Driss Ouadahi Art

Retro counterculture meets retro mainstream culture in this vibrant painting by Santa Cruz, California artist Russell Brutsche (American, 20th Century). The "Magic Bus" - a counterculture icon - is hooked up to jumper cables by the side of the road. Wrapped canvas sides are also painted - a continuation of the scene. Unframed. Image, 24"H x 30"W. “I’ve been painting since early childhood. I attended San Jose State University, studying under Eric Oback, Robert Freimark (student of Henri Matisse) and Sam Richardson...

Vogue USA, Fashion Illustration. Meticulously drawn in a descriptive and yet creative way. Antonio's full mastery of his art is on full display. Signed lower right. The work is arch...

Lucius Rossi (1846-1913) was an Italian portrait and figurative painter who worked and lived in Paris. He was a friend and painter of many of the High Society people in Paris. A pain...

Acrylic on masonite. This is a pivotal work in deep and radiant cobalt blue from 1950. It dipicts calligraphic and hieroglyph structures over a grid and pyramidal base by the first generation abstract expressionist. Provenance: Skinner: November 13, 1992 [Lot 00219}, The entry in the Skinner catalog indicates that the painting came directly from the artist to the family of the consignor to Skinner. Kaminsky Auctions. There is an unbroken paper trail that traces the ownership of the painting from the current owner, through two auction houses to the artist. Perfect unbroken provenance. Pousette-Dart was among the most inventive of the Abstract Expressionist generation, His uncanny talent was to expand the nature of abstraction and still make each mark each element very much his own; a reflection of what he called   "the concealed power of the spirit," he said, “not of the brute physical form."   His was not aiming for a singular, realized aesthetic formula but to expand the possibilities of painting; the transcendental in painting. Typical of such invention and exploration is this  painting  Untitled 1950 when the artist was only 34 years old and represented by one of the champions of the new American painting, Betty Parsons.  
A banner year for Pousette-Dart, the Museum of Modern Art acquired their first painting by the Minnesota born artist.  He worked on easel size works such as this painting an oil on masonite. At the same time Pousette-Dart was also working on larger scale works such as Path of the Hero, running over ten feet in length now in the collection of the Metropolitan Museum of Art.  Both contain fields of color articulated by a highly sophisticated white hieroglyphic vocabulary. Rather than demonstrate an expressionist sensibility, Pousette-Dart harnesses his more cerebral ideas transforming thick areas of paint into a more refined composition of geometric forms akin to the pattern and forms of say a stained glass window. In a way he is looking back at Fugue, 1940 a black and white composition which makes use of a similar format of painting albeit smaller. Color and form are minimal, but what Pousette-Dart has maximized is the rhythmic and syncopated character of painting casting his ideas into purely symbolic terms that one might link to the pictograms of Adolph Gottlieb. Nonetheless, nature is always at the core of Pousette-Dart’s thinking and dreaming. Here he has transformed the local Ramapo Mountains—where he will eventually move with his family to live and work— into a complex series of articulated fragments linked by style, scale and color.  The painting’s imagery built on two large triangles and reduced to just two colors, cobalt blue and white all outlined in black.  Pousette-Dart symbols stacked in horizontal and vertical rows:  blue is ground, white is language, symbolic of light, consciousness and awareness . The painting maintains a mystical character images compounded that formulate a secret code and linked to the series of white paintings Pousette-Dart authored in the first half of the 1950s. Get up close to the picture and you discover images within images a kind of picture puzzle...

Signed and dated to lower right 'Paul Rand 4.6.52. Paul Rand said. “People who don’t have a sense of humor really have serious problems.” Besides being a seminal force in modern desi...

Signed and dated lower right; inscribed, Dated and Signed on Verso Provenance: Ashley John Gallery

Arturo Mallmann’s abstract landscapes radiate a shiny gloss that makes them appear as glass canvases, but they are not in fact glass. Mallmann’s process includes a complicated approa...

Meredith Walker’s "Ochre Rabbit" is a whimsical and serene example of contemporary folk art, blending narrative illustration, primitive symbolism, and the tactile charm of hand-paint...

Topographic IV - Abstract Composition in Acrylic on Canvas Colorful, flowing abstract composition by Cassandra Jacobs (American, b. 1964). This piece has bold, swirling colors, segm...

JOSEPH PENNELL (1857 - 1926) ACAPULCO 1901-08. Colored pastel and gouache drawing on blue paper. Signed and titled in pencil in his early signature. Image 10 x 14 inches to just ab...

"Trapped in New York" is an original acrylic painting by Tom Shelton. The artist signed, titled, and dated the piece in the lower right. This piece features a forest with animals and...

Coast Line, 2000 is an engraved painting on wood panel, 14 x 11 inches, initialed and dated lower right 'EE © 3.11.00'. Framed in an ornate, gold-tone frame.