Art Deco Sculptures

‘Open Sesame’ A Finely Cast Gilt and Patinated Bronze Concealed Erotic Figure Of A Young Woman in A Cloak, by Carl Kauba. This rare gilt and patinated bronze by Carl Kauba is finel...

Just Andersen sculpture in Disco Metal, naked women. 1930's.

Very rare Goldscheider ceramic figurine of the 1930s: Standing young pretty lady with a broad-brimmed hat on her curly, chin-length hair, wearing only heels and covering her nakedne...

Incredible car: in solid wood. leather interiors We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Marcelo Peña Marcelo Peña / Artiste: Chileno Born in Chile, resides in Argentina Designer, creative and multifaceted. Inspired by the great masters of the Bauhaus and Art Deco movement. The " dreams of this artist" materialize in sculptures, masks, car design , lamp, furniture and an innumerable amount of objects that intervene from the world of the artist s imagination, printing his work an aesthetic and functional sense. Diferent materials play in their designs, wood, aluminum, bronze or copper and white metals. National design award 1998 Chile. Exhibition in Art Deco Weekend Miami Beach 2014. Works presented by exhibitors at the Antiques show...

Large beige, blue and green with nuance of brown enameled ceramic sculpture representing a naked Venus by Edouard Cazaux (1889-1974). Signed Cazaux on the base back.

African head in bronze with black patina, on black and white marble base Very good quality of carving and patina Base with some wear and small chips of use In the style of Riccard...

Pair of bookends in bonze, made in Denmark. Great original condition.

A very rare Viennese Art Déco ceramic figure: Japanese girl with a flower-adorned page-boy hairstyle standing, wearing only an orange-red cloth draped around her hips, holding a cor...

A beautifully cast and warmly patinated bronze caduceus of good scale.

Art Deco Soccer Player Patinated Bronze Sculpture Germany, ca. 1930’s DIMENSIONS Height: 9.5 inches Width: 6.75 inches Depth: 2.75 inches ABOUT A rare, laconi...

This Art Deco sculpture was produced in Italy and more precisely in Milan, by Guido Cacciapuoti in the 1930s.  The base is in ebonized wood and the sculpture, a typical Art Deco sty...

Art Deco Man with Serpent Hand-Carved Wood Sculpture Circa 1920s DIMENSIONS Height: 23.5 inches Width: 14.5 inches Depth: 8.75...

Woman Figure Art Deco Italy, 1940 White Pottery Pink and Gold Finishing Perfect Condiction Mark signed under the base

Regulates Art Deco period from 1930 on onyx base representing a young woman with her workers but the dimension length 45 cm depth 13 height 28 cm. the base is hollow and accommodates...

Art Deco terracotta sculpture of an athletic young man pulling a rope signed by the French artist Alexandre Kelety. Mounted on a wooden base. Dimensions of the wooden base: H 3 cm ...

“Lady with sighthound” polychrome bronze sculpture with onyx and portoro marble base. made by Ugo Cipriani. (1887-1960) Son of the sculptor Adolfo Cipriani, after studying at the Ac...

Abstract statue of a naked woman, ballerina, sculpture completely in art deco or modernism style, made of yellow copper or brass and mounted on a rectangular natural stone base, not ...

Posing young revue dancer with a pageboy hairstyle, taking a step forward while lifting the bellflower-shaped hem of her short blue dress with a fur collar and colourful stylised flo...

"Crouching Deer" fawn green sculpture figure designed by Giovanni Gariboldi (1908 - 1971) Richard Ginori - San Cristoforo, Italy, 1940s. Cast ceramic sculpture with marbled green g...

Art Deco bronze sculpture of a bird on a wheat stalk signed by the French artist Chatill. France 1930. Marked bronze. The sculpture has a green patina an...

ART DECO PATINATED BRONZE TIGER A stunning patinated spelter sculpture of a fierce, roaring feline that embodies exceptional realism and expression. This masterpiece is expertly cra...

Attributed to GAB (Guldsmedsaktiebolaget) Inkwell in massive bronze. 1930's

A nice pair of vintage art deco mannequin heads / busts / wig models, circa 1930s. The pair are in very good vinatage condition and measure 9"...

A good size deco figurine of a ballerina standing on one foot. Has part of one finger missing. Measures: Height at 20 3/4" and 16" long. Base is signed by the artist D.Alonzo circa 1...

An Imposing fine and large French Art-Deco Spelter (Petit-bronze) figure of a standing semi-nude orientalist maiden in a brown patina, attributed to Louis Hottot (French, 1834-1905). The smiling young topless beauty, posing with her arms outstretched, her hair wrapped with a headscarf centred with a green art-glass bead and a scantily scarf tied around her waist, standing barefoot among tropical shrubs and flowers and raised on a circular mottled green marble base. A brass plaque reads "TYPHA", Paris, circa 1900. Louis Hottot was a French sculpture who mainly specialized in Orientalist female figures and other Orientalist subjects and themes, most of his works were produced in spelter. He exhibited his works at the Paris Salon from 1885 to 1898. Hottot is best known for his Orientalist-themed sculptures, including Almie du Caire, circa 1887 and Fille d'Egypte, circa: 1885. He was a member of the Socie´te´ des Artistes Franc¸ais. Literature: Les Bronzes du XIXe Siecle, P. Kjellberg, Les Editions de L'amateur, Paris. S. Richemond, Les Orientalistes...

A wonderfully impressive early 20th Century, Art Deco, bronze study of a classical nude, Roman Horseman. Mounted on an Oak pedestal. Albert Heinrich Hussmann (1874-1946) was a...

Bronze old car Alfa Romeo.

"Saint Thérèse de Lisieux" by Demetre H. Chiparus (1886-1947). Bronze and ivory on marble base. Alberto Shayo (2016) "Chiparus Master of Art Deco" p. ...

Large French Art Deco golden eagle sculpture by ROLAS, France, 1920s. Spelter and marble. Height : 27.4"(69.5cm), Width : 18.5"(47cm), Depth : 9.6"(24.5cm). Some small bites on the ...

Art Deco bookends. A stylish silvered bronze figures of dogs by Ravas. The Breed of the dog looks like a Airedale Terrier, but not 100 percent sure. Each dog is signed and numbered, ...

This 1969 resin sculpture by Li Ching embodies an aesthetic of purity. The form of the cat, reduced to continuous curves and a smooth surface, avoids any anecdotal detail. It is not ...

Spectacular Greyhound from the beginning of the 20th century, carved in wood with golden patina and stamped on the made in Italy base. Condition: Good condition in general, to hig...

Child sculpture in bronze and marble

Material: reconstituted stone Country: France Cup: 157 cm ( 61.81 inch) high x 59.5 cm (23.42 inch) long x 59.5 long (23.42 inch) Base: 90 cm (35.43 inch) high x 61.5 cm (24.21 inch)...

Brass material not confirmed. MCM style. Art deco. Could be used as a small planter.. Box H4 Dimensions: 7"L 7.5"H2"W

An unusual, stylized Art Deco statue of Aphrodite, goddess of love. Polished pewter on a marble base. Approximate 13.5" H.

A deco dancer dressed in a detailed dress in a pose on one knee. Fine detailed quality bronze casting with Cold painted details on her costume. The title listed is ( Karmorna ) by t...

Painted ceramic sculpture by Tizziano Galli, Italy, circa 1940. Tiziano Galli, (1908-1986).

An exhilarating early 20th Century Art Deco cold painted gilt bronze figure of a dancer in an energetic pose with excellent colours and very fine surface detail, raised on a tall Bra...

Art Deco Charging Ram Silvered Bronze Sculpture - Italian 1930´s. Figure signed on the base C. Rossi and Grigio. Perfect desk paperweight. We have specialized...

Art Deco cast bronze sculpture of a lady. Attributed to Guido Cacciapuoti (Italian 1892-1953). Featuring a stylised striking representation of an elegant yet mysterious lady. Dual to...

ABOUT SCULPTURE This wonderful sculptural and portrait work was certainly created by a master sculptor, although not signed by the author. The face of this typical all-American boy, ...

The mannequin of a young lady from Brussels in Belgium circa dates back to the 1930s of the 20th century and is made of plaster. It is painted polychrome. The lady is wearing make-up...

Fabulous Art Deco bronze figure of an energetic dancer with her leg raised high. The surface of the bronze with excellent deep dark color and very fine hand finished detail, raised o...

RARE ITALIAN SCULPTURE WITH SILVER AND GOLD 19th Century fossil with monture in silver, gold, turquoise and agate. Signs of use. Dim.: 9 x 13 cm

Italian unique hand painted plaster mannequin head 1920s.   

Hallmarked in London in 1935 by Goldsmiths & Silversmiths Co., this incredible, Sterling Silver Model of a Fox, is presented on a wooden plinth which has a vacant plaque, and is wond...

Impressive Goldscheider Vienna Ceramic Figurine of the 1920s: The young lady with artfully pinned hair wears only transparent stockings and high heels, as well as a headdress densel...

1920´s boxer clock. Clock has been repaired and it´s in working condition. Clock has been re-silvered. Perfect Gift for any Box Fan. We have specialized ...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

French 1930s Art Deco sculpture made of hand painted plaster with engraving on the pedestal "DEPOSE ARNOVA". The sculpture shows a representation of the Greek / Roman goddess of hunting called Artemis...

Sevres pair of pigeons (Vinsare) origin France Art Deco period in perfect condition circa 1930.

A very well cast sculpture of a Female Athlete in full action pose. Title is (Amazone Au Javelot ) in French. The Amazon Girl! Lost wax bronze with multi patina's. Possibly by the Ar...

"Écureuil" French for Squirrel A beautiful glossy, glazed white ceramic and is sure to give a certain cachet as a decorative addition to any kind of setting as their design is timel...

Art Deco Wire Work Shop Display Mannequin A Quirky piece of Deco design, this mannequin is small but full height, and a wire work form in pink The mannequin is 61” tall and 16” a...

This exquisite Art Deco sculpture by the celebrated artist Limousin is a stunning representation of 1930s elegance and craftsmanship. The piece portrays a graceful woman seated in se...

"Printemps" by Gauthier An excellent early 20th century Art Deco cold painted bronze figure of a naked dancer in an energetic pose standing on one leg and holding spring flowers i...

François Rude (1784-1855) attributed to "Female Figure". Bronze sculpture, signed. Measures: Sitting on a wooden base. Height: (sculpture) 82 cm. He...

ABOUT An early 20th c. painted chalkware figure by artist Esther Hunt. Signed by the artist and titled "Peachflower". CREATOR Esther Hunt, San Francisco. DATE OF MANUFACT...

1930s Art Deco French Craquelè sculpture.