Gilt Sculptures

Pair of original Baroque wooden putti / winged cherubs. We were told that they originate from a church in the French Pyrenees. We suppose they are from...

A Very Large 19th century Meissen porcelain Group of Russian Calvary General, believed to be Mikhail Kutuzov, the hero of Borodino, with aide de camp, marked with the Meissen underglaze blue crossed swords, and incised and impressed with numbers. While Russia endured great hardships during Napoleon's invasion, it was the skill of her general's and a terrible Russian winter...

Early 20th century Art Déco golden bronze small sculpture/figurine seal of a gentleman, England By: unknown Material: bronze, copper, metal Technique: cast, molded, metalwork, patinated, polished, gilt Dimensions: 1 in x 1 in x 3 in Date: early 20th century Style: Art Déco Place of origin: England Embodying the quintessential English gentleman, this early 20th-century Art Déco seal...

This beautiful piece consists of a patinated bronze female figure holding an urn with a glass flame, which serves as a lamp, all standing on a tall and finely decorated wooden plinth...

A beautiful, small. French gilt bronze statue in the style of sculptor Hippolyte Francois Moreau, circa late-19th century, France. This gilt ...

Original Italian gilt frieze by Fratelli Paolleti, Firenze(Florence) Italy. Neoclassical design with 2 Roman fiqures with horses. Nice horizontal design. Hand carved. Label with make...

Pair of antique Japanese Meiji era bronze elephant and pagoda incense burners Japanese, Late 19th Century Sculpture: Height 151cm, width 122cm, depth 43cm Base: Height 56cm, width 82cm, depth 40cm Overall: Height 207cm, width 122cm, depth 43cm This outstanding pair of incense burners, also known as koro in Japanese, was crafted in the late 19th century during the Meiji era. This was a time when, for the first time in almost three centuries, Japan opened its borders to foreign trade, causing a wave of Japanese...

Pair 19th Century Of French Gilt Bronze Female Figures Science & Art Decorative . Early to Mid-19th Century Sculptures of Women in Science / Math and the Art fields raised on square...

Early 20th century Art Déco gilt bronze bearded buffalo/bison sculpture, France By: unknown Material: bronze, copper, metal Technique: cast, molded, metalwork, patinated, polished, ...

A handsome and chic hand carved quartz horse head bust with gilded mount on acrylic base.

This charming early 20th-century French sculpture combines the elegance of gilt bronze and the lifelike detail of ivory to create a captivating piece. Depicting a young child in peri...

Sculpture Biloba High with metal structure in gold finish and with grey marble base.

French "Cleopatra" Patinated and Gilt Bronze Sculpture, late 19th century, Egyptianesque, the seated queen holding a fan, on a Portoro marble plinth. 12.5" H x 14.5" W x 6" D.

Sculpture Biloba Medium with metal structure in gold finish and with grey marble base.

A Monumental and Fine Pair of French 19th, 20th Century Empire Style Red Porphyry-Like Granite and Gilt-Bronze (Ormolu) Mounted Obelisks on Four Gilt-Bronze Lion Paws both resting on...

A gold-black, antique French pair of girandoles made of hand crafted gilded bronze attributed to Friedrich Bergenfeldt, in good condition. Eac...

An outstanding and exquisite 17th century French capital to a pilaster. Expertly carved from wood with a wonderful cherub stunningly finished in water g...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

A vintage Northern Thai double ram black painted sculpture from the mid-20th century, with elegant antlers, green glass jewelry motifs and red accents. Found in Northern Thailand, this horizontal sculpture...

Hollywood Regency standing gold and silvered harlequin sculpture, after the sculpture '"Arlequin" by Rene de St Marceaux (1845-1915).

Sculpture Chouette Black all in fine porcelain in matte black finish and with gold luster finishes.

Rare pair of bronze sculptures by Emile Hebért. Fine quality silvered and gilt bronze figures of a warrior woman and a poet women dressed accordingly with military attire and poetic words. Signed and foundry marked with the G. Servant mark. Pierre-Eugène-Emile Hébert, French, (1828 - 1893). A native Parisian, Hébert apparently lived and worked in the capital until his death. He was born in 1828, and studied sculpture privately, with his father Pierre (1804-1869) and Jean-Jacques Feuchère (1807-1852), both of whom pursued modestly successful careers in the Salon and as public sculptors beginning in the 1830s. Hébert learned extensively from their very divergent paths. Whereas Pierre Hébert...

Signed under the left shoulder: ”CerNelille”.

Signed William Bowie welded spire abstract metal gilded with both gold and silver leaf on teak base, circa 1960. This piece is unusual as most of Bowie's pieces are wall-mounted form...

18th century Italian hand-carved gold leaf angel with fossil agate coral wings and mounted aragonite. The hand-carved angel was once part of a decorative, angelic depiction in a ...

"Les Enfants de Bacchus" A French 19th Century Charming Pair of Bronze Putti One symbolizing Flora, bearing crown and garlands of flowers, the other one the Grape-vine. Resting on ...

Contemporary Ceramic Golden Glazed Roaring Lion Sculpture Ceramic Statue with Silverleaf Ceramic Base Dimensions: 8.25" W X 6"D X 14.5"H

Introducing a captivating 17th-century Italian carved wood and polychromed, gold-gilded crucifix depicting Jesus on the cross. This remarkable piece...

This exquisite mid-20th century gilt bronze sculpture by the renowned artist Decoury Taylor is a striking example of masterful craftsmanship and artistic expression. The composition features three intricately detailed gilt bronze fish...

A magnificent gilt bronze statue of Tibetan Buddha Udanaya. Poised upon a large lotus plinth, the Buddha is depicted in the "no fear" abhaya mudra gesture, symbolizing the dispelling...

Sculpture Tucano Black all in fine porcelain in matte black finish and with gold luster finishes.

A rare and exquisite 18th century Ava period Shan Burmese figure of the Buddha. Carved from a single block of wood, lacquered and gilt, the immensely s...

Gucci Vintage gold plated money clip and pin in original box signed with Gucci and in very good vintage condition. Measures: 16,5 H x 8 W x 2 D cm Box 7,5 H x 2,5 W x 1,5 D cm....

Large quartz crystal and vermeil bird model by Asprey Swiss, c. 1975 Height 40cm, width 33cm, depth 40cm This phenomenal piece of sculpture depicts an eagle in motion, taking off from a rocky crag made of stunning quartz crystal. The body of the bird is carved from quartz with pyrite inclusions. The contrast between the transparent host quartz and golden pyrite inclusions is considered one of the most attractive pairings in the gem kingdom...

Our 19th century bronze bust of a lovely neoclassical female with diadem crown, known as Buste de Femme au Diadème, by Eugene Aizelin (French, 1821-1902) was cast by Barbedienne of P...

Head of a crowned Virgin Lorraine, first half of 14th century. H26 x 14 x 14 cm Provenance : - Private Collection, Paris France (1960) Private Collection Tuscany, Italy (1980) Ex...

Antique 19th century French patinated bronze bust of Ariadne retailed by Tiffany & Co. Beautiful Grand Tour model mounted on a gilt bronze and rouge marble plinth. Marked Tiffany & Co. with inventory number. The Antinous bust based on the Lansdown Antinous marble found at Hadrian’s Villa...

Pedro Friedeberg Snake bar, Mexico, c. 1970s. Made of carved and gilt wood, antique statuary, and glass. The stretched out hands hold the round removable glass tray and the upper han...

Two Asian gilt bronze Teppanom kneeling Thai sacred angels. Bronze gilded temple guardians in a sitting position. These temple guardians were made in Th...

Cast bronze with gold wash.

An exquisite, antique early 19th Century Burmese Mandalay Buddha statue, masterfully hand carved from wood, partially gilded, and lacquered in rich tones, in good condition. This lar...

A set of Jugendstil cold-painted bronze sculptures of Buddha and a gilt Priestess by Franz Bergmann, Austria By: Franz Bergmann, Nam Greb Material: bronze, copper, tin, metal, paint...

Large Jugendstil / Art Nouveau Sculpture entitled 'Judith' by E.Tell from Austria around 1900-1910. Gilded bronze (bronze dore), heavy execution (circa 29 kg with stone) Standing o...

A delightful and mischievous pair of Japanese carved and lacquered wood Inari foxes, kitsune, dated Showa year twenty six, corresponding to 1951, Japan. The...

Pierre Alexandre Schoenewerk (French, 1820-1885) "Erato" Patinated and Gilt Bronze Sculpture, late 19th century, the seated muse with turtle-form lyre, on an oval base, signed, and c...

This seated Burmese figure captures a musician in eternal song. The wooden figure is hand-carved with a seated posture, legs crossed and arms outstretch...

A Monumental and Rare 19th Century French Ormolu Mounted Multi-Marble Bust of Alexander The Great, After The Model by Francois Girardon. Drawing inspiration from the renowned "Bust of Alexander the Great (356-323 BC)" housed in the esteemed Palace of Versailles, this monumental work of art showcases exceptional craftsmanship and meticulous attention to detail, serving as a testament to the creator's artistic prowess. Central to this magnificent sculpture is the resplendent red marble face, neck, and hair of Alexander the Great. Capturing the youthful essence of the conqueror, the sculptor depicts him as a young man with a clean-shaven countenance, his moderately long curls delicately cascading from beneath a remarkably unadorned helmet, save for a magnificent plume. The red marble harmoniously accentuates the life-like features of Alexander, imparting an air of regal elegance to the composition. Adding to the allure of this remarkable sculpture is an ormolu robe cascading over Alexander's shoulders, exuding an aura of nobility and power. Of particular note, the breastplate bears an embossed ormolu mask of a deity in profile, surrounded by elegantly sweeping acanthus leaves, paying homage to the influential forces that shaped the life of this great conqueror. Once again, the sublime combination of precious metal and marble amplifies the robe's magnificence, further accentuated by the presence of an ormolu body chain swaying gracefully from Alexander's left shoulder to his right hip. The selection of marbles for the cuirass and plinth serves as an additional testament to the artist's commitment to crafting a visually striking and harmonious composition. The grey marble cuirass complements the overall color scheme of the bust while providing a subtle contrast to the red marble features. At the neck, a pleated ormolu linen undergarment discreetly peeks out, showcasing the artist's meticulous attention to intricate details and enhancing the sculpture's depth. The original Alexander The Great Bust...

Pair Antique Vienna Bronce Bears on a Crystal Rock Item e7337 A pair of beautiful gilt bronze statues of wandering bears on a crystal rock. A magnificent, realistic example of the fa...

Very nice Greco Roman fighters bookends. Statues made of gilt bronze. Bases signed Frecourt and France. The figures are different one from the other.   We have specialized in the sal...

Transform your space with this breathtaking Italian figural standing candelabra floor lamp, a masterpiece of early 20th-century European craftsmanship. Exuding elegance and sophistic...

This truly stunning French mantel clock was crafted during the Empire period, and reflects the Neoclassical interests of the Emperor Napoleon I, whose influence over the decorative arts contributed toward a profound revival of beauties of the ancient empires. The mantel clock is crafted entirely in gilt bronze, and features a stepped base on four block feet. The base depicts a Classical relief panel to the front, showing female dancing figures and putti, as well as musical instruments. Surmounting the base is an arch featuring a central mask fountain and basin...

18th century Italian gold leaf angel wing with rutilated quartz crystals on natural-forming aragonite crystal cluster. The hand-carved angel wing was once part of a heavenly, angelic depiction in a historic church in Italy. The aragonite is from Morocco and is known for this particular type of crystalized formations. The mineral emulates a cloud which is compliments the 18th century Italian gilded angel wing. The rutile quartz crystals are adorned on the base and aspects of the wing and the gold of the rutile perfectly matches the original gilded 18th century Italian artifact...

Meissen Porcelain Figure of Bacchus with Grapes and Wine Jug, Late 19th–Early 20th Century Measurements: 5" high x 3.5" wide x 2.5" deep Description A finely modeled Meissen porcel...

A striking French Animalier gilt and patinated bronze study of a seated Alsatian in alert pose with head turned slightly and ears pricked. The surface with excellent naturalistic detail and very fine colour, signed L.Riché and stamped with foundry seal for Thiebaut Frères ADDITIONAL INFORMATION Height: 50 cm Width: 46 cm Condition: Excellent Original Condition Foundry: Thiebaut Frères Circa: 1910 Materials: Bronze SKU: 7528 ABOUT Louis Riché Bronze...

A Large and Impressive Continental 19th Century Patinated Bronze and Giltwood Carved Crucifix Former property of Siegfried & Roy, the renown German-Ame...

Gerda Gerdago's 'Cosmic Dance': Art Déco austrian patinated bronze chryselephantine (ivory and gold) sculpture manufactured by Arthur Rubinstein By: Gerda Gerdago Material: bronze, ...

Large Modern Italian Silver Gilt Vermeil Diamond Malachite Eagle Giaconi & Gioli Italian, c. 1970 Eagle: Height 58cm, width 44cm, depth 22cm Stand: Height 51cm, diameter 29cm Overal...

This striking pair of carved giltwood dolphin figures mounted on clear lucite bases likely began their life as decorative architectural elements—perhaps once adorning a piece of furn...

Wonderfully ornate gilt gesso over carved wood processional cross, probably northern Italy late 18th century. The large floral wreath with carved gilt ribbons, a small cross to the c...

American gilt carved wood and gesso Eagle with extended wings perched on decorative acanthus floral motif, Early 19th century.