Feminist Art
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Agorafolia - Large Format Contemporary Nature Oil Painting, Landscape, Clouds
By Aleksandra Batura
Located in Salzburg, AT
Aleksandra Batura (b. 1982 in Augustów) a Warsaw based artist. She earned a Doctor of Fine Arts degree from the Academy of Fine Arts in Cracow. She studied at the Faculty of Painting...
Category
2010s Contemporary Feminist Art
Materials
Cotton Canvas, Oil
Sanctuary, Cliffs at St Just, Cornwall - newlyn school
Located in London, GB
Oil on panel, signed lower right
Image size: 12 1/2 x 15 1/2 inches (32 x 39 cm)
Art Deco style frame
Inscribed verso "Sanctuary, St Just, Cornwall"
Also with sketch by the artist a...
Category
Early 20th Century Feminist Art
Materials
Oil, Panel
Three flavors
Located in Aberdeen Dyce, GB
Nataliia Svitlychna "Three flavors"
Category
2010s Abstract Feminist Art
Materials
Canvas, Oil, Acrylic
Native colors
Located in Aberdeen Dyce, GB
Nataliia Svitlychna "Native colors"
Category
2010s Abstract Feminist Art
Materials
Canvas, Acrylic
Claude Vignon (towers 1593 - Paris 1670), The Fortune Teller
Located in Riva del Garda, IT
Claude Vignon (Tours, 1593 - Paris, 1670)
The Fortune Teller
Oil painting on canvas (65 x 84 cm. - In frame 94 x 113 cm.)
The work is accompanied by a critical study drawn up by prof. Emilio Negro (Bologna)
The subject immortalized in this intriguing painting, called 'Good luck', is a scene of everyday life that we would have seen frequently in the crowded streets of central Rome at the time.
The protagonists of the canvas are a young fortune teller and a well-dressed nobleman who lets himself be predicted by reading the hand. The gentleman, who listens curiously to the response and with a hint of malice holds his gold necklace in his hands, is in the meantime robbed by an accomplice of the woman, intent on taking the purse out of his pocket.
Although this type of paintings were intended for the decoration of the residences of the Roman aristocrats, who with a hint of self-irony saw themselves in the figure of the unfortunate grullo, were actually harbingers of moralizing messages. Among the many proposals there was certainly the warning towards the desire to know one's destiny without respecting the priority of the divine will that determines it, relying for this on cunning charlatans.
It must be said that, although more than four centuries have passed and certain dynamics have naturally changed, this subject appears extremely current.
Clearly inspired by the Buona Ventura painted by Caravaggio, the painting is part of that line of scenes taken from the painter's favorite street life and which, given the collector's fortune already at the time, were often reworked by many artists, considered a stimulating theme and full of psychological implications.
In particular, the work in question is attributed to the French painter Claude Vignon (Tours 1593 - Paris 1670), presumably to be placed during his years spent in Rome, before his return to Paris, showing the artist's masterful interpretation of the work conceived by Caravaggio.
After his training in Paris by Jacob Bunel, one of the most famous masters of the reign of Henry IV, he moved to Rome around 1609-1610, being part of that large community of French painters, including Simon Vouet and Valentin de Boulogne...
Category
17th Century Old Masters Feminist Art
Materials
Oil
The French Rooster
By Raymond Debieve
Located in London, GB
'The French Rooster', gouache on art paper, by Raymond Debiève (circa 1960s). A Mid-Century modern depiction of the French coq, or rooster. The origin o...
Category
1960s Modern Feminist Art
Materials
Gouache, Paper
Il cestino di nastri
Located in Roma, RM
Armando Spadini (Florence 1883 – Rome 1925), The Basket of ribbons (1911 – 1912)
Oil painting on canvas of 76 x 96 cm, on the back there is the label of the I Quadriennale Romana o...
Category
Early 20th Century Impressionist Feminist Art
Materials
Canvas, Oil
The Choir Boys, 17th Century Italian School
Located in London, GB
Oil on canvas
Image size: 22 x 33 1/2 inches (56 x 85 cm)
This is a half portrait of two choir boys wearing white ruffs at their necks, looking down as the...
Category
17th Century Feminist Art
Materials
Oil, Canvas
Hot and humid all year round
By Michael Conrads
Located in Torino, TO
The work is a big painting on canvas, wooden famed.
Category
2010s Naturalistic Feminist Art
Materials
Oil Crayon, Ink, Watercolor
RECTUS XV
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category
2010s Abstract Feminist Art
Materials
Canvas, Acrylic
CERCLES I / VII
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category
2010s Abstract Feminist Art
Materials
Canvas, Acrylic
Inversus I
Located in Barcelona, ES
The painting is being offeed with a work and authenticity certificate
Category
2010s Abstract Feminist Art
Materials
Canvas, Acrylic
CANTOR'S NUMBERS #876
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category
2010s Abstract Geometric Feminist Art
Materials
Canvas, Acrylic
A Young Lady
By William Edward Frost
Located in London, GB
Oil on board
Image size: 5 1/2 x 4 1/2 inches (14 x 11.5 cm)
Original 19th century oval mount and frame
Provenance;
With Richard Naworth, Blackburn
William Edward Frost (September 1810 – 4 June 1877) was an English painter of the Victorian era. Virtually alone among English artists in the middle Victorian period, he devoted his practice to the portrayal of the female nude. Specialising in portraiture from about 1830, Frost painted more than 300 portraits during a 15-year period, and showed some as his first exhibits from 1836.
William Edward Frost was born in Wandsworth, then in Surrey, in September 1810. He showed artistic talent from an early age, and was encouraged in this by his father: first by his arranging drawing lessons with a Miss Evatt, a neighbouring amateur, and then, in 1825, by his introducing him to William Etty, who became his mentor. On Etty’s recommendation, he entered Henry Sass’s School for Drawing and Painting at 6 Charlotte Street, in 1826, and spent three years there, while also studying at the British Museum each winter.
Frost was educated in the schools of the Royal Academy, beginning in 1829; he established a reputation as a portrait painter before branching into historical and mythological subjects, including the subgenre of fairy painting...
Category
19th Century English School Feminist Art
Materials
Board, Oil
The Pool of London
By Norman Wilkinson
Located in London, GB
Signed and dated '1902' lower right
Contemporary style hand made frame
Provenance:
Tryon Gallery
Private collection
In this painting we can we Blackfriars Bridge in the background reaching across the River Thames with smoke billowing up into the sky behind. On the far right the unmistakable, and instantly recognisable, silhouette of St Pauls also breaks the sky line of the city. Finished in the early 18th Century, St Pauls has been a noticeable addition to the London cityscape ever since.
This work by Wilkinson depicts 'The Pool' of London, a stretch of the River Thames from London Bridge to below Limehouse. As part of the Tideway of the Thames, the Pool was navigable by tall-masted vessels bringing coastal and oversea goods to the wharves that originally made up the Port of London. In 1909 the Pool came under the jurisdiction of the Port of London Authority. The docks here thrived until the late 1950s, despite suffering from extreme bomb damage during the Second World War.
The tall-masted ships that Wilkinson has depicted here are perfect examples of traditionally rigged sailing craft of the time. They differ from modern sailing vessels in that they did not use newer materials (such as aluminium and steel) and have more complex rigging as a result. The term tall ship later came into widespread use in the mid-20th century with the advent of Tall Ships' races. Here, incredible attention to detail has been applied by Wilkinson in the accurate depiction of the various ships rigging...
Category
20th Century English School Feminist Art
Materials
Oil
Portrait of Ralph William Grey
By Bartholomew Dandridge
Located in London, GB
Provenance
By descent through the sitter's family to
The Collection of R. W. Vivian-Neal of Poundisford Park, Somerset, from whom acquired by
With Lane Fine Art, UK, where purchased by the present owners in 1996
Literature
'Poundisford Park, Somerset' in Country Life, 22 December 1934, ill.
A.W. and C.M. Vivian-Neal, Poundisford Park, Somerset: A catalogue of pictures and furniture, Taunton 1939, cat. nos. 11 and 13
This is a three-quarter-length portrait of Ralph William Grey in a mole-coloured velvet coat and a long waistcoat of green satin, heavily embroidered in gold. Under his left right hand is a black chapeau bras. He has white doe-skin gauntlet gloves.
Son of William and Ann Grey of Backworth: born 19 December 1707. He married Mary the daughter of William Rawstorne of Newall in 1741 and died 5 November 1786. He was educated at Eaton and Trinity College, Oxford.
Within a year of his birth Mrs Grey died and, according to the Country Life article 'From that time forward all Mr Grey's faculties were concentrated on the well-being of his son. The possession of an heir gave zest to his efforts to build up the family fortune: he was successful in most of his ventures. Years later his interest in life was centred in the home of his daughter-in-law and grandchildren'.
Grey's right hand is depicted in the present portrait resting on Locke's Essays and the Country Life article also records that there are constant references to John Locke...
Category
Mid-18th Century English School Feminist Art
Materials
Oil
Portrait of Ann Austen, nee Grey
By Bartholomew Dandridge
Located in London, GB
Signed 'BDandridge/ pinxit' lower left
Provenance
By descent through the sitter's family to
The Collection of R. W. Vivian-Neal of Poundisford Park, Somerset, from whom acquired by
With Lane Fine Art, UK, where purchased by the present owners in 1996
Literature
'Poundisford Park, Somerset' in Country Life, 22 December 1934, ill.
A.W. and C.M. Vivian-Neal, Poundisford Park, Somerset: A catalogue of pictures and furniture, Taunton 1939, cat. nos. 11 and 13
This is a portrait of Ann Austen, nee Grey, three-quarter-length seated in a landscape with her dog. Painted in a superb white satin dress, she holds horn spectacles and a spectacle case...
Category
Mid-18th Century English School Feminist Art
Materials
Oil
DE PROFUNDIS II
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
ABOUT THE ARTIST
JEAN-CLAUDE BOSSEL
Swiss painter.
Born 1957.
Inspired mainly by mathematics, music, poetr...
Category
2010s Abstract Feminist Art
Materials
Canvas, Acrylic
De Jode Winter Landscape Paint Oil on canvas Old master 17th Century Flemish Art
Located in Riva del Garda, IT
Hans de Jode (The Hague, 1630 - Vienna, 1663)
Fantasy winter landscape with lake and city on the banks
About 1650
Oils on canvas (62 x 93, in frames 82 x 112)
The work is accompanied by an expertise of Dr. Fred G...
Category
17th Century Old Masters Feminist Art
Materials
Oil
Winter (The Skaters) by Orovida Camille Pissarro - Winter scene painting
By Orovida Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Winter (The Skaters) by Orovida Camille Pissarro (1893-1968)
Egg tempera ...
Category
1930s Modern Feminist Art
Materials
Linen, Egg Tempera
La Plage d'Arromanches, Oil on Canvas by H. Claude Pissarro - seascape
Located in London, GB
La Plage d'Arromanches, Oil on canvas by H. Claude Pissarro
Oil on canvas
130 x 195 cm (51 ¹/₈ x 76 ³/₄ inches)
Signed, titled and dated on the reverse
Executed in May 1992
This work is accompanied by a certificate of authenticity from the artist.
Artist biography
Hugues Claude Pissarro, also known professionally as H. Claude Pissarro, is the grandson of the Impressionist painter Camille Pissarro and son of Paulémile Pissarro. Born in Neuilly-sur-Seine and enveloped in an artistic environment, he inevitably spent his childhood and youth with brushes in hand. Carrying on the family tradition established by Camille Pissarro, H. Claude’s father frequently took his son on painting excursions, often accompanied by his numerous artistic friends which proved formative for him.
Initially taught by his father, Hugues first exhibited his work at the age of fourteen. He subsequently studied art in Paris at prestigious establishments, in particular the École Normale Supérieure, a unique French institution dedicated to the pursuit of achievement and excellence to which only the academic elite have access. He also studied art restoration under Henri Linard, head of the laboratory at the Musée du Louvre. It was inevitable that this educational background would lead him to become a professor of art for much of his professional life and in 1963 he accepted an official invitation to teach art in Monaco.
Throughout his teaching career he remained a prolific artist, exhibiting on several occasions in Paris and London. As with many of his family predecessors the scope of his work and talent is wide-ranging: from engraver, lithographer, publisher and landscape painter to portraitist. He was even commissioned in 1959 to paint a portrait of President...
Category
1990s Contemporary Feminist Art
Materials
Canvas, Oil
Rainbowers I-XVI (Portfolio of 16 Drawings)
Located in London, GB
Rainbowers I-XVI, a portfolio of 16 watercolours created in 2022, pays homage to the rich tradition of American Visionary art and self-taught artists. Inspired by the works of influe...
Category
2010s Contemporary Feminist Art
Materials
Paper, Watercolor, Pencil, Mixed Media
“Calella de Palafrugell”, 20th Century Oil on Canvas by Artist Xavier Valls
Located in Madrid, ES
XAVIER VALLS
Spanish, 1923 - 2006
CALELLA DE PALAFRUGUELL
signed "X. Valls." (lower right)
signed again, numbered, dated & titled "X. Valls. / VIII Horta ...
Category
1960s Feminist Art
Materials
Canvas, Oil
"Before the Walls of Jerusalem", 19th Century Oil on Canvas by José Villegas
Located in Madrid, ES
JOSÉ VILLEGAS CORDERO
Spanish, 1844 - 1921
BEFORE THE WALLS OF JERUSALEM
signed "Villegas" (lower left)
oil on canvas
12-1/4 x 17-1/4 inches (31.1 x 43.7 cm.)
PROVENANCE
Private Collector, Seville, Spain
José Villegas Cordero (Seville, August 26, 1844-Madrid, November 9, 1921) was a Spanish painter. He directed the Prado Museum between 1901 and 1918.
He was the brother of the painter Ricardo Villegas Cordero. He began his apprenticeship very young with José María Romero, with whom he remained for two years until entering the School of Fine Arts in Seville, where he was under the tutelage of Eduardo Cano.
In 1860, when he was only 16 years old, he sold his work Little Philosophy for 2,000 reais at the Seville Exhibition. In 1867 he traveled to Madrid, where he entered Federico Madrazo's studio. There he established friendship with painters Eduardo Rosales and Fortuny.
He went regularly to the Prado where he copied Velázquez, from whom he acquired spontaneity and the use of color for his technique.
Finally, and out of admiration for Fortuny's orientalist painting, he returned to Seville and organized an excursion to Morocco.
At the end of 1868 he decided to travel to Rome accompanied by the painters Rafael Peralta and Luis Jiménez Aranda...
Category
1880s Realist Feminist Art
Materials
Canvas, Oil
Parisian Street Scene. Oil on canvas, 32x46 cm
By Antoine Blanchard
Located in Riga, LV
Parisian Street Scene. Oil on canvas, 32x46 cm
Category
1950s Expressionist Feminist Art
Materials
Canvas, Oil
Bouquet of flowers in a vase Oil on cardboard 70x62 cm
Located in Riga, LV
Bouquet of flowers in a vase. Oil on cardboard 70x62 cm
impasto painting in earth color gamma
Category
1990s Impressionist Feminist Art
Materials
Oil, Cardboard
Untitled
By Salvatore Emblema
Located in Napoli, NA
The artwork is handsigned "Emblema 67" on the back of the canvas by the artist.
Category
1960s Abstract Feminist Art
Materials
Jute, Mixed Media, Pigment
Dreamer. 1996. Oil on cardboard, 83x90 cm
Located in Riga, LV
Dreamer. 1996. Oil on cardboard, 83x90 cm
This depiction of young nude woman lying down on green blue surface shows artist Laimdots Murnieks as a master of forms and color field are...
Category
Late 20th Century Modern Feminist Art
Materials
Oil, Cardboard
SHITTY DAY- abstract, geometric canvas painting
Located in London, GB
Abstract expressionism/symbolism. Scribble
Category
21st Century and Contemporary Feminist Art
Materials
Ballpoint Pen, Acrylic, Canvas
PULSE- abstract, geometric canvas painting
Located in London, GB
Abstract expressionism/symbolism.
Acrylic paint, paper, velvet textile applique on digital printed silk textile
Category
21st Century and Contemporary Feminist Art
Materials
Acrylic, Archival Paper, Canvas, Ballpoint Pen
Wind gestures. 1991. Oil on cardboard. 91, 5x85 cm
Located in Riga, LV
Wind gestures. 1991. Oil on cardboard. 91,5x85 cm
This depiction of trees shows artist Laimdots Murnieks as a master of nature representation.
Ev...
Category
Late 20th Century Modern Feminist Art
Materials
Oil, Cardboard
Mañana y Portal
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category
2010s Abstract Feminist Art
Materials
Oil
Composición b
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category
2010s Abstract Feminist Art
Materials
Oil
Phenomena Prism Mirror by Paul Jenkins - Abstract painting
By Paul Jenkins
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE
Phenomena Prism Mirror by Paul Jenkins (1923-2012)
Acrylic on canvas
147.3 x 1...
Category
1980s Abstract Expressionist Feminist Art
Materials
Canvas, Acrylic
Composición A
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category
2010s Abstract Feminist Art
Materials
Oil
Fuerza II
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category
2010s Abstract Feminist Art
Materials
Oil
Pierrot Surpris! - Impressionist Oil, Portrait by Armand Francois Henrion
By Armand (François Joseph) Henrion
Located in Marlow, Buckinghamshire
Signed impressionist oil on panel circa 1910 by French painter Armand Francois Henrion. This charming work depicts a portrait of a surprised Pierrot - a French clown - with a white powdered face wearing white ruffles and a pink hat. The pierrot is set against a brown background.
Signature:
Signed lower right
Dimensions:
Unframed: 7"x5.5"
This painting is not currently framed but a suitable frame can be sourced if required
Provenance:
Private French collection
Armand François Joseph Henrion...
Category
1910s Impressionist Feminist Art
Materials
Oil, Panel
"Still Life with Fruits", 17th Century Oil on Canvas by Flemish School
Located in Madrid, ES
FLEMISH SCHOOL
17th Century
STILL LIFE WITH FRUITS
unsigned
oil on canvas
17-3/4 x 21-3/4 inches (45 x 55 cm.)
framed: 22 x 27 inches (56 x 68 cm.)
PR...
Category
17th Century Flemish School Feminist Art
Materials
Canvas, Oil
Spring (Primrose Gathering) by Orovida Pissarro - Oil painting
By Orovida Pissarro
Located in London, GB
Spring (Primrose Gathering) by Orovida Pissarro (1893-1968)
Oil on board
101.5 x 76.4 cm (40 x 30 inches)
Signed and dated lower centre Orovida 1956
Provenance
Estate of Orovida Pis...
Category
1950s Modern Feminist Art
Materials
Oil, Board
Sunflowers. 1999. Oil on canvas. 100x81 cm
Located in Riga, LV
Sunflowers. 1999. Oil on canvas. 100x81 cm
This depiction of sunflowers shows artist Laimdots Murnieks as a master of nature representation. Colors and decoratively captured flower...
Category
Late 20th Century Modern Feminist Art
Materials
Oil, Canvas
Tiger Surprises Black Buck by Orovida Pissarro - Animal painting
By Orovida Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Tiger Surprises Black Buck by Orovida Pissarro (1893-1968)
Oil on canvas
127 x 101.5 cm (50 x 40 inches)
Signed and dated lower left Orovida 1960
Provenance
The Leicester Galleries, London, circa 1965
Literature
K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 195 (illustrated)
Exhibition
London, Royal Society of British Artists, 3rd-25th November 1960, no. 82 (possibly; titled Tiger Entangled)
London, Royal Academy, 1961, no. 534
Colchester, The Minories, 3rd- 24th March 1962
London, The Leicester Galleries, 1965, no. 37
Artist biography
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1960s Modern Feminist Art
Materials
Canvas, Oil
Migration (The Horses) by Orovida Pissarro - Painting of running horses
By Orovida Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Migration (The Horses) by Orovida Pissarro (1893-1968)
Egg tempera on linen laid on board
76 x 101 cm (29 ⅞ x 39 ...
Category
1930s Modern Feminist Art
Materials
Linen, Egg Tempera, Board
Court Blue Turquoise 5
Located in Napoli, NA
The artwork is part of the series "No man's land".
Category
2010s Feminist Art
Materials
Oil
Chinese Contemporary Art by Cao Fan - Lake Light and Water Color
By Cao Fan
Located in Paris, IDF
Oil on canvas
Category
2010s Contemporary Feminist Art
Materials
Canvas, Oil
Animales antófilos
Located in Torino, TO
The work is a painting on canvas depicting two children with Valencian folkloric clothing and the characteristic glitches that mark the artist's research.
Category
2010s Contemporary Feminist Art
Materials
Canvas, Acrylic
Court Blue Turquoise 8
Located in Napoli, NA
The artwork is part of the series "No man's land".
Category
2010s Feminist Art
Materials
Oil
ADAM AND EVE
Located in Aberdeen Dyce, GB
Astian Rey "ADAM AND EVE"
Category
2010s Minimalist Feminist Art
Materials
LED Light, Acrylic, Board
Popocatepetl A3
Located in Torino, TO
An acrylic on panel depicting an erupting volcano
Category
2010s Contemporary Feminist Art
Materials
Wood, Acrylic
Peace XV - Modern Figurative Oil Painting, Swimmer, Water Landscape, Sea View
By Julita Malinowska
Located in Salzburg, AT
Artodyssey
"Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...
Category
2010s Contemporary Feminist Art
Materials
Canvas, Oil
Bag with flowers, 70x50cm
By Aleksandra Mato
Located in Yerevan, AM
Picnic
70x50 cm
Category
2010s Contemporary Feminist Art
Materials
Paper, Pastel, Gouache
Hampshire Landscape 20th Century Oil Original Railway Artwork
By Eric Hesketh Hubbard
Located in London, GB
Eric Hesketh Hubbard
1892 - 1957
Hampshire Landscape
Oil on canvas, signed bottom left
Image size: 24 x 18 inches (61 x 46 cm)
Contemporary style hand made frame
This painting was c...
Category
20th Century Feminist Art
Materials
Oil, Canvas
Little Lions
By Delphine Lebourgeois
Located in London, GB
"Little Lions" (after Bartholomaus Spranger) is an original drawing part of the Beast Collection (2022). It was first exhibited at The Other Art Fair London in 2022 and is currently ...
Category
2010s Feminist Feminist Art
Materials
Ink, Acrylic, Watercolor
Mountains 21 November 12:43 - Modern Nature Landscape Painting
By Robert Motelski
Located in Salzburg, AT
Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...
Category
2010s Contemporary Feminist Art
Materials
Oil, Canvas, Acrylic
Untitled, Series "Pity The Flowers", - Modern Abstract Large Format Painting
Located in Salzburg, AT
Magdalena Pela deals with the signs of everyday life. In her works, she refers to the category of palimpsest, blurring traces, illegibility. She is fascinated by the mystery of the ...
Category
2010s Contemporary Feminist Art
Materials
Acrylic, Cotton Canvas
Until you remember - 21st Century, Contemporary, Painting, Oil on Canvas
By Tomàs Sunyol
Located in Barcelona, Catalonia
"Tomàs Martínez Sunyol was born in Dieulefit (France) in 1964 and was surrounded by art from a young age. Both his father, Joaquim Martínez Lerma, and uncle, Álvaro Sunyol, were painters and Tomàs quickly developed an interest in the plastic arts. Like most vocational artists, Sunyol’s formative years in this field were tough, and he focused his talent for drawing and colour on illustration. The family moved to Catalonia, settling in Badalona where Sunyol attended the Pau Gargle School and his creative talents came to the fore, bringing him into contact with publishers, art fairs and international competition. Given such a broad stage, Sunyol flourished in Europe and America and his work, signed simply "Tomàs", is highly sought after.
I believe that, perhaps subconsciously, Tomàs Martínez Sunyol's work portrays the current human condition through shadow - wherever there is light there is always shadow. We live in a society where the representations of what we consider, and which essentially are, fundamental are elusive, changing and constantly shifting. Even though they are secondary, the artist determines their worth and highlights it -first the light, then the shadow- depicting the intimacy of our reality, and to greater effect than the established forms: ambling along one of the alleyways, observing the windows, feeling the touch of the red tablecloths...
Category
21st Century and Contemporary Contemporary Feminist Art
Materials
Canvas, Oil
Sanatorium - Contemporary Powerful Figurative Oil Painting, Large Format
Located in Salzburg, AT
The painting consists of 2 horizontal canvases
Jakub Malinowski – Born in 1985. He is a graduate of the Faculty of Painting at the University of Art...
Category
2010s Contemporary Feminist Art
Materials
Cotton Canvas, Oil
Vase de Fleurs - Post Impressionist Oil, Still Life Flowers by Paul Gernez
By Paul-Élie Gernez
Located in Marlow, Buckinghamshire
Signed and dated post impressionist still life oil on canvas by French painter Paul Elie Gernez. The piece depicts a brown ceramic vase filled with se...
Category
1920s Post-Impressionist Feminist Art
Materials
Canvas, Oil
'Cabaret in an Asian Banquet Hall', French School
Located in London, GB
'Cabaret in an Asian Banquet Hall', pencil, gouache and metallic paint on card stock by an unnamed artist of the French School (20th Century). This is a fantastical port visit of the artist's imagination. It is a naive, but strangely compelling painting discovered in Paris. It depicts French sailors dancing with a cabaret performer in a Chinese-style banquet hall while onlookers enjoy the spectacle. On the left hand of the scene an Asian musician...
Category
20th Century Feminist Art
Materials
Gouache, Pencil
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