Gilt Sculptures

An exceptional Renaissance style patinated and gilt bronze cherub base made in the early to mid 19th century. The figure holding a 10 inch diameter solid crystal ball. Beautiful qu...

Stunning Pair 18th C Louis XVI French Bronze Recumbent Sphinx Chenets France, circa 1790  A stunning pair of 18th-century Louis XVI French bronze chenets featuring recumbent sphinxes...

A fine pair of Italian porcelain chinoiserie nodding head figures of a Chinese Mandarin couple, made for the Marbo Lamp Company, circa 1960's, Inl...

Small antique gilded French bronze bust by Rene de Saint-Marceaux Named and marked E. Polo and dated 1897 This small gilded bronze is a bust of a child signed D. St. Rene for Ren...

A wonderful pair of late 19th century two tone bronze nine-light candelabra. After Clodion. Each cast as a female and a male figure from a bacchanale upholding eight scroll branches with a central branch in the fotm of a quiver, on a bronze-mounted circular base of granite. Claude Michael Clodion, [1738-1814], was the son-in-law of sculptor Augustin Pajou; he trained in Paris in the workshops of Lambert Sigisbert Adam, his maternal uncle and Jean-Baptiste Pigalle, the most successful sculptor of the time. After winning the Prix de Rome, he moved to Italy, sharing a studio with Jean-Antoine Houdon and studying antique, Renaissance, and Baroque sculpture. In 1771 Clodion returned to Paris, where he continued to produce mostly in terracotta. He also worked with his brothers in other media, decorating objects...

Brutalist sculptural lamp with gilt surface. Angelic in shape and elegant in movement this sculpture is united with illumination. Heavy gilded sculptur...

A beautiful, 4.15 lb, gilt bronze Tibetan sculpture of Buddha Vajrasattva. Seated dhyana asana on double lotus throne, in the left hand a ghanta bell, in the right hand a vajra thund...

Candelabra of blackened and 24-karat gold gilded steel, with the aspect of an extra-terrestrial or futuristic cityscape. By American artist James Bearden. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine...

This pair of intricately hand carved and hand painted Foo dogs are believed to have made in the mid-20th century in the Imperial style. The dogs are composed of a softwood which have...

19th century small French bronze-gilt figurines, ca 1880 1880 small French bronze figurines. A boy and a girl carrying an urn-shaped handle...

Large Italian gilt iron floral wall sconce. Adorned with five elaborate tiger Lilly flowers. This unique sconce adds texture and depth to any w...

Art deco statuette, sculpture of a pheasant made of bronze gilded with gold leaf, completely in the typical art deco style, mounted on a rounded red marble base, at the bottom a name...

Japanese Contemporary porcelain beckoning cat, a uniquely and intricately gilded and hand painted porcelain piece from the Kutani region of Japan. The cat raising his left paw is adorned with multiple golden medallions and is covered with raised loops characteristic of the Kutani “mori” style. While the origins of the Japanese beckoning cat are unclear, contemporary woodblock...

Antique French bronze knight figure, very finely cast bronze figure of a knight on a horse, a mid-19th century Joachim Murat figure on prancing horse, mounted on a green marble shaped base, probably inspired to a famous painting and depicting the king of Naples and of Two Sicilies...

This charming pair of Neoclassical Bronze Bacchantes sculptures by Earnest Rancoulet originate from France, Circa 1900. These young and playful my...

White Carrara marble carved sea shell with gilt bronze child reaching for a patinated bronze crab. Wonderful ring tray for bedside or even a soap dish. Or just a whimsical tabletop s...

A fine pair of French 19th century Rouge-Royal marble and figural gilt bronze-mounted flambeaux urns surmounted with four ormolu figures of dolphins supporting the center urn with th...

A striking pair of Japanese gilt bronze komainu by the renowned Japanese sculptor, Ishikawa Komei (1852-1913), Meiji period, Japan. The pair well cast, and robustly modeled. They ar...

Ananda is portrayed in a typical fashion, as a youthful monk with a shaved head and dressed in simple robes. He stands upon a double lotus pedestal with hands clasped in front of him...

A 20th-century Giltwood Eagle with Silver Gilt Hare on an Ebonised and Gilt Fluted Column. In History, the Eagle is often depicted for its power, a symbol of strength and freedom, a...

Sculpture Decorative Objects, stone Horned Bull, Ancient Pixiu for Home Decor In tradition As also for all other Zoroastrian cosmological beliefs, the primary source of information ...

A Monumental and Fine Pair of French 19th, 20th Century Empire Style Red Porphyry-Like Granite and Gilt-Bronze (Ormolu) Mounted Obelisks on Four Gilt-Bronze Lion Paws both resting on...

Presenting a remarkable 16th-century Russian Orthodox icon crucifix, a testament to the artistry and spirituality of its era. This meticulously hand-painted and carved wood masterpiece is adorned with three bars, finished in radiant gold gilding, and richly polychromed, making it a truly captivating work of religious art. The central scene portrays the crucifixion, with figures of Martha, Maria, Johannes, and Longinus depicted beneath the cross. Above, the icon features the symbol of the skull of Adam, representing the triumph over death following the original sin. Atop this iconic composition stands God Sabaoth, flanked by two celestial angels, adding a heavenly aura to the piece. What makes this icon truly exceptional are the five scenes meticulously depicted from Orthodox festive days, offering a glimpse into the rich tapestry of religious traditions and celebrations. This Russian Orthodox crucifix...

A Monumental French 19th Century Patinated and Parcel Gilt Cast-Iron Bust of 'Head from a Statue of Antinous as Dionysus' Wearing a Wreath of Ivy ...

Miguel Ortiz Berrocal (1933-2006, Spain): "Eros" Perfume bottle in its original box topped with a sculpture of a male bust with an antique green patina, and 24-carat gold plated fo...

A handsome and chic hand carved quartz horse head bust with gilded mount on acrylic base.

This stunning antique French fireplace is unusual for its stylistic fusion, which combines motifs from a range of different design periods. Most striking are the neo-Gothic depict...

A lovely Thai lacquered and gilt cast bronze figure of the historical Buddha, Shakyamuni, portrayed in Maravijaya, Rattanakosin Period, early to mid 19th century, Thailand. The B...

A large and rare antique Austrian gilded bronze desk set/sculpture, modeled as a Pug dogs with her two puppies, documented, circa 1910. To the center i...

This superb pair of Grand Tour Italian gilt bronzes dates to the late 19th century. They are solid cast and very heavy for their size. They are decorative Grand Tour reproductions ta...

This antique baby Jesus figure was crafted in Italy, circa 1780. The hand-painted putti carving feature its original polychrome finish for a luxurio...

A vintage pair of tall Asian architectural elements made of hand crafted gilded Pinewood, designed and produced by an unknown artist from Myanmar in good condition. The detailed déco...

This beautiful head of Hermes wearing his winged helmet is carved out of boxwood and has preserved the original gilding. The head is mounted on a blacke...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

A Magnificent Pair of Large Antique 19th Century French Louis XVI Style Two-Tone Patinated and Dore Bronze Dog and Cat Form Chenets/Andirons Modeled after Jacques Caffieri...

French gilt metal sculpture on Neoclassical pedestal by Ernest Rancoulet French, early 20th century Measures: Height 165cm, width 34cm, depth 34cm This fine sculpture group is b...

Exquisite pair of late 18th Century Italian Roman bath ornaments. In Alabastro Bianco with silver gilt lion masks and paw feet. On Rosso Antico and Porta Santa Rossa marble. Circa 1790.

Agathon Leonard's Jeu de l’echarpe recalls the poses of the legendary eighteenth-century muse, Emma Hamilton. Beloved by society artists George Romney and Elisabeth Vigee-Lebrun, pai...

"LA RENOMMÉE" (FAME) AFTER MODEL BY JEAN-ALEXANDRE-JOSEPH FALGUIÈRE (FRENCH, 1831-1900) Patinated bronze; cast by Susse Freres; stamped "Copyright by Susse... J.H." and signed with f...

Monumental oversized ...glass and iron deco/ Victorian fantasy chandelier / pendant lighting, Salvaged from theater, outrageous fantasy chandelier, featur...

Head of a crowned Virgin Lorraine, first half of 14th century. H26 x 14 x 14 cm Provenance : - Private Collection, Paris France (1960) Private Collection Tuscany, Italy (1980) Ex...

A magnificent gilt bronze statue of Tibetan Buddha Udanaya. Poised upon a large lotus plinth, the Buddha is depicted in the "no fear" abhaya mudra gesture, symbolizing the dispelling...

Figure realized in Sterling Silver using the lost wax process. The details are gilded and enameled. The figure is 17.5 cm high and depicts a 15th century German soldier with sword ...

18th century Italian hand-carved and painted angel wing with baroque pearls and mounted on honey calcite crystal. The hand-carved angel wing was once part of a heavenly, angelic de...

A Vibrant Pair of Tang Dynasty Style Hand Painted & Hand Carved Chinese Horses - priced as a pair Decorative wooden horses that would suitably adorn a shelf, a large desk, or plint...

Pair of French gilt wood and gesso decorative carved foliage and gadrooned hanging wall brackets, Early 19th century.

Gilt brass sculpture on stand, depicting a celebrating cowboy on a wild horse with great patina.

18th century Italian hand-carved and gilded angel wing adorned with citrine and quartz crystals and mounted on a polished hematoid slab. The hand-carved angel wing was once part of a...

A very fine and large Museum Quality french, 19th century Versailles Style Figural Torchère with two side-by-side Putti in a Brown and Parcel-Gilt Patina Holding a Four-Light gilt bronze Candelabrum with Frosted glass flame shades, by Lacarrière Delatour...

18th century Italian "Florence Fragment" candlestick base mounted and adorned with quartz crystals and topped with an ammonite. This fragment is from a church in Florence. It was found and saved from the historic Florence Flood of 1966. It is part of the The Florence Fragment Collection which is exhibiting with Museo de’ Medici in Florence, Italy this fall. This is a collection of historical fragment...

19th century Italian hand-carved gilded angel wing with calcite crystals and sphalerite. The hand-carved gold leaf angel wing is originally from a church in Tuscany. The ecclesiasti...

An endearing early 20th Century gilt and patinated bronze study of a naked beauty stood beside a deer with excellent colour and hand finished details, raised on a marble base and sig...

This is a unique custom surfboard featuring a marquetry deck incorporating 24 carat gold leaf, designed and hand-crafted by the w o o d p o p studio which specialises in marquetry an...

An exceptionally large and rare French Art Deco original bronze sculpture circa 1927 by a well known artist Georges Lavaroff (1895-1991) It's quite uncommon to find this very large size and notably featuring the silver and parcel gilt finish. The artwork features a majestic female nude, adorned with a stylized cloak in alternating stripes of gold and silver, which showcases a pyramid shape. The Egyptian goddess is depicted as an undraped figure with arms outstretched above her head, holding a crescent moon. She wears a north star headdress that adds to her regal appearance. The cloak is embellished with stars and a comet, and the female figure rests on a bed of stylized clouds. The sculpture is presented on its original black and gold marble base. All of these attributes add to the uniqueness and value of the artwork, making it even more remarkable and sought after by collectors and art enthusiasts. Water bottle shown for scale. Documentation : Les bronzes Art Deco de Georges Lavaroff, sculpteur Russe a Paris 1930 Kastelyn et Mazzucotelli. Georges Lavaroff was born in Sibera in 1895. He studied medicine and painting. After the revolution of 1917 he moved to Moscow and became a member of the Russian artists association where he began to exhibit his work and take part in shows as a member of the Association of artists of Revolutionary Russia. He then worked in France from 1927 until 1935. This period was the richest point of his profession where he produced his most famous works of Art Deco figures...

Pair of blue peacocks sculptures, by Waylande Gregory USA, Circa 1950s This rare pair of blue peacock sculptures by Waylande Gregory, created in the USA circa 1950s, showcases the ar...

18th century Italian gold leaf angel wing with rutilated quartz crystals on natural-forming aragonite crystal cluster. The hand-carved angel wing was once part of a heavenly, angelic depiction in a historic church in Italy. The aragonite is from Morocco and is known for this particular type of crystalized formations. The mineral emulates a cloud which is compliments the 18th century Italian gilded angel wing. The rutile quartz crystals are adorned on the base and aspects of the wing and the gold of the rutile perfectly matches the original gilded 18th century Italian artifact...

Indian style bronze statue of a Hindu goddess with gilt accents having intricately patterned attire and headdress Condition: Good; Wear consistent with age and use

Large 18th Century carved wooden Mater Dolorosa (Our Lady of Sorrows) religious sculpture. Probably Alpine, carved wood, polychromed and coloured or g...