Japonisme Decorative Objects

Large antique (19th century) Chinese inspired chinoiserie glazed ceramic jardiniere planter or centerpiece by Fischer of Hungary with beautiful floral and geometric glazed motifs rai...

1950's Japanese Monarch Butterfly Garden vintage outdoor Lantern. DIMENSIONS: Height: 8 in. Width: 11.25 in. Depth: 5.5 in. A beautifully des...

Japanese Meiji Period Glazed Katan Ware Peacock, ca. 1890 DIMENSIONS: Height: 5.5 inches Depth: 9 inches Width: 3.5 inches ABOUT This finely craft...

Japanese Meiji Period Cloisonné Vase w/ Samurai, Attendant, and Floral Motif, Ca. 1890 DIMENSIONS: Height: 12 inches Diameter: 5.5 inches ABOUT An elegant cloisonné enamel vase fr...

Set of five vintage nesting Japanese tea caddy / canisters. Made of tin, cylindrical form painted black and embellished with a word in gold. Two sti...

Pair of Arthur & Bond sterling silver vases, made in Yokohama, Japan, from the late 19th century, showcasing exquisite, applied bamboo and natural motifs, standing on a 4-legged base...

Coalport Porcelain (English, 1795-1926 then part of the Wedgwood company), circa 1885. An Exhibition quality porcelain moon flask style vase featuring a cobalt ground and grouping of highly detailed enamel cranes to one side grazing around a pond with 24kt gold calla lilies in the background. The verso with a similar scene of two cranes likely a mating pair. Each side is surrounded by masterfully detailed sunflowers and furthermore by Rococo motifs and enameled scrollwork of polychrome enamel embellishments. Please note, unfortunately at one point this vase was made into a lamp and the base has been replaced with a gilt metal foot. Measuring: 19" h, 13.5" w, 7.5" d. Provenance: An important Cape Cod...

Incredible rare cigarette pipe holder with wood carved snake circa 1950's. Made in Japan circa 1950's.

Dedicated to moments of tranquillity and serenity, Hikari Oil Burner is a living object that embodies a form within the balance of the Japandi style and the 1980s deconstructivism movement. It defines a sculptural volume of conic pieces that complete each other distinctively. Crafted with softly brushed aluminium, Hikari Oil Burner is designed by Gökhan Eryaman and İsmail Dağlı...

This is a small antique seamstress' button box. A Japanese, brass decorative tin, dating to the early Victorian period, circa 1850. Delicately crafted bo...

Art Deco pottery vase signed Auguste Delaherche Circa 1930. Number 028.

Presenting a beautiful large vintage Japanese bronzed sculpture of Toba on his Mule. Some might say ‘Monumental’ .. being 34 inches tall ...

This is a vase made by the Japanese ceramic artist unit "Scarlet Pottery." It is a piece of pottery made using Amakusa pottery stone. Amakusa pottery stone is famous as the raw mater...

A piece evokes memories or calms emotions through scent, the Incense Holder is created with İlayda Ergün, a ceramic artist based in Istanbul, yet one of our studio designers. Charact...

A very good and large-scale, early 20th century Royal Copenhagen porcelain vase. With decoration that includes two very large Chrysanthemum flowers painted in muted blues and a ex...

Pair of 19th century Japanese Imari Porcelain vases with slender necks depicting floral and bird motifs in shade of red and cobalt.

A pair of Japanese lacquered lidded Hokai boxes with chased brass hardware and original ropes. Hokai boxes are traditionally used in Japan as the containers ...

A small copper crab with articulated legs made by Myochin Hiroyoshi in the late Meiji Period circa 1890-1900s. One of the pair (the other one is listed separately LU945044034102, bu...

Exquisite Japanese Meiji period Cloisonne candlestick holder decorated with a dragon. Finely detailed metal and enamel work. In excellent age a...

This pair of antique cloisonne covered jars or urns are unsigned, but originate from Japan from approximately 1900 in a Japanese export style. The pair is done in muted tones and are...

A very nice quality French Japonisme Style inkwell Attributed to l'Escalier de Cristal, circa 1880 Resting on a diamond-shaped polychromed hand-painted porcelain tray representing l...

Original Japanese Ouchi Doll Hina Set in Box Kawaii Couple Doll like new condition never out of the box very collectible piece.

This is a cloisonné foil metal vase depicting a continuous scenes around it of three large white cranes, a volcano and some green leaves in a turquoise background. Under the base the...

A fine 2-section Japonisme dresser box. In gilt porcelain. With cobalt blue and white geometric circle devices throughout. Simply a wonderful porcelain dresser box! Date: 20th Ce...

A petite dragon motif cloisonné jar in black with a matching lid. The small chinoiserie jar is made from brass or copper, and encrusted with a cloisonné dragon design. Cloisonné piec...

Large and unusual Japanese Satsuma vase with Samurai figures to front and back Purple ground with gilt and traditional colors throughout. Carved and molded ring & bow shoulders with ...

On offer is a truly impressive blue and white porcelain plate of Hizen ware, from Arita in Japan, circa mid to late-19th century. The plate was made by Kajiwara Kikujiro (菊次郎, the second Kiku son) and/or Kajiwara Kikusaburo (菊三郎, the third Kiku son who died in 1883) of the Kajiware Family Kiln of in Arita. It was decorated in a superb design with blue under-glaze, clearly out of a hand of a master. In a Classic Japanese composition that was popular in the Meiji Period, the plate displays a riot of auspicious elements, arranged still in a surprisingly harmonious manner. Anchoring the center of the design is an eagle perched on the branch of a blooming cherry tree, its talons clenching the bark and its wings about to open. The motion of the its immediate taking off is palpable. The trunk and the branches of the old cherry tree provide a spacial frame for the arrangement of large peonies with foliage, bundles of chrysanthemums, Chinese bell...

A stunning pair of ceramic vases with gilt, paint and high-relief decoration by imperial artist Makuzu Kozan (1842-1916, also known as Miyagawa Kozan) circa 1876-81 (late Meiji period). These vases belong to early period (1876-1881) of Kozan's repertoire, during which time the high relief sculpturing (known as Takauki ware) was used as a distinguished technique on top of the traditional gilt and paint ornaments of satsuma ware. Due to the relatively limited production and the fragile nature of these wares, not a large quantity of the examples remained in the first place, not mentioning a fine matching signed pair in such impressive sizes. Not only a rarity, this pair of vases is also superb in workmanship, thus the fine example of the work from that short and unique period of the artist's career before he switched to the underglaze period. In a conceptually mirrored fashion, the surface is richly decorated with flying cranes among large lotus leaves and flower, like an idyllic aqua scenery of pure poetry on a circular scroll. The high-relief appliques were rendered and composed in realistic fashion but with a dramatic touch. They are literally about to break the surface free, alive and in motion. The dark colors of the glaze were used to set a moody tone. The approach to create this type of ornamentations is more akin to sculpturing an ink painting in three-dimension than ceramic making. It is not hard to imagine the demand of both the artistry and the technique. Both vases were signed as "Makuzu Kozan Kiln" and each further with another name and seal, which are most likely the individual artist involved in the making process. Similar signatures can be seen in the reference book below. For similarly Takauki vases, see Miyagawa Kozan Makuzu...

This is a vase made by the Japanese ceramic artist unit "Scarlet Pottery." It is a piece of pottery made using Amakusa pottery stone. Amakusa pottery stone is famous as the raw mater...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Striking pair of 19th century shachikoko rood ornaments circa 1880. These appear to be 'shachikoko' sea monsters still retaining their bold colours, showing the head of a dragon wit...

An Antique 19th Century Japanism French Porcelain Jardinière with Gilt and Silvered-Bronze Tri-Footed Stand. This jardinière is in the Jap...

An old Japanese lacquered small box likely used to contain incense powder called Kobako, circa Momoyama to early Edo period (16-17th century). The rectangular form box with a fitted ...

Large vintage Japanese shallow footed bowl in red lacquer with gold calligraphy design. This beautiful lacquerware were made to serve foods during elaborate banquet. Great decorative...

A wonderful Japanese Meiji period (1868-1912) Bronze overlay vase. Having exquisite and amusing scenes in relief, patinated and overlay of a Dog of Foo, a Frog fishing in a Lotus lea...

An antique jubako (stack boxes) with five tiers in an elongated octagon shape circa 19th century (end of Edo or beginning of Meiji period). jubako was traditionally used to store and...

A mid-20th century Japanese Satsuma vase with figures. Satsuma ware is a style of Japanese earthenware originally from the Satsuma region of what is today southern Kyushu. There are two distinct categories of this ware: The original plain dark clay early Satsuma...

A small copper crab with articulated legs made by Myochin Hiroyoshi in the late Meiji Period circa 1890-1900s. One of the pair (the other one is listed separately LU945037876072, but...

Handcrafted set of three white ceramic decorative objects with a tray. These very nice quality pieces were created following the ancie...

A Royal Worcester porcelain “variety” vase, made in 1876 in the japonisme style. The forced opening of Japan to trade in 1854 led to a craze for E...

This exquisite four-case lacquered inro was dated to the latter part of 18th century to early 19th century (Edo period) and made by Shigehide. The opposite sides of the inro together features a lavish flower arrangement in a bamboo basket (ikebana). The detailed craftmanship was a true pleasure to behold. Mostly Takamaki-e (high relief) were used to texturize the delicate petals of the chrysanthemums, on which different shades of gold were used to create contrast. Raden (mother of pearl) shells were also used to highlight some leaves, rendering the piece an interesting balance of color and material. The interior was completed in a mottled gold finish. It was signed Shigehide on the bottom with a Kao. There is a small carved rabbit ojime bead...

An elegant woven bamboo basket from the late Meiji period, dating to the early 20th century. This tall, finely crafted piece exemplifies the artistry and technical mastery of Japanes...

Japanese, Meiji Period. An antique bronze vase constructed in bronze. The vase features several traditional designs including lotus blossoms, birds in flight and other floral detail...

Japonesque sterling silver inkwell. Made by Tiffany & Co. in New York, ca 1882. Drum form with curved shoulder, short neck, and hinged and cork-lined bayonet cover. Leaves and tendri...

Large antique Emile Gallé Japanism vase in clear frosted art glass. Carved with motifs in the form of flowers and leaves in yellow and red. Museum quality, 1890s. Measures: 34 x 12...

The peoples of North America, the Japanese Americans. Discusses the history, culture, and religion of the Japanese, factors encouraging their emigra...

Large Royal Crown Derby style 'Imari' pattern centerpiece, profusely hand-painted decorated with rich, vibrant colors and gilt, unusual seaweed and floral ...

Japanese Meiji Period Porcelain Vase by Shimazu Gyokuzan, Ca. 1890 DIMENSIONS Height: 18.5 INCHES Diameter: 9 inches DETAILS Meiji Period (1868 -1912) – Ca.18...

Two porcelain hexagonal Satsuma vases painted in polychrome enamels and gold. The paunch is decorated with intricate Japanese characters in a landscape, the neck and the shoulder wit...

A very amusing 19th century (Meiji period 1868-1912) Japanese bronze statue of an ox with a young boy sitting on its back. Signed.

A wonderful Japanese Meiji period (1868-1912) Bronze overlay vase. Having exquisite and amusing scenes in relief, patinated and overlay of a Dog of Foo, a Frog fishing in a Lotus lea...

A very good quality pair of Japanese Meiji period (1868-1912) Satsuma porcelain vases / lamps. Each with wonderful gilded classical motif decoration, with inset hand painted panels depicting various scenes of courtiers in attendance and Samurai warriors. Both mounted on ormolu oriental stands.

An important Japanese bamboo Ikebana basket by Yamamoto Chikuryosai I (also known as Chikuryusai I, Shoen after 1929) (1868-1945). Active in Osaka, Kansai region, he was advised by Wada Waichisai I. After 1929, he signed his work as Shoen (Shoen made this), such as this one. This basket was made using "sooted" bamboo (susutake in Japanese). This bamboo materials was collected from traditional thatched-roof houses that had been exposed to decades of smoke from a hearth or cooking fire, therefore the basket displays a deep rich patina that is hard to attain by color-lacquering. The basket featured a large rounded barrel form with handle. The body was constructed with a twill plaiting variation of a more relaxed and loose weave. It allows the light coming through to render the piece a lighter sense. Parallel plaiting was used to reinforce the body with stripes of bamboo, while adding more visual constrict to a free spirited background. Twisted bamboo strips form rope-like handle and the top rim. It is signed "Shoen Made This" on the base. Two-piece water container made from bamboo trunk is retained with the piece as shown. For the artists other and similar work, see baskets masterpieces of Japanese Bamboo Art...

Japanese Meiji Period Lacquered Wooden Box w/ Original Outer Case, Ca. 1880 Meiji Period: 1868-1912 DIMENSIONS Length: 16.5 inches Width: 3.5 inches Height: 2.5 inches

Pair of Large Oriental Lacquered Wooden Vases, Late 19th Century Dimensions: cm H 142 x W 69 x D 69. Base cm 51 x 51 This monumental pair of vases was made in Europe towards the end...

A very rare lime green moriage dragonware plate. Created of porcelain, this piece is created with a raised enamel design of a dragon in pearly white...

A Pair of Art Deco Chinese Cloisonné Horses Incense Holders, Ca. 1920 DIMENSIONS (each) Height: 10.75 inches Length: 9 inches Depth: 5 inches

A lacquer presentation box with mother-of-pearl inlays from Japanese Ryukyu Islands circa 17-18th century. The lidded box in rectangular form with rounded corner is a classic example...

A large and very impressive 19th Century Japanese lidded Imari vase. Measures: 45". Having a wonderful Foo dog finial to the lid, classical bold blue and orange ground. Scrolling fo...

Ikebana basket (hanakago) in wickerwork of polished bamboo with twisted handle. Features a sheet metal and varnished bamboo vase for the floral arrangement. Mark under the vase Nana...