Wood Sculptures

16th Century Madonna and child wood carving, retaining some original polychrome decoration sizes 67 cms high, 30cms wide and 25 cms deep

Excellent walnut carving of a Carlo Boccomico c1600 Visible old dead worm holes, but great condition 72 cms high 30 cms wide

Introducing our exquisite collection: Capipota Sanctuaries - XVII-XIX Century Devotional Statuettes. Originating from the Catalan expression "cap i pota" (head and feet), Capipota V...

A pair of 18th century German figures of one legged beggars after the engravings of Rembrandt in box wood. Circa 1780

From a beautiful home in Santa Barbara. Slight chipping in silver leaf on back side. Beautifully detailed.

Pair of 18th century Italian carved wood figures. Originally polychromed and now aged to a shabby chic look.

Beautifully carved and painted. Nice patina. From a beautiful house in Santa Barbara. They do hold candles on a spike.

18th century French carved-wood panel of a scene of Cherubs burying their pet, expressing that God cares about all of creation, and since pets are part of that creation, they are included in His care and attention. The piece is mounted on a Lucite panel framed with a double walnut molding...

A striking Italian 18th century giltwood and polychrome statue of two eagles. The statue is raised by a most decorative polychrome ground and branch like designed base. Above are two...

A Rare Pair of Italian Popes made of Carved Wood and Papier Mache.

A Fine Flemish Carved Figure of a Man Attributed to Henrick Douverman (c. 1480 - 1543) (sometimes known as Heinrich Douwermann) Wood (oak) Flemish Early 16th Century SIZE: 28cm high...

Important bas-relief in carved wood with traces of gilt, in an architectural frame with two angels in the corners, representing Saint Rocco. Considered, among other things, the Patro...

Rare Large 15th Century Renaissance English Oak Roof Angels Corbel. Truly astonishing rare roof angels, circa 1450. The large Medieval carvi...

Beautiful weathered giltwood angelhead. France, circa 1700-1750 Weathered, several losses on the gilding and old repairs which suits its high age. Measurement here below inclusive th...

Citrine crystals in matrix mounted on a gilded 18th century Italian base. The citrine crystal specimen is adorned with baroque pearls and it sits in a bed of crushed crystals and coo...

Beautiful Baroque angel-wing. Rare and very decorative item placed on a wooden base, Italy, circa 1750. Weathered. Measurement is inclusive the wooden base. H:32,5cm W:22cm D:5,5cm

Important pair of 18th century lacquered wood angel heads, from Northern Italy. The angel heads with wings are carved from a single piece of wood and decorated in polychrome with mec...

We present you these two icons Virgin Mary and Saint John, pair of linden wood sculptures. Bologna 15th century. The Caloust Gulbenkian Foundation in Lisbon, Portugal museum has an i...

Beautiful Baroque angel-wing. Rare and very decorative item placed on a wooden base, Italy, circa 1750. Weathered. Measurement is inclusive the wooden base. H:27,5cm W:23cm D:5,5cm

France / 1550 / statue Saint Eligius / Antique / reliques Religious statue of Saint Eligius from the 16th century in full wood found in France. This very rare find has a beautiful ...

JESUS GOOD SHEPHERD Indo-Portuguese Sculpture, 17th Century in iv... partially painted and gilded. The baby Jesus, asleep, is depicted sitting cross-legged. Posterior dobby. Dim.: ...

This Wood Sculpture of an Angel would likely is a masterpiece of religious art, reflecting the exuberance and drama characteristic of the Baroque period. Baroque art often sought to ...

Pair of 18th century Italian hand-carved gold leaf angels with tangerine quartz crystals and mounted on aragonite. The hand-carved angels were once part of a heavenly, angelic depiction in a historic church in Tuscany. The angel arms and feet are adorned with the tangerine quartz crystals to restore the broken aspects of the figurative pair. They appear partially crystalized in form. The aragonite is from Morocco and has many different formations. This one in particular emulates a cloud which is compliments the 18th century Italian gilded angels. The piece is put together by Jean O'Reilly Barlow, the artist and creative director of Interi. The date of manufacture reflects when she created the piece and the period shows that the pair of Italian angels...

Beautiful Silvered Baroque angel-wing. Rare and very decorative item placed on a wooden base, Italy, circa 1750. Weathered. Measurement is inclusive the wooden base. H:27,5cm W:24cm...

Stunning period piece. Baroque angel with candleholder. Beautiful weathered old gilding France, circa 1750. Weathered, old repairs and losses. H:41cm W:29cm D:11cm

Wood carving of a saint (Peter)with a lot of original paint and gilding size 70cms high 27 wide and 20deep

An 18th century Italian carved wood and gilded, sitting robed saint with glass eyes. One hand missing otherwise and very good condition, no shrinking cracks or losses to lacquer. Can...

Christ in Boxwood, France, late 16th-early 17th century Beautiful corpse of Christ with missing arms. He must have been on the Cross, arms in a horizontal position. Great expressiv...

Beautiful weathered oak panel depicting a baroque angel on an acanthus curl. Weathered and small losses, most likely it was once part of a larger panel. France circa 1750. treated ag...

Exceptionally Fine Wooden Sarcophagus Mask Third Intermediate Period, 21st Dynasty, circa 1069-945 BC. Acacia wood, rosewood, hippopotamus ivory Masterfully carved from a single piece of fine-grained hardwood, the present mask is characteristic of the most exquisite funerary art made during the 21st Dynasty, and was probably commissioned for a particularly high-ranking individual. The oval face displays a gently smiling mouth with full, outlined lips, furrows at the corners and a bow-shaped philtrum. The straight nose with rounded nostrils, the cheeks full and fleshy and the large, almond shaped eyes with heavy lids and tapering cosmetic lines, set below long, sweeping eyebrows. Social collapse across the Mediterranean in the Late Bronze Age meant that the 21st Dynasty in Egypt was a period of great turmoil. Trade routes were disrupted, governments collapsed, and mass migration occurred. Economic scarcity meant that traditional funerary practices in Egypt were also affected, with a lack of material and financial resources leading to the reuse of preexisting material. As a result, during the 21st Dynasty, 19th and 20th Dynasty coffins changed ownership rapidly and were heavily recycled for new purposes. Tombs were also unmarked allowing them to be shared by many people. These new practices brought forth a shift in the understanding of funerary paraphernalia. No longer important objects owned forever by the deceased, they were now simply seen as short-term transformative devices, whose symbolic and ritualistic meaning could be appropriated for others. However, paradoxically, the art of coffin-making also reached new heights during this period, and many of the richly dec- orated “yellow” coffins, characteristic of the 21st Dynasty, are remarkable works of art in their own right. Indeed, knowing that coffins were being reused throughout Egypt, the Egyptian élite set themself apart by commissioning lavish sarcophagi decorated with the images and texts meant to help guide them to the afterlife, and which would otherwise have adorned the tomb walls. As coffins were the chief funerary element which now identified the dead and allowed them a physical presence in the world of the living, their quality and appearance were of the utmost importance. The traditional coffin ensemble was made of three parts: a wooden mummy cover, which laid directly atop the mummy, an inner coffin, and an outer coffin, both made of a lid and case. Additional decorative elements, such as masks, were carved out separately and later glued or pegged to the lids. After the completion of the painted decoration, the sarcophagus was covered in a varnish to give it its yellow colour. Gilding was sometimes used for the coffins of the high priests’ families, notably on parts representing naked skin, such as the face mask. However, some of the élite tactically avoided gilding altogether as to ensure that their coffin would not be looted. When manufacturing the inner and outer coffins, particular attention was paid to the woodwork. Displaying the skill of the carpenter, this type of funerary art has largely remained unparalleled throughout Egyptian history. The principal wood used to craft the present mask is Acacia nilotica. The evergreen Egyptian acacia was considered sacred and said to be the tree of life, the birthplace of the god Horus, as well as symbolic of Osiris, the god of the dead and resurrection. The modelling of the face in the wood is superb, but the inlays also help mark this mask out as exceptional. Inlaid eyes and eyebrows were extremely rare and reserved to the finest and most expensive coffins. Traditionally, eyes were made of calcite, obsidian, or quartz, and eyebrows of coloured glass paste or bronze. Here, the pupils, eyebrows, and cosmetic lines are inlaid with Dalbergia melanoxylon, a rare type of wood which belongs to the rosewood genus. In antiquity, however, it was known as Ebony of the Pharaohs, from the Egyptian word “hbny”, meaning dark timber, because of its black, lustrous appearance. An extremely dense and hard wood requiring significant skill to work with, ebony was a luxury material highly coveted by the pharaohs themselves, to make furniture, decorative and funerary objects. The wood was imported with great effort from the southern Land of Punt, most likely modern Sudan, Ethiopia, Djibouti, and Eritrea, alongside other luxury goods such as gold and ivory. A magnificent ebony throne, recovered in the tomb of King Tutankhamun, illustrates the incredible aesthetic potential of this material and why it was so highly valued by Egyptian royalty. Only élite members of Egyptian society could have afford- ed Ebony of the Pharaoh inlays for their funerary mask. The sclerae on the present piece were once both inlaid with hippopotamus ivory. Whiter than elephant ivory, this type of ivory is also denser, and more difficult to carve. The use of this luxury material, reputed for its gleaming appearance, enhances the lifelikeness of the eyes. For the Egyptians, hippopotamus ivory was imbued with magic powers. The hippopotamus was indeed both feared and venerated due to its aggressive behaviour. Whilst the male hippopotamus was associated with danger and chaos, the female was benevolent and invoked for protection, especially of the house and of mothers and their children, through the hippopotamus goddess Tawaret. Thus, not only was hippopotamus ivory used as an inlay and to make practical objects, such as combs and clappers, but it was also used to make talismans like apotropaic wands or knives. Made during a time of scarcity where few could afford made-to-order coffins, the present mask could have only belonged to one of the highest-ranking individuals in society. Undoubtedly one of the finest Egyptian coffin...

An Italian 18th century sculpture of St. Peter of Verona. A magnificent sculpture of St Peter martyr of Verona, created by a member of the Lombard art school in Verona Italy, in the...

Gorgeous hand-carved wooden lion with its original weathered gilding. France circa 1750 Weathered, small losses and old repair . Measurements include the wooden base. H:37,5cm W:28...

Wonderful small Hand carved winged angelhead with its original gilding. Italy, circa 1750 Weathered. Measurement here below inclusive the wooden base. H:14cm W:11,5cm D:7cm

This antique cherub figure was crafted in Italy, circa 1780. Hand carved, the putti carving is shown holding a bunch of grapes in his hands. The cherub is expressive in it's movement...

18th century Italian silver and gold leaf crucifix adorned with baroque pearls and mounted on a mica cluster and a calcite crystal. The mica specimen is from the Great Smoky Mountain...

Plateau with two breasts, attribute of Saint Agatha Southern Italy, 17th century Polychrome and gilded wood 20 x 14,5 x 15 cm Born into a noble lineage, Agatha came into the world ...

Two Saints In Polychrome Wood, Portugal, 17th Century Size 1:1

A natural piece of Petrified Wood set on a stand. Completely organic natural raw fossil, cleaned for display. Appearing as a towering mountain with jutting peaks. To the back sid...

18th century Italian hand carved and painted wood Madonna statue depicts the virgin Mary in contemplative prayer, and poised in triumph over evil. Orig...

Beautiful carved wooden sculpture with traces of polychrome, depicting baby Jesus. Peculiarity in the eyes that are made of glass. Extremely refined is the carving. 18th century, so...

18th century Italian crucifix mounted on green malachite, calcite with fluorite, and raspberry garnet. The piece is adorned with Carnelian pebbles and garnet. The minerals are from a...

An exceptionally rare antique German Renaissance carving by Stephan Rottaler (1581-1533), Bavaria circa 1500. The carving is by Stephan Rottaler, Landshut, Germany, an architect who ...

18th century Italian crucifix adorned with tourmaline and mounted on tourmaline in a crystal matrix from Brazil. The piece is put together by Jean O'Reilly Barlow, the artist and c...

This antique cherub figure was crafted in Italy, circa 1780. The hand carved cherub depicts a putti with wing and playing the guitar; the sculpture is very expressive in his movement...

Sculptural 18th century Italian crucifix with selenite in matrix and adorned with gem beading around the cross. The selenite in matrix creates the sunrays around the crucifix. The pi...

Wood carving of a putti Circa 1650 C1650 wood carving of a putti retaining polychrome decoration. Size 60 cms high 30cms wide and 26cms deep

XVII secolo Quattro fregi con teste di putto e stemmi (4) Legno scolpito, alt. cm 32 L'oggetto è in buono stato di conservazione

C1600. Oak carving of excellent colour and patination depicting Abraham’s sacrifice of Isaac with the angel holding back the sword. size 32cms x 21

This 18th Century French Wooden Sculpture of Jesus on a Metal Stand is a profound piece of religious art that exudes a sense of history and devotion. Carved with reverent detail from...

A stately and most unique Italian 18th century Louis XVI st. Rock Crystal and Giltwood obelisk. This wonderful obelisk is raised on an octagonal mottled base decorated by finely carv...

Wooden angel should be French 1700/800s Not perfect condition, missing and broken Thank you

Bodhisattva, a religious sculpture, probably made in India 1750-1850. The sculpture has been painted and gilded, but with very little remains. Bodhisattva, in Buddhism, is one who s...

a very elegant spanish polychromed wood santos figures with articulated hands ... pure poetry ...

This elegant antique putti figure was carved in Italy, circa 1770. Standing on an oval base, the detailed statue features a young boy with wings his head turned to the side. The ador...

Early 16c English oak panel with applied carved head of a Tudor lady size 38 cms x 29cms deep and 3cms deep

Early 17th century carved limewood figure of st michael circa 1640. Beautiful floor standing figure of the st michael the dragon slayer, also known as archangel michael.  Michael ha...

A really nice polished petrified wood sculpture, circa pre-history. Brightly colored tan, brown and cream tones with naturally formed patterns caused by fossilization over millions ...

These charming antique putti carvings were crafted in Italy, circa 1780. The hand carved figures depict two chubby cupids resting on a knee and holding a arm up; each sculpture featu...