Table Lamps

Please note that VAT is not included in the price. Elegant interior lamp designed as an essential element that creates an evocative light of great comfort. A matte ball of simple and pure form, cut in two perfect halves that diffuse reflected and discreet light. The project line is the essentiality that shapes both the aesthetics and the lighting effect. The light is spread from inside the ball, reflected on the inner shell of the dome and spread on the surface of the table on which it is placed. Designed for the living, its light gives a great atmosphere to the home. The unit features a dimmer enabling custom quality and intensity light. Aldo Parisotto and Massimo Formenton graduated in architecture from the IUAV of Venice. In 1990 they founded their own design firm P+F Parisotto+Formenton Architetti. Their research is oriented towards a range of different design themes, through which they have developed wide experience on both the national and international levels. In the design field they developed a collaboration with leading furniture and lighting companies such as cc-tapis, FontanaArte, Mingardo, Minotti Cucine. In the yacht sector the studio worked for Sanlorenzo, Cantiere del Pardo...

Chic hand chiseled matte black plaster lamp with antique brass dimmer socket. Clear cord.

The Offset table lamp is a stunning piece that exudes elegance and sophistication. The backlighting of the veined alabaster creates a magical and ethereal effect, reminiscent of a fu...

Materials: Ceramic Origin: California Dimensions: 13"DIAMETER X 22.5"H Quantity: 2 Available Type: Table Lamp Sold by pair Each ceramic piece is handmade and individually fired. Sl...

Its name means, literally, "bulb," and it's easy to see why with one look at this playful 1972 Achille Castiglioni design. This unique table lamp provides direct and diffused light t...

Rare pair of clear glass and bronze flower table lamps in the style of Maison Baguès, France, circa 1950s. Socket: each 1 x E27 or E26 (US) ...

A beautiful zoomorphic lamp signed H.O... In a beautiful satin black. Very good original condition. A masterpiece by an unkown ceramist... France, 1950s

Materials: Ceramic Origin: California Dimensions: 8" SQUARE X 12"H Quantity: Made To Order Type: Table Lamp Each ceramic piece is handmade and individually fired. Slight variations ...

The sleek flat base, a hallmark of mid-century aesthetics, provides stability and a sense of balance to the lamp's unique form. Adding a touch of elegance to the design is the beauti...

Ryan Jones is a self-taught furniture and interior designer based in Upstate New York. His work centers on combining contrasting materials (steel, local hardwoods, natural fibers) wi...

SEA SPONGE SERIES (“TARDIGRADE”) NATURAL LIGHT Bronze-cast sea sponge, epidote, golden calcite, E12 light bulb, cloth-covered cord, 2019-20, 4.25 2.5 x 5 in.

Pair of "TEGOLINE VERDI" lamps by Roberto Giulio Rida "Green Tile" table lamps are part of a small collection of lamps in the following colors: gold, green and blue. Each pair is un...

LUIS BARRAGÁN (1902-1988) From Casa del Pedregal (Casa Prieto López) Manufactured by Hugo X. Velázquez México, 1952 Ceramic, parchment leather Ceramic table lamp Measurements To...

Pair of table lamps model 2466 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass, lacquered brass and original fabric shades. Stamped. Josef Frank was a true European...

Large, imposing vintage 1950s wrought-iron lamp. Heavy weight, measures 63cm and 39cm without shade. Personal delivery or free delivery in Paris.

Pair of "HUBBLE GREEN" lamps by Roberto Giulio Rida The Hubble lamps belong to the Hubble Collection that designer and artist Roberto Giulio Rida wanted to create in honor of his g...

This beautiful table lamp is made of Chinese glazed pottery and has a light-grey and sand-colored tone. The round shaped glazed pottery lamp is a simple yet stylish eyecatcher. Glaze...

Set di due lampade da tavolo con base in ceramica bianca. Il vaso ovale formato a colaggio è dipinto a mano con decori a foglia in smalto nero e oro 24k a 3° fuoco. Il paralume in se...

Mid-Century Modern Table Lamp,Metal and Glass, Italy, 1950s

A very impressive large pair of antique brass table lamps, dating from around the 1950’s. They are of superb quality, with beautiful...

Pair of lamps "TEGOLINE AMBRA" Brass structures patinated and protected with clear lacquer, made handcrafted and specifically to accommodate the pair of glass vintage amber curved ...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

"THE ORIGIN OF GOD", white egg light holes sculptural white ceramic table lamp by Lorenzo Ciompi limited edition 2023 a tribute to Lucio Fontana, inspired ...

Philips desk lamp dating from the 1950s. Inspired by Charlotte Perriand in the way she designed objects that met the needs of life and were accessible to the greatest number of peopl...

Gorgeous pair of Italian 1950 design table lamps/lights in the style of stilnovo. Patinated brass frame with white metal shades. The shades can be ...

neoclassical table lamp in golden wrought iron circa 1950

Akari model 1AG light sculpture by Isamu Noguchi. The shade is made from handmade washi paper, ink and bamboo ribs with the original Noguchi Akari manufact...

Arcon lamp series is an architectural conversion between function and proportion. The aim for the arcon table lamp was to create a clean functional table lamp still able to adjust wi...

A handsome table lamp in a conical mushroom form after Laurel Lamp Company. The lamp features a brass plated cast aluminum base and a mouth blown frosted glass lamp shade.

Designed by Pierre Guariche in 1953, this elegant, delicate and sculptural lamp is perfect for a desk, a console or a bedside table. This iconic lamp is newly produced in an autho...

Staying steadfast with Seed Designs “Castle series” signature concrete finish, the Castle GLO pendant and table lamp is the newest addition to the ever-so ...

Fog handmade table lamp, designed by Noé Duchaufor Lawrance for GAIA&GINO. Milky Brown glass color comes from the pot not by painting or coating. A beautiful accessory for the wor...

Named after the famed and pioneering French author known simply as ‘Colette’, &Tradition’s new table lamp has an avant-garde aesthetic. Showcasing a tactile shade and base fully enca...

Vincent Pocsik’s sculptural works are a study of human form abstracted down to the point of its most transformative power. Flesh twists, contracts, pushes against bones and skin and ...

ROMAN POLYHEDRUM sculptural marble table lamp designed by Lorenzo Ciompi, 2023 travertine marble sculpted and hand open hole finished on a original brass satined big table lamp sculpture measurements: height: 46, 27 x 23 cm,24 kg lamp: measurements: height: 68cm , diam 32 cm;4 kg available also in "grand antique" black marble this sculptural table lamp is one of "Masterpieces of Lights" series by Lorenzo Ciompi,2023 the lamp lamp is hand-made in satin brass, led 2W war light the sculpture is a personal tribute from the designer at the polyhedron represented on the engraving masterpiece of Albrecht Durer "Melencolia I" in 1514 and after resumed in a bronze by Alberto Giacometti in 1934 named "Cube". In this original version 13-sided polyhedron the designer used a very rare black marble named "Grand Antique" "Masterpieces of light" is a series of lamps designed by Lorenzo Ciompi for Compendio Gallery...

Model 548 Design by Gino Sarfatti The table lamp designed in 1951 is a study in balance and light reflection through a screen, a recurring theme in Gino Sarfatti’s work. Model 548 ...

A sculptural grouping of lights, born from a series of experiments with balloons and wire, featuring a table lamp, floor lamp, and sconce made from blown glass pinched between a tubu...

Fantastic mid-century modern tripod table lamps designed by Josef Hurka. Featuring a beautiful 1950s design in the classic beige and black color scheme. Crafted by Napako in Czech Re...

Modern Brass adjustable desk lamp with marble base Italian style. Red shade and black arms with brass hardware. Dimensions: Base marble diameter: 7” inches Height can go up to ...

Desk or table lamp by Christian Dell (model 6840), who designed this light in the early 1930s (Bauhaus Period), with production continuing until the 1970s. It features a aluminum la...

The design for Trophy began with a study of chalices to recognize athletic achievement. This elegant series references Italian Modernism, specifically Murano fixtures from the 1930s and 40s. Through the eyes of Blue Green Works...

Designed by Enrico Franzoloni for Karboxx, the Peggy table lamp is a fantastic example of modern design. With a square chromed metal base and tubular stand, the table lamps feature ...

'Plissé White Edition' pleated textile table lamp by Folkform for Örsjö. This unique table lamp was awarded “Lighting of the Year 2022” by Reside...

MÁCULA table lamp was designed for the Mol collection by Mexican artist Isabel Moncada. Mácula, the organic and asymmetrical shape provides a simple yet charming presence. The warm...

The 'Gemini' table lamp was inspired by simplicity of form, color scheme and respect of materials found in Bauhaus movement. It is shown above in a solid natural walnut, matte blue a...

This elegant portable lamp, inspired by the golden glow of the Tuscan city of Lucca, mimics the warmth of the city’s nocturnal light. Intended as a multipurpose piece, the battery-po...

The Flowerpot table lamp with a rounded pendant that hangs from the semi-domed upper shade, design of Verner Panton 1968. Slightly smaller in si...

Tree trunk design table lamp Red lacquer Copper base Hand repoussé Silk shade Limited edition Lacquer is a technique that dates back to the Shang dynasty, circa 1600-1100 B.C. These...

Designed by Max Ingrand and manufactured by Fontana Arte, the Fontana total black table lamp, 2014 Edition, is an unusual Total Black produced in 2014 to mark the 60th anniversary of...

- Handspun and handwoven white lampshade - made of 100% Siroua wool, an endangered sheep living in a volcanic massif with very long wool fibers, located less than 100 km from the weavers' village - the lampshade is made in the Anti-Atlas region by the weavers from the Feija tribe and then the table lamp is assembled by us using cannes de Provence (local reed) and local rock in Marseille. Approximate measurements: 25 L x 25 W x 56 H CM 9.8 L x 9.8 W x 22 H IN For US customers, we put e26 socket and a plug adaptor. The Anti-Atlas region of Morocco seems to be the only region in the world where henna is not only used to adorn the skin or to dye hair but also to decorate woollen textiles. Women weavers go on keeping this ancestral savoir-faire alive from generations to generations. Handmade : Variation is to be expected, each piece differs in color, size, shape and decorations due to its handmade nature and natural dyes. memòri is about simplicity, imperfections, and embracing the "flaws". Care instructions: Hand wash cold with wool detergent only when really necessary. About the artisan This village is landlocked in the mountains of the Moroccan Anti-Atlas, until the early 2000s, it was accessible only on foot or accompanied by mules. The architecture of their typical houses is entirely made of local stones. Two cooperatives and more than 45 Berber women work...

Shard lamps (pair) by Sotis Filippides stoneware (grog clay) and 24-carat gold Measures: Lamp base approximate 45cm height - total height with lamp s...

Akari Model 20N light sculpture by Isamu Noguchi. The shade is made from handmade washi paper and bamboo ribs with Noguchi Akari manufacturer's stamp. ...

Our best-selling Torno family of fixtures is now available as a desk or table lamp! Handmade by Blueprint Lighting, the spun aluminum shades are inspired by a vintage 1950s Italian d...

Petite iron tripod lamp with slender legs and tapered feet. New wiring and new oyster linen shade. Multiple available, sold individually. Takes...

Lisa Johansson-Pape Table lamp Manufactured by Orno Finland, 1950 Brass, leather, canvas shade From the archives of Side Gallery. Barcelona Measurements 10 cm x 10 cm x 69 H cm 3.93 in x 3.93 in x 27.10 H in Literature Design Musuem, Lisa Johansson-Pape, Helsinki, 1986; Ornamo, Helsinki, 1962 Bio Finnish designer Lisa Johansson-Pape enjoyed a long and varied career in lighting, furniture, textile, and ceramic design. She was one of Finland’s leading lighting designers in the 20th century and was instrumental in promoting Finnish design internationally. Born in 1907, Lisa Johansson-Pape studied at the Industrial Art Institute in Helsinki University of Art & Design (Now Aalto University of Art & Design), graduating in 1928. She worked as a furniture designer for Kylmäkoski and Stockmann and created carpets for the Friends of Finnish Handicraft, before turning her attention to lighting design. She collaborating with the Stockmann-owned lighting factory Orno from 1942, famously remarking, “it was quite by accident that I became a design light artist. By education, I am a furniture designer, but I had to make lamps during the war.” Notable designs include the Lisa (1947), Sipuli (1954), and Laura (1957) pendant lamps. The Sipuli, often referred to by the English translation Onion, resembles the form of the vegetable for which it was named. The angular design in opaline glass was awarded a gold medal at the Triennale di Milano in 1954, which was just one of several prizes Johansson-Pape received in her career; she was also awarded a silver medal at the 1951 Triennale...

In protoplasting nature, rusak combines metal and exotic leaves to make opposing processes — life and death, renewal and decay — evident. A load-bearing structure, formed by hand using welded steel, evokes organic shapes and ornate 17th-century furnishings. In place of a lampshade, Rusak attaches real leaves from the exotic plant Thaumatococcus Daniellii, a rhizomatic herb widely cultivated in central Africa for its exceptionally sweet fruit and useful leaves. The entire sculpture is then coated in zinc...

The Junius lamp makes a bold statement with its geometric stacked elements that appear almost to float above one another. The lamp is constructed with a po...

The Molto table lamp or desk lamp is a fresh, new take on Italian modernism, featuring a spun-metal mesh shade, brass counterweight, and a heavy black...