Drawings and Watercolor Paintings

This delicate drawing is made with silverpoint on prepared archival board. The exploration of ephemerality, and the fragility of nature, its textures and movement, is the focus of this work by Margot Glass. The exquisite beauty of a group of simple feathers, often overlooked or considered mundane, is discovered and elevated through close examination and exquisite drawing by the artist. Signed and titled on verso and initialed on recto, lower right corner. Framed in a silver frame, 10 x 8 inches (unframed), 12 x 10 inches (framed). Glass draws with pure silver not only for the delicacy of line the metal point provides, but also for the allure of using a semiprecious metal as a drawing material. Working on an archival board allows the gleam and luster and delicate reflective silver properties of the metallic medium to present as soft and textured against the ground. The surface is primed with traditional silverpoint ground. The silverpoint ground is slightly chalky when dry to provide a subtle toothy surface to grab the silver particles. Glass is interested in the tradition of using nature as idealized ornament in art and design while seeking to carefully observe as accurately as possible in all the irregularity and imperfection. The metallic lines enhance the decorative qualities of the filigree patterns formed by the minute details in each object. Her compositions are tightly cropped to bring the subject as close to the edge of the picture plane as possible. Margot Glass’s work been exhibited widely in the United States and internationally. Glass’s education includes studies in the Brown/RISD Exchange Program, Brown University...

Shire (2022), surreal abstract dream-like landscape, blue, silver, pink, black "Shire" by Shamona Stokes portrays a dreamy, inviting, surreal landscap...

Lightning My Load (2020), surreal abstract dream-like landscape, sky, skyscape, blue and orange "Lightning My Load" by Shamona Stokes portrays a dream...

Jonathan Higgins' contemporary metalpoint drawing on blue-tinted acrylic ground on paper was executed in silver and copper. Metalpoint is a Renaissance drawing technique that was use...

Jonathan Higgins' contemporary metalpoint drawing on blue-tinted acrylic ground on paper was executed in silver and copper. Metalpoint is a Renaissance drawing technique that was use...

Jonathan Higgins' contemporary metalpoint drawing on blue-tinted acrylic ground on paper was executed in silver and copper. Metalpoint is a Renaissance drawing technique that was use...

Jonathan Higgins' contemporary metalpoint drawing on blue-tinted acrylic ground on paper was executed in silver and brass. Metalpoint is a Renaissance drawing technique that was used...

This piece by Jonathan Higgins is a contemporary silverpoint drawing on blue acrylic ground on cradled wood panel. The reflective qualities of the silver are brought out by the dark ...

Jonathan Higgins' work is a contemporary silverpoint drawing on acrylic ground on wood panel. Metalpoint is a Renaissance drawing technique that was used before the advent of the gra...

Jonathan Higgins' contemporary metalpoint drawing on tinted acrylic ground on wood panel was executed in silver and copper. Metalpoint is a Renaissance drawing technique that was use...

Jonathan Higgins' contemporary metalpoint drawing on tinted acrylic ground on wood panel was executed in silver and copper. Metalpoint is a Renaissance drawing technique that was use...

This piece by Jonathan Higgins is a contemporary metalpoint drawing in silver and copper on dark blue acrylic ground on cradled wood panel. The reflective qualities of the metals are...

This piece by Jonathan Higgins is a contemporary silverpoint drawing on white acrylic ground on paper. The artist's signature, title and date are on the back. Metalpoint is a Renaiss...

This piece by Jonathan Higgins is a contemporary silverpoint drawing on white acrylic ground on paper. The artist's signature, title and date are on the back. Metalpoint is a Renaiss...

This piece by Jonathan Higgins is a contemporary metalpoint drawing on warm tinted acrylic ground on paper. The drawing was made using silver, copper and sanding. The artist's signat...

This piece by Jonathan Higgins is a contemporary silverpoint drawing on gray-tinted acrylic ground on paper. The artist's signature, title and date are on the back. Metalpoint is a R...

This piece by Jonathan Higgins is a contemporary metalpoint drawing on warm tinted acrylic ground on paper. The drawing was made using silver and copper. The artist's signature, titl...

This piece by Jonathan Higgins is a contemporary metalpoint drawing on white acrylic ground on paper. The drawing was made using silver, graphite and sanding. The artist's signature,...

This piece by Jonathan Higgins is a contemporary metalpoint drawing on white acrylic ground on paper. The drawing was made using silver, copper, graphite and sanding. The artist's si...

artwork dimensions (unframed): 20h x 14w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

"American Bald Eagle Flying Through Silver Clouds Between Heaven and Earth" is an original mixed media piece by David Barnett, signed on the lower left center. It incorporates watercolor, ink, iridescent acrylic, rubber stamps, collage, and oil pencil. This piece depicts a surrealist landscape. A cow with an cowl perched on its back stands in the lower left corner, and tracks lead away from it across the bottom of the picture. A small turtle approaches a pond in the lower right. In the center register of the image, two leaves have been collaged into an abstractly-drawn forest. The eagle of the title is shown in several stages of its flight through the blue and yellow sky. Art size: 7 15/16" x 9 1/2" Frame size: 15 1/4" x 16 1/8" David Barnett, an artist, collector, appraiser and gallerist has been passionate about art from the early age of five. David’s career as an art dealer began at age nineteen when, as a fine arts student, he sponsored an exhibition of work by fellow student artists. In 1966, he opened his first gallery in a converted basement apartment at Wisconsin Avenue and 21st Street. In 1985 David moved his gallery from Wisconsin Avenue into the Old Button Mansion on State Street and has been active ever since. David’s talents for recognizing undervalued artists and for meeting the needs of art lovers, art collectors and artists have created a vibrant, flourishing gallery and collection of over 6,000 works of art. David was born and raised in Wisconsin. He has been painting in watercolors, acrylics, oil pastels as well as fine art photography. David has more than 10 different series he has developed over the years. They include Abstract, Surrealism, Morph Dog, Up North Birch Bark, Impressions of Mexico City, Southwest, Fireworks, Famous Artist Paying Homage and Garden Panorama. Influential artists include Vermeer, Miro, Kandinsky, Chagall, Nolde and Klee. David has been featured in many magazines, newspapers and public television programs regarding his beautiful gallery, collection and knowledge and passion of fine art. David also has work in the permanent collection Scottsdale Museum of Contemporary Art, Arizona. In November 2005, he opened his second studio gallery in Hartland, Wisconsin. Exhibits “Morph Dog Series”, David Barnett Gallery, 1996 “Renewal", Art Escape Gallery, Thiensville, WI, 2003 “Recent Watercolors", David Barnett Gallery, 2003, Lora D. Art Gallery, Chicago, IL, 2004 “Group Show”, Broden Gallery Ltd., Madison, WI, May-June 2004 "Homage to Kandinsky", David Barnett Gallery, Milwaukee, WI 2014 Collections Scottsdale Museum of Contemporary Art, Scottsdale, AZ Private collections throughout the United States and around the world including collections in Wisconsin, Maryland, New York, Washington D.C., Arizona, Illinois, Florida, Kentucky. International collections in Brazil, Singapore and Hong Kong. Articles Milwaukee Journal Sentinel, "Barnett Gives His Work an Exhibit" by James Auer, November 1996 Exclusively Yours...

Una vuelta por el universo, 2018 Silver ink on paper 44.49h x 20.28w in Miriam Peralta was born in 1957 in Buenos Aires, where she also received her formal academic training at th...

An Art Deco gouache painting by American artist Anthony Nelle featuring exquisite details and materials to create a fantastic and enchanting scene.

Untitled, 2018 Silver ink on paper, collage unframed 15.35h x 15.75w in Miriam Peralta was born in 1957 in Buenos Aires, where she also received her formal academic training at th...

Otra vuelta por el universo, 2018 Silver ink on paper and magnets unframed 17.72h x 16.14w in Miriam Peralta was born in 1957 in Buenos Aires, where she also received her formal a...

Sur-Norte, 2018 Silver ink on paper, collage unframed 12.60h x 14.17w in Miriam Peralta was born in 1957 in Buenos Aires, where she also received her formal academic training at t...

Nurhan Gokturk is an artist and urban designer. Born in Istanbul, Turkey, Gokturk immigrated to New York City at the age of three. Raised in Queens and Brooklyn and educated in the p...

House of Bernard Founded 1905. Watercolor over pencil. Some with gold or silver leaf highlights Paris, France. Coats, 1923. Evening dresses, 1926. French fashion has influe...