Japonisme Decorative Objects

A pair of late 19th-century English copper candlesticks combining Japonisme influence with the decorative vocabulary of the Aesthetic Movement. Handcrafted in copper, each candlestic...

Sagejubako is a portable lunch or picnic set that became popular in the early Edo period when an additional meal was added between breakfast and dinner. It normally consists of a han...

Japanese Meiji Period Lacquered Wooden Box w/ Original Outer Case, Ca. 1880 Meiji Period: 1868-1912 DIMENSIONS Length: 16.5 inches Width: 3.5 inches Height: 2.5 inches

This is an Asian White Stone Sculpture of a Japanese Lady. It depicts a standing up young lady wearing a flowing kimono, Japanese hairstyle and holding a tulip flower. The sculpture ...

A woven bamboo flower Ikebana basket by Tanabe Chikuunsai II (1921-2000) from Showa era (1926-1989), circa 1950-1960s. The ikebana basket takes a vertical square form, the body was e...

Two porcelain hexagonal Satsuma vases painted in polychrome enamels and gold. The paunch is decorated with intricate Japanese characters in a landscape, the neck and the shoulder wit...

A black lacquer tebako (hand box) with maki-e decoration and silver trim, circa late 19th century, Meiji period. The surface of the lid features a Rinpa style maki-e paint depicting ...

Rare Japanese style diamond-shaped tray attributed to l'Escalier de Cristal, representing lake landscapes in cartouches, and adorned in its center with a lunch scene with a Japanese couple in traditional dress, all highlighted by a gilded decor of flowering branches on a pink porcelain background. The whole is framed by a gilded openwork bronze mount ending on the sides by two handles. “L’Escalier de Cristal”, an old and famous Parisian firm, specialized in glass products and ceramics but also suggested furniture and bronze sculptures. It was led from 1885 to 1923 by Emile Pannier’s sons, who gave the name of Pannier Frères to the society, located at the corner of Scribe street and Auber street, next to the new built Paris Opera house. Their Japanese style creations were among many others much appreciated by the critics and the public. They were awarded many medals at various exhibitions, such as the Gold medal at the 1900 Paris Universal Exhibition. Lots of artists participated in that world success, such as Emile Gallé, who gave to Pannier Frères the exclusive rights of some of his models, or François-Eugène Rousseau, who designed many vases and gave the model of his successful Japanese style dining-set as well. This set was made by the Creil et Montereau Manufacture. In the Japanese style furniture...

Vintage Asian Japanese style dish, ashtray, catchall. Large vintage ornamental hand painted Asian porcelain tray catchall with clipped edges. Hand painted octagonal porcelain dish di...

Japanese Emperor Shōwa Period Tamba-Ware Textured Glazed Vase, Ca. 1970 Emperor Shōwa Period - from 1926 to 1989/1990 Signed. DIMENSIONS Width: 8 inches Height: 5.5 inches ABOUT ...

Very unique antique (late 19th to early 20th century) table or mantel clock in the Japonisme style, possibly of continental origin, in the form of a Japanese drum or barrel on stand,...

A beautifully decorated cloisonné vase with silver rims by Ando Jubei (1876-1956), the celebrated Japanese Shippo studio. The piece is dated to late Meiji to early Showa period circa...

19th century the Lobster Japanese bronze Lobster Meiji Period.

A vintage Japanese ikebana made from lacquered bamboo basketry circa first half of the 20th century. This piece of bamboo art displays an very light and delicate classic tapered squa...

A beautiful French patinated bronze figure of a standing Japanese geisha in a traditional kimono with an obi. This geisha is exceptionally cast with immense detail. Starting from the...

Rare majolica pin tray with insect and branches signed Choisy Le Roi, circa 1890.

A large circular plate with a short stem base in Vermillion lacquer color. The surface was decorated with a stunning maki-e picture that depicts a...

Stunning early 20th century Japanese brass champleve vase. Features a vibrant enamel design throughout the vase.  

Japonisme stoneware and bronze jardinière attributed to Édouard-Alexandre Dammouse for Haviland & Co, with bronze mounts attributed to the F . Barbedienne foundry. Based on the...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Karl Lindström and Nils Emil Lundström for Rörstrand. Lidded porcelain jar decorated with grape vines in gold on a beautiful dark blue base. Japan...

This pair of black vases with gilded Japanese decoration was made by the Val Saint-Lambert crystal works around 1880. Founded in 1826, the Val Sa...

19th century 3 pieces Japanese porcelain dishes Meiji period decorated, largest 15.25'' x 2'', medium 13.25'' x 2'', smallest 12'' x 1.5''.

A lovely Japanese bamboo ikebana basket in the shape of gourd with an open mouth and a body circa 1920s-1940s. The piece was woven in great details and styles with mostly irregular a...

Japanese Meiji Period Koransha Olive Green & Gold Glaze Porcelain Vase, Ca. 1880 DIMENSIONS Height: 4.5 inches Diameter: 5 inches ABOUT Meiji Period (1868–1912) Koransha Porcelain ...

19th century blue and white Japanese porcelain dish Meiji period decorated with prunus on the cobalt blue ground, inscription to base, Ex Bonhams lot 268 diameter 12 inch.

A four-case lacquered inro by Koma Koryu circa 19th century late Edo period. The inro features a pair of Chinese mandarin duck resting under a bundle of blooming irises on the pond. ...

Japanese (19th Century) orange and white round shaped porcelain vase with handle top.  

A garlic bottle vase in an archaic Chinese form, but likely Japanese in origin. Several circumventing grooves however, suggest a more modern age. It was done in a brilliant purple glaze over a robin egg blue background glaze. The bubbling and bursting effects during the firing renders the surface an artistic spotting effect. The color pallet recalls the Classic Jun Yao...

A Japanese Lacquer writing box Suzuribako Meiji Period (1868-1912), likely circa late 19th century. This suzuribako is one of the most unusual boxe...

A porcelain vase with dragon motif by Japanese imperial potter Makuzu Kozan (1842-1916), circa 1900s. The vase is made in what is considered early phase of his underglaze period during late Meiji era. In a classic elongated baluster form, the surface of the vase was decorated in an unusual pink mist on a white and aubergine background (called Morotai, the Hazy style), on which a flying dragon is showcased on the center. The dragon was outlined in iron red and filled with the aubergine color and was artistically emphasized on its bulging eyes, claws, scales and a long tail. It was the sole focus of the design circumventing the entire body of the vase. The imagery calls in mind the dragon decoration found in Korean...

The long neck bottle of classic form was heavily potted with coarse clay with high iron content. The flask, circa 18th century Edo period, was purposed for sake storage but also substituted as a flower vase during tea ceremony. The surface is covered in glossy black glaze and contrasts strikingly with white ash glaze around the shoulder. The white, fired with straw, displays a splashing feather effect and fine crackles, blending in with the black artistically. This type of Karatsu ware...

Antique French Japonisme mantel clock with floral Champlevé enamel French, late 19th century Dimensions: Height 51cm, width 27.5cm, depth 22cm Beautifully wrought from patinated bronze and champlevé enamel, this mantel clock is designed in the Japonisme style. The style was popular in 19th Century Europe following the opening of Japan to trade and cultural exchange. The clock stands on four cabriole feet, with a pierced Japanese style apron to the bottom. The central case is stepped, with the main section of rectangular profile, and mounted with pierced patinated bronze vines...

Exceptional pair of candlesticks with ovoid body and domed belly in chiseled bronze with brown patina on which a dragon coils, resting on tripod bases with 3 stylized elephant heads ...

A dual-handled jardinière with black cloisonne ornamented with flowers, butterflies and foliage. Origin: France, Paris  Date: Last quarter of the 19th Century   Stamped F. BARBEDI...

Vintage Japanese Satsuma Covered Ginger Jar This Japanese jar decorated with birds, flowers, and satsumas would be a beautiful gift for a vin...

A wonderfully decorative Japanese Kutani vase, Meiji period 1868-1912. Having the classical orange ground with scrolling foliate decoration, inset...

Antique Japanese woven boat shape (funagata) Ikebana flower basket, with lacquer,975 rattan, root and smoked bamboo. Fine quality weaving with wonderful patina.

What can we say about this bowl? Perhaps we can start by describing the unique Japanese aesthetic concept of "Wabi-Sabi". In contrast to the western concept of beauty that is centere...

Candleholder designed by Ryosuke Harashima. This work is made of Japanese antique glass plate and brass. Artist create new style candleholder by ...

Japanese Late Edo Period Life-Size Imperial Bunraku Head, Hands and Legs by Nagoshi Kenji, Ca. 1850 DIMENSIONS Head: 13” High Hands: 11” High Legs: 9” High ...

Japanese Late Meiji Period Head of Buddha in Wood, Ca. 1910 DIMENSIONS: Height: 22 inches Width: 7 inches Depth: 7 inches ABOUT A serene and finely carved wooden Head of Buddha fro...

A studio made ceramic tea bowl (Chawan) with a slightly irregular form and exceptional surface glaze by American potter Warren Mackenzie (1924-2018). Reminiscent of a monk's begging bowl...

A Japanese woven bamboo basket with handle from early 20th century, circa end of Meiji to Taisho period. The basket was constructed in the form o...

This is a vase made by the Japanese ceramic artist unit "Scarlet Pottery." It is a piece of pottery made using Amakusa pottery stone. Amakusa pottery stone is famous as the raw mater...

Beautiful square-shaped bowl in engraved crystal decorated with bamboo and birds. It rests on a gilded bronze dragon turtle, a legendary Chinese creature with the body of a dragon an...

An exceptional and wood statue of Buddhism Guardian Seitaka Doji from Japan circa Edo period (1603-1868), likely the earlier part of 17th century. One of two chief attendants of Fudou Myouou (the other being Kongara Doji), the name of Seitaka Doji is a transliteration of Sanskrit "Cetaka", meaning servant, slave, and he is said to personify expedient action. He is most commonly found on the right side of Fudou, together with Kongara Doji on the left, forming the Immovable triad, Fudou Sanzon, the terror of evil doers. Seitaka largely adheres to the iconography of a wrathful youth with fleshy body and face, skin in the color of a red lotus, has his hair tied in five knots, and holds a vajra in his left hand and a vajra-club in his right hand, but the actual artistic representations of him in Japan do...

This skillful blend of Chinese art objects and French craftsmanship is attributed to the Escalier de Cristal after designs by Édouard Lièvre. Our cachepot displays a polychrome decor...

Planter presented at the Universal Exhibition, Paris, 1878, along with several other works on this theme, an extremely rare piece. An identical model is held in the Baccarat Museum's...

A handwoven bamboo basket by Japanese bamboo artist Higashi Takesonosai (1915-2003), in the form of a traditional rice container. It was woven with...

A beautiful and very large pair of Meiji period Japanese bronze vases with brown patina and caved design with applied gilt and silver bronze inserts representing birds and insects fl...

Japanese Contemporary Grand Pottery Sculpture, Ca. 1980 ABOUT This absolutely unique late 20th Century pottery sculpture with bamboo-styled formed handles features a wonderful artis...

A stoneware vase with white dripping glaze from Hagi by Kyusetsu Miwa X (1895-1981), Showa Period. The vase is in the shape of "Double Gourd" with a bulbous ...

Japanese Meiji Period Cloisonné Vase w/ Samurai, Attendant, and Floral Motif, Ca. 1890 DIMENSIONS: Height: 12 inches Diameter: 5.5 inches ABOUT An elegant cloisonné enamel vase fr...

Elegant pair of square section vases attributed to Baccarat, in enameled crystal with polychrome decoration of birds of paradise, resting on an openwork patinated and gilded bronze b...

A Pair of Japanese Mid Edo Period Carved Stone Sculptures of Female Buddha Sattva, ca. 1750 PERIOD Mid Edo Period (1603-1868) DIMENSIONS Height: 10.5 ...

A very good quality pair of Japanese Meiji period (1868-1912) Satsuma porcelain vases / lamps. Each with wonderful gilded classical motif decoration, with inset hand painted panels depicting various scenes of courtiers in attendance and Samurai warriors. Both mounted on ormolu oriental stands.

A tall vintage ceramic vase with handle from Japan (20th century) by Nanba Koyo. Made in the tradition of Bizen ware, the vase has a modern aesthetic with a...

A ceramic vase with iridescent glaze in the shape of an elephant foot cache pot by the legendary French ceramist Pierre Clement Massier (1845-1917). Massier is widely considered as t...

A large and impressive Japanese basket in the form of a morikago by Maeda Chikubosai I (1872-1950) circa first half of the 20th century. Chikubosai I was from the Kansai Region and active in Sakai, Osaka prefecture. He was instructed by Wada Waichisai I, (1851-1901). Morikago is a shallow open basket with handle. It was traditionally used to display fruits, sometimes flowers, during Sencha tea ceremony. In contrast to Chanoyu, Sencha ceremony uses loose green tea leaves instead of tea powder. The placement of loose fruits in the basket meant that the pattern of the bottom, which is often elaborate, was meant to be visible. This morikago was beautifully constructed with bent bamboo frame and twill plaits for the body. The bottom of the basket features a double diamond pattern achieved with a variation of plover plait. The bifurcated handles was bundle-plated with a rather free spirit approach. They show a poetic suggestion of movement, as if the bamboos were still swaying in the wind. The basket has a copper insert that fits perfectly and it is quite possibly the original. The basket is signed on the base "Chikubosai". The style of the signature shows that it was made by Maeda Chikubosai I. For another Morikago basket by Maeda Chikubosai I, see page 79 of "Masters of Bamboo" by Rinne. For the study of the signature of Chikubosai I "Baskets Master Pieces of Japanese Bamboo Art...