Table Lamp, Teca Mini Renaissance Cupola, Flos

Spanish-born, Milan-based architect Patricia Urquiola doesn’t lack for commissions these days, and, unlike the work of many other high-concept architects, her projects tend to get constructed, envelope-pushing though they sometimes are. And when she’s not imagining covetable creations for contemporary furniture houses — including B&B Italia, Driade and Cassina, where she was named art director in 2015 — Urquiola makes headlines by designing some of the world’s most aesthetically ambitious hotels, such as 2016’s Il Sereno on Lake Como in Lombardy, Italy.

Born in Oviedo, in northern Spain, Urquiola grew up in a family that valued creativity. Everyone in the house, she says, talked and cared about design. She fondly remembers her mother going to London in the 1960s and ’70s and coming back home with a Mary Quant this, a David Hicks that. When it came time to go to university, Urquiola decided that her place was architecture school, first at the Polytechnic University of Madrid and then at the Polytechnic University of Milan, where she completed her design thesis — a felt carpet with a panel that connected to a home’s electricity source and telephone line so that you could plug, say, a table lamp and your phone into it — under the direction of legendary Italian industrial designer Achille Castiglioni.

Today, Urquiola has become a go-to when it comes to avant-garde product, hospitality and retail design, working with such blue-chip international furniture, fashion and hotel companies as Alessi, Baccarat, Salvatore Ferragamo, Kvadrat, Mandarin Oriental, Panerai, Rosenthal, W Hotels and Louis Vuitton, among many others. Her residential projects, meanwhile, though few and far between, stretch from such far-flung locations as Punta del Este, Uruguay, and Melbourne, Australia, to closer-to-home Udine, in northeastern Italy, where she designed the two-story, largely open-plan glass-and-cedar home of Patrizia Moroso, creative director of the family-owned design company that bears her last name.

Over the course of a long-term and highly productive collaboration spanning some 20 years, Urquiola has created dozens and dozens of Moroso-branded products. A chair from her 2001 Fjord line of seating, tables and poufs for the company sits in the collection of New York’s Museum of Modern Art, and Moroso debuted (love me) Tender, her modular sofa system upholstered in jersey, during Milan’s Salone Internazionale del Mobile in April of 2014.

Find Patricia Urquiola furniture on 1stDibs.

Imaginative lighting is a longtime hallmark of modern Italian design. Following in the footsteps of innovative companies such as Artemide and Arteluce, the company FLOS brought a fresh aesthetic philosophy to the Italian lighting field in the 1960s, one that would produce several of the iconic floor lamp, table lamp and pendant light designs of the era.

FLOS — Latin for “flower” — was founded in the northern town of Merano in 1962 by Cesare Cassina (of the famed Cassina furniture-making family) and Dino Gavina, a highly cultured businessman who believed that artistic ideas espoused in postwar Italy could inform commercial design. The two enlisted brothers Achille and Pier Giacomo Castiglioni as their first designers.

Even before FLOS was formally incorporated, the Castiglionis gave the firm one of its enduring successes with the Taraxacum pendant and associated designs made by spraying an elastic polymer on a metal armature. (George Nelson had pioneered the technique in the United States in the early 1950s.) For other designs, the brothers found inspiration in everyday objects. Suggestive of streetlights, their Arco floor lamp, with its chrome boom and ball-shaped shade sweeping out from a marble block base, has become a staple of modernist decors. Designing for FLOS since 1966, Tobia Scarpa has also been inspired by the commonplace. His folded-metal Foglio sconces resemble a shirt cuff; his carved marble Biagio table lamp looks like a jai alai basket.

In 1973, FLOS purchased Arteluce, the company founded in 1939 by Gino Sarfatti, and it continues to produce his designs. In recent decades, FLOS has contracted work from several noted designers, including Marcel Wanders and Jasper Morrison. As instantly recognizable as they are, many FLOS designs remain accessible. While FLOS lighting is the essence of modernity, its sleek, subtle designs can be used to strike a sculptural note in even traditional spaces.

Browse a broad range of FLOS lighting fixtures at 1stDibs.