Folk Art

Optional Omniscience & Snake Got You, Diptych, 2019 by Alex Hodge Carved porcelain Overall size: Height: 10 in x Width: 19.5 in x Depth: 0.5 in Optional Omniscience: Height: 10 in x...

Aroutcheff van ARARG JUVA 4 grey 31/50 Carton dimensions : 49x22,5x21cm Dimensions : 33x 14x12,5cm Ref: Price : 590€Aroutcheff van ARARG JUVA 4 grey 31/50 Carton dimensions : 49...

A carving of a face crafted using a singular piece of wood.

Le Corbusier Collection Chandigarh Round Tray For Cassina Cassina looks to the genius of Le Corbusier as inspiration for a collection of three modern trays in pure, unglazed porcel...

Le Corbusier Collection Chandigarh Square Tray For Cassina Cassina looks to the genius of Le Corbusier as inspiration for a collection of three modern trays in pure, unglazed porce...

Chess figures, European oak clear lacquered super matt European oak colour lacquered Colour: jet black, Chess figures set, L240 W120 H90 mm, 16 x clear lacquered, 16 x black lacquere...

This Board Games edition presents classic games and decorative pieces like Backgammon, Chess and Tic Tac Toe, made out of wood and glass. Since 2000, Orfeo Quagliata offers a remarkable consistency based in design and a fine technical work in glass. He creates custom interior design projects, as well as furniture, jewelry and decorative elements. Orfeo takes his most interesting glass techniques to apply them in the inserts of the table. The "Barcodes" technique is a fine linear design with schemes of different colors that contrast with the wood. For the chess pieces, Orfeo applies the exclusive "Jimmiz...

These splendid ceramic creations are born from the artistic laboratory of Mosche Bianche. The piggy bank, a means that has always been used to remind us of the importance of savi...

Hodge poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative qua...

This collection is a work of art that make a statement in modern décor and in the modern cultural art world. It can be used as a vase containing flowers, or as a beautiful centerpiec...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn house models or bird houses. This sculpture works alone on a shelf or table or can be grouped with other house sculptures by the artist. Each house sculpture is unique in design and color. Jim Rose Structure No. 245 repurposed painted steel 6.50h x 8w x 3d in 16.51h x 20.32w x 7.62d cm JR0333 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

This rug’s design is composed of diamond and flower rows pattern, filling the field elegantly. These kinds of rugs have often been described as wagirehs or samplers and were said to ...

Carved from natural alder wood, this mask depicts a vampire and is typically worn by villagers during the Entrudo festivities. Known as one of Portugal's most traditional Carnivals, ...

We feel Mexican! Made with eco-friendly, washable, and resistant regenerated leather, the traditional Mexican Sombrero hat becomes a unique magazin...

Jean Da Milano (1928-2017), painting, Creased paper, Signed lower right, circa 2000, France. Measures: Height 115 cm, Width 90 cm Jean Da Milano is an abstract painter from Nice who was cradled by the rich breeding ground of the School of Nice and its artists. Active from the 1960s to the 2008s, his works were forgotten and rediscovered by the HARTER Gallery, which today highlights his touch. According to Agnès Roux, Honorary Secretary for Culture, “Jean Da Milano is one of those modest painters who knew how to develop abstract painting alongside his contemporaries. In an infinite world, the Kinetic object on an astral background gradually transforms into a pictorial relief, where the painting falsely becomes painting and invisibly paper. The humility of its formats does not give the work the fullness it deserves. But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which begins with an almost cosmic painting in the 70s, then what we could qualify as “implosions” in the 80s and finally, a real research on paper and pictorial relief. in the 2000s. According to Georges Braque "Everyone is a creator, the viewer is himself a creator, it is the way of seeing that gives life to the object. " Personal exhibitions: - 1992: Golden Gallery Nice - 1988: Acropolis Nice - 1982: Municipal Gallery Renoir Nice - 1977: Municipal Museum Saint-Paul-de-Vence Collective exhibitions: - 1992: Golden Gallery - 1991: Golden Gallery - 1990: Golden Gallery - Art Jonction - 1989: Nice university center - 1987: Acropolis - 1985: Chapel of Mercy Vallauris - 1984: CIAC Paris and Chapelle des Pénitents in Péone - 1983: Art Expo Dallas Texas and Art Expo New York - 1980: Galerie Waterlot Nice - 1971: Necrolium Nice - 1970: Maison de la Culture Magnan Nice and Musée de la Salle Marine Nice - 1969: Galerie Le Nombre d´Or Nice - 1968: Musée de la Salle Marine Nice and Galerie Salmon Nice - 1966: Paul Langevin Biot school group - 1965: Chapelle St Esprit...

This geometric lattice pattern rug has the impression that it is only part of a larger scheme-designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. These designs have o...

Distinguished for its deft use of sculptural details and simple colors, this handmade head vase will add dramatic flair to any kitchen, living room or entryway decor...

This stunning table is the ideal surface to play backgammon, chess, and checkers in style. The wood structure is upholstered in leather and features removable legs, so that both sides of the beveled top can be used: a backgammon field with leather inlays on one side and an inlaid chessboard on the other. Under the top three leather-covered trays with compartments store the boxwood chess pawns, the maple and walnut backgammon...

These rugs are made entirely by hand in North England. They are made using the off cuts or Selvedge from large runs of material. These off cuts would have been simply sent to landfil...

The source of the carpet comes from the book Orient Stars Collection, Anatolian Tribal Rugs 1050-1750, Michael Franses, Hali Publications Ltd, 2021 fig.21. This 13th century carpet i...

This collection is a work of art that make a statement in modern décor and in the modern cultural art world. It can be used as a vase containing flowers, or as a beautiful centerpiec...

This rug has an interpreted design composed of a palmette lattice pattern taken from a part of the Mamluk rug, filling the field elegantly. These kinds of rugs have often been descri...

Embark on a visual journey with this Hand Knotted Rug , a tapestry of cultural echoes that transcend time. Like ancient tales inscribed in geometric poetry, this rug's complex design...

This collection is a work of art that make a statement in modern décor and in the modern cultural art world. It can be used as a vase containing flowers, or as a beautiful centerpiec...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, found steel objects are welded together to ...

'Mis-Shapes' Contemporary irregular abstract shape hand-tufted Viscose wool rug A combination of neatness and abstraction. A fluid patterns and shades of primary colors from vibrant to pastel, just enough to make your room stand out, yet still homey and comfortable. Original designed by Rannisa Soraya from RAG Home Hand-tufted with mixed Methods and Colours. It can be customised in size, and composition upon request. RAG under this brand, lies a strong picturesque construct with solid contemporary HOME ornaments. a delicate kind of mix materials arranged in artistic motifs the vision pursued by establishment of high-end line with the highest quality. RAG will constantly focusing and innovating, monitoring craftsmanship behind the product. RAG provide a wider selection to your HOME ornaments. The design will be consisted of limited edition with higher build quality to deliver premium value in unique features. Proudly Made In Indonesia...

This unique work of art is sure to make a statement in an eclectic or modern decor, where it will be an ideal vessel to display floral compositions or as a statement sculpture...

One-of-a-kind gift for board games enthusiasts. The impressive elegance of this Dominoes set is as always in the details. The handcrafted leather box opens to reveal two storage a...

The source of the carpet comes from the book Turkish Carpets from the 13th – 18th centuries, Ahmet Ertug, 1996 pl.16. This 15th-century carpet is from Ulu Mosque, Divrigi Sivas regio...

This Gabbeh rug, designed in the 1930s, is a type of handwoven rug that originated from Iran, specifically from the southwestern region known as Fars. The word “Gabbeh” itself means ...

Extremely rare Christian Dior / ruby Ruby helmet for Christian Dior. Helmet designed for the decoration of Dior boutiques and which has never been comme...

This lattice pattern is composed of palmettes and leaves filling the various compartments against the imposing ground. One has the impression that it is only part of a larger scheme designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. These designs have often been described as wagirehs or samplers and were said to have been used as weaver`s aids, or for demonstration purposes, made as a template or pattern for the carpet design and production of larger rugs, they are generally small pieces of the size of a scatter rug or mat. Mamluk carpets originated in a physical environment that lacked the combination of abundant marginal grazing land and a temperate climate with cool winters that were common to most carpet-weaving areas in the Islamic world. While related to a broader tradition of Turkish weaving centered in Anatolia, far to the north, the designs of these carpets include atypical elements, such as stylized papyrus plants, that are deeply rooted in Egyptian tradition. Their unusual composition and layout probably represent an attempt to develop a distinctive product that could in effect establish a “Mamluk brand” in the lucrative European export market. The uncharacteristic color scheme—devoid of the undyed white pile and employing a limited range of three or five hues in much the same value—also suggests a conscious attempt to create a particular stylistic identity. Also virtually unique in the world of Islamic carpets is the S-spun wool. It has been argued that the tradition of clockwise wool spinning originated in Egypt because of the earlier Egyptian tradition of spinning flax into linen thread. Details of the plant’s botanical structure make it impossible to spin flax fiber in the more common counterclockwise direction utilized throughout the Middle East for wool and cotton. Mamluk carpets with the color combinations seen in the Simonetti are now generally accepted as part of an earlier tradition that has many links to the weaving of Anatolia, Iran, and Syria. The “three-color” Mamluk carpets, well represented in the Metropolitan’s collection, represent a later development that continued well after the Ottoman conquest of Egypt in 1517. Many such carpets may have been produced well into the seventeenth century, and possibly even later. (Walter B. Denny in [Ekhtiar, Soucek, Canby, and Haidar 2011]). The design of the rug is interpreted by our designers from our Mamlouk-type rugs collection and soft colors are used for this rug. Color summary: 3 colors in total; Moss Green 27 (Spurge – Indigo) Mount Olive...

A contemporary hand knotted TULU (Turkish word for soft, cozy, high pile) rug made of fine hand-spun and hand-dyed lambswool. It is partly hand knotted (with pile) and partly flat-w...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, exclusive to Maison Nurita in Canada. Mazy has been working as a ceramist for nearly 20 years in Paris. He sculpts porcelain flowers to create poetic floral compositions. His work is directly inspired by the masters and manufacturers of Sevres Porcelain. This Morning Glory is handmade in biscuit porcelain with copper leaves, stems, and trellis, and is placed in a white biscuit porcelain...

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an “asymmetric” design. Only a section of the original is shown, in the same way, many Lotto carpets w...

Carved flounder trade sign with lettering for "Chatham Fish Market". Details include gills, fins, mouth, snout, eyes, etc. Fitted with hanging chain. Letters are painted in blue, out...

Hand-sewed rice straw art by Arko. Title: A head-sea over the night sky (Small model) This work has the feelings of contemporary, tribal art, contempora...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kur...

This one of a kind Mexican antique is one of few pieces Dolores had at her home at the time she passed away. Dolores portrays the flora from her garden...

ARS05 Spirou & Fantasio Zantafio and his henchmen Turbot 3000 @Dupuis, 2008. Morvan and Munuera Spirou 115/444 Cardboard dimensions : 57x24,5x23,5cm Dimensions : 40x17x15cm Ref: ...

Sand Atlas – Beige and Taupe Hand-Knotted Wool Rug, Rectangular 250 by Mohebban Dimensions: D 250 cm Materials: Wool. The Atlas rug collection is the story of an eternal and unstopp...

Mask Geisha Wig & Nô Theater 1, with real natural hair Geisha wig on head model and with Nô Theater white painted wood mask. Measures: Base: 28,5 x...

This lattice pattern is composed of palmettes and leaves filling the various compartments against the imposing ground. One has the impression that it is only part of a larger scheme designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. These designs have often been described as wagirehs or samplers and were said to have been used as weaver`s aids, or for demonstration purposes, made as a template or pattern for the carpet design and production of larger rugs, they are generally small pieces of the size of a scatter rug or mat. Mamluk carpets originated in a physical environment that lacked the combination of abundant marginal grazing land and a temperate climate with cool winters that were common to most carpet-weaving areas in the Islamic world. While related to a broader tradition of Turkish weaving centered in Anatolia, far to the north, the designs of these carpets include atypical elements, such as stylized papyrus plants, that are deeply rooted in Egyptian tradition. Their unusual composition and layout probably represent an attempt to develop a distinctive product that could in effect establish a “Mamluk brand” in the lucrative European export market. The uncharacteristic color scheme—devoid of the undyed white pile and employing a limited range of three or five hues in much the same value—also suggests a conscious attempt to create a particular stylistic identity. Also virtually unique in the world of Islamic carpets is the S-spun wool. It has been argued that the tradition of clockwise wool spinning originated in Egypt because of the earlier Egyptian tradition of spinning flax into linen thread. Details of the plant’s botanical structure make it impossible to spin flax fiber in the more common counterclockwise direction utilized throughout the Middle East for wool and cotton. Mamluk carpets with the color combinations seen in the Simonetti are now generally accepted as part of an earlier tradition that has many links to the weaving of Anatolia, Iran, and Syria. The “three-color” Mamluk carpets, well represented in the Metropolitan’s collection, represent a later development that continued well after the Ottoman conquest of Egypt in 1517. Many such carpets may have been produced well into the seventeenth century, and possibly even later. (Walter B. Denny in [Ekhtiar, Soucek, Canby, and Haidar 2011]). The design of the rug is interpreted by our designers from our Mamlouk-type rugs collection and soft colors are used for this rug. Color summary: 3 colors in total; Moss Green 27 (Spurge – Indigo) Mount Olive...

This colorful tree of life (árbol de la vida) with a toy like aspect is a unique piece by Marco Antonio Castillo, son of renowned artist Alfonso Castillo. Hand made with natural clay...

Embark on a journey through timeless allure with the Tattvam rug from the Gauri Khan collection. This modern masterpiece, hand-knotted with precision in rural India, unveils rustic c...

Seven Colored rectangular rug with organic pattern designed by Verner Panton. Material: 100% New Zealand's Wool Hand-tufted Color: Orange.

Designed by A. Andreucci, the spectacular board of this dynamic Nelson Chess Set has been crafted in mirrored glass and polished black lacquered wood and measures 40 x 40 cm. Perfect...

CF F1 2018 by Caturegli Formica. Dimensions: W 320 x L 230 cm Materials: Silk Carpets as deep information Carpets are very common items. But it has never really been clear if...

Mingling the ancient art of weaving with contemporary hand tufting, this remarkable limited edition Devotion Omnia rug is entirely crafted of gorgeous bamboo silk in India. Featuring a rich black sacred heart design, with a central Love Conquers All...

Brown glazed stoneware sculpture by Simone Couderc. Artist signature under the base. Circa 1990-2000. H : 9.2’ x 12.9’ x 4.3’ inches.

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn house models or bird houses. This sculpture works alone on a shelf or table or can be grouped with other house sculptures by the artist. Each house sculpture is unique in design and color. Jim Rose Structure #168 found steel with natural rust patina and paint 6h x 4.50w x 2.50d in 15.24h x 11.43w x 6.35d cm Jim Rose b. 1966 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery...

Ceramic sculpture entitled « Le temple des secrets » by Pierre Martinon. Signed at the base « P.Martinon ». Unique piece. 2001. H : 36.6 x 25.2 x 18.5 inches.

Unravel the tapestry of modern artistry with handknotted masterpiece, a harmonious fusion of unpolished yarn knots and rural Indian craftsmanship. Lost in translation between hand an...

A new collection joined the Pinetti family. Euclide with its geometric look is an elegant stool crafted with wood structure and entirely covered in recycled leather. This lovely sto...

This Travel Size Backgammon Board by Geoffrey Parker is perfect for game lovers on-the-go. Its compact size makes it easy to transport, and its ...

Handmade roll dice game dressed in fine and soft genuine leather. Available in 14 different colors. Please, ask the Concierge for further details

This elegant small backgammon case is made entirely in walnut wood and mahogany and uses walnut wood hinges. The playing surface is in inlaid leather a...

This collection is a work of art that make a statement in modern décor and in the modern cultural art world. It can be used as a vase containing flowers, or as a beautiful centerpiec...