Japonisme Decorative Objects

Vintage Japanese Landscape Music Box with Swiss Reuge Movement, Footed Wooden Jewelry Box, circa 1960s An elegant and highly decorative vintage wooden music box, handcrafted in a refined Japanese style and raised on delicate feet. The hinged lid is beautifully adorned with a finely hand-painted landscape scene depicting a river with a boat, framed by mountains and flowering red trees in the manner of traditional Japanese scenic art. Executed in warm tones of gold, red, green, and soft earth hues, the romantic composition evokes the charm of Meiji-inspired lacquerware and hand-colored Japanese landscapes. The polished wooden body features decorative inlaid detailing along the beveled edges, while the interior is lined in rich red felt, ideal for storing jewelry or treasured keepsakes. Fitted with a Swiss Reuge musical movement, the box begins to play upon opening. Renowned for precision craftsmanship since 1865, Reuge music mechanisms are highly sought after by collectors for their quality and enduring musical performance. A beautiful collectible and decorative accent for a vanity, desk, or tabletop. Dimensions: 4.5" W × 6" D × 2.5" H Materials: Wood, lacquer finish, felt lining, Swiss Reuge mechanism Origin: Japan / Switzerland movement Period: Circa 1960s Condition: Very good vintage condition with light wear consistent with age; music mechanism functions properly. Keywords / Meta Tags: Japanese music box...

This is a small antique seamstress' button box. A Japanese, brass decorative tin, dating to the early Victorian period, circa 1850. Delicately crafted bo...

Vintage Japanese Jewelry Box. Box is lacquered in classic black and red, featuring hand-painted floral and geometric designs throughout. The tiered form cover is topped with a carved...

This is a bonsai creation by Japanese artist Yumiko Kuwahata. It is made from washi paper, clay, and fabric. The ceramic vessels are personally selected by the artist, who visits ki...

This is a bonsai creation by Japanese artist Yumiko Kuwahata. It is made from washi paper, clay, and fabric. The ceramic vessels are personally selected by the artist, who visits ki...

Japanese Edo Period Saga Ningyo, Ca. 1850 DIMENSIONS Height: 9.5 inches Width: 6 inches Depth: 5 inches

Japanese, Meiji Period. An antique bronze vase constructed in bronze. The vase features several traditional designs including lotus blossoms, birds in flight and other floral detail...

Baccarat Japonisme Crystal Vase with Sculpted Handles, circa 1878-1890 Clear crystal vase of globular form resting on a circular foot, with a short, slightly flared neck. The decorat...

Japanese Late Edo Period Life-Size Imperial Bunraku Head, Hands and Legs by Nagoshi Kenji, Ca. 1850 DIMENSIONS Head: 13” High Hands: 11” High Legs: 9” High ...

Ancient solid bronze vase with Chinese or Japanese elephants

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

This is a vase made by the Japanese ceramic artist unit "Scarlet Pottery." It is a piece of pottery made using Amakusa pottery stone. Amakusa pottery stone is famous as the raw mater...

A magnificent collaboration between renowned glassmakers Ernest-Baptiste Leveillé and François-Eugène Rousseau, this exquisite pot-pourri urn is a testament to the Japonism period st...

This is a bonsai creation by Japanese artist Yumiko Kuwahata. It is made from washi paper, clay, and fabric. The ceramic vessels are personally selected by the artist, who visits ki...

A lacquer presentation box with mother-of-pearl inlays from Japanese Ryukyu Islands circa 17-18th century. The lidded box in rectangular form with rounded corner is a classic example...

A beautiful artisanal handcrafted porcelain dragonware ashtray or trinket dish. This pretty catchall features a moriage dragon design. Created from slip...

Japanese Bronze standing duck. Standing neck raised and mouth open with detailed feathers. 14.5 high.

This exquisite four-case lacquered inro was dated to the latter part of 18th century to early 19th century (Edo period) and made by Shigehide. The opposite sides of the inro together features a lavish flower arrangement in a bamboo basket (ikebana). The detailed craftmanship was a true pleasure to behold. Mostly Takamaki-e (high relief) were used to texturize the delicate petals of the chrysanthemums, on which different shades of gold were used to create contrast. Raden (mother of pearl) shells were also used to highlight some leaves, rendering the piece an interesting balance of color and material. The interior was completed in a mottled gold finish. It was signed Shigehide on the bottom with a Kao. There is a small carved rabbit ojime bead...

Antique Japanese Silver Koro with Phoenix and Shishi Finial, Meiji Period Style, Highly Collectible A magnificent antique Japanese silver koro (incense burner), exquisitely crafted u...

Antique Awaji ceramic vase - grey crackle glaze - cold painted decoration with red and gilt enamel bird on a branch with flower and leaves - old faint inventory numbers to the base -...

A magnificent antique fall-front box with scarce Medieval period bronze lockplate and hasp attributed to Jacopo and Lodovico del Duca. Featuring an important Lockplate and Hasp designed circa 1570, exact date of manufacture unknown, attributed to the late 16th century Roman foundry of Jacopo 1520-1604) and Ludovico (1551-1601) del Duca, with no apparent signatures or hallmarks which is typical of the era, but we did not remove it and inspect the back. Boxes such as this hand various uses but were frequently used by merchants as a writing box - slope during travel and trade, as a small coffer - strong box for storing important documents, money and valuables, as well as a jewelry casket. This hand-crafted European drop-front box dates to the late 19th century, signed L'PUPLET, adorned with a significantly older Italian fine quality cast bronze lockplate with intricate Renaissance era reliefs, including figures, coat-of-arms, and elongated hasp, mounted on a chest of drawers form solid wooden case, wrapped in exotic Japanesque embossed and gilded metallic paper, having a locking fall-front panel with original key included, opening to reveal three interior drawers, all lined in red velvet. circa 1875 The visually striking textured wallpaper covering the box's exterior displays bamboo, birds, and flowers in the oriental Japanesque taste popular in Europe in the 1860s and 1870s following the forced reopening of foreign trade with Japan in 1858 and the ensuing Japonisme craze. To the interior of the fall front panel is a gilt circular stamp with the somewhat obscured name of the workshop or store (likely) "L'PUPLET" and the city "Burxelles" which is in Brussels, indicating the box was likely made or retailed there. Marks to box: L'PUPLET, BRUXELLES Inscription: 13, 14, 15 (Interior drawers inscribed on the verso of their backboards in script from top to bottom, respectively) Provenance / Acquisition: The origin of the elaborate lockplate with hasp on the front of the piece is more intriguing. At least 76 lockplates of this design have been recorded in major museums, private collections, and in the antiques trade across the Western World. For example, lockplates of this pattern are in the collections of the Rijksmuseum in Amsterdam, the State Museum of Prussian Cultural Heritage in Berlin, the Museum Cicico in Bologna, The Museum of Fine Arts in Boston, the Dallas Museum of Art in Texas, the Victoria & Albert Museum in London, the Museo di Palazzo Venezia in Rome, the State Hermitage Museum in St. Petersburg, and the National Gallery of Art in Washington, DC.[1] Specialists in Renaissance bronzes, especially Charles Avery...

Carved solid mahogany Koi fish with lightly painted accents Massive fish 5" deep by 24" high by 24" long

This is a bonsai creation by Japanese artist Yumiko Kuwahata. It is made from washi paper, clay, and fabric. The ceramic vessels are personally selected by the artist, who visits ki...

Charming 19th century Japanese Katuni porcelain bowl handcrafted in classic form and hand decorated in traditional bold colors. Signed by the artist on the bottom. H: 2.75 DM: 14.5...

Impressive 19th century Imari porcelain lidded serving bowl beautifully hand decorated in traditional blue, red and gold with delicate floral medallions.

A pair of porcelain vases in classic form, decorated with underglaze blue and copper red painting by Imperial potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916), Makuzu was one of the most established and collected ceramist known to the west from Meiji Period. The vases are in a classic Chinese form called "Bang Chu Ping" (grain-mallet vase...

This series of ceramics are unique work by Norihiko Terayama. He broke ceramic at first, and make it into a lot of fragment. He rasp some of fragmen...

An important Japanese bamboo Ikebana basket by Yamamoto Chikuryosai I (also known as Chikuryusai I, Shoen after 1929) (1868-1945). Active in Osaka, Kansai region, he was advised by Wada Waichisai I. After 1929, he signed his work as Shoen (Shoen made this), such as this one. This basket was made using "sooted" bamboo (susutake in Japanese). This bamboo materials was collected from traditional thatched-roof houses that had been exposed to decades of smoke from a hearth or cooking fire, therefore the basket displays a deep rich patina that is hard to attain by color-lacquering. The basket featured a large rounded barrel form with handle. The body was constructed with a twill plaiting variation of a more relaxed and loose weave. It allows the light coming through to render the piece a lighter sense. Parallel plaiting was used to reinforce the body with stripes of bamboo, while adding more visual constrict to a free spirited background. Twisted bamboo strips form rope-like handle and the top rim. It is signed "Shoen Made This" on the base. Two-piece water container made from bamboo trunk is retained with the piece as shown. For the artists other and similar work, see baskets masterpieces of Japanese Bamboo Art...

Fine pair of baluster-shaped opaline vases of Japanese inspiration, adorned with a chiselled and gilded bronze mount imitating bamboo, extending up the neck with two movable ring han...

A petite dragon motif cloisonné jar in black with a matching lid. The small chinoiserie jar is made from brass or copper, and encrusted with a cloisonné dragon design. Cloisonné piec...

A wonderfully decorative Japanese Kutani vase, Meiji period 1868-1912. Having the classical orange ground with scrolling foliate decoration, inset...

Japonesque sterling silver bowl. Made by Tiffany & Co. in New York, ca 1879. Round and curved with wavy mouth rim and foot ring. Applied turtles waddling amidst engraved and acid-etc...

Vintage Asian Japanese style dish, ashtray, catchall. Large vintage ornamental hand painted Asian porcelain tray catchall with clipped edges. Hand painted octagonal porcelain dish di...

This is a beautiful sculpture of a Geisha girl. She is dressed in a beautiful kimono. She walks with the lovely bird on her arm and flower in her hair. Her right hand has a bangle br...

PRESENTING A LOVELY Vintage Japanese Temple Style Box. Made of rosewood, this box has a cover featuring ‘Buddhist Swastikas’ on the front. The cover lifts off to reveal a tabernacle with 2 carved dragons on wither side. Probably made in the first quarter of the 20th Century, circa 1920-30. Rectangular shaped for the storage of deities statues...

A Japanese glazed ceramic footed dish made in the Ko-Kutani type of Edo period but likely during Kutani revival in the 19th century Meiji Period. The dish with delicate foliaged rim ...

A lacquered wood box with lid from Japan circa 19th century Meiji Period. The finely decorated box was used to store paper slips and small documents on the desk. It is overall finished with black lacquer (kuro) with sparse Mura-Nashiji effect outside and on the top surface of the lid, there are three Komainu, (sometimes known as Shishi or Japanese lions) frolicking and forming a circle in lively motion. Komainu are auspicious animals in Japanese cultures in both Shinto and Buddhism tradition. Originally from China, these animals symbolizes guardians to ward off evil spirits. Hiramaki-e was used in combination with carving and combing to render the lions with various surface textures. A gilt border with an slight angle was given to the lid and even the thin band is decorated with miniature floral scrolls. The interior of the box was finished in a dense nashiji. Underneath the lid, a cluster of peonies open lavishly by two gentle mounts. Takamaki-e (high relief) in both gold and silver were...

A Japanese four-case lacquer inro by a member of Kajikawa family circa 19th century (late Edo to early Meiji period). It depicts a nocturnal scenery of a meandering stream surrounded by bush clovers, where a full moon is reflected on the water. It was masterfully decorated in gold and silver maki-e using a combination of techniques including takamakie, togidashi and kirigane as well as aogai (abalone shell) inlays. The stream was set between the slightly elevated banks, adding to this piece a already strong three-dimensional composition. The interior was decorated in gold nashiji. It was signed on the bottom "Kajikawa Zou" (made by Kajikawa and a pot seal centered with "Ei" in Kanji. In one of the compartment, there is a katakana mark, appears to be a name, possibly the owner. Kajikawa clan was one of the most famous lacquer artisanal family established in the 17th century. Many well known members over the generations produced lacquer art in a wide range of formats, but two third were signed only with the family name such as this one. It is therefore not possible to pinpoint the exact author of this piece. Provenance: This inro was purchased as lot 349 in Christie's New York sale Japanese...

Chinese Peking Cut Blue & White Cameo Glass Vase, Ca. ca.1900-1920 DIMENSIONS: Height: 12.5 inches Diameter: 5.5 inches ABOUT CHINESE PEKING GLASS Peking cut b...

A darling exotic peacocks mounted as a clock . In crisply cast bronze, the intricate details of the bird feathers, the flora of the forest floor they stand on, and the cherry blosso...

A Japanese woven bamboo basket with handle circa late 19th century of the end of Meiji period. The basket was constructed in the form of a morikago. a shallow and open basket with ha...

Japanese Bizen Ware Figure of Kannon Seated on a Zishi, Edo Period, ca. 1750 A rare and expressive Bizen ware sculpture depicting Kannon (Kanzeon Bosatsu), the Buddhist Bodhisattva ...

A large Japanese lacquer box with elaborate Maki-e design from Meiji period, (mid-late 19th century). The generous size of the box was reser...

An antique jubako (stack boxes) with five tiers in an elongated octagon shape circa 19th century (end of Edo or beginning of Meiji period). jubako was traditionally used to store and...

Strikingly theatrical in silhouette and surface, this Belle Époque decorative vase is constructed around a tall, cylindrical crystal body enriched with multiple zones of decoration, ...

A very fine miniature ceramic vase in satsuma ware by Taizan Yohei IX (1864-1922) circa 1880-1890s of late Meiji period. The vase with a broad flat should...

A pair of small but exquisite Plique-a-jour cloisonné bowls with nearly identical design from Nagoya area in Japan circa 1900-20s. Maker's unknown but possibly by Ando company. The t...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A Pair of Japanese Meiji Period (1868-1912) Carved Wood Fishes, Ca. 1920 DIMENSIONS Width: 8.5 inches Depth: 4 inches Height: 3 inches

A magnificent pair of Large French Japonisme porcelain vases in the style of Édouard Lièvre, dating to the final decades of the 19th century. These exceptional vases captivate with t...

Inro is an ancient traditional Japanese box used to carry and store small items such as tobacco, money, paintbrushes, and other objects. The...

An important woven bamboo ikebana basket circa first half of the 20th century (Taisho or Showa era) by Japanese bamboo master Maeda Chikubosai I (1872-1950). Chikubosai I was from th...

Stunning French ceramic decorative object inspired by Japanese pottery designs with wonderful prominent blue and green hues. The shape and colors makes this piece exceptionally inter...

An antique Japanese stoneware storage jar, known as tsubo from Shigaraki kiln, circa 17th-18th century (early Edo possibly Momoyama period)....

Sagejubako is a portable picnic set that became popular in the early Edo period when an additional meal was added between breakfast and dinner. It normally consists of a carry case w...

A 19th Century French “Japonisme” Inkwell Patinated and gilt bronze, very finely chizeled Open-worked design in the Chinese Archaïc Taste of fighting dragoons The penholders simulati...

#350 Japanese Edo Period Bronze Jardinière w/ Birds & Cherry Blossom Tree, 19th C. DIMENSIONS: Height: 9 inches Diameter: 12 inches DETAILS Edo Period (1603-1868) Meiji Period (...

Japonesque mixed metal on copper brush pot. Made by Gorham in Providence in 1882. Bowl has curved sides and ruffled wavy rim. Applied silver crane and stem flowers rooted in granulat...

Ikebana basket (hanakago) made of dark brown varnished bamboo wickerwork rounded shape with a twisted handle. Ikebana or Ka-do (the way of flowers) is a traditional Japanese art of...

A striking Japonist wall clock crafted in dark walnut wood, adorned with inlaid panels of deep green hardstone. The radiating fan-shaped structure is enriched with fantastical and my...