1880s Vases and Vessels

Victorian Majolica bamboo vase Joseph Holdcroft, circa 1872 (marked july 20th 1872) Rare model.  

A Very Fine & Elegant Pair of Ruby Crystal Decanters with Lids. Bohemia, circa 1880. Dimensions: Height 12 1/4" Diameter 7" CW5573

Dr C Dresser for Linthorpe A large vase with raining green and subtle blue glaze. A chip to the rim and some nibbles and a chip to the base. No cracks, still rings well.

French Majolica pair of vases with painted flowers signed Pointu, circa 1880.

A beautiful set of 2 antique porcelain flower pots, also called 'cahepots'. The flower pots are not marked, this is Vieux Bruxelles porcelain and dates from around 1880-1900. The pot...

Sarreguemines mark to jardinière.

Huge pewter bottle Manufactured most probably in Southern Germany Production Period around 1880 Country of Manufacture Germany H / height: 522cm ~ Gew. / weight: 1275 grs 9cm x 1...

This outstanding late 19th century Japanese Satsuma porcelain covered temple jar has a traditional form with a domed lid. The piece features exquisite hand painted decoration which includes brightly hued flowers and associated foliage along with highly detailed jewel-toned butterflies with gilt highlights, all of which are on a shaded blue ground. The jar and lid also bear large chrysanthemums executed in heavy white enamel with underlying hints of green. The collar of the jar and edge of the lid have wide gilt bands finished with fine incised linear decoration that has been accented with blue, black and white enamel. The underside of the jar is hand lettered with characters reading Dai Nippon...

Large French Majolica Palissy Fishs Vase signed Saint Honore Circa 1880.

Large 19th French Jardiniere With Horses & Barnyard Albert Leon Lebarque. One side have painting is horses on a stable and the other side a barnyard. Very high quality ceramic , an impressive...

Large French Majolica pink and yellow flowers vase signed Fives Lille, circa 1880. On the top diameter 4.7", on the base 8".

Rare planter with base in brown enameled cast iron, decorated with palms in relief. This palm decoration and the shape of the handles, as well as the saddle, give way to the Japonism...

Interesting art glass vase, blown glass with a polished pontil and textured "icicle" treatment at the top edge. Perfect condition, decorative glass vase.

A Very Large 19th Century Japanese Imari Porcelain Vase with Scalloped Top. The body of the vase is complete with two main cartouches and two smaller cartouches which flank the vase...

Remarkable oversize pair of Majolica vases decorated with beans in high relief attributed to Saint Honore, circa 1880. On a deep navy blue, the handled Trompe l'oeil vases are decor...

Doulton Faience Shaped Botanical Pottery Vase, Aesthetic Movement, Signed by Artist Mary M Arding, Early 1880s The unusually shaped molded vase...

A rare and exceptional Doulton Lambeth art pottery beaker shaped vessel beautifully decorated with floral panels by renowned artist John Broad and dated 1880. This unusually finely m...

A 19th century Meissen porcelain 'Elements' ewer emblematic of air. Blue crossed swords mark. The present ewer, representing water, i...

Rich green blown crystal vases featuring 24 karat gold decoration throughout with the central portion having a Greek key design. This pair dates to the last half of the 19th century ...

An Antique 19th Century Japanism French Porcelain Jardinière with Gilt and Silvered-Bronze Tri-Footed Stand. This jardinière is in the Jap...

In relief monkeys in a waterfall landscape setting, eating fruit.

A very unusual Aesthetic Movement biscuit fired Doulton Lambeth stoneware vase pigment hand-painted with stylized foliage and geometric designs by Minnie G Thompson...

French heavy cast figural bronze elephant vase after Antoine-Louis Barye, Signed A. Barye, Late 19th Century. Approximately 25lbs in weight.

Decor of double lucky signs and lotus ribbons in underglaze blue, height including lid approx. 24 cm.  

A ceramic satsuma ware vase with very fine surface decoration made by Kinkozan circa 1880-1900s of late Meiji Period. The vase is of an elegant and relatively rare form with a trumpet shape body and the so-called garlic neck and opening. The surface is exquisitely decorated in a floral scheme with gilt and a light jewel-tone enamel. The top part showcases large bundles of wisteria blossom in white and purple, cascading down from a gilt wood trellis...

A Very Large 19th Century French Baccarat Opaline Crystal Vase with Enameled Putti and Floral Decoration. The amphora form vase is beautifully hand-enam...

A tall ceramic satsuma ware vase in a rare slender trumpet form with very fine surface decoration by Japanese potter Taizan Yohei IX (1864-1922). The vase was dated to late Meiji period circa 1890-1900s. The main motif and the focal point of the vase is the continuous panel that circumvents the entire mid-body, apparently a rendition of the Boy's Festival, known as "Tango no Sekku" in Japanese. The traditional festival is celebrated on May 5th of each year. Originated in Nara Period...

Pair of 19th century oriental Satsuma vases were hand-painted on the finest Japanese porcelain then set on cast bronze bases for the ultimate in Oriental Opulence! An intricate "pie ...

A finely decorated pair of deep rich blue vases with cartouches of the iconic Blue Willow pattern on their flow blue grounds. With adorable feet on their bases and moon shaped vessel...

Beautiful pair of green marble covered vases, set in an elegant chiseled and gilded bronze mount, decorated with lion heads alternating with garlands of flowers. The molded lid is to...

In the "transitional" style.

Modeled by Herbert Warrington Hogg and painted by John Porter Wale.

Unidentified English Majolica posy holder which features three birds, supporting baskets on their backs. Colouration: turquoise, white, green, are predominant. The piece bears maker'...

This pair of Arita porcelain vases is rare and perfectly illustrates the refinement and virtuosity of Japanese workshops of the period. Each vase features rich ornamentation, entire...

Beautiful pair of blue-tinted crystal “rouleau” vases decorated with Japanese-style enameled decoration representing a gilded full moon reflecting a tree with flowering branches, sur...

A Large 19th Century French Onyx, Silvered, and Gilt-Bronze Vase Attributed to Charpentier & Cie. The vase consists of an onyx body with a flared, slightly everted rim and a taperin...

A magnificent, fine and impressive antique Victorian English sterling silver Armada jug and stand; part of our wine and drinks related silverware collection This magnificent antique Victorian English sterling silver Armada jug has an elongated pear-shaped form onto a circular pedestal foot. The stand has an octofoil shaped form with a central swept raised circular well. The cylindrical neck of the silver jug is embellished with exceptional cast and applied floral and scrolling foliate decoration, all on a matte background; there is an exceptional shield shaped vacant cartouche to the underside of the pouring lip, surmounted with scrolling leaf mantling. The knopped neck is further ornamented with an interlacing border flanked with plain bands, to a swept portion encircled with pensile bud designs. The decoration to the body incorporates two large scrolling leaf bordered vacant cartouches, each surmounted with a coronet design embellished with floral ornamentation. Each cartouche is further embellished with a chased figural mask design to the nadir, flanked with large floral motifs. Either side of each cartouche is embellished with an exceptional cast and applied three-dimensional winged mermaid and mermen, gesturing towards the aforementioned coronet. The decoration to the body is further embellished with large scrolling leaf and floral sprays incorporating a cast and applied protruding leopard's head to the anterior portion. This magnificent antique silver Armada jug retains the original hinged cover, ornamented with chased scrolling lead decoration and surmounted with an impressive cast and applied scrolling loop finial. This exceptional antique Victorian silver jug...

Pair of 19th century French Neoclassical style iron garden urns on plinths. These beautiful French cast iron campana garden urns, planters or jardi...

Pair 19th century Delft hand-painted blue & white vases are a splendid collectible that was created for the lucrative European market during the latter 1800s, where the clay was trea...

Large planter decorated on the belly with a rotating decoration of polychrome flowers and geometric patterns in cloisonné enamel on a red background. It is inserted in an important p...

A fine and impressive antique Victorian English sterling silver vase with military interest (Durham Light Infantry); an addition to our ornamental silverware collection. This fine antique Victorian sterling silver vase has a tapering cylindrical form to a domed circular spreading foot. The upper and lower portions of the body of the vase are embellished with embossed and chased stylized scrolling leaf and bead decoration in a swirl design. The body is further ornamented with a band of six cartouches amidst a shaped border accented with a leaf motif between each; four of the cartouches remain vacant. To one side there is a contemporary bright cut engraved crest of the Durham Light Infantry amidst the inscription ‘Presented to Officers, 3rd Bn, The Durham Light Infantry’, with the presentation inscription ‘Officers Race, won by, Lieut H J Sowerby, 1887’ to the other side. The upper rim of this impressive vase is encircled with an applied moulded border to the rim. The vase retains the original gilt interior. In 1758 General John Lambton of County Durham first raised the 68th Regiment of Foot as part of the British Army. This later amalgamated with another regiment to become The Durham Light Infantry in 1881. Condition This antique Victorian vase...

A wonderful pair of French porcelain hand painted vases. The pair with hand painted black sparrows on one side, facing each other and the other side white doves. The body in the shape of an egg in a soft ecru color with pink tops...

2 Large 19th Century Clear Glass Pharmacy Poison Bottles These are 2 very large bottles, they are 6” in diameter and one is 14” high , the other is 1...

A Monumental 19th Century Moser Gilt and Enameled Yellow Crystal Parrot-Relief Vase. Of bottle vase form, in translucent amber/yellow crystal, decorated with trailing oak-boughs and ...

Exceptional large antique (19th century) Imari porcelain centerpiece bowl with bronze mounts measuring 18 by 13 1/4 by 10 inches.

Produced in France, circa 1880, this impressive silver plated jardiniere has elements of Greek mythology, making it Neoclassical style. On each side of the jardiniere is a mascaron o...

Unique large Majolica bird & flowers basket centerpiece, circa 1880. Roses, blue and yellow flowers. Impressionist period.  

Beautiful Art Nouveau Ceramic Cachepot in Green and Yellow by SCI Laveno Italy c. 1910 Designed by Christopher Dresser

German Neoclassic jardinière in silver by Weinranck & Schmidt-Hanau. An impressive, oversized and highly decorated piece, made in Hanau Germany by the silversmiths and silver maker's Weinranck & Schmidt during the Imperial period, circa 1889. This large center piece was decorated, with neo-classic patterns in the manner of the Louis XVI style and was totally crafted in repousse of solid .800/.999 silver. Weight: Has a total of 2,305 Grams, (74 Troy Ounces). Measures: 467 mm by 258 mm by 312 mm (18.4 x 10.15 x 12.3 Inches) (25.8 x 10.15 x 12.3 Cm). Hallmarks: Stamped with the German guaranty marks of the Halbmond und Reichskrone...

Victorian Kingwood and Gilt Metal Mounted Planter Jardinière Table, late 19th century, with removable cover opening to reveal a metal void, the waisted sides above a shaped apron, ra...

Antique Baccarat “Double Carp” molded crystal vase mounted on a gilded bronze base.

First exhibited by Les Cristalleries Baccarat at the Exposition Universelle in Paris of 1878, the vase named "Carpes affrontées" translates as confronted carp. The design has it's or...

Our important parcel-gilt and patinated silver and glass-mounted vase and matching oil lamp were designed by Paul Legrand (1840-1910) and crafted by the silversmith, Charles Glachant, for Boucheron of Paris, circa 1878-1880. 21 in tall and 16.5 in wide (53.4 by 41.9 cm). 28.56 lbs, 457 oz, 14,210 g. Provenance: presented to or purchased by Jean-Baptiste Pezon (1827-1897); acquired by a European private collector, perhaps on the death of Jean-Baptiste Pezon in 1897, by descent; acquired by YM Antiques, 2017. This double walled vase has an amphora form, with body and foot with silver, gilt and patinated and stylized flowers, anthemions and sprays of cherries against an etched and matted ground pierced to reveal a gilt inner wall. The upper body is detachable via a slip-lock, and mounted on both sides with arched panels formed of hexagonal beveled glass tiles. One glass panel applied with bacchic infants taunting a rearing goat and the other side with infants feeding grapes to a lioness under a looming bust of a satyr. The patinated and gilt upswung loop bifurcated handles are mounted with fully modeled figures of Pan bearing a syrinx and thyrsus and a draped maenad playing two flutes, both above roaring lion heads, the rim inset with a slip-lock detachable gilt bowl etched with masks of various representations of Bacchus spaced by ribbons and trophies and with scrolling fruiting vines. The base of interior with detachable base metal drip pan to accommodate the removable oil lamp designed to illuminate the glass tiles from within. The lamp is raised on four hoof feet, the upturned ends cast underneath with masks and with detachable cover mounted with two infant satyrs and flanked by gilt loop handles. The bacchic themed design featuring cartouches depicting infants taunting a goat and lion, plus prominent lion masks at the handles, certainly appealed to Boucheron's customer, Jean-Baptiste Pezon (1827-1897), who is believed to have commissioned the piece. Pezon was the celebrated lion tamer and headliner of the Grande Menagerie whose profession brought him great fame and fortune in Paris. Born a shepherd boy in Lozere, he is said to have left his home at the age of seventeen in the company of a wolf he had captured and trained years earlier. He headed to Paris and by the age of twenty-one purchased his first lion who he named Brutus. The animal is said to have inspired the Lion of Belfort, the monumental red standstone sculpture by Frederic Bartholdi erected in Belfort in 1880. Toulouse-Lautrec was among his admirers and friends, visiting Pezon's Great Lozerian Menagerie to sketch animals. A large bronze sculpture of Pezon atop a female lion adorns the Pezon family tomb in the Pere Lachaise Cemetery in Paris, as seen in our image here. The vase and detachable bowl are marked on the underside with the silversmith's mark of Charles Glachant. The underside and upper rim of the lower body is engraved "Fic Boucheron Paris". The lamp is marked on underside and flange of cover for Glachant. Boucheron archives indicate the vase was inspired by the amphora vases created by the Greek potter, Nikosthenes, 550-510 BC. The Nikosthenic amphora vases are a form of Attic vase recognized for their angular amphora form with broad flat handles. Potted of bright orange-red clay, they were decorated with plant and animal motifs within distinct friezes, with the most significant defining feature being the black figure painting, often highlighted with white accents. In this vase Legrand re-imagines the striking contrast of the black figures against a warm ground through the use of patina and gilding. His inventive use of piercing and double-wall construction create additional levels of texture and depth throughout the body. The same combination of ornamentation was employed in a ewer designed by Legrand in 1880 in the Islamic taste. (See lot 77 of Christie's sale in New York on October 22, 2009.) Edmé Bouchardon (1698-1762), royal sculptor to Louis XV, may have provided Legrand with inspiration for the vase's iconography. The panel featuring bacchic infants taunting a rearing goat is very similar to a bas relief representation of Winter designed by Bouchardon for the Fontaine des Quarte-Saisons on rue de Grenelle, Paris. Bouchardon debuted his plaster model for the bas relief in 1741, and the fountain was completed in 1745. The Boucheron firm, founded by the celebrated jeweler, Frédéric Boucheron...

This late 19th-century French Sevres urn is a stunning example of exquisite craftsmanship, featuring intricate bronze ormolu mounts and rich hand-pai...

A miniature vase in elegant upright form reminiscent of the Chinese imperial Willow Leaf form made by Japanese studio Seikozan circa 1890-1910s (late Meiji Period). One of the many a...

A whismical pair of vases 19 th century by limoges , sign on the base of the vases, the design of the vases is very unsual

Vase Jardiniere "Epis de Blé" (Wheat Ears) made in amberred acid-etched glass with enameled design. Acid-etched signature. Perfect condition. Very rare and very interesting shape. ...

Pair of French Gilt Bronze mounted Rouge Griotte Marble Urns in the Louis XVI taste, late 19th Century, have female masks and draped swages, rising on a socle plinth base. Dimension...

Japanese satsuma Kyotoware monkey vase. Antique Japanese satsuma monkey vase beautifully modeled with raised monkey porcelain figures. Signed. Satsuma-Kyot...

Pair of monumental delft covered temple Jars, circa 1880.