Pablo Picasso Art

Pablo Picasso (1881-1973) Le Vase de Fleurs (BL. 914; Baer 1242), 1959 Hand-signed in pencil Linocut in colors on Arches paper Image: 25 ¼ x 21 in. (641 x 533 mm.) Sheet: 29 5/8 x 24...

Signed and numbered to lower margin ‘46/125 Picasso’. This work is number 46 from the edition of 125 printed by Arnéra, Vallauris and published by Musée Municipal d'Art Moderne, Cére...

This early lithograph drawing by Pablo Picasso was created in 1928, depicting the artist's lover and muse, Marie-Thérèse Walter. It is printed on Japanese paper and a proof edition HC 16 of 25 aside from an edition of 120. There was also a numbered edition of 75 with larger margins. It is signed by Picasso in pencil bottom right. Public Collections: Museum of Modern Art, New York (Gift of Mrs John D. Rockerfeller National Museum of Modern Art, Tokyo National Gallery of Canada This work is referenced in the following publications: Georges Bloch, ‘Pablo Picasso’, Bern 1984, Volume I, page 46, No. 95 illustrated proof. Geiser, Bernhard and Brigitte Baer, ‘Catalogue raisonné de l’oeuvre grave et des monotypes, 7 volumes. Patrick Cramer, ‘Pablo Picasso: The Illustrated Books’ Number 16 Richardson, John, ‘Picasso and Fraçoise Gilot: Paris-Vallauris, 1943 – 1953 (Gasgosian Gallery, New York, May 2 – June 30 2012). P. 167. Printed By: Les Editions G. Gress & Cie / André Level, Paris 1928. Provenance: 1. André Level’s (the publisher) private collection 2. Private Collection, Paris (by descent) 3. Private Collection, London (by descent) 4. David Simon...

This linocut was created by Picasso in 1965 and printed and published by Arnéra, Vallauris, France. It is in immaculate condition, an Hors Commerce edition and is signed by Pablo Pic...

Artist: Pablo Picasso (Spanish, 1881-1973) Title: "L`Ecuyère (The Horsewoman)" *Unsigned edition, though signed by Picasso in the plate (printed signature) lower right Year: 1960 Med...

A superb impression of this color linoleum cut. Signed and numbered 29/50 in pencil by Picasso. Printed by Arnéra, Vallauris. Published by Galerie Louise Leiris, Paris. Catalogue r...

A rare etching, extensively hand-coloured in red ink by the artist, 1934, on wide margin Montval laid paper, signed, inscribed ‘For Lacourière’ and numbered 16/15 in the same red ink, 46 x 35.2 cm. (18.1 x 13.8 in). Brigitte Baer states that Picasso signed and numbered...

PABLO PICASSO (1881-1973) Visage aux yeux rieurs (A.R. 608) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / 187/350 / Madoura' (underneath) whit...

PABLO PICASSO (1881-1973) Vase deux anses hautes (A. R. 141) Terre de faïence vase, 1952, from the edition of 400, partially glazed and painte...

An early and stunningly beautiful hand-painted ceramic bowl created by Picasso in 1955, Visage measures 5 inches (12.8 cm) in diameter and is Inscribed 'Edition Picasso/Madoura' (bot...

PABLO PICASSO (1881-1973) Service scènes de corrida (A. R. 416 - 423) The complete set, comprising eight terre de faïence plates, painted in colors and partially glazed, 1959, eac...

PABLO PICASSO (1881-1973) Etoile de mer (Unique) Terre de faïence bowl, painted and partially glazed, circa 1952-62, unqiue, stamped Madoura plein feu on the underside. Claude Pica...

Pablo Picasso 1881-1973 Spanish Guitare sur un guéridon (Guitar on a pedestal) Gouache on Western wove paper laid on board Signed “Picasso” (upper left) Picasso’s prolific career has been marked by many grand love affairs, both romantic, intellectual and creative. Beyond his lovers like Olga Khoklova and Dora Maar and his intellectual muses like Georges Braques and Gertrude Stein, Picasso’s greatest love and inspiration was perhaps a humble instrument: the guitar. Whether it be the Old Guitarist from his early blue period, his groundbreaking series of three-dimensional guitar sculptures from his nascent explorations in Cubism, or his Mandolin and Guitar composition’s grander explorations with color and biomorphic shapes, the guitar is an elusive calling card for modern art’s greatest genius. In Guitare sur un guéridon, Picasso intertwines his signature guitar and a bowl of fruit. These two elements are playfully brought together and skillfully anchored on the tabletop by a square positioned at the center of the composition. The result is a captivating and harmonious arrangement that showcases Picasso's artistic ingenuity in blending these everyday objects into a visually striking and cohesive composition. This rare gouache was created during the pivotal summer of 1920. During this time, Picasso lived in Juan-les-Pins, a small coastal resort town in the South of France away from the confines of the city and the fallout of World War I. With this newfound freedom, Picasso entered an exciting and innovative creative period and began to interrogate the connections between Neoclassicism and Cubism. Picasso created a series of gouache paintings characterized by their flat, geometric nature, sinuous contours and strikingly vivid colors. Though not a complete departure from his previous Cubist works, this series showcased the influence of the Surrealists, especially the biomorphic subconscious explorations of Joan Miró, upon Picasso’s oeuvre. While the breadth of his creativity grew, he returned back to a familiar motif — the guitar — with a renewed sense of vigor and excitement. Guitare sur un guéridon’s undulating lines and biomorphic appeal bring Picasso's preoccupation with the guitar into deeper focus. The sinuous lines of guitar mirror...

Discover the artistic brilliance of Pablo Picasso through his iconic artwork, Personnages et Nu (Characters and Nude), created in 1960. This captivating piece centers around a female...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

Created in 1962, this linocut on Arches wove paper is hand-signed by Pablo Picasso (Malaga, 1881 - Mougins, 1973) in pencil in the lower right margin and is numbered from the edition of 50 in the lower left margin. Catalogue Raisonné: Pablo Picasso Homme barbu couronné feuilles de vigne...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

Pablo Picasso 1881-1973 Spanish Buste d'homme barbu (Bust of a Bearded Man) Signed "Picasso" (upper right) and dated "8.4.65" (en verso) Oil on canvas Pablo Picasso and his work transcend art history: they have achieved global celebrity within both academic circles and popular culture. More than any other artist, his ever-evolving, evocative style has come to define modern art of the 20th century, and to this day he continues to gain recognition. The most compelling of his works offer a glimpse into the psyche of the master himself, and the present work can be counted among these. Combining saturated color with a jarring simplicity, Buste d'homme barbu represents an important series of bearded men portraits that the artist composed during the last few years of his life. These works are among the most highly personal and intimate of his career, and they serve as remarkable examples of his mature style with their highly modern expressivity. Many of Picasso's works from his last years capture the visage of his wife Jacqueline, who was his chief model during this period. In April, however, at his home studio in Mougins, France, Picasso changed direction and produced a series of individual portraits of men. His male subjects derive from various sources. Often they were self-referential portraits; often they referenced his father, Spanish painter José Ruiz...

PABLO PICASSO Spanish, 1881 - 1973 CHOUETTON (A.R. 135) stamped and marked 'Edition Picasso / Madoura Plein Feu / Edition Picasso / Madoura' (underneath) white earthenware ceramic va...

Signed in pencil, from the edition of 20 to 25 that accompanied Max Jacob's 'Le Phanérogame' in December 1918. With wide margins (the version issued with the...

Lozenge with Dancer and Hind (#620, Ramie) Red Earthenware Clay Edition Madoura Picasso, 93/500 (Verso)

Turned Pitcher Edition of 76/300 White Earthenware Clay, Oxidized Paraffin Decoration, White Enamel, Black 5.12 x 5.71 inches

Drypoint, 1967. 350x300 mm; 13 5/8x11 5/8 inches, full margins. With the artist's ink stamp signature, lower right, and numbered 38/50 in pencil, lower left. A very good impression. ...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developme...

Nature Morte, Compotier is a rare black and white drypoint on laid ivory-colored paper, realized by Pablo Picasso in 1909. Edition of 100. Hand-signed in pencil on the lower right m...

Drawn in 1912 by Picasso, this fine piece of work is a recognizable mark of his unique style. "Homme dans un interiéur jouant de la guitare", 1912 is on cream laid paper, with abstra...

JOIE DE VIVRE (A. Ramié no. 346) stamped, marked, engraved and numbered 'Madoura Plein Feu/Empreinte Originale de Picasso (underneath) unglazed white ea...

Pablo Picasso "Diurnes" (Femme Assise En Pyjama De Plage II) 1962 Linocut printed in ochre and brown, 1962, on Arches paper Inscribed "Epreuve D'Artist" (Artist Proof) lower left, as...

Artist: Pablo Picasso (Spanish, 1881-1973) Title: La Danse Des Faunes Year: 1957 Medium: Original zinc plate two colors lithograph Edition: Unumbered of 1000 Paper: Arches Ima...

Fish Pitcher 1952 Turned Pitcher 13 cm x 21 cm/approx 8 1/4 x 4 3/4 inches Red Earthenware Clay, Decoration in Engobes Black, White Edition Madoura Picas...

A fabulous impression of this scarce Picasso etching from the Vollard Suite published in 1939. In an excellent hand-carved museum frame with all acid-free conservation materials. ...

Magnificent silver plate. Stamped with the artist's signature and numbered on the reverse; conceived in 1957 in an edition of 20, 2 artist's proofs, 1 author's silver proof and 1 aut...