Ray Letterbox

Step inside the 5,400-square-foot home of Original in Berlin, a celebrated outpost of mid-century modern furniture in Germany, and in addition to floor-to-ceiling shelving filled with design classics, you’ll encounter three more of the owner’s particular passions — decorative Murano glassware, metalwork by Carl Auböck and ceramics by American artist Stan Bitters.

Original in Berlin founder Lars Triesch can trace his history as a collector to one life-changing moment. In 1998, at age 18, he became the proud owner of a 1956 Chevy Bel Air — a signature piece of American mid-century iconography. Years later, on a visit to California, he found himself charmed by the legacy of the important design movement — and a seed of inspiration was planted.

Flash forward to 2010, the year Triesch broke ground for his own gallery Original in Berlin in Alexanderplatz in Friedrichshain — which was once East Berlin. Stocking rare pieces by Gio Ponti and Charlotte Perriand, as well as American classics like Daniel Wenger’s 1970s Lotus lounge chair, Triesch prides himself on his extensive and diverse inventory. “I usually go with my taste,” he says, explaining his buying strategy, “and that’s always changing.”

Three hundred feet from his gallery, Triesch has opened a second showroom, in which he presents his New Originals collection: authorized reproductions that are handcrafted to order by highly skilled artisans. Currently, it features seating designed by Mira Nakashima and a sofa, credenza, tables and even a letter box by the late Californian architect Ray Kappe, who is best known for the dramatically cantilevered, open-plan Pacific Palisades home he constructed for himself in the mid-’60s. 

With his holistic take on preserving a design era as multifaceted and innovative as mid-century modernism, Lars offers his clients an extensive network of craftsmen, architects and designers alike. These days, having made a name for himself, his comprehensive design expertise is internationally valued, not only by collectors but also by the top auction houses.

Find Original in Berlin furniture on 1stDibs.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Whether it’s a streamlined or ornate option that best fits your frame of mind, installing an antique or vintage door or gate at your home is the first opportunity you have to make a statement.

The front door of a home symbolizes security. It marks the place where visitors make their presence known and where you welcome them, and it is very literally the passageway to the space you’ve worked hard to make your very own. Choosing the right door for your home is important.

If you’re shopping for a pre-hung door, the door you want is already mounted in a frame, includes hinges and is ready to install in your prepared doorway. The measuring part is easy in this case, as you’ll want a door that has the same dimensions as your previous one. A slab door, on the other hand, is a basic door with no hinges or handles and will need to be painted and finished before you install it.

When you’re ready to buy, why not spring for a grand entrance that lovingly beckons your visitors to come inside?

Summon timeless artisanship and functionality with hand-carved Chinese doors that feature lattice-panel windows or cast-iron doorstops and knockers of British origin. Whether you prefer the clean lines of mid-century modernism, antique wrought-iron Art Deco gates for your garden or a contemporary solution, find the doors and gates you’re looking for on 1stDibs.