Japonisme Decorative Objects

A Rare and Quite Unusual Pair of Signed 19th Century French Japonisme/Chinoiserie/Orientalist Ormolu Mounted Champleve Enameled Onyx Urns by Eugène Cornu. Each is made from champlev...

Pair of glazed ceramic and gilt bronze vases, France, late 19th century.

Sumida Gawa pottery vase, Japan, early 20th century.

Japonesque bronze cache pot by Berndorf, Austria, circa 1890. Nouveau with a Japanese decorative motif. Stamped Bergdorf over an E Decorated with thr...

A impressively large and unusual stoneware vase in an urn shape from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. This vase is dated to the end of Makuzu's life circa 1910-1916 based on similar work created around that time. After achieving domestic and international fame, Makuzu retired and handed the business to his son Hanzan in 1912. He dedicated his time to other selected projects that were more in tune with Japanese sensibility than export aesthetic. He made a group of stoneware pottery pieces inspired by Edo master like Ninsei and Kenzan as well as his own poetic creation. This piece is attributed to that period. Standing of an impressive size, this vase is more like an urn, made with stoneware instead of porcelain. It was coated with a brown iron glaze with a slight translucent quality. Underglaze whit slips were used to draw low relief decoration of bamboo leaves that sparsely scatter on the surface. Slightly more elaborate scrolling vines and autumn flowers circles under the mouth rim. Same white slip inlay was used to sign the vase under the base. The whole effect of the piece is unusual. With its dark glaze in contrast with the sparse white decoration that is more abstract and geometric than realistic, it appears almost modern with an Art Deco flavor. For stoneware urn and vase in the similar genre by Makuzu Kozan: see figure 113 on page 182 of "Sekai ni Aisa Reta ya Kimono" MIYAGAWA KOZAN MAKUZU...

A beautiful and very large pair of Meiji period Japanese bronze vases with brown patina and caved design with applied gilt and silver bronze inserts representing birds and insects fl...

19th century 3 pieces Japanese porcelain dishes Meiji period decorated, largest 15.25'' x 2'', medium 13.25'' x 2'', smallest 12'' x 1.5''.

Japanese Contemporary Grand Pottery Sculpture, Ca. 1980 ABOUT This absolutely unique late 20th Century pottery sculpture with bamboo-styled formed handles features a wonderful artis...

Japanese Edo Period Carved Seated Fasting Buddha, 18th C./Early 19th C. DIMENSIONS Height: 9.5 inches (24 cm) Width: 7 inches (18 cm) Depth: 5 inches (12.8 cm) ABOUT This early Edo...

Sagejubako is a portable lunch or picnic set that became popular in the early Edo period when an additional meal was added between breakfast and dinner. It normally consists of a han...

A Japanese bamboo Ikebana hanging basket circa 1920s-1940s, made with "sooted" bamboo (susutake in Japanese). This bamboo material was collected from traditional thatched-roof houses...

American applied sterling silver perfume vial, ca 1880. Clear glass cylinder with twisted fluting. Sterling silver collar and hinged cover with tendril, f...

Japanese Emperor Shōwa Period Kiyomizu-Ware Vase, 18th Century Emperor Shōwa Period - from 1926 to 1989/1990 DIMENSIONS Height: 9 inches diame...

A beautiful French patinated bronze figure of a standing Japanese geisha in a traditional kimono with an obi. This geisha is exceptionally cast with immense detail. Starting from the...

A Japanese black lacquer box with mother of pearl inlays circa early 20th century, end of Meiji period. It was likely to be used to store inkstone or other scholarly items. The piece displays several interesting characteristics that appear puzzling initially. First, the form is not typical Japanese, but more Chinese and Korean, with its scalloped base. Second, the decoration of MOP inlays also suggests a Korean and Chinese affiliation, especially with the linear borders and the scrolling cloud patters on the sides of the box. These two observations suggest that the box may be from Ryukyu Island instead of Japanese mainland. Third, strikingly in the center of the cover, a bold quarterly floral pattern outlined with MOP was filled with a striking mottled red lacquer using tsugaru nuri...

This vase was created by Émile Gallé for the Escalier de Cristal at the end of the 19th century. A pioneering figure of Art Nouveau, Émile Gallé was particularly influenced by Far E...

THREE FIGURES HINA MATSURI Japanese, Meiji period (1868-1912) in painted plaster, eggshell, silk and other materials. Height: (largest) 50 cm good condit...

This small elegant woven bamboo basket was meant to be a hand-hold bag with its brocade interior (which appears original). It was made by Suzuki Gengensai (1891-1950) circa 1910-20s. Suzuki Gengensai was from Kansai region and active in Osaka. He studied bamboo art under Yamashita Kochikusai (1876-1947) and became an independent artist in 1913. He received his artist name Gengensai in 1914 and in 1923 he changed the characters to Gen, a slight written variation of the character. This basket was signed in the former way, which helps to date the piece to the early part of the artist's career circa 1914-1923. The basket is tightly woven in variation of twill plating that creates contrasting bands on the surface. The base was constructed with short bamboo stripes on the corners and side with ornamental knots. A closely related piece (Object Number: 2006.3.651) with slight different surface twill patterns is in the collection of Asian Art Museum San Francisco. Comparing the two, they show almost identical form as well as the base construction. Both also have brocade interior and most likely were woven during the same period. Another documented example can be found on page 180 in "Baskets Masterpieces of Japanese Bamboo Art...

Elegant pair of square section vases attributed to Baccarat, in enameled crystal with polychrome decoration of birds of paradise, resting on an openwork patinated and gilded bronze b...

Antique French Japonisme mantel clock with floral Champlevé enamel French, late 19th century Dimensions: Height 51cm, width 27.5cm, depth 22cm Beautifully wrought from patinated bronze and champlevé enamel, this mantel clock is designed in the Japonisme style. The style was popular in 19th Century Europe following the opening of Japan to trade and cultural exchange. The clock stands on four cabriole feet, with a pierced Japanese style apron to the bottom. The central case is stepped, with the main section of rectangular profile, and mounted with pierced patinated bronze vines...

A large circular plate with a short stem base in Vermillion lacquer color. The surface was decorated with a stunning maki-e picture that depicts a...

Antique coppered Japonais Revival inkstand with two ink pots and a stamp holder. The border of the base is in relief and abounds with flowers and birds while the pen rest has a quain...

A stoneware vase with white dripping glaze from Hagi by Kyusetsu Miwa X (1895-1981), Showa Period. The vase is in the shape of "Double Gourd" with a bulbous ...

Rare Japanese style diamond-shaped tray attributed to l'Escalier de Cristal, representing lake landscapes in cartouches, and adorned in its center with a lunch scene with a Japanese couple in traditional dress, all highlighted by a gilded decor of flowering branches on a pink porcelain background. The whole is framed by a gilded openwork bronze mount ending on the sides by two handles. “L’Escalier de Cristal”, an old and famous Parisian firm, specialized in glass products and ceramics but also suggested furniture and bronze sculptures. It was led from 1885 to 1923 by Emile Pannier’s sons, who gave the name of Pannier Frères to the society, located at the corner of Scribe street and Auber street, next to the new built Paris Opera house. Their Japanese style creations were among many others much appreciated by the critics and the public. They were awarded many medals at various exhibitions, such as the Gold medal at the 1900 Paris Universal Exhibition. Lots of artists participated in that world success, such as Emile Gallé, who gave to Pannier Frères the exclusive rights of some of his models, or François-Eugène Rousseau, who designed many vases and gave the model of his successful Japanese style dining-set as well. This set was made by the Creil et Montereau Manufacture. In the Japanese style furniture...

A fine quality hand painted Japanese Meiji period (1868-1912) Fukagawa porcelain lidded vase. Depicting exotic Cranes among Reeds and Lillys, boa...

Antique three-piece Meiji period Japonisme vase clock set French/Japanese, late 19th century Measures: Clock height 47cm, diameter 22cm Candelabra height 55cm, width 25cm, depth 2...

French Japanism Champlevé Enamel Ormolu Mounted Clock, Christofle & Cie. The clock consists of a spherical champlevé enamel body mounted in an ormolu structure. The enamel surface i...

French Japonisme style gilt bronze and enamel mantel clock French, 19th Century Height 30cm, width 18cm, depth 14.5cm This fine mantel clock is of rectangular form, with a gilt bron...

A wonderfully decorative Japanese Kutani vase, Meiji period 1868-1912. Having the classical orange ground with scrolling foliate decoration, inset...

Two porcelain hexagonal Satsuma vases painted in polychrome enamels and gold. The paunch is decorated with intricate Japanese characters in a landscape, the neck and the shoulder wit...

This pair of black vases with gilded Japanese decoration was made by the Val Saint-Lambert crystal works around 1880. Founded in 1826, the Val Sa...

With an Arabesque rim and decorated with lizards, dragonflies and vines. These unusual vases reflect the European fascination Japan at the turn of the century and delightfully inco...

Magnificent wooden sculpture carved from a single piece of wood, depicting a woman with a graceful bearing and a Japanese-inspired character. The artist highlights the purity of the...

A very impressive large 19th century Masons iron stone pagoda style lidded vase. Having the classic Imari colours if cobalt blue ground and orange hi...

This beautiful clock set is designed in a fanciful Japanese style, known in France in the 19th Century as ‘Japonisme’. The style became highly fashionable in Europe after 1853, when ...

Japanese Emperor Shōwa Period Classic Oval-Shaped Vase, Ca. 1960 Emperor Shōwa Period - from 1926 to 1989/1990) Featuring bamboo handles. Signed on the bottom. DIMENSIONS Height:...

Perignem, Japanese-inspired ceramic vase, not signed, circa 1950

A Fine Pair of 19th-Century French Japonisme Gilt Bronze-Mounted Porcelain Vases with Double Handles, Resting on Black Marble Bases, by Louis Pierre Malpass. The vases have an elonga...