Japonisme Decorative Objects

Mid century Signed Japanese Kakiemon Arita Imari Vase with Flowers.Signed Japanese Kakiemon vase by Sakaida Kakiemon XIII (1906-1982). A beautif...

Chinese Art Deco Famille-Rose Vase with Flower and Dragon Motif, Ca. 1920 DIMENSIONS Height: 24 inches Diameter: 10 inches

Japanese Edo Period Dragon God Ningyô, Ca. 1820 DIMENSIONS Height: 26 inches over all Minor wear in textiles. Fine antique condition ABOUT Musha-Ningyô (warr...

Japanese Tumulus Period Unglazed Aged Terracotta Haniwa of a Woman’s Head, 3rd/4th Century Tumulus Period (AD 250-552) Haniwa means “circle o...

This is a vase made by the Japanese ceramic artist unit "Scarlet Pottery." It is a piece of pottery made using Amakusa pottery stone. Amakusa pottery stone is famous as the raw mater...

Perhaps originally designed as a Bento Box, this is a one-of-a-kind piece for your home-office or study desk. It has iconic 1970s modern lines and beautifully exemplifies the elevat...

Pair of 19th century Patinated and Gilt Bronze Standing Crane-Form Candlesticks. This pair of 19th century candlesticks are a stunning example of gilt bronze design, featuring two deeply patinated regal cranes standing erect, both with an oversized gilt-covered bronze flower surrounded by foliate and amusingly held in the beak. The candlesticks are both highly detailed, well-balanced and designed to hold a candle. Beautifully crafted, with the cranes standing elegantly on top of gilt bronze rocks...

This small elegant woven bamboo basket was meant to be a hand-hold bag with its brocade interior (which appears original). It was made by Suzuki Gengensai (1891-1950) circa 1910-20s. Suzuki Gengensai was from Kansai region and active in Osaka. He studied bamboo art under Yamashita Kochikusai (1876-1947) and became an independent artist in 1913. He received his artist name Gengensai in 1914 and in 1923 he changed the characters to Gen, a slight written variation of the character. This basket was signed in the former way, which helps to date the piece to the early part of the artist's career circa 1914-1923. The basket is tightly woven in variation of twill plating that creates contrasting bands on the surface. The base was constructed with short bamboo stripes on the corners and side with ornamental knots. A closely related piece (Object Number: 2006.3.651) with slight different surface twill patterns is in the collection of Asian Art Museum San Francisco. Comparing the two, they show almost identical form as well as the base construction. Both also have brocade interior and most likely were woven during the same period. Another documented example can be found on page 180 in "Baskets Masterpieces of Japanese Bamboo Art...

Pair of antique ( 19th century) Carved crystal glass vases with gilt bronze mounts in the Japonisme style depicting ducks on a pond, attributed to Baccarat, measuring 9 by 6 by 4 inc...

A rare porcelain vase by Makuzu Kozan (1842-1916) circa 1870-81 (late Meiji period). The vase is dated to the earlier work from Kozan's studio during his early period (Takauki-ware p...

A polychrome earthenware mantel clock made by the Jules Vieillard & Cie manufactory in Bordeaux, circa 1880. An identical clock is held in the collections of the Museum of Decora...

A pair of Japanese lacquer lidded Hokai boxes with chased brass hardware and original ropes. Hokai boxes are traditionally used in Japan to store and carry s...

Japanese Late Meiji Period Woven Bamboo Tea Ceremony Basket, Early 20th Century PERIOD Meiji Period (1868-1912) DIMENSIONS Height: 11.5 INCHES Diameter: 5 inches ABOU...

This pair of large candlesticks was made by the highly renowned Royal Crown Derby factory of England in approximately 1920 in their traditional 2451 Imari pattern. The candlesticks a...

Pair of Large 19' century powder-blue gilt-decorated jars. Each gold painted with a composite floral patterns, all against a powder blue ground enriched in gilt with scattered flower...

A pair of porcelain vases in classic form, decorated with underglaze blue and copper red painting by Imperial potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916), Makuzu was one of the most established and collected ceramist known to the west from Meiji Period. The vases are in a classic Chinese form called "Bang Chu Ping" (grain-mallet vase...

An Antique 19th Century Japanism French Porcelain Jardinière with Gilt and Silvered-Bronze Tri-Footed Stand. This jardinière is in the Jap...

An impressive and very rare 19th century French 'Japonisme' brass mounted turquoise fine earthenware jardinière by French ceramic artist Jules Vieillard & Co, dated between 1880-...

A miniature bamboo basket woven by Hayakawa Shokosai I (1815-1897) circa 1885, an important example of the work by the artist who is considered as the founding father of Japanese modern bamboo art and the first ever signed his own work thus elevating bamboo weaving from a craft into an art form. The miniature basket was traditionally used during Sencha tea ceremony. It was woven from bamboo (madake) and rattan using...

An important Japanese bamboo Ikebana basket by Yamamoto Chikuryosai I (also known as Chikuryusai I, Shoen after 1929) (1868-1945). Active in Osaka, Kansai region, he was advised by Wada Waichisai I. After 1929, he signed his work as Shoen (Shoen made this), such as this one. This basket was made using "sooted" bamboo (susutake in Japanese). This bamboo materials was collected from traditional thatched-roof houses that had been exposed to decades of smoke from a hearth or cooking fire, therefore the basket displays a deep rich patina that is hard to attain by color-lacquering. The basket featured a large rounded barrel form with handle. The body was constructed with a twill plaiting variation of a more relaxed and loose weave. It allows the light coming through to render the piece a lighter sense. Parallel plaiting was used to reinforce the body with stripes of bamboo, while adding more visual constrict to a free spirited background. Twisted bamboo strips form rope-like handle and the top rim. It is signed "Shoen Made This" on the base. Two-piece water container made from bamboo trunk is retained with the piece as shown. For the artists other and similar work, see baskets masterpieces of Japanese Bamboo Art...

Chinese Peking Cut Blue & White Cameo Glass Vase, Ca. ca.1900-1920 DIMENSIONS: Height: 12.5 inches Diameter: 5.5 inches ABOUT CHINESE PEKING GLASS Peking cut blue ...

19th century Japanese Satsuma Vase ~ Jardiniere with Bronze Mounts is an amazing work of art with scenes hand-painted around the en...

A Very Tall Oriental Ceramic Satsuma Vase This is a superb statement piece, the vase is 3ft 6” tall and has traditional hand decoration with paisley designs and characters, the va...

Bicone vase by U-Turn Ushiro. It is baked for several days in an anagama (a kiln that burns firewood). It is shaped vertically symmetrically. The copper contained in the clay blows out on the surface, and reddish-black spots can be seen partially. It is a work where you can see various reactions of various ingredients. U-Turn Ushiro While working at the fire station...

Rare majolica pin tray with insect and branches signed Choisy Le Roi, circa 1890.

A magnificent pair of Large French Japonisme porcelain vases in the style of Édouard Lièvre, dating to the final decades of the 19th century. These exceptional vases captivate with t...

A Japanese glazed ceramic footed dish made in the Ko-Kutani type of Edo period but likely during Kutani revival in the 19th century Meiji Period. The dish with delicate foliaged rim ...

A very unusual and quite rare 19th century French chinoiserie/Japanism dore bronze mounted and hand painted porcelain aesthetic movement clock, attributed to E. Lièvre, most probably...

Sumida Gawa pottery garniture. Japan, circa 1890-1900.

Collection of ten Japanese bronze vases, Japan, 20th century. They all exhibit sculptural forms and have a wide range of patinas from deep browns to warty verdigris greens. The large...

A beautifully decorated cloisonné vase with silver rims by Ando Jubei (1876-1956), the celebrated Japanese Shippo studio. The piece is dated to late Meiji to early Showa period circa...

Strikingly theatrical in silhouette and surface, this Belle Époque decorative vase is constructed around a tall, cylindrical crystal body enriched with multiple zones of decoration, ...

Ikebana basket (hanakago) made of dark brown varnished bamboo wickerwork rounded shape with a twisted handle. Ikebana or Ka-do (the way of flowers) is a traditional Japanese art of...

A magnificent collaboration between renowned glassmakers Ernest-Baptiste Leveillé and François-Eugène Rousseau, this exquisite pot-pourri urn is a testament to the Japonism period st...

A wonderful 19th century life-size cold painted bronzed statue of a young Japanese girl dressed in a traditional Kimono, standing on a carved hardwood stand, after 'Louis Hottot' HO...

Pair of Japanese-style roll-shaped vases, made in “cloisonné” enamel and gilded bronze. The cylindrical body is decorated with polychrom floral branches, flowers and butterflies on a...

An elegantly woven bamboo basket with handle as an ikenana container by Suzuki Gengensai (1891-1950) circa 1923-50. Suzuki Gengensai was from Kansai region and active in Osaka. He studied bamboo art under Yamashita Kochikusai (1876-1947) and became an independent artist in 1913. He received his artist name Gengensai in 1914 and in 1923 he changed the characters to Gen, a slight written variation of the character. This basket was signed in this later variation, which helps to date the piece to post 1923. The basket is woven entirely in a free style irregular plating on the body and with a twisted bundled handle. The surface is lacquered in a deep reddish color. The seemingly less rigid technique renders the piece a more rustic and natural aesthetic that is more suitable for certain occasions. It is singed on the base with artist's signature in the variation post 1923. A very similar basket of the irregular weaving but without the handle is illustrated in plate 72 in "Baskets Masterpieces of Japanese Bamboo Art...

Japanese Emperor Shōwa Period, Fine Ceramic Red Vase, Signed, Ca. 1980 Emperor Shōwa Period - from 1926 to 1990 ABOUT In the classic Japanese shape, this exquisite vase has a dram...

A rare ceramic bowl with overglaze paint decoration by Japanese imperial potter Makuzu Kozan ((1842–1916). Unlike the better-known works Kozan made for the expositions in the west and export to the foreign market, this piece exemplifies his work for the domestic market and the tea ceremony. The bowl was made in the so called "Utusushi" Ogata Kenzan (1663-1743), a celebrated Edo painter and ceramicist. Utusushi is loosely translated as "in the spirit of". It is not at all a simple imitation of a master, but a Japanese concept of embracing the spiritual essence of a master while the creator is free to mix in his or her own unique artistic interpretation and flavor. The bowl was made to hold fruits during the tea ceremony. It has a very distinguished form with a circular lower body morphing into a square upper portion that further opening with flared rim. The surface has a grey glaze onto which Asagao flowers (Japanese morning glory) on the vines were painted in a free and poetic style. White was used for the petals, green for the leaves with touches of gold highlight. Asagao, the symbol of the summer was rendered in the spirit of Ogata Kenzan, and interestingly the shape of the blossom echoes the unique form the bowl. It was likely reserved for the tea ceremony during the summer months. Under the base, Kozan was signed in black on a white porcelain plaque inlay. For two similar examples of Kozan's work Utusushi Kenzan, see Page 168-169 of the book: Sekai ni Aisa Reta ya Kimono Miyagawa Kozan Makuzu...

Figure standing wearing kimono with arms out front. On an iron base. Signed Ch Masse , Sculp, Paris. Provenance , Estate Of William Hodgins. Interior d...

Large planter decorated on the belly with a rotating decoration of polychrome flowers and geometric patterns in cloisonné enamel on a red background. It is inserted in an important p...

THREE FIGURES HINA MATSURI Japanese, Meiji period (1868-1912) in painted plaster, eggshell, silk and other materials. Height: (largest) 50 cm good condit...

Japanese Meiji Period Glazed Katan Ware Peacock, ca. 1890 DIMENSIONS: Height: 5.5 inches Depth: 9 inches Width: 3.5 inches ABOUT This finely craft...

Japanese Bronze standing duck. Standing neck raised and mouth open with detailed feathers. 14.5 high.

A darling garniture set of three exotic peacocks mounted as a clock and a pair of two light candlesticks. In crisply cast bronze, the intricate details of the birds' feathers, the fl...

A Japanese black lacquer box with mother of pearl inlays circa early 20th century, end of Meiji period. It was likely to be used to store inkstone or other scholarly items. The piece displays several interesting characteristics that appear puzzling initially. First, the form is not typical Japanese, but more Chinese and Korean, with its scalloped base. Second, the decoration of MOP inlays also suggests a Korean and Chinese affiliation, especially with the linear borders and the scrolling cloud patters on the sides of the box. These two observations suggest that the box may be from Ryukyu Island instead of Japanese mainland. Third, strikingly in the center of the cover, a bold quarterly floral pattern outlined with MOP was filled with a striking mottled red lacquer using tsugaru nuri...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

This is a vase made by the Japanese ceramic artist unit "Scarlet Pottery." It is a piece of pottery made using Amakusa pottery stone. Amakusa pottery stone is famous as the raw mater...

An important and monumental pair of very fine 19th century French Japonisme/Orientalist ormolu vases designed by Edouard Lièvre and Executed by Ferdinand Barbedienne. Each body with an oval shape, finely sculpted in a floral design, fringed by orientalist style handles with cartouches, the neck surmounted by a circular pierced scrolling dragon frieze. Each vase resting on a group of four orientalist style jeweled elephant...

Vintage lacquered red Japanese bowl, with some patina to the lacquer which makes the charm of this piece. This is a nice decorative object with personality.

Japonesque sterling silver ink stand. Made by Tiffany & Co. in New York, ca 1881. Square with concave sides and fluted corners on cast scroll and bead supports. Centrally mounted bal...

A Pair of French Japanism Signed CP & Co Pate Sur Pate and Gilt Porcelain Vases. This elegant pair of vases, crafted by CP & Co, exemplifies the aesthetic influences of Japanism in ...

Planter presented at the Universal Exhibition, Paris, 1878, along with several other works on this theme, an extremely rare piece. An identical model is held in the Baccarat Museum's...

A Rare and Quite Unusual Pair of Signed 19th Century French Japonisme/Chinoiserie/Orientalist Ormolu Mounted Champleve Enameled Onyx Urns by Eugène Cornu. Each is made from champlev...

Impressive large-scale antique Japanese Satsuma-style moriage vase, dating to approximately 1920. The substantial baluster-form vessel is exceptionally richly decorated with hand-app...

A very impressive pair of Japanese Meiji (1868-1912) period Blue and white porcelain vases, each with wonderful classical motif decoration to the neck and base. Blossom trees to the ...

A very fine pair of Japanese style vases attributed to Susse Frères and made in two patina bronze. Each vase in form of a patinated bronze ovoid body...

Amazing early 20th century Japanese brass champleve vases features a vibrant colorful enamel design depicting dragons.  

A 19th-Century French Japonisme Three-Piece Figural Garniture Clock Set Attributed to Eugène Cornu, in the Style of Édouard Lièvre. Consisting of a mantel clock and a pair of matchin...

Superb Japanese-style mantel / fireplace mirror in lacquered wood, carved with an imposing dragon and decorative motifs. Japonism, France, circa 1880. Attributed to Gabriel Viard...