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Post-Modern Serveware, Ceramics, Silver and Glass

POSTMODERN STYLE

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

  • Emerges during the 1960s; popularity explodes during the ’80s
  • A reaction to prevailing conventions of modernism by mainly American architects
  • Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
  • Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
  • Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
  • Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
  • Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

  • Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
  • Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
  • Unconventional proportions and abundant ornamentation
  • Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendinia onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

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Style: Post-Modern
Venini Murano double ring glass bowl. Label signed
Located in Los Angeles, CA
Beautiful murano glass bowl, is in double ring center, signed Venini , Italia and also label .
Category

Late 20th Century Italian Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Murano Glass

Maxi Luna Black Candleholder and Tray by Applicata
Located in Geneve, CH
Maxi Luna Black Candleholder and Tray by Applicata Dimensions: D 33 x W 33 x H 3.7 cm Materials: Metal, oak. Available in black or brass candleholders. The idea was to design a can...
Category

2010s Swedish Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Metal

Salviati Murano Glass, Candle Holder /Centerpiece , Marked
Located in Los Angeles, CA
Beautiful glass holder made by Salviati, marked and dated 1998.
Category

1990s Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Glass

Michael Arntz Ceramic/Pottery Bowl /Centerpiece, Signed Dated
By Michael Arntz
Located in Los Angeles, CA
Great sample of the later work of the very well known ceramist/ potter artist Michael Arntz. Similar geometric design are in Museums now.
Category

21st Century and Contemporary American Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Ceramic

Silva Primitive Vessel by Studio Cúze
Located in Geneve, CH
Silva Primitive Vessel by Studio Cúze Dimensions: D 30 x W 33 x H 38 cm Materials: Porcelain, copper glaze. Each piece is unique. Size, color, and shape may vary. Studio Cúze I am ...
Category

2010s German Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Porcelain

Pink Encased Murano Glass Bottle Vase with Gold Leaf by Salviati, Italy
Located in Bresso, Lombardy
Made in Italy, 1970s. This wonderful vase / bottle is made in pink encased Murano glass with gold leaf. It is a vintage piece, therefore it might show slight traces of use, but it c...
Category

1970s Italian Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Gold Leaf

Set of Six Postmodern Vermilion Cups, Sugar Bowl and Plate by Parravicini, Italy
Located in Bresso, Lombardy
Made in Italy, 1970s. They are made in lacquered ceramic and feature their original label "Parravicini ceramiche". It is a vintage set, but it can be considered as in excellent origi...
Category

1970s Italian Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Ceramic

Unique Ceramic Artwork Signed by Jojo Corväiá
By Jojo Corväiá
Located in Geneve, CH
Unique ceramic artwork signed by Jojo Corväiá Measures: 49cm diameter x 53cm high Ceramic object / natural pigments, glaze Jojo Corväiá: In essen...
Category

2010s German Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Ceramic

Lips Dinner Plates in White Porcelain by artist - designer Hania Jneid
Located in BARCELONA, ES
A set of 4 Dinner Plates. The Lips Collection is an investigation into facial expression, through the lips. The artist expressed her fascination with diversity by creating art piec...
Category

21st Century and Contemporary Spanish Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Porcelain

Vintage Glass Hand Painted Flower Plates - Set of 3
Located in Delray Beach, FL
Amazing set of 3 vintage plates. Each have a hand painted design of flowers on them.
Category

1980s American Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Glass

Bordolese Rolling Pin with Case by Studio Lievito
Located in Geneve, CH
Bordolese rolling pin with case by Studio Lievito Dimensions: D 10 x W 10 x H 38 cm Materials: Bianco Carrara marble, Mahogany wood. Weight: 5.2 kg Evoking the silhouette of a classic glass bottle, this piece features an elegant combination of materials the slender wooden body of the rolling pin will slide elegantly in the white Carrara marble case...
Category

2010s Italian Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Carrara Marble

Meduse Tagi Bowl by Pia Chevalier
Located in Geneve, CH
Meduse Tagi bowl by Pia Chevalier Each one is unique. Materials: Raw stoneware. Dimensions: Ø 20 x H 10 cm. Also available in white stone, bronze, blue, white glaze. Pia Chev...
Category

2010s French Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Stoneware

White Porcelain with Lips Post Modern Inspired By Hania Jneid
Located in BARCELONA, ES
"A surreal moment suspended in time, this sculptural ashtray by Hania Jneid transforms the fleeting into the eternal. Sculpted in pure white porcelain, a pair of lips emerges from th...
Category

2010s Spanish Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Porcelain

Untitled No. 5 by Elke Sada
Located in Geneve, CH
Untitled No. 5 by Elke Sada Unique piece Dimensions: W 55 x D 56 x H 16 cm Materials: black grogged clay, coloured slips, transparent glaze. What is fa...
Category

2010s German Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Clay

Postmodern Pair of Teal, Red and Gold Liqueur Glasses by Salviati, Murano, Italy
Located in Bresso, Lombardy
Made in Italy, 1980s. The drinking glasses are made in hand-blown Murano glass. They are vintage, therefore they might show slight traces of use, but they can be considered as in e...
Category

1980s Italian Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Murano Glass

Set of 2 Sconces Bridge Wall Lamps by Olivia Cognet
Located in Geneve, CH
Set of 2 Sconces Bridge Wall Lamps by Olivia Cognet Dimensions: W 50 x D 25 x H 35 cm Materials: Ceramic. Non electrified. Each of Olivia’s handmade creations is a unique work of ar...
Category

2010s French Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Ceramic

Fine Handcut Crystal Oklahoma Tray
Located in Geneve, CH
Fine handcut crystal Oklahoma tray Materials: Fine handcut crystal Dimensions: D 35 x W 35 x H 30 cm Weight: 7.5 kg. Reflections Copenhagen, a collection of handmade decorative mirrors and crystal pieces, finely balanced to Challenge the traditional styles and shapes of todays’ homes by adding new dimensions and possibilities to interior decorating. Julie Hugau and Andrea Larsson, inspired by the graphic expression of Art Deco, the vast contrasts of the 1980s and the opportunity to explore the delicate materials that the mirrors are made of, combined their visions and the start of Reflections was a fact. The collection sums up their perspectives of how to provide new expressions through strength and form, the mirrors are designed with a strong visual structure to create a contrast of light and reflections through non-traditional mirror...
Category

2010s Danish Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Crystal

‘Camomilla’ Table Centerpiece, Ettore Sottsass
Located in New York, NY
Ettore Sottsass ‘Camomilla’ Table Centerpiece, Indian Memory Series, 1989 Stamped, signed, dated and numbered Yellow enameled earthenware
Category

1980s French Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Earthenware

Six Cup Holder by Katia Solórzano
Located in Geneve, CH
Six Cup Holder by Katia Solórzano Dimensions: W 10 x D 10 x H 1.6 cm Materials: Solid purple rose wood with mineral oil finishing. SONORA TABLEWARE A set of five objects with a des...
Category

2010s Italian Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Wood

Salsa Vase by Katia Solórzano
Located in Geneve, CH
Salsa Vase by Katia Solórzano Dimensions: W 14.8 x D 10 x H 5 cm Materials: Solid purple rose wood with mineral oil finishing. SONORA TABLEWARE A set of five objects with a design ...
Category

2010s Italian Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Wood

Postmodern Steel and Glass Liqueur Drinking Set by Holme Sweden
Located in Bresso, Lombardy
1970s. The tray is made in steel, which is marked "Sciola". It is a vintage set, therefore it might show slight traces of use, but it can be considered as in perfect original condit...
Category

1970s Italian Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Steel

Postmodern Black Murano Glass Lemon with Gold and Silver Flakes, Italy
Located in Bresso, Lombardy
Made in Italy, 1970s. This lemon is made in black Murano glass with silver and gold flakes and then covered in transparent Murano glass. It might show slight traces of use since it's...
Category

1970s Italian Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Gold Leaf, Silver Leaf

One plate Marble Inlay Cakestand by Euromarmi Store
Located in Geneve, CH
One plate Marble Inlay Cakestand by Euromarmi Store Dimensions: D 33 x W 33 x H 11 cm Materials: Sodalite, Azul Macaubas, Botticino, Verde Ming, Estemoz, 24K Gold-Plated. Presented ...
Category

2010s Italian Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Marble, Gold

Brown Stoneware Pinakio Plate by Elena Vasilantonaki
Located in Geneve, CH
Brown Stoneware Pinakio Plate by Elena Vasilantonaki Unique Dimensions: ⌀ 34 x H 10 cm (Dimensions may vary) Materials: Stoneware Available finishes: With\without handles - Black, Wh...
Category

2010s Greek Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Stoneware

Postmodern Sabattini Sheffield Plated Metal and Ceramic Serving Plate, Italy
Located in Bresso, Lombardy
Made in Italy. This is a great Sheffield plated metal and lacquered ceramic serving dish / vide-poche. Its simple design was created by Lino Sabattini in Italy, circa 1970s. This is...
Category

1970s Italian Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Metal, Sheffield Plate

Postmodern Silver Plated Brass Jug "Kanye"by Lino Sabattini, Italy, 1978 - 1981
Located in Bresso, Lombardy
Made in Italy by Lino Sabattini, 1978 - 1981 This jug is made in silver plated brass. This is a vintage item, therefore it might show slight traces of use such as its original patina...
Category

1980s Italian Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Silver, Brass

Levant Vase by Solem Ceramics
Located in Geneve, CH
Levant vase by Solem Ceramics Dimensions: Ø 25.5 x H 48.5 cm. Materials: Red stoneware, White underglaze, glaze This vase is water safe. Solem’s w...
Category

2010s Canadian Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Stoneware

Memphis Style White Ceramic Carafe by Studio Zwartjes in Amsterdam
Located in Doornspijk, NL
Tasteful and elegant carafe with both round, convex and hollow curves as well as straight, square and sharp shapes. Amsterdam based design studio is responsible for this successful D...
Category

21st Century and Contemporary Dutch Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Ceramic

Gianni Versace for Rosenthal, "Arabesque Gold" Porcelain Knife Rest
Located in Copenhagen, DK
Gianni Versace for Rosenthal. "Arabesque Gold" porcelain knife rest with gold decoration, late 20th century. In perfect condition. Measures: 7.5...
Category

Late 20th Century German Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Porcelain

Contemporary Rough Form, Dark Grey Ceramic Sculpture Plate by Niclas Wolf
Located in Geneve, CH
Geoprimitive 130 Ceramic Plate by Niclas Wolf Unique Piece. Dimensions: Ø 39 x H 13 cm. Materials: Ceramic. GEOPRIMITIVE_ is a design series that compares and connects the Precambri...
Category

2010s German Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Ceramic

Italian Decorative White / Ivory Ceramic 1970/80s Vases by La Bottega, Set of 2
Located in Varese, Lombardia
Italian artisanal vases in glazed earthware with a relief decoration. Name of the manufacturer imprinted under the base: "La bottega". Excellent vintage c...
Category

1970s Italian Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Ceramic, Earthenware

Mini Mural by Olivia Cognet
Located in Geneve, CH
Mini Mural by Olivia Cognet Dimensions: D 5 x W 26 x H 32 cm Materials: Travertine. Each of Olivia’s handmade creations is a unique work of art, the snapshot of a precious moment ...
Category

2010s French Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Stone

Refined Contemporary Marble 01 Grafite Marble Platter
Located in Geneve, CH
Refined Contemporary Marble 01 grafite marble platter Signed by Leo Aerts. Dimensions: diameter 32 x height 2 cm Material: grafite marble. Techni...
Category

2010s Italian Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Marble

Stunning Double Color White and Pink Etched Murano Glass Vase, Italy, 1980s
Located in Bresso, Lombardy
Made in Italy, 1980s. This vase is made in etched transparent, white and pink Murano glass. It is a vintage item, therefore it might show slight traces of use, but it can be consid...
Category

1980s Italian Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Murano Glass

Set of Seven Crystal Serving Bowls by Taddei Sestini for Kristall Krisla
Located in Bresso, Lombardy
Made in Italy, 1970s. This is an elegant set of serving bowls, that looks like it's made out of ice. It has a peculiar grip, as shown in the pictures, that allows to keep one bowl on two fingers. This set was designed by the architect Taddei Sestini for the company Kristall Krisla...
Category

1970s Italian Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Crystal

Sergio Asti Sculpture
Located in Chicago, IL
Unique Sergio Asti architectural sculpture. Patinaed reflective glaze over ceramic. Hand signed on underside, Sergio Asti, 1971.
Category

1970s Italian Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Ceramic

Limited Edition AC II Frosted by Justus Knut Schomann
Located in Geneve, CH
Limited Edition AC II Frosted by Justus Knut Schomann Dimensions: W 12 x D 2 x H 16 cm Materials: Casted Arcylic, Frosted look. Weight: 0,3 Kg. Justus Knut Schomann Born in Cologne...
Category

2010s German Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Acrylic

Arrebol Tibor Diffuser by Studioroca
Located in Geneve, CH
Arrebol Tibor diffuser by STUDIOROCA Dimensions: W 18 x D 18 x H 30.5 cm Materials: Volcanic rock, polished brass plated steel, glass. Includes 1 essential oil 20mL bottle. STUDIOROCA is a Mexico City design studio focused on architecture, interior design and contemporary furniture. Its penchant for collaboration, the promotion of local talent, artisanal skills and natural materials, and its ever-present pull toward sustainable practices have seen the studio create highly emotive environments and unique functional pieces that speak of a forward-thinking, borderless approach to design. Intro Through architecture, interior design and furniture, STUDIOROCA portrays a distinct Mexican aesthetic, where sophisticated, elegant designs become bold statements of strong masculine lines and dark moody shades that contrast dramatically with elongated curves and highly textured surfaces. Based in Mexico City, the studio has, since its inception, offered much more than simple design solutions, its impetus always being to meaningfully improve lives through design. By promoting, supporting and offering a platform for other Mexican designers in its two stores in Polanco and Condesa, STUDIOROCA has been at the forefront of the modern-day Mexican design movement for over 15 years. The studio’s ability to artfully blend its own architecture and interior design with both local and international product is testament to its glocal outlook. While proudly Mexican and inherently influenced by the country’s culture and craftsmanship, its designs talk to a cosmopolitan, international sense of style. STUDIOROCA’s respect for the environment and reverence of traditional skills has led to the pursuit of sustainable practices, while its affinity for collaboration and promotion of artisanal skills has seen the studio produce work in conjunction with countless talented designers and craftspeople. Its confidently utilitarian designs are the result of risk-taking, boundary-pushing processes that emerge from STUDIOROCA’s constant quest to establish innovative solutions, while simultaneously respecting each of its projects’ unique locations, incorporating the surrounding environment into the design language. Working closely with clients, a personal rapport ensures delving into the core of every design requirement, leading to the ultimate achievement of deeply embedded needs. Ultimately, what STUDIOROCA presents is a fresh iteration of Mexican design, a version which is at once moving, intoxicating and comforting. History STUDIOROCA was founded by Carlos Acosta and Rodrigo Alegre. When, in 2002, the two independent Mexico City architects were commissioned to work collaboratively on the architecture and interiors of a new spa, they were frustrated by the lack of affordable furniture available, and embarked on designing their own pieces for the project. And so STUDIOROCA was born. Initially a furniture store in the heart of the then up-and-coming leafy suburb of Condesa, it has developed into a fully fledged architecture and interior-design studio, with another store in the city’s high-end design district of Polanco, which opened in 2011. Its line of furniture, all designed and manufactured in Mexico, had humble production beginnings in a small kitchen-design factory, a foundation that has carried through into the studio’s current philosophy of small-scale, high-quality production. In conjunction with its own range of functional pieces, STUDIOROCA has always invited other local designers to showcase their work in its two stores, and, what started with three additional designers’ pieces in 2002, has led to collaborations with many more, now presenting the limited-edition work of 28 Mexican designers through its UNION- brand, while continuing to retail exclusive international brands such as Tom Dixon, Moooi and GAN. 2 More recently, the studio’s architectural and interior projects have included large housing developments and hotels, fully employing STUDIOROCA’s 360-degree approach to design. Founders and team Architects by training, founders Carlos Acosta and Rodrigo Alegre prefer to follow an unconventional, integrated model of design that incorporates its many varied facets, allowing their two unique approaches to complement one another. Rodrigo, who graduated from Universidad Anáhuac Norte, is able to envision how color and texture will combine as he explores the emotive nuances he wishes to create within a new environment. His abstract thoughts are brought to life by Carlos, the rational half of the design duo. Trained at Universidad Iberoamericana, with a student exchange to the University of Texas, Carlos’ ability to grasp volumes and spaces brings dreams to fruition through the perfect positioning of wall divisions, furniture pieces and light-streaming windows. Their small dedicated team of designers and architects plays an integral role in realizing the studio’s ambitious visions, with over 200 projects having been completed by this intimate team. Beyond designing, these passionate professionals offer practical solutions, bringing their experience in all forms of design to manifest in big-picture thinking that pays attention to detail, celebrates collaboration and goes the extra mile. The approachable, personal style with which the STUDIOROCA team works is a reflection on the responsibility its people place on themselves as architects and designers who venture beyond the drawing board. Sustainability STUDIOROCA’s focus on sustainability has seen the company establish itself as a trailblazer in the realization of buildings and furniture pieces that are produced with a sense of conscience and responsibility, taking into account the full production chain, from material source to distribution of wealth. The studio has done away with environmentally harmful varnishes on its furniture pieces, and now only use FSC-certified hardwood. It also pledges to keep materials to a minimum, a consideration most appreciated in its 77 range of furniture, where only the necessary functional structures have been designed, and where small leftover pieces of wood from bigger cuts are utilized, rather than sourcing new pieces. This approach continues in its architecture and interior designs, with 80% of materials sourced locally. This, coupled with its use of solar panels, the harvesting of rainwater, and the inclusion of indigenous gardens in its projects, has led to STUDIOROCA’s application for Leadership in Energy and Environmental Design (LEED) certification, which is currently under review. For the studio, sustainability has a much further reach than the natural environment, however. Its projects take into account social, cultural and economic sustainability too, by ensuring its production chain – from the craftspeople producing hand-worked elements, to its low-environmental-impact manufacturing line – all sits within Mexico so that the 3 communities benefiting financially are those who have been an integral part of the process. Architecture In STUDIOROCA’s architectural projects, authentic materials that are true to their Mexican origin, such as local mountain rocks, regional marble and indigenous wood, are utilized in new ways to highlight their natural rawness, deep texture and prized imperfections, imbuing buildings with unique character. It’s through such character that every structure portrays its personality, suited to the people who live, work and relax within it. This unpretentious use of materials follows through to metals, which are encouraged to rust and patinate as the building interacts with nature’s elements and becomes part of the environment surrounding it, giving projects an essential sense of place, where the here and now is as important as the then and there. Interior design STUDIOROCA’s interior style leans toward textured materials and dark hues contrasted with paler wood and lighter accent tones. These evocative, luxurious interiors are enlivened by carefully considered lighting that enhances the tonality of moody dark browns, deep blues and a spectrum of blacks, and highlights textures through illuminated reflections. Where environments dictate a paler palette, textures and materials make up the necessary contrast. Local willow wood on wall panels, flooring made from recinto volcanic rock, and countertops decorated with Mexico’s retapado marble become talking points, made even more appealing with plant life and greenery introduced indoors. Furniture Combining its deep respect for handcrafted, artisanal product, and its future-forward approach to technology and innovation, STUDIOROCA’s range of furniture places emphasis on high-quality offerings, producing its ranges in low quantities, often customized to suit the specific requirements of its varied projects. Veering away from industrialized production lines, it employs sophisticated hand-worked machinery, in line with its approach to sustainability and simplicity. The studio’s premiere collection (2002-2008) was shaped by a groundbreaking application of materials and forms, resulting in award-winning designs that set contemporary Mexican design on the map. Pieces from this collection were shown at Fabrica Mexicana and Museo de Arte Moderno in Mexico City and in the MoMA store in New York. The 2008 Eco collection initiated a change in the production of STUDIOROCA’s furniture pieces, adapting a sustainable view regarding design – a philosophy that continues to guide the studio’s practices today. Sourcing FSC-certified wood, eliminating varnishes, and using local materials wherever possible, this collection was the start of a conscious undertaking to work with local artisans and support local industry, an outlook that was celebrated at the launch of the Eco range at the Mexican Gallery...
Category

2010s Mexican Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Stone

Silver Plated Venison Dish with Pyrex Glass Casserole Dish by Sabattini, Italy
Located in Bresso, Lombardy
Made in Italy, 1970s. This is an elegant silver plated venison dish with a pyrex glass casserole dish and a cover. It is perfect to serve warm meals, as there is space on the botto...
Category

1970s Italian Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Silver

Minimalist Postmodern Portuguese Cork Ice Bucket
Located in Hyattsville, MD
Geometric solid cork ice bucket, lid and carved out bowl for white milk glass bowl for contents.
Category

1970s Portuguese Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Cork

Tea Set from Memphis Designer Marco Zanini, 1980
Located in Bruxelles, BE
Tea Set of 3 pieces from Marco Zanini for Bitossi from Hollywood collection in early ‘80. Tea pot named Marylin Butter dish named Greta And small sugar bowl.
Category

1980s Italian Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Faience, Earthenware

Round White Ceramic Catchall by Ambrogio Pozzi with Hand Painted Details, Italy
Located in Bresso, Lombardy
Made in Italy, 1980s. This catchall is made in ceramic and features hand painted parts. It might show slight traces of use since it's vintage, but it can be considered as in excelle...
Category

1980s Italian Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Ceramic

Postmodern Old Rose Murano Glass Vase with a Hole, Italy
Located in Bresso, Lombardy
Made in Italy, 1970s. This is an old rose Murano glass vase. It is a vintage item, therefore it might show slight traces of use, but it can be considered as in perfect original condi...
Category

1970s Italian Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Murano Glass

Two Plate Marble Inlay Cakestand by Euromarmi Store
Located in Geneve, CH
Two Plate Marble Inlay Cakestand by Euromarmi Store Dimensions: D 33 x W 33 x H 32 cm Materials: Green Rajastan, Verde Ming, Estremoz, Verde Antigua, 24K Gold-Plated. Founded by Ang...
Category

2010s Italian Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Marble, Gold

Tylissos Jar 1 by Georgiev Zabeta
Located in Geneve, CH
Tylissos Jar 1 by Georgiev Zabeta Dimensions: Ø 10 x H 9 cm. Materials: Wheel-thrown stoneware clay and glaze. Georgiev Zabeta is a multidisciplinary practice that floats within arc...
Category

2010s Bulgarian Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Clay, Stoneware

Jewellery Dish by Saturday Yard Work
Located in Geneve, CH
Jewellery Dish by Saturday Yard Work Dimensions: W 25 x D 20 x H 2.5 cm Materials: Aluminium. Finish: Polished face / blackened texture. SATURDAY YARD WORK by Nathan Martin is a Ka...
Category

2010s Australian Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Aluminum

Postmodern Salad Bowl "La Bella Tavola" by Ettore Sottsass for Alessi, 1993
Located in Bresso, Lombardy
Made in Italy, 1993. This bowl was designed by Ettore Sottsass for Alessi. The colorful pattern is also designed by Alighiero Boetti. It is in perfect original condition. Measures:...
Category

1990s Italian Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Ceramic

Postmodern White Ceramic Vase by Ambrogio Pozzi with Hand Painted Details, Italy
Located in Bresso, Lombardy
Made in Italy, 1980s. This vase is made in ceramic and features pink, purple, crimson, grey and light blue hand painted parts. It might show slight traces of use since it's vintage, ...
Category

1980s Italian Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Ceramic

French studio ceramicist. Four pairs of coffee cups in earthenware
Located in Copenhagen, DK
French studio ceramicist. 4 pairs of coffee cups in earthenware. Abstract futuristic style. Late 20th century. Marked. Perfect condition. Cup: H 8.0 cm x D 7.0 cm (without handle) Sa...
Category

Late 20th Century French Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Ceramic

Kiln-Formed "Geometrik" "Grand Ellipse" 24-Karat Art Glass Bowl
Located in Van Nuys, CA
Kiln-formed large "Grand Ellipse" oval art glass bowl with carved design. Featuring a Jet-cut leaf design with Kiln-Formed reliefs worked in know as the "Geometrik" design. The carve...
Category

1990s American Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Gold Leaf

Red Stoneware Pinakio Plate by Elena Vasilantonaki
Located in Geneve, CH
Red Stoneware Pinakio Plate by Elena Vasilantonaki Unique Dimensions: ⌀ 34 x H 10 cm (Dimensions may vary) Materials: Stoneware Available finishes: With\...
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2010s Greek Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Stoneware

Calypso Wine Set Amber
Located in Milano, MI
Calypso collection investigates new ways of conviviality: fed by imaginary worlds, this tableware pieces make possible to dream of exotic and uncontaminated landscapes. Calypso synth...
Category

2010s Italian Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Glass

Unique Arq 008 Vase by Raquel Vidal and Pedro Paz
Located in Geneve, CH
Unique Arq 008 vase by Raquel Vidal and Pedro Paz. Dimensions: Ø 15.5 x H 28 cm Materials: Hand-sculpted glazed stoneware. The Arq series emerged from our own past production. D...
Category

2010s Spanish Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Stoneware

Postmodern Irregular Shaped Grey Earthenware Vase by Rosenthal, Italy
Located in Bresso, Lombardy
Made in Italy, 1980s This ceramic vase is marked by Rosenthal. This is a vintage piece, therefore it might show slight traces of use, but it can be considered as in excellent origin...
Category

1980s European Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Earthenware

Emerson Woelffer Clay Sculptures, Abstract, Signed and Dated
Located in Los Angeles, CA
Icon modernist artist, in these two clay sculptures. Prized individually at $ 3000.00 each Measures are different in each, please contact dealer for more curate size.
Category

1980s American Vintage Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Ceramic, Clay

Serving and Presenting Board by Frau Caze
Located in Geneve, CH
Serving and Presenting Board by Frau Caze Dimensions: D 29 x W 95 x H 8 cm. Materials: Oiled oak. Available in 95 or 120cm width. Oak serving and presenting board for bread, cheese...
Category

2010s Austrian Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Oak

Gae Aulenti, "Pulegoso" Venini Glass Vase, 1995
Located in Paris, FR
Gae Aulenti, "Pulegoso" Venini Glass Vase, 1995 Cased glass, clear and red air bubbles. Marked: Venini Millenium III / Limited series : n°53/99 / Signed Gae Aulenti (engraved). Pic...
Category

1990s Italian Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Glass

Gae Aulenti, "Pulegoso" Venini Glass Vase, 1995
Located in Paris, FR
Gae Aulenti, "Pulegoso" Venini glass vase, 1995 Cased glass, clear and green air bubbles. Marked: Venini 2001 / Signed Gae Aulenti (engraved). Pict...
Category

1990s Italian Post-Modern Serveware, Ceramics, Silver and Glass

Materials

Glass

Post-modern serveware, ceramics, silver and glass for sale on 1stDibs.

Find a broad range of unique Post-Modern serveware, ceramics, silver and glass for sale on 1stDibs. Many of these items were first offered in the 21st Century and Contemporary, but contemporary artisans have continued to produce works inspired by this style. If you’re looking to add vintage serveware, ceramics, silver and glass created in this style to your space, the works available on 1stDibs include serveware, ceramics, silver and glass, decorative objects, folk art and other home furnishings, frequently crafted with ceramic, glass and other materials. If you’re shopping for used Post-Modern serveware, ceramics, silver and glass made in a specific country, there are Europe, Italy, and North America pieces for sale on 1stDibs. While there are many designers and brands associated with original serveware, ceramics, silver and glass, popular names associated with this style include Peter Shire, Michael Graves (b.1934), Rosenthal, and Matteo Thun. It’s true that these talented designers have at times inspired knockoffs, but our experienced specialists have partnered with only top vetted sellers to offer authentic pieces that come with a buyer protection guarantee. Prices for serveware, ceramics, silver and glass differ depending upon multiple factors, including designer, materials, construction methods, condition and provenance. On 1stDibs, the price for these items starts at $40 and tops out at $24,410 while the average work can sell for $776.

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