Late 19th Century Sculptures

Patinated bronze statue of a falconer after the original model by Adolphe Martial Thabard (1831-1905). A winner of multiple medals at the Paris Salon, this particular model won the ...

A Late 19th french verdigris bronze group of Arab Hunter on Horseback. Cast from the model by Alfred Barye and Emile Guillemin, Late 19th Century, wearing elaborate costume and with ...

A female fertility statue of West African Senufo (Mali, or Ivory Coast) origin in solid wood. Hand-carved from a single piece of Mango wood, this expr...

A big pair of fan-shaped white sand Gorgonian branches from Wunderkammer. The bases are in carved and gilded wood. Italy, circa 1870.

This captivating pair of American J.W Fiske iron greyhound dog sculptures from the late 19th century embodies both the elegance and regal nature of these majestic animals. Crafted wi...

A pair of red gorgonian branches from the Wunderkammer in the shape of a fan. The bases are in carved and silvered wood with heraldic crests. Italy,...

Antique Cast Bronze 9" Dante Dantes Alighieri Bust Sculpture Statue. Circa Late 19th Century. Measurements: 9" H x 11" W x 6"

This finely carved 19th-century alabaster sculpture is a nice example of Grand Tour artistry, depicting the Temple of Vespasian and Titus in Rome. The base is inscribed "TEMPIO DI VESPASIANO," and the entablature bears the partial inscription "ESTITVER," referencing the Latin word "restituerunt," meaning "they restored," from a 3rd-century inscription commemorating renovations by Emperors Septimius Severus and Caracalla. The Temple of Vespasian and Titus, located at the western end of the Roman Forum, was initiated by Emperor Titus in 79 AD to honor his deified father, Vespasian. After Titus's death in 81 AD, his brother Domitian completed the temple around 87 AD. Designed in the Corinthian order, the temple featured a hexastyle portico with six columns at the front and was constructed in a constrained space measuring approximately 33 meters in length and 22 meters in width. During the 19th century, as part of the Grand Tour tradition, affluent European and American travelers collected architectural souvenirs...

Fix-Masseau set up his workshop in Paris where he attracted the admiration of Rodin. The latter was unable to convince him to join his studio. The quality of his sculptures was notic...

Handcrafted. Practical size sculpture of imperator Napoleon Bonaparte. If you are a collector of good quality antiques having to do with (French) historical figures then this rare a...

A noble baroque style porcelain figurine lady designed by Alpinien Margaine (French, active after 1854) by the foundry Gibus et Cie (1853–1972) in Limoges, France in a baby blue moti...

Emile Gallé (1846-1904) was one of the greatest French glassmakers and ceramists of the 20th century. The son of a master glassmaker, he came into contact with the art world at an ea...

Very Large 19th Century Rare French Majolica Pig Pitcher signed Delphin Massier. Height / 10.2 inches.

Charles Korschann Czechoslovakian Art Nouveau Gilt-Bronze Figural Bud Vase. Cast from a model by Charles (Karl) Korschann, circa 1899, of urn form, with a handle in the form of a...

An exceptional pair English aesthetic movement porcelain pair of figurines portraying a farmhand and his belle by renowned potter and artist James Hadley (British, 1837-1903) dated 1...

Terra cotta fragment from the facade of the Chicago Stock Exchange. Architect Louis Sullivan. Includes new custom wall mount.

This is a splendid antique Italian carved alabaster sculpture of a figural group titled 'The Artist's Muse' by P. Emilio Fiaschi (Italian, 1858-1941), circa 1890 in date. This finely carved sculpture depicts a beautiful young couple modelled as a young artist in Renaissance dress holding a palette and leaning over a maiden seated in a Savonarola chair with paw...

GRAND TOUR Italy, late 19th century "Narcissus" Patinated bronze cast by the Giorgio Sommer foundry in Italy, original ink stamp to underside cast circa 1890-1910 stock ref. 406...

This provocative, desk-size bronze statuette of a semi-nude oriental dancer in a sensuous, rather candid pose rendered in the best Art Nouveau traditions of the world-famous Viennese foundry of Franz Xavier Bergman...

Wonderful 19th Century animalier bronze group of a standing ewe with her feeding lamb beneath her, the bronze with excellent rich brown patina and very fine hand chased surface detai...

A great looking originally used by Austrian tailors and dressmakers for draping, alterations, and creating the latest fashion, this vintage dressmaker mannequin...

This exquisite bronze statue is a refined representation of the "Diana of Gabii," depicting Artemis, the Greek goddess of the hunt and the wilderness, daughter of Zeus and Leto. Mode...

Little girl alabaster bust sculpture by Emilio FIASCHI (1858-1941), France, 1890s. Direct carving. The details of the small corset and the lace collar are very finely done. The remarkable work of an outstanding sculptor. Height : 14.5"(37cm), Width : 7"(18cm), Depth : 5.1"(13cm). Very good condition. P. Emilio Fiaschi (1858 – 1941), also called Emiliano Fiaschi, was an Italian sculptor. He was born in Volterra and died in Florence, Italy. From 1883 to 1885, he studied at Accademia di Belle Arti di Firenze and spent most of his career in Florence, Italy. He was skilled in sculpting both marble and alabaster and most often produced female nudes, usually smaller than life-size figures. His female nudes featured highly polished skin and emphasized the curves of hips and waistlines. A partial list of his works include Le Printemps (marble on black marble pedestal), Beatrice (marble), Courting Boy and Girl (white marble), Female nude partially draped (marble), A Good Book (marble), Reclining Beauty and Admirer (alabaster), Seated Maiden (Carved alabaster and marble), Standing Semi-Nude (marble), A Young Girl...

Large patinated bronze sculpture depicting a naked Narcissus by Michele Amodio, based on the ancient original discovered in 1862 in Pompeii in the House of Narcissus and currently ho...

19th Century French bronze statue of cupid captures the mischievous cherub just after letting his arrow fly. The classic pose inspired by ancient Greek and Roman statuary...

Large 19th century Majolica Palissy leaf wall fish & lobster platter Alfred Renoleau. Signed Polakowski & Cie, Roumazieres. Angouleme (France).

Our monumental silver gilt Schlüsselfelder ship or nef, attributed to Hanau, Germany, late 19th to early 20th century, measures an impressive 45 1/4 inches (115 cm) tall and is exqui...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

This large Swiss masterpiece wall plaque with clock is in perfect condition. The realistic and detailed carving consists of a pair of pheasant, a bird's nest, fine leafs and branche...

Apollo seated beside a tripod extending his arm. Signed M. Moreau (1822-1912).

Exploring new firing and glazing techniques and their myriad effects on traditional forms was an exciting approach for many experimental turn-of-the-century ceramists. Here the acid ...

This is a wonderful antique French Grand Tour bronze model of the Vendome Column, circa 1880 in date. This splendid bronze features Napoleon I standing atop in his 'redingote' coat...

This is a stunning antique Continental silver pheasant with exceptional detailing to the modelling of the bird, marked silver,circa 1880 in date. It is an excellent quality example ...

Depicting a visibly agitated Jonah in the mouth of the whale. The upper half of the whale opens revealing the lower shell interior. Marked: London 1896, Maker: James Samuel Bell

This is a 19th century classical male sculpture in bronze. This is a sculpture that would have been purchased on your grand tour of Europe. This male figure has a classical pose with...

Onyx Plinth From our Sculpture collection, we are delighted to offer this Austrian Cold Painted Bronze Horse. The Bronze mounted upon a squared green onyx base with a convex beading...

French ceramic barbotine representing a rooster against a tree stump that serves as a vase. Made circa 1890 Good condition, very few marks of use Shipping: 23 / 35 / 51 cm 4...

All hand-carved, Victorian Era, Black Forest hiking bear and cub, liquor tantalus set. This finely carved Black Forest drinks set, dates from circa 1880 and it is both decorative an...

Stunning alabaster statue depicting a maiden selling flowers in the style of Ada Cipriani. Late 19th-early 20th Century - France No visible signature 16" W x 14" D x 49.5" H

Natural specimen from Wunderkammer Stuffed bird Eastern Blue bird (Sialia sialis) mounted on a wooden base with cartouche Specimen for laboratory and Natural history cabinet...

Terracotta nativity sculptures depicting the neck and head of an ox. The sculpture is made of terracotta entirely by hand, finished in stick and color. In the nativity scene, the ox ...

A Patinated Bronze Figure of Mercury, Late 19th Century Provenance: Private Australian Collection. Description: Modelled after Giambologna’s most celebrated work, the figure of Me...

These magnificent Chinese temple lions are true works of art, masterfully crafted with incredible attention to detail. The bulging eyes, sharp ears, open mouth, and fluttering mane are expertly rendered, creating a pair of stunning creatures that are truly alive with energy and movement. The expressive faces of these lions are captivating, and the fact that they are a "true" pair, meaning a male and a female facing each other, adds to the sense of interaction and action. These lions are made of stoneware and painted in the traditional Chinese sancai three-color glaze on a light brown ground; dating to the late Qing period, they are covered in rich green, blue, and amber glazes. The intricate detailing and rich colors are breathtaking, making these lions a treasure. Temple lions, also known as lion dogs, are celebrated for their auspicious symbolism. They are believed to protect the peace and prosperity of one's home. These lions are beautiful works of art that bring good luck and prosperity to the homes they are placed in. Dimensions: 17" Height x 16" Length x 6 1/2" Depth. Condition: Excellent Price: $5,800 Background of Chinese Temple Lions: Chinese guardian lions...

Pair of antique Japanese Meiji era bronze elephant and pagoda incense burners Japanese, Late 19th Century Sculpture: Height 151cm, width 122cm, depth 43cm Base: Height 56cm, width 82cm, depth 40cm Overall: Height 207cm, width 122cm, depth 43cm This outstanding pair of incense burners, also known as koro in Japanese, was crafted in the late 19th century during the Meiji era. This was a time when, for the first time in almost three centuries, Japan opened its borders to foreign trade, causing a wave of Japanese...

Antique (late 19th century) patinated bronze bust of a lovely female after the original model by the French master, Etienne Henri Dumaige, mounted on light blue marble plinth. 25 by...

Important white marble sculpture by the Italian-born master, Luca Madrassi (1848-1919), depicting a standing nude beauty surrounded by three cherubs, two playing bronze flutes and on...

The Belgium artist Georges van der Straaten (born 1856) designed the two bronze busts at the end of the 19th century. One is titled "Bergere" (shepher...

Joseph d’Aste (1881-1945), Italian born sculptor who lived and worked in France. “Fete au village” (village celebration), gilt bronze on a marble base. S...

This early 19thc cast iron door stop of a big brave lion is in fine as found condition.

Branch of Mediterranean red coral (Corallium Rubrum), mounted on a square-shaped marble base, with a parallelepiped-shaped central body. The entire body is enriched by a mosaic of la...

Late 19th Century Jugendstil bronze sculpture of a dancing Satyr/Faun signed by G. Roth, Germany By: G. Roth Material: bronze, copper, tin, metal Technique: cast, molded, patinated,...

They are in Miami. We offer free shipping in Florida. They were exhibited at Palm beach "American International Fine Art Fair (AIFAF)" In the photos you can see a pair of lions of...

Impresive corn stalk paste sculpture of our Lady of Guadalupe, found in wester México, circa 1900 Since pre-Cortés times, the purepechas recreat...

This bronze figure of Spinario also known as Boy with Thorn and Fedele is a classical figure. It is beautifully cast with very fine detailing and dates to the 19th century, circa 187...

Discover this exquisite Bone Chinese puzzle ball with its stand, a true masterpiece of Asian craftsmanship. This multi-layered (9) dragon puzzle ba...

Hand curved Art Nouveau white marble bust of a young woman. Her elaborate hat framing a beautiful face. The style of clothing of the late 19th century Art Nouveau period. The bust rest on a round marble pedestal...

An Italian white marble sculpture of a half nude beauty by A. Batacchi. Batacchi was active in Florence, Italy in the late 19th century. He worked mostly with female models, usually...

A very fine Grand Tour bronze study of the famous Venus de Milo with excellent rich brown patina and good hand finished surface detail. The casting is unusual in that it does not pretend to hide the many imperfections on the original. It is signed on the base with "Reduction Mechanique Ronald Collas, and for the foundry F.Barbidienne Fondeur. Foundry stamp on the base Considered by any to be the most beautiful Hellenistic statue to survive fro antiquity, the Venus of Milos...