Navajo Cradle

Seth Eastman is known primarily for his depictions of daily life among the Dakota and Ojibwe tribes in Minnesota. He was born to Robert and Sarah Lee Eastman on January 24, 1808, in Brunswick, Maine. Eastman attended the United States Military Academy at West Point, New York, where he received training in sketching and topography. While at West Point, he began to paint scenes featuring the daily life of local Native American tribes. In 1830, Eastman was assigned to topography duty on the frontier and spent a short time at Fort Snelling before returning to West Point to teach. While at Fort Snelling, Eastman married Wakaninajinwin, the fifteen-year-old daughter of Cloud Man, a Dakota chief. Eastman left in 1832 for another military assignment soon after the birth of their baby girl, Winona and declared his marriage ended when he left. Winona was also known as Mary Nancy Eastman and was the mother of Charles Alexander Eastman, author of Indian Boyhood. From 1833–40, Eastman taught drawing at West Point. In 1835 he married his second wife, Mary Henderson, the daughter of a West Point surgeon. In 1841, he returned to Fort Snelling as a military commander and remained there with Mary and their five children for the next seven years. It was during this time that Eastman began visually recording the everyday way of life of the Dakota and Ojibwe people. His wife Mary also became involved in preserving Indian culture by writing books on local tales and legends, which he would illustrate for her. The most important of these books was entitled Dahcotah: Or, Life and Legends of the Sioux Around Fort Snelling. In 1847, Henry R. Schoolcraft, a former Indian agent, was chosen to conduct a study of the American Indian people. Eastman illustrated the six-volume set, published between 1851 and 1857 as Historical and Statistical Information Respecting the History, Condition, and Prospects of the Indian Tribes of the United States. The U.S. House of Representatives Committee on Military Affairs also commissioned Eastman to paint images of 17 important military forts, which he completed between 1870–75. These paintings are now housed in the United States Capitol in Washington, D.C. Eastman's works are significant for Minnesota history because art historians believe that Eastman based many of his paintings and sketches on his observations in the Sioux villages of Kaposia and Little Crow, as well as in Scott, Wabasha and Winona counties. Eastman died of a stroke while painting at his home in Washington, D.C., on August 31, 1875.

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

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