Perriand Coat Hanger

A pioneer of modernism in France, Charlotte Perriand was one of the most influential figures in 20th-century design and architecture. In her long career, Perriand’s aesthetic grammar constantly evolved, moving from the tubular steel furniture of the Machine Age to a lyrical naturalism that is reflected in her enduring designs for chairs, sconces, daybeds and other works.

Perriand’s studies at the Ecole de L'Union Centrale de Arts Decoratifs left her enthralled by Charles-Édouard "Le Corbusier" Jeanneret and his vision of a new, rational architecture. In 1924, she joined his studio to design furniture along with Pierre Jeanneret, Corbu’s partner and cousin.

Together, they devised some of the finest examples of early modernist furniture, including two icons of the era: the B306 chaise — later renamed the LC4 —  with its swooping frame and hide upholstery; and the chunky, steel-framed Grand Confort club chair. Both pieces were part of the LC line, which saw the trio of designers carrying out bold experiments with tubular chromed steel, just as architect and Bauhaus faculty member Marcel Breuer had executed with his cantilever Cesca chair around the same time. (Furniture created by Perriand, Le Corbusier and Pierre Jeanneret was originally produced by Austrian manufacturer Thonet but Italian firm Cassina acquired the production and sales rights to their works in 1964.) 

Collaborative design produced another Perriand triumph: in the early 1950s, she and Jean Prouvé were engaged to produce desks, worktables and bookcases for the University of Paris. The bookcases — slim pine shelves with brightly painted aluminum dividers — are minimalist mid-century masterpieces.

By the end of that decade, Perriand’s aesthetic had changed completely from the earliest days of her career. She produced a series of furniture in ebonized wood: chairs with gentle S-curve legs, front and back; tables with elliptical tops. In the 1960s, Perriand pushed the boundaries of prefab to produce high-quality housing and furnishings at low cost for the French ski resort Les Arcs. She also adopted an almost rustic look at the time, designing simple chairs with dowel-cut frames and rush seats. 

Everything in Perriand’s oeuvre is beautiful, whether it’s the centerpiece of a décor or an accent, and her work is in every great design collection, public and private.

The vintage Charlotte Perriand furniture for sale on 1stDibs includes stools, coffee tables, case pieces, lighting and more.

Your guests might have to endure all kinds of harsh climes to get to your housewarming party, so let’s make sure their trusty overcoats and umbrellas have a home. Shop the antique and vintage coat racks and stands on 1stDibs today.

Coat racks, umbrella stands, wall-mounted hooks for outerwear — they’ve long served a practical purpose. In the days of travel by horse or foot, a guest might arrive on your doorstep bedraggled, windblown and often dripping with rain. While transportation has thankfully improved since then, a coat rack in the entryway or foyer of your home is still the beacon it was back then: It says, “Come in, where it’s dry and warm. Hang up your coat and stay a while.”

Coat stands are among history’s fairly rudimentary ideas, so it’s difficult to point to the original inventor of this eternally functional fixture, but Thomas Jefferson was said to have fashioned one of his own at Monticello. Jefferson, who would’ve made a great interior designer, placed a long wooden pole in his closet that was adorned with spokes from which his coats and other garments could be hung. The simplicity of Jefferson’s coat-tree is echoed in designs from the 18th and 19th centuries.

The timeless convenience of a wooden coat rack has endured. While there are striking Art Deco coat stands made of oak and walnut that would meet your mudroom needs well, some of the product designers behind what we now call mid-century modern coat stands turned to materials other than wood, working frequently with plastic and chrome to create unconventional alternatives. Simpler and pared-down coat stands of the mid-20th century were occasionally so interesting in form that they could pass as minimalist sculptures when not in use. Some designers, such as Jacques Adnet, helped to redefine what these classic furnishings could look like, integrating saddle leather and brass and sometimes even horseshoes for his wall hooks and racks.

Although a coat rack is undoubtedly a practical investment, we know that fun comes along with functionality. There is plenty to explore in the collection of antique, vintage and contemporary coat racks and stands on 1stDibs, so go ahead — hang up your coat and stay a while.