Merton Gershun Urban Suburban

In as early as the 1920s, American furniture designer Merton Gershun created popular bedroom suites and more for the likes of Shelbyville, Indiana’s Albert Distinctive Modern Furniture Company. Later, he partnered with Dillingham Manufacturing, which had offices in Wisconsin and Mississippi and collaborated with the likes of Arthur Umanoff and Pierre Cardin. The world’s growing population of mid-century modern furniture devotees, however, know Gershun as having been American of Martinsville’s most prolific designer. Vintage Merton Gershun dressers, side tables, bed frames and other pieces are widely collected today.

Founded in the early 1900s by former tobacco producers, American of Martinsville eventually became one of the best known furniture manufacturers in the United States. Besides quality manufacturing, American of Martinsville is additionally recognized for having incorporated the day's trends in its designs. Inspired by designers like George Nakashima and Paul Laszlo, the brand was also known for innovations with wood. 

Working with walnut and ebonized mahogany — and integrating decorative flourishes such as brass drawer pulls into his dressers and cane door fronts on his cabinets — Gershun designed numerous furniture lines for the company, including Dilettante, Fortissimo and others. The designer’s Dania collection, with its sleek walnut credenzas fitted with stylish brass accents and large drawers, has enjoyed popularity all over the world.

Gershun was passionate about bringing stylish pieces to American families but was also focused on affordability. His Harlequin line for American of Martinsville — the print ads for which read “SCULPTURED” and “BUDGET-PRICED” in bolded all-caps text — included bedroom and dining room furnishings in solid walnut. For Dillingham, Gershun designed the similarly well-received Esprit and Samara lines as well as other collections.

Gershun was particularly interested in creating furniture for small spaces and for postwar homeowners on a modest budget. He was a big proponent of incorporating international influences into his designs — he drew inspiration from Asia and created chinoiserie-style dressers in bleached walnut supported by ebonized wood bases. To Gershun, modern design was more than clean lines and sharp angles: it was about utility as well as beauty.

Find vintage Merton Gershun case pieces, tables, bedroom furniture and other furniture on 1stDibs.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.