Robert Witz Abstract Prints

Sean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph print Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scull...

Artist: (after) Frank Stella (American, 1936-) Title: "Casino Knokke" Series: Casino Knokke Posters *Signed by Stella in black marker lower center Year: 1991 Medium: Original Offset-Lithograph, Exhibition Poster on glossy wove paper Limited edition: Unknown Printer: Unknown Publisher: Casino Knokke, Knokke, Belgium Sheet size: 24.5" x 16.63" Condition: Some minor handling creases. In excellent condition Very rare Notes: Provenance: private collection - Paris, France; acquired directly from the exhibition at Casino Knokke, Knokke, Belgium. Poster produced for a special exhibition of Stella's work at Casino Knokke, Knokke, Belgium from June 23 - September 1, 1991. The artwork featured on this poster is Stella's 1991, 133" x 87" x 75" stainless steel, bronze, copper, aluminum and carbon steel sculpture "Raft of the Medusa, Part IV". Comes with its rare 56 page softcover exhibition catalogue "Frank Stella: Casino Knokke" featuring 18 artworks. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Frank Stella (1936-) is an American artist best known for his use of geometric patterns and shapes in creating both paintings and sculptures. Arguably one of the most influential living American artists, Stella’s works utilize the formal properties of shape, color, and composition to explore non-literary narratives, as seen in his work Harrar II (1967) from the Protractor series. “Abstraction didn't have to be limited to a kind of rectilinear geometry or even a simple curve geometry. It could have a geometry that had a narrative impact. In other words, you could tell a story with the shapes,” he explained. “It wouldn't be a literal story, but the shapes and the interaction of the shapes and colors would give you a narrative sense. You could have a sense of an abstract piece flowing along and being part of an action or activity.” Born on May 12, 1936 in Malden, MA, Stella went on to study history at Princeton University before moving to New York in 1958. Having moved to the city, Stella was immersed in the heyday Abstract Expressionism, but it was the work of Jasper Johns that inspired Stella’s Black...

Frank Stella The Whale Watch Shawl (signed in indelible black marker), held in red silk presentation box; also with embossed COA hand signed by both Frank Stella and Kenneth Tyler, 1994 LARGE: (54 Sq inches) Silkscreen on 100% Italian Silk Shawl, hand signed by Frank Stella in indelible black marker, folded in Red Silk Box with Embossed Certificate of Authenticity (Brand New in Original Red Silk Box) - embossed COA is Hand Signed by Frank Stella and Kenneth Tyler Hand Signed and dated by Frank Stella on recto; signed by BOTH Stella & publisher Kenneth Tyler, and numbered on accompanying embossed COA 54 × 54 inches Unframed and held in original red Italian silk gift box Makes a terrific gift! Stunningly large -- 54 Square Inches. This work looks dazzling framed and hung on the wall -- but as it is a signed silkscreen on silk, but it can also be worn as a gorgeous and exclusive artistic fashion statement. Who else is wearing a Frank Stella scarf? This impressive, large hand signed, silkscreen on 100% Italian silk shawl was created by Frank Stella in collaboration with his longtime publisher Kenneth Tyler of the famed Tyler Graphics Studio. In red silk Italian made presentation box with an accompanying COA - hand signed by both Stella and Tyler. "The Whale Watch" is also signed and dated on the front of the art work by Frank Stella in indelible black marker. It was acquired directly from the publisher before Kenneth Tyler retired, and is brand new in the publishers' original red silk box and wrapping. While The Whale Watch is indeed wearable art, it is also a silkscreen, and many collectors choose to frame this hand signed 54 square inch print to display as a stunning and easily recognizable work of art by Frank Stella. The image is based on an iconic silkscreen Stella created for the Moby Dick Deckle Edges series of prints in the 1990s (also published by Tyler Graphics) based on Herman Melvilles epic novel "Moby Dick". There is been a tremendous amount of literature celebrating this body of work. Published by: Kenneth Tyler, Tyler Graphics Limited, New York Produced by: House of Mantero, Como, Italy Note: the edition number shown in the image may differ from actual edition number you receive. For reference and inspiration only, we include a photograph of the work in a black frame, and another photograph of the work held in a white frame. The present work is unframed. Rare to find in new, giftable condition. Provenance: Acquired directly from the publisher FRANK STELLA BIOGRAPHY In the late 1950s, Frank Stella (1936–2024) revolutionized abstraction by merging the flat restraint of Jasper Johns with the formal, geometric shapes of abstract expressionism. With a reductive painting process that involved prosaic procedures and systemic variation, he discarded illusionistic space to emphasize the two-dimensional surface, paving a way for the Minimalist movement. For more than six decades, his career was marked by constant innovation, moving through series that eventually came to embrace narrative and a formal abundance he termed “maximalism.” Born in Malden, Massachusetts and based in New York, Stella studied history and studio art at Princeton University. In 1958, he moved to New York and initiated his Black Paintings (1958–60)—bands of matte enamel delineated by pinstripes of raw canvas, their composition determined by the scale of the canvas and paintbrush. The following year, when Stella was only twenty-three years old, these paintings appeared in the seminal exhibition Sixteen Americans at the Museum of Modern Art, New York. Leo Castelli Gallery in New York mounted an exhibition of his Aluminum Paintings in 1960. Stella was included in such critical New York exhibitions as Geometric Abstraction (1962) at the Whitney Museum of American Art and The Shaped Canvas (1964–65) and Systemic Painting (1966), both at Solomon R. Guggenheim Museum. With his Irregular Polygon (1965–67) and Protractor (1967–71) series, he expanded his experimentation with color and the shaped canvas. In 1970, Stella became the youngest artist ever to receive a full-scale retrospective exhibition at the Museum of Modern Art. That decade, he began making series of increasingly elaborate relief constructions on canvas and aluminum, including Polish Village (1970–73) and Exotic Bird Paintings...

Peter Halley Jablonka Galerie, Köln (Hand Signed), 1990 Offset lithograph (Hand Signed by Peter Halley) 26 1/2 × 30 inches (ships rolled in a tube 37 x 6 x 6) Signed by Peter Halley ...

Willem de Kooning de Kooning in East Hampton (Hand Signed), from Estate of Alan York, 1978 Offset lithograph poster (Hand signed by de Kooning) Boldly signed in green marker on the f...

Gerhard Richter Fra van Gogh Til Gerhard Richter (From Van Gogh to Gerhard Richter) - Hand signed by Gerhard Richter, 1994 Offset lithograph (Hand Signed) Hand signed in black marker...

Mark di Suvero Venice Art Walk (Hand Signed), 2001 Offset Lithograph Poster (Hand Signed) Boldly signed by Mark di Suvero in marker on the front 36 × 24 inches Unframed Very rare whe...

Sean Scully Doric (Hand signed by Sean Scully), 2012 Hardback monograph (hand signed by Sean Scully on the title page) Hand signed by Sean Scully for the present owner at a special ...

John Chamberlain (Hand Signed), 1988 Offset Lithograph Poster (Hand Signed by John Chamberlain) 30 × 20 inches Boldly signed on the recto in white grease marker by the artist in his ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...