1950s Flag Halyard Lounge Chair by Hans Wegner 'a'

In its broad form and wealth of hard angles, Hans J. Wegner’s Flag Halyard chair is one of the more visually flamboyant pieces to emerge from Danish mid-century modernism. Legend has it that Wegner (1914–2007) conceptualized the piece in 1950 while on vacation at the beach, molding its seat out of sand and attaching a bit of halyard — rope typically used on sailboats — that he found nearby.

Danish brand Getama picked up the chair for production, an undoubtedly difficult task given the piece’s suspension construction and unusual combination of materials.

The original Flag Halyard consists of chrome-plated steel, woven rope, linen and a sheepskin throw; subsequent models incorporate leather cushions. But Wegner, who established his studio in 1943 after graduating from the Royal Danish Academy of Fine Arts and working for Arne Jacobsen and Erik Møller on furniture for Aarhus City Hall in 1938, was never one to shy away from unconventional material or construction — and an early apprenticeship with master cabinetmaker H.F. Stahlberg instilled in him a devotion to fine details.

Around the same time that Wegner created the Flag Halyard chair, he developed the widely beloved Wishbone chair and an armchair in 1949 commonly known as “The Chair,” which earned him international recognition when it was used in the 1960 U.S. presidential debate between Richard Nixon and John F. Kennedy. Compared to these two seats, the Flag Halyard is a delightfully experimental marriage of material. Today, it’s manufactured by PP Møbler.

Among the great mid-20th century Danish furniture designers, Børge Mogensen distinguished himself with his faith to traditional values of craftsmanship and honesty of materials.

While peers such as Hans Wegner, Finn Juhl and Arne Jacobsen designed some of the most striking and now iconic furnishings of the era, Mogensen focused on making chairs, sofas and other pieces that were simple, durable and comfortable — and in the long run perhaps more useful and better loved.

Mogensen studied under and later worked for Kaare Klint, a master cabinetmaker whose chief tenets were quality of construction and simplicity of line. Klint was a classicist, who believed that furniture forms should evolve from those of historical models. So, too, in his way was Mogensen, as two of his best-known earlier pieces attest.

His 1945 Spokeback sofa, with hinged arms that can be lowered to facilitate lounging, is a reinterpretation of the venerable Knole settee. With the oval silhouette of its plywood backrest and waterdrop-shaped cutouts, Mogensen’s Shell chair, designed in 1949, can be seen as a novel take on early 19th-century Empire side chairs.

Yet Mogensen shared the aesthetical sensibilities of his most forward-looking colleagues. His cabinets deploy the same spare geometries and lushly figured woods as those of Ludwig Mies van der Rohe and his disciple Florence Knoll, the chief difference being that Mies and Knoll used chrome steel for the frames and legs of their pieces. The brawny oak frames and slung leather seats and backrests of Mogensen’s Hunting chair (1950) and Spanish chair (1958) display the same hefty construction and appreciation of natural materials seen in the work of Charlotte Perriand and Sergio Rodrigues.

Mogensen designed for function more than sculptural effect. While his chairs may not be the first pieces in a décor to draw the eye, they are often the first to draw in those looking for a comfortable seat.

Find vintage Børge Mogensen dining tables, bookcases and other Scandinavian modern furniture for sale on 1stDibs.