Jakob van der Schley More Furniture and Collectibles

This wonderful piece of New York City history is over 150 years old. It depicts 86th street and above. It was lithographed by WC Rogers and company. It was made to show what was the Battle of Harlem during the Revolutionary war...

Golf mezzotint of 'Henry Callender Esq' (Captain of the society of Golfers at Blackheath) after Lemuel Francis Abbott (1760-1803). Henry Callend...

The classic encyclopedia of the arcane in an expanded edition. Renowned philosopher and lecturer Manly P. Hall’s masterful encyclopedia of ancient symbols, hidden rituals, and arcane practices has remained a classic since first published in 1928. Hall’s densely detailed writings explore topics ranging from Hermeticism to Tarot, Egyptian mythology to Pythagorean theory. Each chapter is accompanied by the vivid illustrations of artist J. Augustus Knapp, with additional images by Mihran Serailian found in the companion volume, each taking their own unique approach to nearly 60 artworks depicting occult subject matter. The initial concept for what became known as Hall’s “Great Book”, first began in 1923 when the young Los Angeles-based orator began a months-long trip around the globe. Circumnavigating by ship, Hall visited Egypt, China and India, immersing himself in the philosophical and religious history of each country. Upon his return he spent the next five years penning his massive compendium of philosophy and myth. Nearly a century after its release, this iconic masterwork has been reproduced for the first time from the rare and extravagant original edition. This meticulously-restored version of Hall’s “Great Book” is also accompanied by an expansive companion book, featuring condensed summaries of each chapter of The Secret Teachings, alongside newly-discovered artworks, rare photography...

ST/619 - "Old Geographical Atlas of Italy - Topographic map of ex-Principality of Monaco" - ediz Vallardi - Milano - A somewhat special edition ---  

Shuhga: Images of spring: Essay on Erotic Elements in Japanese Art By Charles Grosbois. Nagel, Geneva; Paris; Hamburg, 1964. 1st Ed hardcover with dust jacket. A fascinating work cl...

Rare pair of original hand-colored prints from Sir Albertus Seba's cabinet of natural curiosities. Prints come from published volumes in Amste...

Golf print 'The Royal and Ancient' after Dendy Sadler. A good oak framed artist proof golf etching by James Dobie after the painting by Dendy Sadler. The ...

Superb map of The London Underground Published by Ward Lock, 1911 Folding map. Printed on paper Unframed. Good condition/ Minor repair to an edge tear on right edge ( shown in ...

Royal North Devon Golf Club 1893 by Mayall & Co. Ltd. A great image of the members of the 'Royal North Devon Golf Club, Westward Ho!' from 1893. The figures are all photographs superimposed onto a painted background of the course. In the margin is printed 'Permanent Autotype, Produced by Mayall & Co. Ltd. 73 Piccadilly'. The image appears very much photographic but is more of a photomechanical print rather than a photograph. John Jabez Edwin Paisley Mayall (1813-1901) was an English photographer who in 1860 took the first carte-de-visite photographs of Queen Victoria. Taken from Royal North Devon:- Royal North Devon at Westward Ho! Can rightly claim to be the cradle of English Golf. Founded in 1864, it is the oldest golf course in the country and is regarded as the St Andrews of the South. The golf course is as tough as any of the UK's more famous links layouts and has recently been placed in Golf World 's 'Top 100 Courses in the World' that a golfer 'must play'. Not only is Royal North Devon a great course, it is also a place of huge historical importance. Inside the warmly welcoming clubhouse, the golf museum, honours boards and the clubs top competition trophies are worth a visit on their own and help to tell the story of the game and this remarkable club's unique place in it. Above all, this is great, natural golf that is largely unchanged from 100 years ago when Harold Hilton et al pronounced Westward Ho! As England's No 1 competition golf course. RND is pure, raw exhilaration and ultimately the experience of playing a fast running links in a stiff breeze still tests the very best in the game. Many of the great players of the last 100 years were regular competitors at RND but the greatest of them all is without doubt John Henry Taylor...

Antique map of Connecticut and Rhode Island Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

Great map of Ancient Greece. Showing the region of Thessaly, including Mount Olympus Drawn by J.D. Barbie Du Bocage Copper plate engraving by P.F Tardieu Original hand color...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...