and feminist perspective. Today, Santo Versace is chief executive officer of Versace and Donatella is its chief creative officer.

Browse an extraordinary collection of vintage Gianni Versace evening dresses, handbags, day dresses and more on 1stDibs.

For fashion lovers, the 1990s have become associated with styles adopted by today’s supermodels and influencers, who never wear the same thing twice. And because fast fashion didn’t yet exist, the design associated with 1990s fashion — vintage '90s handbags, clothing and accessories — has a quality appreciated by the millennial generation: authenticity.

If there was one concept unifying fashion in the 1990s, it was the lean silhouette. “Fashion is a game of proportion,” Alexander Fury wrote in the New York Times in 2016. “Narrow-shouldered and narrow-hipped, the ’90s were skinny.”

If it takes a practiced eye to identify that single concept, that’s because in truth, ’90s fashion was many things to many people. After the 1980s era of strong-shouldered working women, glossy aerobicized bodies and Madonna, fashion branched out.

The industry gained momentum from big-money relaunches of the great Paris houses Dior, Givenchy and Balenciaga, rescued at long last from the constraints of licensing. Japan and Belgium gave fashion new avant-garde ideas to play with. From America came denim, minimalism, '90s grunge fashion and hip-hop. From Italy came sex appeal. And Prada.

For the colorful corsets of her 1990 Portrait collection, audacious British designer Dame Vivienne Westwood drew on 18th-century oil paintings — her models donned the pearl choker necklaces that have become a social media star and a favorite of influencers and fashion lovers all over the world. For a jacket-and-shorts suit from her Fall/Winter 1996–97 Storm in a Teacup line, the designer used the extreme asymmetry of a tartan mash-up to confront, according to Westwood, “the horror of uniformity and minimalism.”

“The ethos of the time was, you could have style, you could be into all kinds of cool stuff. It wasn’t about money, it wasn’t about status,” says Katy Rodriguez, cofounder of Resurrection. In contrast, “our last 10 years have seen the domination of nonstop luxury, money and status.”

Vintage 1990s Chanel bags, for example, are among the most prized of the brand’s offerings — at Newfound Luxury, proprietor L. Kiyana Macon has "clients who only buy ’90s Chanel because they recognize that it is the best quality.” 

Things were different in the ’90s, and the difference is reflected in the clothes. Pull up any recent “How to Do the 1990s” fashion article (or look at photos of current supermodels Gigi, Kendall and Bella), and you’ll see iconic '90s outfits — knee socks, cardigans, fanny packs, fishnet stockings, slip dresses, flannel shirts and combat boots.

Rodriguez has recently noticed something similar happening. Before COVID, customers searched 1990s stock “for very sexy Galliano, Dior, Cavalli — that kind of thing,” she explains, noting that just a few months ago, “people were posting [on social media] the poshest things they could.” Now, in the age of shutdown, “that would just look out of touch.”

Instead, people are looking for “things that are cool but also easy and comfortable, not necessarily super-luxe,” Rodriguez continues. They’re “heading back to the more avant-garde, anti-fashion designers, like Helmut Lang, [Martin] Margiela and [Ann] Demeulemeester.”

Late designer Franco Moschino shocked and titillated the ’80s fashion elite with his whimsical, irreverent parodies of bourgeois finery. Whether emblazoning a sober blazer with smiley faces or embellishing a skirt suit with cutlery, Moschino rendered high style with a hearty wink. He famously said, “If you can’t be elegant, at least be extravagant” — words that, with all due respect to Susan Sontag, epitomize the essence of camp.

Vintage Moschino pants, jackets and other '90s Moschino garments remain so bold and fresh today that even the house's former creative director, Jeremy Scott, drew on the brand's past and the pop culture of the decade for his debut collection in 2014.

Find vintage 90s dresses, skirts, sweaters and other clothing and accessories on 1stDibs — shop Thierry Mugler, Miuccia Prada, Jean Paul Gaultier and more today.

There is a stylish garment for anywhere in the universe, and on 1stDibs, finding the right vintage and designer coats and outerwear doesn’t have to feel like a journey to the ends of the earth.

Outerwear includes many types of garments aside from the standard coat. From capes, gilets, jackets and cloaks to raincoats and kimonos, fashion designers have long been preparing us for the elements, and outerwear in general has changed and evolved significantly over time.

A lot of the coat styles in our closets, such as the durable Navy-inspired peacoat, were popularized by soldiers who battled aggressive climes in their regulation field jackets and parkas — indeed, keeping troopers comfortable guided the design of the military surplus garments that have often become buzzy fashion trends. Even today, owing to the likes of Burberry, a luxury fashion house that is among the originators of the trench coat worn by British officers during World War I, the trench remains a timeless style, now available in a range of colors that can be worn throughout the year.

While women in late 1700s England donned an adaptation of a men’s jacket called a spencer — the likeness of which could be spotted in Ralph Lauren’s ready-to-wear collections hundreds of years later — designers hadn’t widely been crafting outerwear specifically for women. Generally, the outerwear of choice for the fashionable, well-heeled lady prior to the 1800s usually consisted of capes, shawls and stoles. By the mid-1800s, women were wearing overcoats with multiple layered collars popularized by men (often called a Garrick coat in England), and as women entered the workforce during the 1920s, hemlines climbed, jewelry was prominent and fashion conventions were broken across the board.

Thankfully, the 20th century’s tradition of challenging the norm continues steadfast in today’s outerwear fashions. Contemporary designers certainly find inspiration in 1960s and 1970s coats by Pierre Cardin, Yves Saint Laurent and Bonnie Cashin, but unisex options abound in modern creations that take both function and style into account. Find what inspires you in the full range of vintage and designer coats and outerwear available for sale on 1stDibs.