Gilt Case Pieces and Storage Cabinets

French antique Boulle cabinet. Boulle one of France’s leading cabinetmakers, whose fashion of inlaying, called boulle, or buhl, work, swept Europe and was heavily imitated during th...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

An impressive Napoleon III Empire Revival mahogany, marble, gilt bronze and patinated-bronze-mounted credenza buffet, after Pierre-Philippe Thomire (1751–1843). The large mahogany an...

A magnificent rare, large and most impressive 19th century Gothic Revival hand carved painted parcel gilt bibliothèque (bookcase - buffet sideboard - china cabinet hutch - vitrine) ...

PAIR of French Victorian style (20th Century) mahogany 2-door commodes with gilt bronze trim and standing on 5 legs with white marble tops (PRICED AS PAIR)

The desk body is made of pine and oak with a Karelian birch veneer and the mirrored base is supported by four curved feet, embellished by an entwined patinated bronze snake with a gilt head and tail. The pad feet are supported by ebonized mahogany floor plates. The middle portion consists of five small drawers and a large desk drawer and within a manufactured mahogany interior with seven compartments and eight secret compartments as well as two movable elements, one of which is covered with velvet. The lower drawers have gilt gooseneck fittings. The mirror attachment includes a mechanism for taking the mirror plate vertically out and up to 180 degrees, which can, in turn, be fixed in almost any position. This mirror is flanked by two carved mahogany phoenixes with gilt heads and feet, and on the reverse side there are two more secret compartments in the lower area of the right as well as the left foot of the base. The Poudreuse Secretary is an exceptional example of Russian furniture of the first quarter of the nineteenth century. The depiction and symbolic arrangement of the remarkable bronze snakes and the carved phoenix is typical of the style of the important Russian architect Andrey Voronikhin (1759-1814). As well, this Poudreuse Secretary Desk has as well a similar structure to a dressing table made by the celebrated cabinetmaker (ebéniste) Heinrich Gambs...

In an unusual pentagon shape, this fine Victorian example of the Aesthetic Movement is constructed of burled walnut and ebonized wood. Features include a raised beveled mirrored ba...

Very elegant Louis XVI style cylinder secretary in mahogany and light wood marquetry with floral basket decorations on the front of the cylinder and floral arrangements on the sides ...

Large Louis XV-style 19th-century flat desk in solid beech veneer with inlay, opening with three drawers including a central drawer in the waistband with floral bronze fittings and r...

Standout antique Louis XVI style desk crafted in walnut and mahogany featuring a banded leather top on a case with two drawers decorated with gilt brass ormolu and inlaid floral desi...

Exceptional, gilt bronze display cabinet by the premier Paris casemaker, Siegel, c. 1900. Features lockable sliding doors and adjustable shelves with original brackets. One of the...

This elegant writing desk, known quirkily as a “bureau à dos d’âne” (donkey’s back desk), is beautifully veneered in rosewood, including reverse diamonds and butterfly-wings, which a...

Contemporary Sunshine Sideboard, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Sunshine modern sideboard explores the interplay of light and shadow th...

A black lacquer chinoiserie secretary in two parts. The upper cabinet with two doors that open to reveal 2 shelves, 4 pigeon holes ...

A very fine French Belle Époque 19th century tulipwood and gilt bronze-mounted Vernis Martin decorated Vitrine by Louis Majorelle (French, 1859-1926). The single door case with a hand-painted board depicting a garden courting scene surmounted with ormolu wreaths and a banded frame. The top with a pierced gilt bronze gallery above an ormolu royal tassel trim flanked by a pair of female masks above crossed torches and flames, cross flutes, a tambourine, a pan flute, ribbons and a tassel. Raised of four cabriolet legs with corner ormolu wreaths and leaves ending with hooves, Paris, circa 1990. The back bears the original Majorelle label that reads: "Louis Majorelle, Fabrique a Nancy, 3 Rue Girardel. Depot. 56 Rue de Paradis, Paris." Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles...

Regency Style Leather Wrapped Davenport Desk, Atrib. Maitland-Smith  Late 20th century  A stunning Regency-style leather-wrapped Davenport desk, attributed to Maitland-Smith, was ma...

French Art Deco Eleven Piece Carved Inlaid Burled Walnut and Ormolu Mounted Dining Room Suite, c.1920’s, consisting of a thick marble top server with a beveled mirror back splash, ov...

Clean Lined Credenza with Textural Adze Scraped Silver Leaf Doors, originally designed by Jean Michel Frank in 1932, this example was custom made in NYC in the 1990s. It is a versati...

A beautiful 19th century Louis XV–style bombe commode, finely crafted with rich walnut and mahogany veneers and crowned with a beautifully veined marble top. The front and sides are ...

Antique French liqueur cave box with inlaid brass and and tortoise shell marquetry decor, a lift top door and swing side doors, polished surface, bronze legs. Inside there is a wood...

Beautiful English craftsmanship hand painted and decorated gilt chinoiserie display cabinet. This chinoiserie cabinet has Chinese Chippendale ...

SATURDAY SALE Blonde polished lacquer console cabinet by James Mont (1904-1978), the father of "exotic modernism" who introduced "orientalis...

A very fine quality antique French Louis XV rosewood, marquetry, ormolu and marble topped secretaire abattant, circa 1880. The serpentine shaped secretary is modeled as a semainier (...

A Fine French 19th Century Neo-Renaissance Style Gilt-Bronze Mounted Walnut and Mahogany Two-Door Bargueno or Cabinet on Stand, attributed to Paul Sormani (1817-1877), designed Édouard Lièvre (1828-1886) and retailed by Poujol - Paris. The spreading pediment Vitruvian scrolled fitted frieze centered by a crest and flanked by cartouches, the quarter paneled doors with pierced rinceaux reserves and centered by an ormolu portrait relief roundels of King Charles VII of France 'The Victorious' (1403-1461) and Agnès Sorel (1422-1450), flanking a gilt-bronze statuette of 'The Belvedere Hermes’, the base fronted by open arches centered by a pair of columns with Corinthian capitals, above a spreading platform, all raised on bun feet. Circa: Paris, 1870. Paul Sormani (1817-1877) was born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

French bronze-mounted Ebonized and Pietra Dura cabinet  Empire style ormolu and Pietra dura cabinet from 19th c. Napoleon III ormolu veneered e...

18th Century Louis XV Marquetry Ladies' Desk Manner of J.C. Ellaume A mid-18th century ladies' desk or so-called "bureau de pente", its shaped fall-front opening to reveal a red lea...

An English black lacquer secretary bookcase from the 19th century, with glass doors, drop-front desk and gold Chinoiserie décor. Created in England during the 19th century, this secr...

An Aesthetic Movement amboyna and ebonized music cabinet with incised and gilt decoration. The open top with amboyna and incised gilt decoration...

18th century inlaid walnut bombe commode circa 1790. Fine quality Swedish rococo revival commode with the typical bombe shape of bulging out in the middle and curving in at the base...

A Chinese Qing Dynasty period cabinet with original red lacquer and gilt hand-painted court scenes décor. Created in China, this cabinet features its original red lacquer serving as ...

19th century chinese canton black lacquered desk cabinet, circa 1830. Stunning quality chinese export desk, circa 1830. Main feature is the rare alabaster doors which have been hand...

This late 19th-century cabinet in the transition style of Louis XV boasts rosewood marquetry on an oak frame. It has a symmetrical design with 14 drawers on both the left and right sides of the central body. In the central section, you'll find a spacious drawer at the top, followed by two curtains that unveil a secretary with shelves...

Complete antique pharmacy cabinet, with 3 open bookcases on the sides, 1 bookcase with drawers and 2 original doors with glass and enameled mirror sign. ...

This elegant chest of drawers exemplifies the grandeur and refined aesthetic of the Napoleon III period in France. The chest showcases a harmonious blend of classical influences, int...

A Chinese elmwood side cabinet from the early 20th century with carved panels and hidden drawers. Created in China during the early years of the 20th century, this elmwood side cabin...

This elegant cabinet is a striking example of the refined aesthetic that characterized the Napoleon III period in France. The cabinet showcases a masterful combination of materials a...

A stunning, petite French slant-top desk or "bureau de pente" in the Louis XV style, turquoise and gold polychromed with Chinoiserie detailing, and red under-body. Desk opens to rev...

A rare and unusual antique Italian walnut table-top cabinet (now also wall hanging cupboard), 17th century and later elements, with handsome warm rich dark patina and interesting pro...

A Mid 20th Century Century Furniture Italian Tuscan Walnut and Brass Chest of Drawers by Century Furniture. Measures 36" in width, 19" in depth and 45.25" in height. Matching wall ha...

An English black and gold bookcase from the 19th century with Chinoiserie décor and glass doors. This exquisite English black and gold bookcase from the ...

This elegant commode is a fine example of 19th-century French craftsmanship, executed in the style of André-Charles Boulle, the renowned 17th-century cabinetmaker. The commode featur...

Pair of French commodes with conforming specimen marble tops and two drawers with large cartouche form bronze mounts with trailing leaves and vines and handles that are part of the v...

A scarce antique European religious polychromed gilt wood and cast iron mounted church altar tabernacle. Hand-crafted in the 19th century, hig...

A very fine French 19th century Louis XV style Ormolu Mounted Kingwood, Satinwood and Vernis Martin Decorated Single-Door Vitrine, in the manner of François Linke (1855-1946). The wh...

Unique Italian 18th century hand painted Louis XV "Cassettone" Marchigiano from the Center of Italy region of Marche Italy, circa 1740. Important, unique ...

An impressive pair of Napoleon III Empire Revival mahogany, gilt-bronze and patinated bronze-mounted server buffets, after Pierre-Philippe Thomir...

A spectacular antique French Louis XVI style gilt bronze mounted mahogany Chinese lacquered double door cabinet embellished with C...

A fantastic, highly decorative Georgian Chinoiserie style breakfront cabinet in two sections attributed to Karges. The upper half features a finely detailed crown with gilt leaf te...

20th century splendid Renaissance tower cabinet Cabinet cabinet marquetry with inlaid bone on solid wood. A total of 19 richly decorated drawers on the...

Art Nouveau Display Cabinet, Bronze and Carved Wood with a Lacustrine Theme, France, circa 1900 We are pleased to present this exceptional Art Nouveau display cabinet, a rare and el...

Wonderful pair of bleached walnut and gilt brass two-door cabinets by T.H Robsjohn-Gibbings for Saridis of Athens. Labelled.

A fine and large French late 19th century Louis XVI style mahogany, kingwood bandings and fruitwood marquetry armorial commode with Sycamore Marquetry...

Rare pastiglia marriage chest North of Italy, Liguria or Piemonte First half of 15th century wood, gesso, partly gilded, form molded and painted 67 x 156 x 63 cm Provenance : Pri...

A fine 19th century French mahogany and gilt bronze mounted armoire by Mercier Freres. Fine quality with interior beachwood with cabinets and shelving.

Louis XV Style Kingwood and Marquetry Bedside Cabinet, the circular top with floral marquetry motif above a single door cabinet with ormolu mounts and bouquet marquetry on three cabr...

A magnificent, scarce and richly decorated Lamari Palembang three piece cabinet on chest. Exquisitely hand-crafted in the 19th century by highly skilled Chinese or Buddhist artisans ...

A petite and impressive French marquetry commode from the 1700’s. The commodes top is in wonderful antique condition with marquetry designs trimmed with ebonized molding. There are t...

French buffet cabinet, Louis XVI style, ebonized with marble top, early 20th century. In the spirit of Hollywood Regency and Maison Jansen. T...

Elegant and timeless, this Italian mahogany hall table exudes sophistication and versatility. Crafted in the mid to late 20th century, it features a refined Neoclassical design with ...

Pair of antique French ebonised wood, ormolu, bronze and marquetry cabinets French, Late 19th Century Height 110cm, width 89cm, depth 41cm A remarkable example of 19th century Fre...