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Artist: Lucille Khornak
Zandra Rhodes
By Lucille Khornak
Located in New York, NY
Lucille Khornak (American) “Zandra Rhodes” Black & White Screen Print on Harmon Paper 16 x 20 inches Late 20th Century Edition of 50 Hand-Signed by the Artist Additional Sizes: 11...
Category

1980s Modern Lucille Khornak Black and White Photography

Materials

Photographic Film

Arnold Scaasi
By Lucille Khornak
Located in New York, NY
Lucille Khornak (American), "Arnold Scaasi", Black and white screen print on Harmon paper, 20 x 16, Late 20th Century Hand signed by Lucille Khornak Available sizes: 14 x ...
Category

1980s Abstract Lucille Khornak Black and White Photography

Materials

Photographic Film

Jean-Charles de Castelbajac
By Lucille Khornak
Located in New York, NY
Lucille Khornak (American), "Jean-Charles de Castelbajac", Black and White Screen Print on Harmon Paper, 16 x 20, Late 20th Century Hand signed by Lucille Khornak Availabl...
Category

1980s Abstract Lucille Khornak Black and White Photography

Materials

Photographic Film

The Chair
By Lucille Khornak
Located in New York, NY
Chair by Lucille Khornak in black and white. Published by Wizard and Genius in Zurich, Switzerland. This is a poster. A comfy chair in a cool spot on a hot summer day, with beautiful...
Category

Late 20th Century American Modern Lucille Khornak Black and White Photography

Materials

Paper

Karl Lagerfeld
By Lucille Khornak
Located in New York, NY
Lucille Khornak (American), "Karl Lagerfeld", Black and White Screen print on Harmon paper, 20 x 16, Late 20th Century Hand signed by Lucille Khornak Available sizes: 14 x 11, 24 x ...
Category

1980s Abstract Lucille Khornak Black and White Photography

Materials

Photographic Film

Donna Karan
By Lucille Khornak
Located in New York, NY
Lucille Khornak (American), "Donna Karan", Black and White Screen Print on Harmon paper, 16 x 20, Late 20th Century Hand signed by Lucille Khornak Available sizes: 11 x 14...
Category

1980s Abstract Lucille Khornak Black and White Photography

Materials

Photographic Film

Issey Miyake
By Lucille Khornak
Located in New York, NY
Lucille Khornak (American), "Issey Miyake", Black and white screen print on Harmon paper, 16 x 20, Late 20th Century Hand signed by Lucille Khornak Available sizes: 11 x 1...
Category

1980s Abstract Lucille Khornak Black and White Photography

Materials

Photographic Film

Angelo Tarlazzi
By Lucille Khornak
Located in New York, NY
Lucille Khornak (American), "Angelo Tarlazzi", Black and white screen print on Harmon paper, 20 x 16. Late 20th Century Hand signed by Lucille Khornak Available sizes: 14 ...
Category

1980s Abstract Lucille Khornak Black and White Photography

Materials

Photographic Film

Three nudes in masks
By Lucille Khornak
Located in New York, NY
Lucille Khornak (American), "Three nudes", Black and White print on Harmon paper, 20 x 16, Late 20th Century Hand signed by Lucille Khornak Available sizes: Paper Size 11 x 14, Im...
Category

1980s Abstract Lucille Khornak Black and White Photography

Materials

Photographic Paper

Geoffrey Beene
By Lucille Khornak
Located in New York, NY
Lucille Khornak (American), "Geoffrey Beene", Black and White screen print on Harmon paper, 20 x 16, Late 20th Century Hand signed by Lucille Khornak Available sizes: 14 x...
Category

1980s Abstract Lucille Khornak Black and White Photography

Materials

Photographic Paper

Paco Rabanne
By Lucille Khornak
Located in New York, NY
Lucille Khornak (American), "Paco Rabanne", Black and White Screen Print on Harmon Paper, 20 x 16, Late 20th Century Hand signed by Lucille Khornak Available sizes: 14 x 1...
Category

1980s Abstract Lucille Khornak Black and White Photography

Materials

Photographic Film

André Courrèges
By Lucille Khornak
Located in New York, NY
Lucille Khornak ( American ), "André Courrèges", Black and White Screen Print on Harmon Paper, 16 x 20, Late 20th Century Hand signed by Lucille Khornak Available sizes: 1...
Category

1980s Abstract Lucille Khornak Black and White Photography

Materials

Photographic Film

Chantal Thomass
By Lucille Khornak
Located in New York, NY
Lucille Khornak (American), "Chantal Thomass", Black and White Screen Print on Harmon Paper, 20 x 16, Late 20th Century Hand signed by Lucille Khornak Available sizes: 14 ...
Category

1980s Abstract Lucille Khornak Black and White Photography

Materials

Photographic Film

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Capucine, 1957 Fiber print 40x30 inches Estate stamped and numbered edition of 150 1957: French actress Capucine, (Germaine Lefebvre) (1933 - 1990) fanning herself at a New Years Ev...
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Spectral (Kings Road) - unique solarized gelatin silver artist print
By Mona Kuhn
Located in San Francisco, CA
In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. The body of works incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence. Spectral (2022) Kings Road: A Rudolph Schindler House 30" x 40" / 76cm x 102cm /edition of 12 15" x 20" / 38cm x 56cm / edition of 12 limited edition solarization photograph printed by the artist + accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2025 Mona Kuhn: Y Tu Desnudo será Un Gran Poema, Museum of Contemporary Art, Malaga, Spain Mona Kuhn: Kings Road, Lianzhou Museum of Photography, China 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII...
Category

21st Century and Contemporary Contemporary Lucille Khornak Black and White Photography

Materials

Photographic Film, Photographic Paper, Silver Gelatin

Brave (Kings Road) - unique solarized gelatin silver artist print
By Mona Kuhn
Located in San Francisco, CA
In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. The body of works incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence. Brave (2022) Kings Road: A Rudolph Schindler House 30" x 40" / 76cm x 102cm /edition of 12 15" x 20" / 38cm x 56cm / edition of 12 limited edition solarization photograph printed by the artist + accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2025 Mona Kuhn: Y Tu Desnudo será Un Gran Poema, Museum of Contemporary Art, Malaga, Spain Mona Kuhn: Kings Road, Lianzhou Museum of Photography, China 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII...
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21st Century and Contemporary Contemporary Lucille Khornak Black and White Photography

Materials

Photographic Film, Photographic Paper, Silver Gelatin

Paul Lukas "Watch On The Rhine" - 1943 Photograph by Clarence Sinclair Bull
By Clarence Sinclair Bull
Located in Soquel, CA
Paul Lukas "Watch On The Rhine" - 1943 Photograph by Clarence Sinclair Bull A 1943 black and white portrait photograph of actor Paul Lukas (Hungarian, 1894-1971) by Clarence Sincla...
Category

1940s American Modern Lucille Khornak Black and White Photography

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Nicola (Nicky) Weymouth, unique acetate positive of British socialite provenance
By Andy Warhol
Located in New York, NY
Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...
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China girl - Signed limited edition archival pigment print - Edition of 8 This image was captured on film in 1999. The negative was scanned creating a digital file which was t...
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21st Century and Contemporary American Modern Lucille Khornak Black and White Photography

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50x40 " Andy Warhol" Photomosaic Pop Fine Art Photography Photograph
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Realm (Kings Road) - unique solarized gelatin silver artist printed photograph
By Mona Kuhn
Located in San Francisco, CA
In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. The body of works incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence. Realm (2022) Kings Road: A Rudolph Schindler House 30" x 40" / 76cm x 102cm /edition of 12 15" x 20" / 38cm x 56cm / edition of 12 true size solarized gelatin silver print printed at artist darkroom in Los Angeles (10 days handling time) original photograph accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography...
Category

21st Century and Contemporary Contemporary Lucille Khornak Black and White Photography

Materials

Photographic Paper, Photographic Film, Silver Gelatin

Southwestern Still Life Photo by Myron Wood, O’Keeffe’s Abiquiú Home, 1980
By Myron Wood
Located in Denver, CO
This striking vintage black and white Southwestern still life photograph was captured in 1980 by acclaimed American photographer Myron Wood (1921–1999). Rich in cultural and historic...
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Previously Available Items
Zandra Rhodes
By Lucille Khornak
Located in New York, NY
Lucille Khornak (American), "Sandra Rhodes", Black and White Screen Print on Harmon Paper, 20 x 16, Late 20th Century Hand signed by Lucille Khornak Available sizes: 14 x ...
Category

1980s Abstract Lucille Khornak Black and White Photography

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Photographic Film

Lucille Khornak black and white photography for sale on 1stDibs.

Find a wide variety of authentic Lucille Khornak black and white photography available for sale on 1stDibs. You can also browse by medium to find art by Lucille Khornak in film, photographic film, paper and more. Much of the original work by this artist or collective was created during the 1980s and is mostly associated with the abstract style. Not every interior allows for large Lucille Khornak black and white photography, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of James Bacchi, Bob Tabor, and Zhou Peng. Lucille Khornak black and white photography prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,675 and tops out at $1,675, while the average work can sell for $1,675.

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