French Clocks

Alfred Louis Achille DAGUET (1875 - 1942) was a metalsmith active in Paris during the first part of the 20th century. His metalwork created prior to the outbreak of World War I, note...

Antique patinated bronze and onyx mantel clock by Mercié and Barbedienne French, Late 19th Century Height 113cm, width 58cm, depth 40cm Two renowned French makers, Antonin Mercié (...

French Louis XVI-style (19th Century) bronze dore and white marble oval shaped mantel clock with 2 cupids reading book at top. (Not working)

Box luxury nine watch in black finish for 9 watches. Covered with black cowhide leather sheathing, box with details and finishings in polished nickel-plated brass. Upholstery and ...

A Louis XVI style cartel wall clock, made in France circa 1880-1890. The case is made of casted spelter (metal alloy) and fitted with four beveled mirror glass. The dial is covered w...

Surmounted with an urn finial, with foliate decoration. Origin: French Date: Late 19th century Dimension: 13 3/4 in. x 7 1/4 in. x 5 in.

19th Century French Louis XVI Wall Clock ~ Cartel was sculpted from solid old-growth quarter-sawn oak to create a work of art for your wall that was also originally designed to provi...

Beautiful antique fireplace set consisting of a clock and a pair of cassolettes. The black marble clock rests on lions' feet and is surmounted by a bronze engraved Medici vase with eight faces of Greek...

A French Ormolu and Patinated-Bronze ‘Chariot’ Three-pieces Clock Garniture Attributed to François Linke (1855 - 1946), Paris, Late 19th/ Century The clock representing a putto on ...

A large and important French 18th century Louis XV period Tortoiseshell and ormolu Boulle cartel clock signed Le Faucheur, A Paris. The clock is ra...

Late 19th century french Louis XVI ormolu gilt bronze mantel clock by Lemerle-Charpentier & Cie. By: Lemerle-Charpentier & Cie. Materi...

The enamel dial signed 'GALLE RUE VIVIENNE A PARIS’ Movement: Claude Galle (1759-1815) Origin: French Date: 19th century Size: Height 14 x 12 x 4 3/4 inches Claude Galle ...

A beautiful French Napoleon III ormolu carriage clock, with all five panels mounted in red marble. The marble panels overlaid with original gilt bronze neoclassical figures and acant...

This clock is a fine example of early 20th-century design, combining the rich materials and craftsmanship of traditional sculpture with the sleek, modernist lines of Art Deco. It wou...

This is a 19th-century clock from the prestigious Balthazard firm in Paris. The first lyre clocks date back to the early 18th century. The lyre clock was very successful under Loui...

Introducing "Patience," a captivating Early Art Deco figural clock garniture set, made by the a renowned sculptor of the Art Deco era, Suzanne Bizard. Exquisite clock features a be...

A very good quality 19th Century French Louis XVI style Boulle mantel clock, having Father Time perched above the brass inlaid dome, scrolling foliate ormolu mounts, white enamel Rom...

Charles X Gilt Bronze Figural Clock, circa 1830, depicting Marguerite, Queen of France, standing beside circular enamel dial, the movement strike on bell, signed "Rollet Bould St. De...

Louis XVI period gilt bronze mounted malachite clock French, late 18th century Measures: Height 50cm, width 34.5cm, depth 13.5cm This fine mantel clock was produced during the e...

The acclaimed French bronze foundry, Delafontaine, created this remarkable mantel clock. At the time this piece was crafted, in c.1860, the company was directed by Auguste-Maximilien Delafontaine (1813-1892). The firm was famous for its high-quality artistic bronzes, which can today be viewed in major art collections, such as the Louvre in Paris. Shaped like an upside down ‘T’, this gilt bronze...

MANTEL CLOCK "Au bon sauvage" or "PORTEFAIX", late Empire, after a design by J.A. REICHE (Jean-Andre Reiche, 1752-1817), Paris, 19th century. Gilt ...

This mantel clock depicts a mythological group scene in bronze of figures representing a cupid with a torch in his right hand in clouds made of scrolls and foliage flirting with a se...

A fine 19th century and substantial ormolu clock, of Rococo balloon form, sweeping acanthus swags, scrolls and floral flourishes, which is topped by classical cornucopias. The clock ...

A stunning and extremely high quality French 19th century Louis XV st. ormolu wall mounted clock and barometer signed by Barbedienne. Each is set in...

A very large and fine antique French clock set, circa 1880. It is of Rococo design boldly modeled in gilt bronze. Waisted keyhole shape with acanthus leaf shoulders, 'C' scroll feet standing on its original integral base. The top adorned with a putti and a musical instrument. To the sides are sound frets. The large dial is porcelain. The design is attributed to by the highly inventive and influential rococo goldsmith and architect Juste-Aurèle Meissonnier (1695-1750). Born in Turin, Meissonnier emigrated to France to work in the royal Gobelins factory in 1724 and in 1726 succeeded Jean II Bérain as architect and draughtsman to the Chambre et Cabinet du Roi. His designs for candelabra and other objects appear in the Dousieme livre des Oeuvres de J. A. Messonnier, Livre de Chandeliers de Sculpture en Argent published by Gabriel Huquier in the 1740s. A similar candelabrum in the Munich Residenz is illustrated in Ottomeyer and Pröschel, Vergoldete Bronzen (Munich 1986). The French movement is of high quality and is by Samuel Marti...

In the style of Jacques Adnet.

Antique 18th century Boulle bracket clock by Brezagez and Marchand French, circa 1740 Measures: Clock: Height 87cm, width 47cm, depth 21cm Bracket: Height 40cm, width 53cm, depth 24cm Total: Height 127cm This beautiful 18th century French bracket clock...

Black and red marble pyramid shaped Egyptian style clock attributed to G. Servant, surmounted by a patinated bronze figure representing the Egyptian goddess Isis sitting on her throne. Wearing the Hathor hairdress (the solar disc surrounded by the sacred cow horns), she holds in her right hand the Ouadj, the goddesses scepter surmounted by a canopy of papyrus, symbolizing health and eternal youth and in her left hand, the cross of life Ankh, symbol of rebirth and eternity. That Egyptian style in fashion since Napoleon the First and his military campaigns in Egypt around 1799 was rediscovered in France in the 1830's and above all in the 1860's. Some renowned French artists, such the sculptors and bronze-casters Guillaume Denière (1815-1903), Emile Hébert (1828-1893) et Georges Servant (1828-1890), presented at the 1867 and 1878 Paris Universal Exhibitions, an a-part section dedicated to their Egyptian style production. Their shows drew then considerable attention from the public and the wealthy collectors. During the 1867 Universal Exhibition, one could admire the Stand realized by the French silversmith-jeweller Gustave Baugrand (1826-1870), where his works executed in most Fine materials took inspiration from the Egyptian Antiques, exhibited then in the Louvre museum. Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

The bronze mantel clock is designed in a lyre form, featuring intricate decorative elements typical of 19th-century craftsmanship. It is surmounted by a cupid figure. The clock has a...

Porcelain clock, 19th century, Napoleon III period. A 19th century Napoleon III period painted porcelain clock. H: 40cm, W: 28cm, D: 17cm

This clock is very dramatic in appearance with bright gold gilt ornamentation With designs in floral and foliate elements. Gilt masques decorate the The sides. The clock is in goo...

A fine, early antique French clock by André Hoffmann of Paris, the movement by Vincenti et Cie, circa 1850. It is beautifully made in ormolu (fir...

A very unsual clock in the style neoclassical in ormolu bronze each detail on the side bronze clock and front are stunning.

Exceptional Late 19th Century French Louis XV Style ormolu and Sevres style porcelain 3 piece clock garniture set Dial marked: Richond / Boult. / Montmartre 21 Paris; Movement marke...

An Impressive Marble and Gilt Bronze Mantel Clock In the Louis XVI Manner Constructed from a marble platform with a bronze group above; all confidentl...

A fine quality 19th century Sèvres ormolu-mounted porcelain clockset. Origin: French Date: 19th century Dimension: Clock: 25 in high; Urns: 24 in high.

A stunning and most impressive French 19th century Louis XVI st. ormolu clock by Roque, Paris. The clock is raised by elegant circular mottled feet with fine wrap around foliate band...

This striking mantel clock is a fine example of the Empire style, a period characterized by its grandeur and inspiration from classical antiquity. The clock showcases a masterful com...

Ormolu bronze mantel clock flanked by a troubadour and musical instruments, signed 'Ferdinand Berthoud a Paris'. The end of the 18th and beginning of the 19th century was a crucial time in which new technological advances helped to make watches more accurate and more portable. During the 1790s, the production of gilded bronze increased considerably as working conditions improved. The freedom of trade initiated by the French Revolution allowed many casters to develop large factories. The new factory environment gave them a chance to execute all stages of bronze work including drawing, casting, gilding, assembly, and trade of art objects. While the bronzers took creative liberty in creating all kinds of clocks in contrast to the noble and rigorous structure carried by the movement of neoclassicism. Under the reign of Empire, the case designs started gradually to develop away from a proportionate and strict classicism towards a baroque style and revival style. The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much input from the Ancien Régime and its institutions, rites and the medieval churches in which family ceremonies occurred. This early nineteenth-century figural mantel clock is surmounted by a medieval musician. To be more precise, it is a french troubadour. Troubadours were known for composing and performing lyric poetry for the nobility back during medieval times. The clock is featuring a chiselled bronze troubadour, dressed in medieval fashion while holding a flute, playing a tune from sheet music called "Du Troubadour" that is resting on top of the rectangular clock case. In addition to that, the clock features a gilt bronze lute or vielle resting on a small stool on the opposite side of the clock’s case. The white enamel dial features the inscription Berthoud and is underlined by a bronze entourage chiselled with palmette motif, plus encompassed by c-scrolls and wreaths. The original hands are in blued steel and encircled by Roman numerals indicating hour next to Arabic numerals indicating minutes. The small details that adorn the hexagonal plinth are reliefs, depicting two water fountains or basins on both sides with a lyre in between. The sculpted image of a lyre raised above the background features also foliage garlands tied on top with ribbons. The clock rests on seven spinning feet. The clock was made in the well-known workshop of the Berthoud’s family that was recognized for their excellent work by the King. Berthoud Clockmakers History. Ferdinand Berthoud was a horologist and author of extensive treatises on timekeeping as well as a Swiss clockmaker serving the king of France, that produced many marine clocks, including a weight-driven version that inspired the first American sea-going clock. He was born in Plancemont, Switzerland, the son of an architect and judiciary. In 1741 he began a three-year apprenticeship as a clockmaker under his brother, Jean-Henri. He made his first marine chronometer in 1754 (sent for trial in 1761) and in 1764 was appointed a member of the Royal Society, London and Horloger Mécanicien de Sa Majesté et de la Marine ayant l'inspection de la construction des Horloges Marines. In 1769, Ferdinand Berthoud sent for his nephew Pierre-Louis Berthoud (1754–1813), commonly known as Louis Berthoud, a talented young watchmaker and clockmaker, inviting him to come to Paris from Couvet, Switzerland, to pursue his apprenticeship. Louis helped Ferdinand manufacture and repair the sea clocks...

Stunning 19th century large tower clock face from France. With original painted metal face and hands. The paint has years of wear giving it a great l...

A Magnificent Antique French Louis XVI Style hand carved white marble and gilt bronze three piece Lyre form clock set of exquisite craftsmanship embellished with gilt bronze figural ...

Edwardian Mahogany Balloon Mantel Clock, Asprey, London Edwardian mantel clock housed in a balloon shaped mahogany case with satinwood line st...

An early and stunning clock set, circa 1820, featuring a charming figure of Cupid, L’Amour Menaçant (Menacing Love) after the famous sculpture by Falcone...

Antique French enamelled and engraved brass carriage clock French, late 19th century Measures: Clock: Height 12cm, width 8cm, depth 7cm Case: Height 15cm, width 11cm, depth 9cm ...

Neoclassical style gilt bronze and malachite mantel clock French, late 19th Century Measures: Height 47cm, width 19cm, depth 19cm This wonderful Louis XVI style mantel clock is designed in malachite and gilt bronze—with the malachite being a later veneer. The clock takes after a famous original 1775 model by Brécourt, known as 'Vase pendule...

An exceptionally rare objet d'art, this opulent and incredibly rare French miniature clock is crafted of solid 18-karat gold and jade. Crafted by Parisian jeweler Paul Frey and retailed by Gompers, this handcrafted masterpiece is exemplary of the Art Nouveau aesthetic, boasting exquisite gold mounts hand-cast with unmistakable Gothic elements, including gargoyles and grotesque figures, accentuated by intricate foliate motifs. The resplendent, rich green jade column provides the perfect contrast; gracefully twisting in an elegant display of beauty and craftsmanship. The vast majority of such luxurious objects were composed of gilt bronze, making 18K gold specimen...

An elegant French mantel clock/pendule, made of gilt bronze. The whole in Louis XV style. The clock is made in France 1880-1890. Fine bronze case with typical asymmetric floral motifs in Rococo style. The dial is enameled, at the Roman number VI is a small damage on the enamel. The clock is in good condition and workin order, it have the original gilding. The clockwork have a 8-day movement and strikes every half our on a bronze silver plated bell.

Fine work of gold-plated bronze as mantel (desk, shelf) clock. Italian A renaissance girl thoughtfully holds a strand of hair in a relaxed reclining pose. Antique French gilt bronze ...

French Japonisme style gilt bronze and enamel mantel clock French, 19th Century Height 30cm, width 18cm, depth 14.5cm This fine mantel clock is of rectangular form, with a gilt bron...

A fine quality gilt and patinated bronze library clock surmounted on a white oblong base. Having a gilt bronze eagle finial in full relief above a ...

French Venus and Cupid Gilt Bronze and White Marble Mantle Clock by Planchon - Au Palais-Royal  Crafted in the Louis XV style this gilt bronze and white marble mantle clock depicts Venus and Cupid mounted on a marble pedestal base with floral garlands, ribbon bows, acanthus leaf scroll forms and beading, all resting on bun feet. The white enamel clock face...

Impressive mahogany longcase clock with gilt and sculpted decorative bronze elements such as fantastic animals, diamond-shaped patterns, scrollwork, and foliage. This floor clock is ...

French Empire clock garniture with gilt bronze and Baccarat crystal. An important French Baccarat cut-crystal and ormolu mantel clock with four Corinthian style columns. The cut-crystal features a cross hatched diamond patterns throughout. The clock comes with two large Baccarat crystal and gilt...

A Napoleon III Gilt and Silvered Bronze, Onyx and Champlevé Enamel Figural Three-Piece Clock Garniture. By Eugène Cornu for the Société des Marbres Onyx d'Algerie, the figure cast fr...

A beautifully made, French, inlaid rosewood mantel clock from 1820, with 8 day striking movement and silk-suspended pendulum. Original porcelain dial mounted in brass. The marquetry ...

A clock with a glass shade, circa 1930, on a wooden base. The striking, metal casing of the clock is decorated with hunting emblems, and is crowned with a semi-plastic figure of a h...

Guillerme et Chambron for Votre Maison, longcase clock, oak, brass, steel, France, 1960s. Wonderful and large clock designed by Guillerme and Chambron. The piece shows a natural and...

A simple yet elegant relatively rare malachite cased clock topped by a gilt bronze bust of a young Napoleon in uniform after the marble original work by Jean Antoine Houdon.

A spectacular and extremely high quality French mid-19th century Louis XV st. kingwood, tulipwood, and ormolu grandfather clock. The clock is raised by a fine scalloped shaped kingwo...

This 19th-century clock is an exquisite work of art, perfectly reflecting the refined and elegant style of the Napoleon III period. Here is a detailed description of this masterpiece...