Tomlinson On Sale

At 1stDibs, there are many versions of the ideal tomlinson on sale for your home. Each tomlinson on sale for sale was constructed with extraordinary care, often using wood, fabric and upholstery. There are many kinds of the tomlinson on sale you’re looking for, from those produced as long ago as the 20th Century to those made as recently as the 20th Century. A tomlinson on sale is a generally popular piece of furniture, but those created in Mid-Century Modern and Hollywood Regency styles are sought with frequency.

Prices for a tomlinson on sale start at $500 and top out at $7,600 with the average selling for $1,075.

Pay a visit to the town of High Point, North Carolina — long the capital of American-made furniture — and, from nearly any location in the city, you’ll see a tall smokestack bearing the name Tomlinson. It’s a name with deep roots there: In 1901, Sidney Halstead Tomlinson, Sr., and his brother founded the Tomlinson Chair Manufacturing Co., producing adaptations of 19th-century European antiques for an enthusiastic American audience. Later the Tomlinson Furniture Company grew rapidly over the ensuing decades, becoming a significant contributor to High Point’s thriving manufacturing economy.

Although Tomlinson began with a focus on antique-style furniture, by the middle of the century the company had adopted aesthetics from the modern style that was rapidly growing in popularity around the world.

Throughout the 1950s and 60s, Tomlinson Furniture produced coffee tables, storage cabinets and seating in the low-slung, sleek silhouettes that were typically characteristic of what we now know as mid-century modern designs.

Working with designers like John Lubberts and Lambert Mulder, the company experimented with materials like woven cane and unique styles such as neoclassical lounge chairs in cherrywood that were seen as thoughtful modern interpretations of Biedermeier furniture.

During the mid-1950s, Tomlinson Furniture introduced its dramatic and decorative Sophisticate line, a collection of case pieces, seating, tables and more, available in a variety of woods. Today, designs that originated in the collection, such as its pecan-framed chairs with seats and backs of woven leather straps, are increasingly sought after by collectors.

Find vintage Tomlinson furniture for sale on 1stDibs.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.