Gilt Sculptures

SELKET - Art Deco gilt bronze Egyptian Revival Goddess on marble base - mid 20th century. Good vintage condition - as found/photographed - bends and gilding loss from age and use. Size - 2" Square x 5" High. SELKET - Selket (Selkit) was the divine scorpion who ruled over medicine and magic and protected the coffins of the dead. Selket was the wife of Ra and aided Isis, Nephthys, and Neith in guarding the canopic jars...

A large rare pair of 19th century Meissen Chinoiserie style Nodding Pagoda Figures with Movable Head, Hand and Tongue, known as a "Nodder'. This Unusual...

One of a kind, contemporary modern golden hand sculpture made by renowned Austrian wood artist M. Treml. An extraordinary, gigantic floor standing "hand" sculpture (just see the size...

This beautiful, antique sculpture of the Virgin Mary in prayers was created in Pyrenees of France, circa 1860. Embellished with gold leaf and polychrome finish, the Classic religious...

A set of Jugendstil cold-painted bronze sculptures of Buddha and a gilt Priestess by Franz Bergmann, Austria By: Franz Bergmann, Nam Greb Material: bronze, copper, tin, metal, paint...

Wrought iron Spanish caravel boat / galleon sculpture. Spain, 1940s-1950s This sailing ship sculpture was handcrafted in Spain at the mid-20th century period. The ship has a richly detailed scrollwork...

A special statue of the Tibetan Bodhisattva Maitreya, the Future Buddha. Depicted sitting on a high lotus throne, wearing a large decorated crown before a flame-shaped mandola and pair of flower posts, long earrings that touch the shoulders and ornate necklace...

***Reduced In-House Delivery Rates - Click on “Ask Seller” to Request a Quote*** Oversized Vintage Carved Giltwood Eagle 20thC Measures- 32"H x 47.5"W x 22"D

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

Sculpture skull golden youth. Skull made in marble dust resin and chromed in gold finish. With head piece decorated with different golden youth symbols. Champagne bottle, Minnie M...

A Fine French Gilt Bronze Study of Two German Shepherd Dogs by Louis Riche This impressive bronze is finely detailed. It portrays two w...

This striking pair of carved giltwood dolphin figures mounted on clear lucite bases likely began their life as decorative architectural elements—perhaps once adorning a piece of furn...

19th Century, French Empire Gilt Bronze Centrepiece This refined centerpiece stand was crafted in France in the early 19th century, during the Empire period, from finely chiselled an...

An unusual set of sculptural palm trees with young figural trumpet players on faux rock bases on giltwood plinths .the players in elaborate Turkish orientalist costumes . Both drille...

Wall plate by the Danish designer Bjørn Wiinblad for Rosenthal made of metal wall mounted sheet lacquered in black and gilt with glass faceted frosted Art Glass.Limited edition from ...

Head of a crowned Virgin Lorraine, first half of 14th century. H26 x 14 x 14 cm Provenance : - Private Collection, Paris France (1960) Private Collection Tuscany, Italy (1980) Ex...

18th Century Italian Baroque Santos Figure  Italy, 18th century or older An exquisite 18th-century Italian Baroque Santos figure is a fine example of religious artistry, dating back...

Pair of blue peacocks sculptures, by Waylande Gregory USA, Circa 1950s This rare pair of blue peacock sculptures by Waylande Gregory, created in the USA circa 1950s, showcases the ar...

This listing features a pair of brass fighting roosters. These brass rooster figurines add a touch of country charm to any space. Handcrafted f...

Stunning and fine size chandelier with gilt bronze swan sculptures. If you are looking for a truly stylish, well proportioned and top quality m...

Sculptural 'Sacred Heart' - 18th century Italian gilded angel mounted on a polished red hematoid quartz heart and adorned with a natural-forming baroque pearl. The piece is inspired ...

This elegant gilt bronze (ormolu) fireplace fender was created in France in the late 19th century. The item will add splendour and beauty to a fireplace, making it the focal point of a room. The fender features a pierced rail which is decorated with a central cartouche, flanked by stylized acanthus leaves. The ends of the fender are topped by full-length, semi-nude figures. These include a beautiful young woman and a bearded male, holding a blacksmith’s hammer. The latter can be identified as Hephaestus (or Vulcan), the classical god...

Circe Italian Neoclassical Sculpture of Early 1800s the figure is a fascinating depiction of the Goddess Circe, made in Italy in the early 19th century. The pine wood carving and ebo...

18th century Italian gilded candlestick mounted with a pearlescent oyster shell and adorned with gold leaf shells. The 18th century Italian candlestick is originally from a histori...

This charming pair of Neoclassical Bronze Bacchantes sculptures by Earnest Rancoulet originate from France, Circa 1900. These young and playful my...

Beautiful handcarved giltwood bird ornament. Italy circa 1780-1820 . Weathered and small losses Measurements individual and include the wooden base. H:23,5cm W:41cm D:6,5cm

Diana the Hunteress and her Nymphs Important sculptural group in white enamelled porcelain representing the Goddess Diana the Hunteress and her Nymphs, with her pack of dogs Resting ...

Imagine these in your fireplace with the flames burning on all sides. These beautifully and all handcrafted, large and fire-gilt bronze andirons are made to stand in your fireplace ...

The clock is signed by the Clockmaker Festeau Le Jeune. The case after a design of François Vion in form of a lion supporting a cylindrical case draped with ribbon tied laurel swags ...

A Monumental and Rare 19th Century French Ormolu Mounted Multi-Marble Bust of Alexander The Great, After The Model by Francois Girardon. Drawing inspiration from the renowned "Bust of Alexander the Great (356-323 BC)" housed in the esteemed Palace of Versailles, this monumental work of art showcases exceptional craftsmanship and meticulous attention to detail, serving as a testament to the creator's artistic prowess. Central to this magnificent sculpture is the resplendent red marble face, neck, and hair of Alexander the Great. Capturing the youthful essence of the conqueror, the sculptor depicts him as a young man with a clean-shaven countenance, his moderately long curls delicately cascading from beneath a remarkably unadorned helmet, save for a magnificent plume. The red marble harmoniously accentuates the life-like features of Alexander, imparting an air of regal elegance to the composition. Adding to the allure of this remarkable sculpture is an ormolu robe cascading over Alexander's shoulders, exuding an aura of nobility and power. Of particular note, the breastplate bears an embossed ormolu mask of a deity in profile, surrounded by elegantly sweeping acanthus leaves, paying homage to the influential forces that shaped the life of this great conqueror. Once again, the sublime combination of precious metal and marble amplifies the robe's magnificence, further accentuated by the presence of an ormolu body chain swaying gracefully from Alexander's left shoulder to his right hip. The selection of marbles for the cuirass and plinth serves as an additional testament to the artist's commitment to crafting a visually striking and harmonious composition. The grey marble cuirass complements the overall color scheme of the bust while providing a subtle contrast to the red marble features. At the neck, a pleated ormolu linen undergarment discreetly peeks out, showcasing the artist's meticulous attention to intricate details and enhancing the sculpture's depth. The original Alexander The Great Bust...

Fabulous Art Deco bronze figure of an energetic dancer with her leg raised high. The surface of the bronze with excellent deep dark color and very fine hand finished detail, raised o...

19th Century Antique Pair of Feng Xiang Style Hand Painted & Hand Carved Tang Dynasty Chinese Horses Feng Xiang Mounts from west of Shaanxi province are finely sculpted, mostly in ...

A late 19th-century French figural vase by Mathurin Moreau, titled: "LES ROSES", composed of patinated and gilt bronze, marble, and ormolu. The piece features a bronze female figure ...

18th century Italian gold leaf sunray mounted on a blue celestite sphere and wrapped in perfectly coordinating blue preserved coral. The 18th century gold leaf sunray was once a par...

A fine pair of French 19th-20th century Louis XV style figural gilt bronze Putti torchere table lamps on a Rouge Royal base. Each figure representi...

A sublime and well carved Korean lacquered and gilt wood figure of Amitabha Buddha (Amita Bul), Joseon Dynasty, early 19th century, Korea. The Budd...

A Very Fine Pair of Late 19th Century Two Tone Bronze Nine Light Candelabra After Clodion After Clodion Each cast as a female and a male figure from a bacchanale upholding eight scroll branches with a central branch in the form of a quiver, on a bronze mounted circular base of granite. Claude Michael Clodion, [1738-1814], was the son-in-law of sculptor Augustin Pajou; he trained in Paris in the workshops of Lambert Sigisbert Adam, his maternal uncle and Jean-Baptiste Pigalle, the most successful sculptor of the time. After winning the Prix de Rome, he moved to Italy, sharing a studio with Jean-Antoine Houdon and studying antique, Renaissance, and Baroque sculpture. In 1771 Clodion returned to Paris, where he continued to produce mostly in terracotta. He also worked with his brothers in other media, decorating objects...

A beautiful, 4.15 lb, gilt bronze Tibetan sculpture of Buddha Vajrasattva. Seated dhyana asana on double lotus throne, in the left hand a ghanta bell, in the right hand a vajra thund...

Hand Created Sculpture Decorative Objects, stone Horned Bull, Ancient Pixiu for Home Decor In tradition As for all other Zoroastrian cosmological beliefs, the primary source of info...

Tibetan bronze standing gilt bronze buddha offering protection China, 20th century A fine example, the Buddha standing on lotus base with the "no fear" abhaya mudra, the figure is ...

The pretty dancer has short curly hair held back by a feather tiara, a skimpy bustier, her upper arms adorned with bangles and a skirt held in place by a pearl-studded belt that fall...

Pedro Friedeberg Snake bar, Mexico, c. 1970s. Made of carved and gilt wood, antique statuary, and glass. The stretched out hands hold the round removable glass tray and the upper han...

A plaster bust of ancient Greek god, Hermes. Piece is plaster with a gold overlay on bust and a matte black overlay on base. A great decorative depicting the original ancient sculptu...

18th century pair of french gilt bronze sculptures on marble base representing Chinese figures This particular and lovely pair of sculp...

A Pair of Artistically created birds for table decor, small silver-plated peacocks - ideal for a coffee table or bookends. These figures are Classic Hollywood Regency! They are each ...

Wonderful gilded metal saint statue with beautiful expression. France, circa 1880-1900. Weathered. Measurements include the wooden base.

Early 20th century Art Déco golden bronze small sculpture/figurine seal of a gentleman, England By: unknown Material: bronze, copper, metal Technique: cast, molded, metalwork, patinated, polished, gilt Dimensions: 1 in x 1 in x 3 in Date: early 20th century Style: Art Déco Place of origin: England Embodying the quintessential English gentleman, this early 20th-century Art Déco seal...

A Monumental and Fine Pair of French 19th, 20th Century Empire Style Red Porphyry-Like Granite and Gilt-Bronze (Ormolu) Mounted Obelisks on Four Gilt-Bronze Lion Paws both resting on...

A magnificent and important gilded bronze and Onyx centrepiece dating to around 1880. The beautifully cast base is made from bronze and covered in gold. The theme is highly sought...

Pair of 18th century Italian gold-leaf fragment horse head sculptures. The pair is made of 18th century Italian water-gilt fragments mounted on scroll wood bases. The fragments come...

A wonderfully naturalistic large Japanese Meiji period mixed metal okimono (ornamental sculpture) of a pair of oriental turtle doves ...

Italian silver, rose quartz and malachite model of an eagle by Cervone Italian, c. 1970 Height 71cm, width 53cm, depth 32cm This Italian silver sculpture...

AGATHON LÉONARD (FRENCH, 1841-1923) Danseuse au Cothurne Signed 'A Léonard' (on reverse) with Susse Frères foundry cachet, further stamped 'M' Gilt Bronze, light brown patina 21 i...

From the 1700s through the early 1800s, European aristocrats developed a fascination with ancient Egyptian culture and design that culminated in a full Egyptian Revival. Prominent figures such as Marie Antoinette and Napoleon Bonaparte commissioned rooms decorated with Egyptian motifs. This cultural moment reflects a fascination with a sophisticated civilization of great artists and pharaohs. The Regency era possessed very little knowledge of the Great Pyramids or hieroglyphics, a quality that lent Egyptian art interpretation a compelling air of mystique. This English Regency period gilt carving depicts a popular figure of borrowed Egyptian motif: the Sphinx. Recognized among educated circles as a symbol of brilliance in the ancient past, the Sphinx was well-known as a mythological creature who destroys those who failed to answer her riddle. Such a piece as this, excellent in detail and craftsmanship, may have once graced the mantle of a gentleman’s study or been exchanged as a gift between British scholars. The beautiful gold surface has been achieved by an artful combination of gilt and gesso; the art enthusiast will appreciate the intricate texture realized in the carving’s hair and tail as well as the delicate detailing of the saddle. Borrowing from the Egyptians, the Greeks had their own interpretation of the Sphinx. Greek mythology chronicled the Sphinx as being the daughter of Orthous and Chimera or Laius and attributed the riddles, which she proposed, as having been taught to her by the Muses. Crowned with a Grecian diadem and having a refined expression, she evokes an ancient yet reserved intellect. For the modern-day enthusiast of classical Greek art...

Beautiful vintage gilt metal and brass floor lamp in the style of Tommaso Barbi. Belgium, 1960s. Lamp sockets: 3 x E27 (US E26).    

Pair of 18th century Italian dancing angels with coordinating baroque pearls on Aragonite crystal clusters. The dancing angles are hand-carved wood, polychromed and gilded, original...

A striking pair of Japanese gilt bronze komainu by the renowned Japanese sculptor, Ishikawa Komei (1852-1913), Meiji period, Japan. The pair well cast, and robustly modeled. They ar...

A fine early 19th century grand tour gilt bronze architectural model of the Arc de Triomphe, French, circa 1825. This very fine grand tour model of one of France's most celebrated monuments, having pediment with concealed hinged lid opening to a storage reservoir. The bronze having silver relief figural group plaques, the model is mounted on a black marble oval base, the model made by Leblanc Freres...

Large pair of patinated and gilt bronze Atlas figures French, 20th century Figure with globe: Height 135cm, diameter 46cm Figure with armillary sphere:...

Pair Antique Vienna Bronce Bears on a Crystal Rock Item e7337 A pair of beautiful gilt bronze statues of wandering bears on a crystal rock. A magnificent, realistic example of the fa...