Petite Louis Xvi Giltwood Mirror

Reflecting the final era of royal opulence before the upheaval of the French Revolution, antique Louis XVI furniture features more angular shapes than the Rococo curves of the Louis XV style, harkening back to the imposing grandeur of Louis XIV.

Dating between 1750 and 1800, an era that overlapped with the last king of France whose reign was cut short by the guillotine, Louis XVI furniture, known as the goût grec, is emblematic of the neoclassical revision that French furniture underwent during the second half of the 18th century.

Authentic Louis XVI furniture characteristics include clean lines and carved details such as scrolls and acanthus flourishes that were inspired by ancient Greece and Rome. This was informed by a burgeoning interest in antiquity in the 18th century, owing to new archaeological excavations at sites including Pompeii and Herculaneum. It largely eclipsed the more East Asian–influenced ornamentation of Louis XV for something more geometric and symmetrical.

The Louis XVI style was defined by what was being created for the palatial rooms at Versailles and Fontainebleau, particularly for the queen, with cabinetmaker Jean-Henri Riesener being a favorite of Marie-Antoinette’s for his luxurious pieces accented with gilded bronze and marquetry. Furniture maker Jean-Baptiste-Claude Sené was also a major designer of the period, with his pieces for the royal residences adorned with giltwood and neoclassical touches like tapered columns for chair legs and laurel leaf carvings. Cabinetmaker Adam Weisweiler occasionally incorporated into his furniture porcelain panels produced by Sèvres, a popular manufacturer of European ceramics that served the crown with serveware, vases and other decorative objects.

Find a collection of antique Louis XVI seating, tables, cabinets and other furniture on 1stDibs.

The road from early innovations in reflective glass to the alluring antique and vintage mirrors in trendy modern interiors has been a long one but we’re reminded of the journey everywhere we look.

In many respects, wall mirrors, floor mirrors and full-length mirrors are to interior design what jeans are to dressing. Exceedingly versatile. Universally flattering. Unobtrusively elegant. And while all mirrors are not created equal, even in their most elaborate incarnation, they're still the heavy lifters of interior design, visually enlarging and illuminating any space. 

We’ve come a great distance from the polished stone that served as mirrors in Central America thousands of years ago or the copper mirrors of Mesopotamia before that. Today’s coveted glass Venetian mirrors, which should be cleaned with a solution of white vinegar and water, were likely produced in Italy beginning in the 1500s, while antique mirrors originating during the 19th century can add the rustic farmhouse feel to your mudroom that you didn’t know you needed.

By the early 20th century, experiments with various alloys allowed for mirrors to be made inexpensively. The geometric shapes and beveled edges that characterize mirrors crafted in the Art Deco style of the 1920s can bring pizzazz to your entryway, while an ornate LaBarge mirror made in the Hollywood Regency style makes a statement in any bedroom. Friedman Brothers is a particularly popular manufacturer known for decorative round and rectangular framed mirrors designed in the Rococo, Louis XVI and other styles, including dramatic wall mirrors framed in gold faux bamboo that bear the hallmarks of Asian design. 

Perhaps unsurprisingly, mid-century modernism continues to influence the design of contemporary mirrors. Today’s simple yet chic mantel mirror frames, for example, often neutral in color, owe to the understated mirror designs introduced in the postwar era.

Sculptor and furniture maker Paul Evans had been making collage-style cabinets since at least the late 1950s when he designed his Patchwork mirror — part of a series that yielded expressive works of combined brass, copper and pewter — for Directional Furniture during the mid-1960s. Several books celebrating Evans’s work were published beginning in the early 2000s, as his unconventional furniture has been enjoying a moment not unlike the resurgence that the Ultrafragola mirror is seeing. Designed by the Memphis Group’s Ettore Sottsass in 1970, the Ultrafragola mirror, in all its sensuous acrylic splendor, has become somewhat of a star thanks to much-lauded appearances in shelter magazines and on social media.

On 1stDibs, we have a broad selection of vintage and antique mirrors and tips on how to style your contemporary mirror too.