Mid-Century Modern Armchairs

Armchair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 2020. Manufactured by Cassina in Italy. The LC3 implements the logic of modernity s...

Prices vary dependent on the color/material of the chair. Armchair designed by Marco Zanuso in 1951, relaunched in 2015. Manufactured by Cassina in Italy. An icon of 1950s Italian ...

Springy, very comfortable and stabile club seats. They are contemporary chairs inspired of 1960s style. They can be used as armchairs and dining chairs. Chair was designed by Vintola Studio...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, f...

Dark red boucle armchair designed by Edmund Homa, a Polish architect, designer of Industrial Design and interior architecture, professor at the Academy of Fine Arts in Gdansk. The...

Armchair model 905 designed by Vico Magistretti in 1964. Manufactured by Cassina in Italy. A modern chair with a cultural heritage, expression of the creative genius of Vico Magistretti who designed it in 1964. 905 is an elegant chair made of solid wood and cowhide, where design translates to practical simplicity. Produced by Cassina until 2000, this chair has now been relaunched, the finishes and details having been updated from the original archive model. The sophisticated elegance of the frame, which features cylindrical legs and curved arm-rests, has been rejuvenated thanks to Cassina’s extensive experience in handling leather, not to mention the company’s high quality carpentry skills. The complex nature of this piece is expressed in a design that looks simple but fully reflects the genius quality of the original concept, a veritable masterpiece of the crafts tradition proper to Meda, in the Brianza area north of Milan, the trademark registered by Cassina and a guarantee of utmost quality. The frame, in finest quality wood, bespeaks the perfect combination of the artisanal tradition and premier CNC technology, while the overall design stands out for the self-supporting seat crafted from one single piece of saddle leather, curved and slotted into the frame. The decorative stitching has been discontinued, while the rear of the chair still features the leather belt that lends support to the back and enhances its comfort quotient. The 905 chair features a solid wood structure with cylindrical legs and curved armrests, joined to a self-supporting cowhide seat, the quintessential expression of the time-tested experience of the Cassina joinery and saddlery. A masterpiece of complexity, this cowhide chair symbolizes the company’s talent at perfectly blending traditional artisan craftsmanship and the cutting-edge technology of latest-generation 5-axis CNC machines. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: In 1920 Magistretti was born in Milan, the city in which he graduated in architecture in 1945, and where his professional career has spun its story ever since, chiefly in the fields of architecture, town planning and industrial design. The first recognition of his work came in 1948, when he won the Gran Premio at the 8th Triennale. After that came almost forty years of activity with other prizes and awards in recognition of Magistretti’s work in various sectors in different countries. Giving lessons and lectures in various faculties of architecture and schools of design in Italy and abroad, from Milan to New York, from Paris to London, a city to which he is particularly devoted, he has been an “Honorary Fellow” of the Royal College of Art since 1983. Furniture, lamps and other objects that he designed may be found all over the world and the most important design museums have given exhibitions in his honour and kept examples of his work in their permanent collections. Magistretti’s research has been continuous - into design, the culture of the project and innovative experimentation with materials and space solutions, not to mention shapes and functions far from the rigours of fashion that they have passed through during the years. He started designing for Cassina in 1960, and from that date on his signature is to be found on very many products. We recall in particular the Maralunga sofa of 1973 and the Nuvola Rossa...

Like a warm embrace, Charlie armchair welcomes you to stay within and relax. An elevated homage to postmodern design that radiates through its unusual proportions and strong curves w...

Richard Herre 'Stuttgart' Armchair in Walnut and Webbing for E15. Designed in 1926. New, current production. Designed in 1926, Chair STUTTGART illustrates the geometry and rationality inherent in the expressive aesthetic of Richard Herre. Milled from solid wood, the characteristic curved backrest of STUTTGART embodies traditional craftsmanship and timeless elegance. Available in waxed European oak and walnut, the chair is optionally equipped with a removable seat in textile, leather and Vienna weave. As a work of significant modernity and presence, chair STUTTGART can be used as a sophisticated dining, executive or visitor chair. About Richard Herre Richard Herre was born in 1885 and studied architecture in Stuttgart and Munich. In particular before World War I, he struck up close friendships with artists in the Hölzel circle and protagonists of Modernism such as Oskar Schlemmer and Willi Baumeister. He was a member of the artists’ association “Üecht”, for whom he acted as press officer. Together with Richard Döcker...

Armchair designed by Franco Albini in 1959. Relaunched in 2009. Manufactured by Cassina in Italy. In 1952, working with Franca Helg, his long-time assistant, Franco Albini design...

Gaulino easy chair designed by Oscar Tusquets manufactured by BD Barcelona design, circa 2010. Solid ash lacquered in black with seat in black hide. Gaulino chair which, desi...

Vintage style and MCM 1970s French Design all in fabric and brush brass base swivel armchair.

Armchair designed by Franco Albini in 1959. Relaunched in 2009. Manufactured by Cassina in Italy. In 1952, working with Franca Helg, his long-time assistant, Franco Albini designed Tre Pezzi...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architecture of Le Corbusier’s Capitol Complex...

A pair of ELO armchairs were selected for the terraces of the 60s iconic Wolff House in Los Angeles Hollywood Hills by master architect John Lautner with new interiors by the award-winning studio Clive Wilkinson Architects. ELO chair is designed to provide a different experience for the user's backrest inspired by the shape of stretching and gymnastics equipment...

The price given applies to the piece as shown in the first picture. Prices vary dependent on the chosen color and finish. LC1 white Outdoor chair by Le Corbusier, Pierre Jeanneret, C...

Lisola Armchair Red is a modern outdoor seating piece. An luxury outdoor outdoor armchair created by the most refined design with delicate mater...

Vintage style and MCM design black wooden feet with beige Bouclé fabric fur effect rounded shaped armchair.

Armchair model Feltri designed by Gaetano Pesce in 1987. Manufactured by Cassina in Italy. Crafted using a patented Cassina production technique, F...

Vintage style and MCM 1970s French Design all in beige bouclé fabric and brush brass base swivel armchair.

A mid-century style velvet armchair with navy blue velvet upholstery, with a diamond-quilted interior and topstitched seams. It features a curve-around design and rests on rich brown...

We are pleased to present our new collaboration with Vincent cabinetmaker. Sculptural design, comfy and robust, each piece is unique. Entirely handcrafted by Vincent in his own war...

Trone-armchair designed by Charles Rennie Mackintosh in 1904. Relaunched in 1973. Manufactured by Cassina in Italy. This throne-like armchair is a new iteration of the model that...

Armchair designed by Rodolfo Dordoni in 2020. Manufactured by Cassina in Italy. With its refined details and welcoming forms, the stackable Dine Out armchair has a solid teak fram...

Armchair designed by Charlotte Perriand in 1947. Relaunched in 2020. Manufactured by Cassina in Italy. The Doron Hotel armchair was designed in 1947 by...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar...

Armchair designed by Franco Albini in 1959. Relaunched in 2009. Manufactured by Cassina in Italy. In 1952, working with Franca Helg, his long-time assistant, Franco Albini designed Tre Pezzi...

Armchair model Feltri designed by Gaetano Pesce in 1987. Manufactured by Cassina in Italy. Crafted using a patented Cassina production technique, F...

Black lacquer wooden feet with brass finish and psychedelic velvet lounge armchair Mid-Century Modern style.

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Baby version. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the U...

Armchair model 905 designed by Vico Magistretti in 1964. Manufactured by Cassina in Italy. A modern chair with a cultural heritage, expression of the creative genius of Vico Magistretti who designed it in 1964. 905 is an elegant chair made of solid wood and cowhide, where design translates to practical simplicity. Produced by Cassina until 2000, this chair has now been relaunched, the finishes and details having been updated from the original archive model. The sophisticated elegance of the frame, which features cylindrical legs and curved arm-rests, has been rejuvenated thanks to Cassina’s extensive experience in handling leather, not to mention the company’s high quality carpentry skills. The complex nature of this piece is expressed in a design that looks simple but fully reflects the genius quality of the original concept, a veritable masterpiece of the crafts tradition proper to Meda, in the Brianza area north of Milan, the trademark registered by Cassina and a guarantee of utmost quality. The frame, in finest quality wood, bespeaks the perfect combination of the artisanal tradition and premier CNC technology, while the overall design stands out for the self-supporting seat crafted from one single piece of saddle leather, curved and slotted into the frame. The decorative stitching has been discontinued, while the rear of the chair still features the leather belt that lends support to the back and enhances its comfort quotient. The 905 chair...

Armchair model 905 designed by Vico Magistretti in 1964. Manufactured by Cassina in Italy. A modern chair with a cultural heritage, expression of the creative genius of Vico Magistretti who designed it in 1964. 905 is an elegant chair made of solid wood and cowhide, where design translates to practical simplicity. Produced by Cassina until 2000, this chair has now been relaunched, the finishes and details having been updated from the original archive model. The sophisticated elegance of the frame, which features cylindrical legs and curved arm-rests, has been rejuvenated thanks to Cassina’s extensive experience in handling leather, not to mention the company’s high quality carpentry skills. The complex nature of this piece is expressed in a design that looks simple but fully reflects the genius quality of the original concept, a veritable masterpiece of the crafts tradition proper to Meda, in the Brianza area north of Milan, the trademark registered by Cassina and a guarantee of utmost quality. The frame, in finest quality wood, bespeaks the perfect combination of the artisanal tradition and premier CNC technology, while the overall design stands out for the self-supporting seat crafted from one single piece of saddle leather, curved and slotted into the frame. The decorative stitching has been discontinued, while the rear of the chair still features the leather belt that lends support to the back and enhances its comfort quotient. The 905 chair features a solid wood structure with cylindrical legs and curved armrests, joined to a self-supporting cowhide seat, the quintessential expression of the time-tested experience of the Cassina joinery and saddlery. A masterpiece of complexity, this cowhide chair symbolizes the company’s talent at perfectly blending traditional artisan craftsmanship and the cutting-edge technology of latest-generation 5-axis CNC machines. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: In 1920 Magistretti was born in Milan, the city in which he graduated in architecture in 1945, and where his professional career has spun its story ever since, chiefly in the fields of architecture, town planning and industrial design. The first recognition of his work came in 1948, when he won the Gran Premio at the 8th Triennale. After that came almost forty years of activity with other prizes and awards in recognition of Magistretti’s work in various sectors in different countries. Giving lessons and lectures in various faculties of architecture and schools of design in Italy and abroad, from Milan to New York, from Paris to London, a city to which he is particularly devoted, he has been an “Honorary Fellow” of the Royal College of Art since 1983. Furniture, lamps and other objects that he designed may be found all over the world and the most important design museums have given exhibitions in his honour and kept examples of his work in their permanent collections. Magistretti’s research has been continuous - into design, the culture of the project and innovative experimentation with materials and space solutions, not to mention shapes and functions far from the rigours of fashion that they have passed through during the years. He started designing for Cassina in 1960, and from that date on his signature is to be found on very many products. We recall in particular the Maralunga sofa of 1973 and the Nuvola Rossa...

Solid wood construction with hand-cut joinery and custom upholstered seat and seat back. This chair shown in walnut and camel leather. In stock leather c...

1960s Italian Design Style sculptural and gorgeous armchair all in rattan aerial structure with beige fabric cushions.

Armchair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architecture of Le Corbusier’s Capitol Complex...

Charlotte Perriand Indochine Armchair Manufactured by Cassina in Italy This swivel armchair is a re-working of the LC7, whose frame was in tubul...

These chairs designed by W H. Gispen and were made in the 1950s for Riemersma. The backs of the chairs are made of black lacquered wood, the arm-rests are naturally teakwood and ha...

Beautiful leopard armchair GFM-142, designed by Edmund Homa, a polish architect, designer of industrial design and interior architecture, professor at...

Committee Chair designed by Pierre Jeanneret circa 1950 , relaunched in 2022. Manufactured by Cassina in Italy. The Committee Chair is introduced in the original version and in a fr...

A modern tan saddle leather desk chair with brass nailhead trim. A truly timeless classic style crafted in rich tan leather. This ...

A pioneering and zen piece of furniture to suit your ever-changing moods. This deep and enveloping armchair is upholstered in two completely contrasting colours giving it a fully reversible and harmonious appeal. Available in a charcoal grey set and an olive green set, both which transition through the seasons effortlessly. Two chairs in one, working in harmony, to complement your decor as needed. A modern designer furniture...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognizable in Chandigarh’s Capitol Complex, f...

Mid Century armchair with ivory Boucle fabric, a warm finish to the ash frame. Stylish chair option in any space. Dimensions: 27" W x 30" D x 31" H Seat - 18" H Arm - 25" H.

Armchair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Manufactured by Cassina in Italy. Timeless, unique, and profoundly authentic, the LC2 armchair ha...

Springy, very comfortable and stabile German club seat. Produced in the 1960s at the Karl Lindner factory in Germany. The whole armchair is covered with high-quality boucle (color 04...

The price given applies to the item as shown in the first picture. Prices vary dependent on the color and material of the chair. A timeless design informed by exceptional constructiv...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architectu...

These original Beta Wassenaar Philippe Starck style armchairs feature organically shaped wood armrests. The seats and back are upholstered in soft black f...

Committee armchair designed by Pierre Jeanneret circa 1950 , relaunched in 2022. Manufactured by Cassina in Italy. Part of the Hommage à Pierre Jeanneret tribute collection, the din...

Armchair designed by Franco Albini in 1959. Relaunched in 2009. Manufactured by Cassina in Italy. In 1952, working with Franca Helg, his long-time assistant, Franco Albini designed Tre Pezzi...

Designed by Sergio Rodrigues (1927-2014) in 1973 and produced by Oca, the Kilin armchair is composed of two sides and two crosspieces, with the back and...

Beautiful green wool armchair GFM-142, designed by Edmund Homa, a polish architect, designer of Industrial Design and interior architecture, professor at the Academy of Fine Arts in ...

The 366 armchair is an icon of the polish design of the PRL period. The famous armchair was designed in 1962 by the Polish interior designer and furniture designer Jozef Marian Chierowski. Produced in the Lower Silesian Furniture Factory in Swiebodzice. The chair has a simple, modernist form. It consists of an upholstered seat combined with a wooden backrest. The organic shape is typical of the 1960s style. The chair is very ergonomic and comfortable, as the furniture designs of that time were largely focused on the user. Due to its small size, the furniture fits perfectly into the interiors of contemporary apartments, perfectly meeting the needs of customers. The chair is in perfect condition after a professional renovation. We can prepare this set also in another wood and fabric color. About the fabric: This is special collection of velvet in a stunning color range of more than 100 different shades of both pure classic and non-obvious pastel broken colors. The colour palette has been created with extreme attention following the most recent trends. The unique feature of this fabric is its producing in nanotechnologies, so called WATER CLEAN, which gives it a high resistance to stains and facilitates the removal of stains from coffee, chocolate and even ink. This fabric is a perfect imitation of cotton velvet, gives the effect of softness and matte surface which works very well in heavy curtains...

Modern armchair bouclé, leather upholstered & Nero Marquina marble Alice armchair Alice armchair is a luxury armchair composed by exquisite materials. This eclectic armchair...

Springy, very comfortable and stabile German club seat. Produced in the 1960s at the Karl Lindner factory in Germany. The whole sofa is covered with high-quality boucle (color 04). Very beautiful and comfortable item! The sofa is after a complete upholstery and carpentry renovation. We can prepare this sofa also in another color. Check the last pictures with wood and boucle color samples. More about the fabric: Thick, warm boucle type fabric with a pattern of wide stripes, currently the most desired and sought after by customers. It is used in the upholstery of furniture, sofas, armchairs and chairs. The pillows look beautiful in it, and above all, they make the room feel warm just by looking at them. It is used not only in modern furniture. It also looks beautiful on classic furniture in raw wood can be dry cleaned do not bleach do not wash do not iron. Here sofa is available with pair of matching armchairs.

Armchairs with Tapered Wooden Legs in the style of Gio Ponti, Italy, in the 1950s. Large set armchairs with tapered wooden legs in new upholste...

Large set armchairs or easy chairs in the style of Saporiti, Italy, in the 1970s These stunning mid-century easy chairs are made in Italy circa the 1970s in the style of Saporiti...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key IDEA of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...