Decorative Objects

Handcrafted what sculpture made of solid wood. Amazing design an workmanship. Signed and dated.

Dimensions: H: 11in W: 9.5in D: 9.5in This beautiful pair of 19th century French Bronze Candelabras are made from the highest quality Dorè or Ormolu Bronze. The craftsmanship of the...

After Jean Louis Grégoire (France, 1840-1890) A Charming French 19th-20th Century Patinated Spelter Figure of "The Animal Charmer", depicting a sta...

Pair of Louis XV style candelabra in silver with rocailles decor and asymmetrical ornamentation. The four arms of light ending in bobèches binettes are finely chiseled with stylized rinses, foliage and flowers. These candelabra are a creation of the goldsmith Boin Taburet...

Collectible 1960s kitchen decoration figural Wicker hand-woven lidded Basket. Hen Sitting on nest. Hen is the lid with attached red wood comb and beak and Red Button Eyes the tail is bamboo. The basket itself has a double layer so that the hen has a firm place to sit. The Basket is in good vintage condition with some marks, dryness, some normal breaks to the wicker. Measures 11.25 inches high, basket is 9 inches round. Vintage Chicken Basket...

Sheet metal, spot-welded cactus sculpture in the perfect state of rust + paint, de-evolution…faded to the softest blue/green…beaten and battered by the natural elements and ready to ...

The pichancha or Tlalchiquihuite is a clay pot with small holes, which is used to wash the nixtamal. This utensil allows you to strain the nejayote (the lime water in which the corn ...

Nice old decorated salt glaze stoneware jug stamped 1 MILLER & WOODARD STRASBURG VA. There are chips and cracks present, and pictured. "1" gallon capacity mark, cylindrical form with...

A French Provençale Louis XV period miniature apprentice commode from the early 18th century, with lift top and cabriole legs. Born in Provence during the reign of King Louis XV, thi...

This elegant, antique long case clock was crafted in Normandy, France, circa 1780. The tall grandfather clock stands on a straight bottom plint...

With a dark rich patina. Made with oak staves, handle and a mahogany base. In excellent condition. Attributed to Sherwin Porter Boyer (1907-1964). Measures: 6”.    

Vintage Mexican Tonala hand painted pottery dove Folk Art. Rita Tilleya Yelapa Mexico hand painted ceramic bird dove. Warm earth tone polychrome color...

A wooden bowl produced in Sweden, 19th Century.

Swedish antique clock cabinet made during the early to mid 1800s, circa 1820 to 1840. The cabinet is veneered and waxed elm. The lower cabinet is...

A Rare Louis XV Style gilt bronze Encrier, By Paul Sormani. French, circa 1870. Signed 'P. Sormani, Paris' to the underside of the cover. Thi...

A six-sided woven sweet grass decorative basket in brown, with bright green and pink decorative design. This basket is created from tightly woven sweet grass. Sweet Grass holds deep ...

Round hand-carved Italian gray marble pesto mortar from the 19th century

A fine pair of French 19th century Rouge-Royal marble and figural gilt bronze-mounted flambeaux urns surmounted with four ormolu figures of dolphins supporting the center urn with th...

Great decorative Moroccan Berber Tuareg metal brass powder flask. African decorative brass with front richly decorated with Moorish embossed brass ocverlay. Moroccan tribal powder fl...

This is an exceptionally well-carved portrait bust of an African man dating to the mid-20th century. The bust is carved from a single piece of mahogany; th...

Primitive hand decorated trinket box in the style of the noted Provincetown folk artist Peter Hunt, ca. 1940s. Humorous interior label indicates it is "four of four of a kind" and ...

Swedish folk art box made by hand in solid Swedish pine. The box is in original condition with the untouched original paint. Made in northern Sweden around the 1860s. It has most lik...

A fine French 19th-20th century Louis XV style silvered centrepiece by Christofle & Cie. with an ovoid molded cut-glass centre-dish (later) on a pomegranate branch-form foot, the underside stamped: CHRISTOFLE and 1147156, Paris, circa 1900. Charles Christofle...

Early Vintage Mattapoisett Basket, likely by Gladys Ellis, Mid 20th Century, a hand-crafted basket modeled after a Nantucket purse, having a flat oval "clamshell" lid hinged above an oval body, made of hand-stitched longleaf pine needles and raffia in braided and lace-like arrangements, with two braided raffia handles, a stitched hinge, and a silk lined interior, not signed. This is one of her very early baskets made before she started adding ivory tops and fixtures. The basket remains in strong original condition with no discernible breaks to the weave. There may have once been a loop closure at one point. Measures: 5-1/4 in H x 9 in L x 6-1/4 in W A local adaptation of a Nantucket basket first designed by Gladys Ellis (Mattapoisett: 1917 – 2011). The Mattapoisett basket is made in the shape and nature of a Nantucket basket, but uses southern yellow or longleaf pine needles and raffia coiled and sewn on a frame with a lace-like effect, often incorporating scrimshaw panels on the top and sides, sometimes as well as clasps and handle knobs...

A Swedish original painted Folk Art box. From the beginning of the 19th century, most likely used to keep writing supplies and office materials.

Pair of oversized zinc garden frogs. Likely mid 20th century. H 10-1/2" W 11" D 10" each frog. Condition: Very good condition. One partial toe missing on one frog. Age-appropriate...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has taken heavy gauge wire and formed it into a simple dog and placed it upon a salvaged steel cylinder. These repurposed items combine to form this small simple sculpture that will sure to bring a smile to its owner. Jim Rose Objects No. 04 Found and Collected Objects 6.50h x 6w x 10.50d in 16.51h x 15.24w x 26.67d cm JR0291 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2023 Jim Rose CODA, Gallery Victor, Chicago, IL 2020 Unseen, Gallery Victor Armendariz, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2023 Intersect Palm Springs, Gallery Victor, Palm Springs, CA 2018 SOFA Chicago 2018, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art on Paper, Gallery Victor, Metropolitan Pavilion, New York, NY 2017 - 2019 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

This collection is a work of art that make a statement in modern décor and in the modern cultural art world. It can be used as a vase containing flowers, or as a beautiful centerpiec...

A very large, rare and impressive original antique clock set. The bodies are stunning Japanese Imari Porcelain mounted with finely gilded bronze. Can...

Interesting and unusual group of three Spanish Colonial painted plaster hands, two mounted on marble bases and one on a custom wood stand. Whimsical, or just creepy, they are uniqiue. Likely hands from santos figures, which often break off. The previous collector thought enough of them to have them beautifully mounted. Give someone a hand! Provenance: Artist Karl Mann...

Beautiful pair of bronze candlesticks from the Louis XV period resting on an animated circular base, with a baluster-shaped barrel with torso fluting. The candlesticks have kept thei...

Circa 1900 hand carved pine horse. This is a wonderful piece of folk art, and may have been a glorious rocking horse when it was made. The horse was painted at one time, as there a...

Orange-tinted mezcal demijohn from southern Oaxaca, Circa 1930´s.

A skilfully crafted piece of turned treen with an interesting silhouette. The piece opens into two sections leaving an interior space to prize, hide or store a treasure or two. There...

Ceramica D'Amore Vietri Italian hand-painted ceramic pottery candle holder. Handcrafted in Italy circa 1960s. Italian small round ceramic candle holder hand decorated with a geometri...

A Swedish oak-wood box from the Gustavian period dated 1802. The richly carved box with scenes of a dog hunting a deer, doves flying and black grouses. Decorated with a pattern of ro...

Large Louis XV or Rococo style bronze mantel clock and a pair of five-light candelabra, France, 1920s. Decorated with floral and scrolled leaf motif throughout. Brass dial with indi...

Cartel d'applique d'époque Louis XV par Julien Le Roy à Paris Bronze doré et ciselé, cadran émaillé à chiffres romains et arabes Meccanisme Napoleon III signé aussi Le Roy

A delightfully designed gilt bronze and etched crystal glass set, in the style of Baccarat. The set includes fourteen glasses and four decanters with etched embellishments. The set is placed on a lift out custom gilt tray inside...

Antique 18th century Boulle bracket clock by Brezagez and Marchand French, circa 1740 Measures: Clock: Height 87cm, width 47cm, depth 21cm Bracket: Height 40cm, width 53cm, depth 24cm Total: Height 127cm This beautiful 18th century French bracket clock...

Rare Louis XV style gilt and patinated bronze "Pendule à l'éléphant" mantel clock , the enamel dial signed: "Mafson" à Paris" This beautiful example was made in the late 19th century...

An antique and unique organic wooden bowl. With highly appealing patina, faded painting on the bowl makes this a unique and desirable piece. Produced in...

Pair of Chinese vintage carved and painted horn eagles or hawks with an alluring, stylized interpretation of these majestic birds of prey.

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

This one of a kind Mexican antique is one of few pieces Dolores had at her home at the time she passed away. Dolores portrays the flora from her garden...

New, hand-crafted mannequin torso composed of spaced and layered unfinished wood. Created and acquired from an English artist.         

A Pair of French 19th Century Louis XV Style Gilt-Bronze Nine-Light Candelabra. The impressive pair of candelabrum, each on a floral stem base surmounted with nine scrolled candle-ar...

Whaler made antique bone and ebonized wood round box, circa 1850. With pierced bone medallion and delicately carved bone spiral decorative supports on the...

Louis XV style inkstand with chinoiserie design, lacquered top. This rare and stylish inkstand is a work of the house Boin-Taburet, goldsmith in Paris. This impressive size inkstand...

A second half of the 19th century Scandinavian vanity mirror for kids. This Little hand painted in "Faux bois" technique mirror has a little...

A very fine French 19th-20th century Louis XV style ormolu-mounted Fleur de Pêcher marble vase or urn with a gadrooned cover surmounted by a pomegranate finial, above a tapering ovoi...

Decorative 18th century Swedish mortar in solid stone, circa 1790 Sweden.

Gorgeous Antique Clock, Longcase, French, Louis XV Style, Walnut, Foliate, Gilt, 1889, 19th Century! This exquisite antique longcase clock ...

Vintage gold anodized aluminum alloy bowl in the shape of a Sea Grape leaf. The leaf designs were designed by well known sculptor Oskar Hansen for Virginia MetalCrafters in Waynesbor...

This collection is a work of art that make a statement in modern décor and in the modern cultural art world. It can be used as a vase containing flowers, or as a beautiful centerpiec...

Like a mysterious inhabitant of a fairy tale by Hans Christian Andersen, this wooden quadruped crafted in Scandinavia circa 1900 exudes a gentle melancholy of the North. The whitenes...

Important pair of curved shape Louis XV style covered vases attributed to Maison Lexcellent, with godrons, in Aswan granite, gilded and chiseled bronze. The lid is topped by a pomegr...

The clock features a cartouche shaped case housing an hour and half-hour striking movement with a round white enamel dial, indicating the Roman numeral hours and the Arabic five-minute intervals by means of two pierced patinated bronze hands...