Neoclassical Vases

Pair of Royal Vienna Sevres Style Floral Trellis Vases, Artist Signed 'Nash' Royal Vienna blue underglaze Beehive mark, decorated Saxe Porcelain Blanks, Painters Mark # 2042 al.  Th...

A Neoclassical late 18th century polychrome decorated drug jar or Albarello signed by the Italian Savonese artist Boselli Giacomo 1744-1808, a rare blue, yellow and polychrome majolica antique vase for collectors. The Italian Albarello...

A Large And Rare Pair of ‘Neo-Grec’ Style Multipatinated Bronze Amphora Vases by Ferdinand Levillain and Ferdinand Barbedienne. Signed to the cast ‘F. Levillain Fecit 1880’ and ‘F. Barbedienne’. This large pair of multipatinated vases are of amphora form modelled in the ‘Neo-Grec’ style with trumpet shaped necks and scrolling handles terminating in masks; the vases are raised on circular spreading bases put down on plinths. Each vase is finely ornamented with laurel leaves and garlands to the neck, the main body with a superb banded frieze cast in low relief depicting the Centauromachy. In the Centauromachy, the Lapiths battle with the Centaurs at the wedding feast of Pirithous. An enduring classical theme linked with the idea of culture versus nature, the Centauromachy was widely depicted in ancient Greece from the Southern Metopes of the Parthenon Freieze to the Temple of Apollo Epikourious at Bassai, it also appears as a subject on numerous Attic vases such as the Ilioupersis krater. A popular theme for artists from the Renaissance onwards it was depicted by amongst others, Michelangelo, Piero di Cosimo, Luca Signorelli, Sebastiano Ricci...

A fine pair of large antique 19th century Roman neoclassical Campagna shaped black Scagliola vases or urns. Seated on a square base, the rim and body of each vase has a meticulously ...

Impressive cut crystal urn-vase standing on silver/1000 base. Italy, 1930-1940s This Neoclassical urn vase was manufacturet at the Art Deco period. Finely executed with very detailed...

Rare circa 1920s English vase by John Tams Ltd depicting scene from Odyssey of Telemachus interceding for Phemius. Black matte glaze with colorful decoration of the three figures. Go...

A striking pair of French 19th century neo-classical st. ormolu and Baccarat crystal vases. Each vase is raised by an elegant square base with a reeded wrap around ormolu band and scrolled palmettes feet. The beautiful crystal vases...

Large, neoclassical-style vase with three handles in Sèvres blue, with gilded floral motifs, very elegant and refined. A second vase (height 33 cm) from the same manufacturer is incl...

Patinated and gilt bronze mounted ewers with eagle head handles, resting on a base decorated with wreath of flowers and burners with flames, France, early 19th century. Measures: H...

Fashioned of rare and precious griotte rouge marble and gilt bronze, these vases embody neoclassical elegance at its finest. Borrowing its forms a...

Antque and vintage collection of 15 pcs Mercury glass silver and gold vases and bowls. Largest vases are Handpainted and measured 16” and 14”, large bowl is 8” high, the smallest pie...

A baluster form vase in deep black opaline glass, likely French or Italian (Murano attribution plausible) and dating to the mid-20th century, conceived in a refined neoclassical silh...

This exquisite pair of antique Staffordshire pottery vases, made in England circa 1880, features mythological scenes of Zeus and Hera riding in their chariots, set against a dramatic...

These vases is Ceramic., the color is between brown and Pink. It has been done circa 1970, in France. These has been given by the artist's wife to the precedent owner.

Pair of antique Villeroy & Boch early Mettlach Parian vases features elongated forms with flared reticulated rims, ornate reticulated twin handles, and Wedgewood style reliefs o...

Vintage floor or mantel urns featuring tri claw foot pedestal base supporting an affixed black vessel with Neoclassical / Chinoiserie design of ribbons, birds, flowers and butterflie...

This p[air of candleholders are made of heavy Crystal. They're designed in a Neoclassical style. They'll make any room gleam.

Bombshell Trench Art Vase or Cooler in Patinated Brass, Europe, early 20th Century. This is a large and very decorative trench art vase or cooler made from a heavy brass bombshell o...

This is a wonderful and unusual vase of wine cooler in patinated copper. Europe, 19th century. A great design, this unusual wine cooler has. Great sculptural shape and a very desir...

This antique creamware mustard pot was made in England around 1810. The pot features an elegant, barrel-shaped, rounded body with an integrated stand, a gracefully shaped handle, and...

This exquisite 19th-century patinated bronze vase, crafted by the esteemed Ferdinand Barbedienne foundry, beautifully demonstrates the innovative reduction technique developed by Ach...

A pair of very elegant and well crafted Royal Copenhagen vases with gilded hand painted details. Designed by Gustav Friedrich Hetsch. Made by R...

This porcelain Vase has been made by Jacob Petit, it is signed J.P., and the manufacturer is "Porcelaine de paris". It has been done in France in the 19th century. The decor ornemant...

Beautiful Murano hand blown Italian art glass vase. Created by a Fratelli Toso company. Blue, turquoise, white and light blue colors. A beautiful piece of art for any room.

A Fine Pair of Royal Worcester Covered Vases, Signed Harry Davis. Each ovoid vase finely painted by Harry Davis with a continuous romantic landscape depicting a castle in a wooded r...

Pair of Bronze Cassolettes marble bases . Decorative objects for «  Cabinet d’Amateur »

Pair of 19th Century Neoclassica gilded bronze urns from Italy. A pair of amphora shaped vases in mercury gilded and polished bronze. Very small cen...

This large cut crystal cornucopia vase terminates in a ram's head form gilt bronze mount, and is set on a black marble base.

A fine and rare early 19th century Tucker and Hemphill porcelain vase. The vase is decorated with a gilt shield device surrounded by leaf and branch and ribbon decoration. (Also, ...

Set of two large 18th century Neoclassical giltwood vasesa pair of carved and giltwood handled centre vases, on square base, portapalme realized in carved Cembran pinewood with Neoclassical foliate motifs carved with vegetal patterns. Could be mounted as large table lamps or used as decorative vases. This pair of antique lamp bases...

Small verdigris bronze neoclassical vase circa 1950's with decorative emblems circa 1950's.

Available in 4 shapes. Price is per one piece. White can be seen as a color, yet it often symbolizes the absence of hue or saturation. It occupies a unique place in the spectrum, bl...

Quattro Decorazioni da Tavola Neoclassiche composte da quattro basamenti in legno intagliato, laccato e dorato sormontati da un vaso mediceo in biscuit sovrastante. Di origine Itali...

Designed and produces, 18th century Limestone Measures: 8" height, 14.5" diameter Provenance: Flea Market Paris.  

From Verona Italy, a pair of late 20th century hand carved mecca finish and ivory painted bases, suitable to make beautiful bedside table lamps, see the holes suitable for wiring in ...

A pair of large 19th century French Sevres ormolu-mounted and painted vases. Each in baluster form with large ormolu mounts. The body finely painted depicting a typical landscape....

This truly exceptional and rare antique early 19th century Ginori two handles hand-painted porcelain vase is inspired by those that the Medici, Florence's ruling family during the Renaissance, used to put in their homes, gardens and courtyards. The white porcelain background is richly decorated in the round with royal blue and 24-karat parcel-gilt details throughout. A large, completely gilded band decorates the upper and lower part of the vase that features two white and gold fluted handles each with two gold men’s masks finals that join the body of the vase. Two multicolored hand painted coats of arms of a noble Italian family featuring an armor with red, rose, green and yellow feathers and a rampant lion are painted at the very centre among the gold painted foliage both framed by an oval gilt band. The gilding on this stunning neoclassical centrepiece...

Rare 19th C spongeware tooth brush holder/dish. Toothbrush holder - 3.5 x 5 Dish- 5 x 1.5.

Large vase on pedestal, decorated with faun heads, in Sarreguemines enameled earthenware. Covered in flamed cobalt-blue enamel, the grips in the shape of faun heads are gilded with g...

Italian Neoclassical Style Glazed Ceramic Vase, depicting classical figures playing instruments on green ground with tan trim mounted on a patinated brass tripod stand with three paw...

Bob Parks (1943 - 2017) "Horses of the Desert" number 22 of 35 Bronze Oversize Vase. In excellent vintage condition. Bob Parks was an absolute master of bronze sculpting. His pieces ...

Italian Neoclassical Silver Vase. Neapolitan sterling silver acanthus leaf-topped urn on fluted column pedestal with Italian sterling hallmarks, stamped N8, Italy, circa 1870. Dimens...

Neoclassical pair of Sevres Parian and doré bronze mounted Urns or Vases circa 1920s. This spectacular pair of table vases having doré bronze bases suppo...

An Ormolu Sèvres Porcelain Gilt Bronze Candlesticks Candelabra with a hand painted scene by François Boucher. ‘P . F . Boucher’ original mark on the side, also marked with a double ...

A matched set of Vieux Paris porcelain table articles including a pair of spill vases decorated with embossed gilt decoration, cobalt blue glaze and a hand-painted lyre decoration on...

19th C Alfred Daubree French Neoclassical / Louis XVI Style Bronze Figural Urn Vase with Lions. Item features dancing maiden scenes on both sides, lio...

19th century neoclassical signed bronze doré urn with handles and adorned with elaborate roman scenes. Signed stamped F. Levillain. Ferdinand Levillain...

Venetian Murano Glass Vase with Two Handles Origin – Italy Mid Century Circa 1950. Signature inscription (illegible) on the base. Excellent condition. Only one (very small) chip is ...

This exquisite alabaster sculpture of a young girl, an Italian creation from the second half of the 19th century (circa 1850-1900), has been masterfully restored to its original char...

19th Spanish ceramic floral urn with two handles and carved wood base Enameled and gilded vase ceramic Peyró Antonio Valencia, circa 1950 signed and stamped "Porcelain Peyró". Bas...

Enhance your decor with this exquisite Pair of Glazed and Gilt Porcelain Italian Table Lamps, a true testament to artistic craftsmanship. These lamps feature vasiform cream glazed porcelain shades adorned with base relief scenes that evoke a sense of romance and history. One side depicts courting lovers, while the opposite side presents a medieval landscape with a castle and bridge, each rim adorned with raised floral vines. The lamp bases, faux bronze gilt porcelain, are adorned with charming cherubs, bellflower swags, and other neoclassical motifs, adding a touch of opulence to their design. While one lamp bears a spurious Meissen crossed swords mark, the other features a spurious Dresden mark...

Pair of Russian cut blue glass and gilt bronze vases Russian, 20th century Measures: Height 38cm, width 20cm, depth 13cm Each vase in this pair of Russian neoclassical vases has...

Large ceramic amphora with handles, made and painted entirely by hand, central Italy production, year 2009. The decoration on the vase is a reproduction of a painting by Francois Bou...

Before describing the object under consideration we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Son company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born of the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent. Finally, polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two craftsmen, inventiveness that transforms crystal into a material reality of the highest aesthetic value and inestimable value. All objects in the entire collection have never been used; they were part of the exhibition. Large oval crystal vase...

This very nice and decorative pair of Medicis style vases is made of crystal. This is a French work. Circa 1900

This a Moser light green color and gilt glass centerpiece wide urn shaped vase. It is decorated with gold and yellow hand painted “Fleur de Lis“like, flower’s...

The ovoid body painted with a figure of a maiden in embrace with a reluctant cupid, signed 'M. Demonceaux', the reverse with two putti at play, on circular foot and square base with ...

This extraordinary pair of monumental Capodimonte majolica ewers was crafted in Italy circa 1870. Standing over 3 feet tall (36.75 inches high) and measuring 12.5 inches in diameter,...

Neoclassical style marble and gilt bronze vase by Gherardo Degli Albizzi. The shape comes from the Greek Kalyx type, quite common in antique, Greece. The vase under the small neck r...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Son company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born from the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, and only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first, the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent, and finally polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two artisans, inventiveness that transforms crystal into reality material of the highest aesthetic value and inestimable value. All the items in the entire collection have never been used; they were part of the exhibition. Large crystal vase with base; the decorations, graceful and delicate, are in Neoclassical style. The object is "one-of-a-kind" signed by the Master; it was created in Marcello Galgani's workshop in 1981 and made with the techniques (grinding, engraving, and polishing) we explained in the description; for the shape, the Master was inspired by a vase found in a painting, preserved in the Uffizi Gallery in Florence by the 16th-century painter Jacopo Ligozzi...