Gilt Case Pieces and Storage Cabinets

French Baroque 19th century Louis XV style finely carved walnut figural buffet server console with a variegated Rouge Royal marble top, the apron centered with a relief carved figure...

Antique Louis XVI style ormolu and Sèvres porcelain mounted secretaire French, c. 1840 Height 127cm, width 76cm, depth 37cm This magnificent ...

Shelf oracle with chromed metal structure in gold finish with black tempered glass shelves. Also available in chrome finish.     

A Chinese late Qing Dynasty period red lacquered cabinet from the early 20th century, with butterfly hardware, two drawers, four doors, carved and gilt décor. Created in China during...

A Fine French 19th Century Louis XVI Style Gilt-Bronze Mounted Meuble d'Appui Cabinet with Marble Top. The serpentine walnut and satinwood body with three front drawers and a rolled ...

Burmese hand-carved Buddha temple shrine featuring gilded wood, glass and a metal repoussé interior back. Visit our other 1STDIBS storefront Moxie Interiors to shop a vast array of...

This exquisite French Louis XVI style gilt wood vitrine, crafted by the esteemed Geo. C. Flint Co. of New York, radiates the elegance and refined taste characteristic of the early 20...

An antique Italian style sideboard offers carved oak construction with shaped backsplash having central shell and foliate elements over demilun...

A very fine pair of French 19th century Louis XVI satinwood marble top demilunes with fine gilt bronze mounts. Marquetry inlay in various woods on the center doors . Parquetry panels...

English Regency style (19/20th Century) black lacquered single door cabinet with gilt faux bamboo trim.

Magnificent Louis XVI style showcase in mahogany veneer with rich, very finely chiseled gilded bronze ornamentation. Opening two large doors on the front separated by a glass frame. Beveled windows on the front as well as on the sides. Mirror bottom and three thick glazed...

George IV early 19th century chiffonier made of fine rosewood featuring a double tiered back supported by delicate carved columns. The bottom p...

A fine pair of 19th century English Regency mahogany and parcel gilt cabinets with White marble tops.

A high-quality French Louis XVI style desk with geometric parquetry in mahogany with gilt-bronze mounts, including swags at the corners. The desk has three drawers with working locks...

Elegant Louis XVI-style cylinder desk in mahogany and rosewood veneer, decorated with a marquetry of geometric motifs in cubic perspective. The front of the cylinder features a marqu...

A fine French burled wood Vaisellier, mounted with a longcase clock in the center, and with deep carved designs accenting the walnut body. The body composed of an upper section with ...

A vintage Chinese red lacquer blanket chest with gilded bat, guardian lions and cloud motifs. This vintage Chinese red lacquer blanket chest is a stunning example of traditional craf...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

This is a luxurious piece that reflects the craftsmanship of Maison Krieger, a distinguished French furniture manufacturing company. This piece was procured from an esteemed estate l...

66" gilded Mid-Century iron four-tier shelf.

Mid-Century Modern Italian gilt metal faux bamboo étagère with glass shelves. 1970s This étagère can come as a set together wit...

A fine and rare Maison Jansen ormolu-mounted and brass inlaid marble top commode in the Regence style, circa 1940s. The shaped marble top with a subtle double-moulded edge, sitting...

Dimensions - H: 36in W: 60in D: 22in This 18th C. French Louis XV Style Bronze Ormolu Mounted Marble Top Commode or Chest of Drawers is a museum quality piece that is an incredible ...

This small commode was made in France around the mid-18th century. The top is in Red France marble with a slightly undulating and molded profile. It is veneered in fine wood and inla...

Superb bookcase with central projection in mahogany and rosewood marquetry, opening three doors including a large one in the center presenting a magnificent marquetry decoration comp...

An epic conversation starter! A liquor cabinet and floor lamp in one big monumental collectible design piece. The light is turned on and off by the gilded golden cube dimmer switch...

Empire Walnut and Giltwood Open Bookcase, Austria, circa 1810–1830 This finely crafted Austrian Empire open bookcase, dating from around 1810–1830, is an exceptional example of earl...

Pair of trumeau sideboards with flanking carved caryatids in the Retour d'Egypte style. The sideboards are fitted with two doors and a wide drawer. The carved figures are blackened a...

Contemporary Atomo black lacquered cabinets buffets by the Italian designer Antonio Cagianelli , sculpture handle and feet in nice gilt wrought iron made in gold bath 24-karat, in a ...

A Fine and Rare French 19th-20th Century Louis XVI Style Gilt-Bronze-Mounted Mahogany and Satiné Parquetry Vitrine Commode-Server, attributed to Maison Forest. The rectangular body s...

SATURDAY SALE Extremely rare, possibly one of a kind, secretary cabinet with bookcase by the godfather of exotic modernism, James Mont, circa 1950. Hand rubbed cinnabar lacquered...

A French 19th-20th century Louis XV style tulipwood parquetry and mahogany gilt-bronze mounted three-door Meuble d' Appui (Side cabinet) with marble top, Paris, circa 1900. Measur...

Pair of walnut-paneled Empire chests of drawers, Lucca first quarter 19th century. Contoured Green Alps marble tops, ebonized under-top band, three drawers on the front, hermetic upr...

A red lacquered blanket chest with gold details and calligraphy motifs. This red blanket chest draws the eye with its linear silhouette, enhanced by a rich red finish accented with e...

Bookcase opale set of 2 bookcase with metal structure in gold finish. With smoked glass shelves.

A very well made Sinuous French Vitrine Cabinet topped with a Colorful veined Marble in Pinks, Browns and White. The Cabinet has French type motifs of Bundled Reed corner supports ...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Shelf Pietro with frame structure in metal in burnished and antiqued brass finish. With 3 shelves in black glass. Structure and inside drawer in matt varnished grey wood, drawers ...

Petit, very decorative English gilt cabinet on stand, with an Italian 17th century poker-work interior featuring an intricate system of drawers, including numerous hidden ones. Reconfigured in the 19th century. The perfect jewelry cabinet. The interior of the cabinet is indeed very intricate. Apart from the obvious drawers surrounding the middle compartment which can be taken out as a complete "box", there are several small drawers behind it, only accessible when the "box" is taken out, and the box itself has additional tiny drawers inset into it's back side. The cabinet is a very decorative, intriguing and unusual piece, configured in the 19th Century by integrating the 17th century Italian Poker...

Charming Mahogany Cabinet, Corner, Louis XV Style, 'VERNIS MARTIN', Marble, Panel of Courting Couple, Gilt Metal, 1900's, 20th Century!  Elevate your space with the timeless eleganc...

This gorgeous chest of drawers dates to the late-18th century and was crafted in the Queen Anne style with a walnut veneer, bracket feet, and a slightly...

An Italian Neoclassical period painted three-drawer commode from the early 19th century, with marble top, gilt and carved motifs. Created in Italy during the early years of the 19th ...

A Fantastic Pair of Late 19th Century Louis XVI Style Gilt Bronze Mounted Demilune Vitrines By Paul Sormani Paul Sormani Each with balustrade galleries and raised on spiral decorat...

A distinguished high-Gustavian commode, crafted in Stockholm by Gustaf Foltjern (master 1771-1804). The top features an original slab of Kolsmo marble, while the body is veneered in ...

A fine and rare English 19th-20th century Chippendale style carved oak and parcel-gilt console vitrine. The narrow upper two-door vitrine crowned with a carved parcel-gilt peacock fe...

Fine Pair of Antique Pedestal Desks in the Regency Manner Constructed in goncalo alves, with gilt bronze mounts and giltwood highlights, of freestanding form, with very gentle inver...

Antique (late 19th century) side cabinet with marble top, otherwise known as a meuble a hauteur d' appui, has a warm, reddish brown patina, and is crafted from mahogany with rosewood...

Viennese flame birch veneered dressing table with flanking bronze eagle capitals mounted on ebony columns supporting an adjustable oval veneered framed mirror, centered drawer with b...

A fine and rare French 19th century Louis XIV style mahogany and brass inlaid drop-front freestanding secretary desk in the manner of André-Charles Boulle. The slender mahogany body ...

Italian Neoclassical gilt carved wood and painted arched glass display case with flanking acorn finials, bell flowers, original glass, interior adjustable shelves, and resting on cla...

FRENCH CHEST OF DRAWERS DESIGN AFTER FRANÇOIS LINKE & LÉON MESSAGÉ Finely chased, gilded fittings. Solid beech wood top panel mottled marble top above a pair of doors concealed by a laurel, seaweed and cane back water cascade down bowl and a dolphin amidst seaweed, applied with delicate scroll frames and stained floral lattice marquetry in the upper corners and on each lower corner with a floral ray. This grandiose and opulent commode is Linke's second version (bis) of his famous 'Commode coquille: Coquetterie et Modestie', index number 559. The original model was linked to index number 553, 'Commode Louis XV Figaro (Scène du Barbier de Séville) , and together the two commodes formed an integral and important part of Linke's gold-medal-winning stand at the Paris Exposition of 1900, where they flanked his most monumental work, the Grande Bibliothèque. The 559 chest of drawers was delivered to Elias Meyer in London in September 1909 and after his death in 1925 it was sold on to King Fouad...

Pair of English neoclassical style three-drawer commodes with a carved molded edge top, mahogany string inlays, figural ormolu filigree mounts with the...

Pair of antique Louis XVI style plum pudding & gilt bronze open bookcase cabinets with marble tops. By Maison L'Escalier De Cristal Paris. Maker's stamp to each. Circa 1890-1910. The bookcases have beautifully shaped Breche d'Alep marble tops above a single drawer. Each with an open adjustable shelf, and cupboard below. Raised on shaped legs, with gilt bronze handles, edgings, corner mounts and apron. Shelves are 27cm deep 19/25cm cupboard height is 55cm The pair are in excellent condition for their age, showing some light surface marks and vey light knocks in places. They have been wax polished. There is a slight blister to the plum pudding veneer on one door, you should be able to make this out in photograph number 13. The marble tops have some light nicks to the corners, as shown. The shelves are fully adjustable to the open bookcase and the cupboard. The drawers have dovetail construction and are made of oak. Each drawer has turned drawer stops to ensure they do not fall out. One of the turned pegs is missing to one drawer on one side. The cupboard doors have a newly made key for the locks. The locks are inner stamped, 'Duvivier 77, St. Antoine/Paris.' Veneered in plum pudding mahogany, with a solid mahogany frame. The backs are in solid oak. Plum pudding mahogany is a rare and highly sought-after variety of mahogany wood, with distinctive swirling patterns and rich colours. It was particularly prized in the decorative arts during the late 18th and early 19th centuries, especially in French Empire period...

Marquetry Sideboard French, Granite, Inlay, Bronze Mounts and Feet Offered for sale is a large 20th-century French design sideboard/credenza with marquetry inlays, gilt metal hardwa...

A fine and large Italian early 20th century gildwood carved and gilt-brass mounted server buffet with marble top. The rectangular fruit wood body with four front doors ornately carve...

French marquetry ladies slant top three-drawer writing desk with floral motif inlay, flanking step back interior drawers, leather writing surface, carved scalloped skirt, original or...

Vitrine in the style of Louis XV Napoleon III Paris, circa 1850-1880 Bois-Satiné veneer, all-round surface-covering mirror veneer on solid softwood. High-rectangular, one-door, camb...

American mahogany marble top console with gilt stenciling skirt, flanking ormolu mounted mahogany columns, and terminating on the original gilt carved floral melon bulbous feet. Cons...

A very fine 19th century Louis XVI marquetry inlay secretaire A Abattant by Charles Diehl. Kingwood, satinwood and tulipwood inlay with fine gilt bronze ...

A Regency amboyna and gilt library table attributed to Seddon and Morel, with a rectangular top set upon solid end supports with a turned, reeded an...