Jasper Morrison Pon Coffee Table

For all the people who think designer objects need to make bold statements with attention-grabbing forms and materials, the revered British designer Jasper Morrison has a message: The quieter objects are often the better products.

Some of Morrison’s earliest creations, such as the 1986 Thinking Man’s chair, with its snaking tubular steel armrests, and the 1991 3 sofa deluxe, whose sculpted seat resembles an enormous wave (both produced by the Italian manufacturer Cappellini, one of the planet's preeminent producers of cutting-edge home decor), display the eye-catching moves that were expected among his contemporaries.

At the same, Morrison was clearly searching for a different language. In 1988, just three years after he graduated from London’s Royal College of Art, he stunned many in the design world with “Some New Items for the Home,” an exhibition in Berlin featuring simple plywood furniture he had designed and made himself as a direct rebuke to the over-the-top colors and geometries of the Memphis movement. As Morrison increasingly came to see statement-making design as flawed and wasteful, he began producing the subtler objects that eventually became his greatest hits and inspired a new generation of designers.

Morrison’s Glo-Ball lamps for FLOS, for instance, feature opalescent blown-glass diffusers that resemble ever-so-slightly squished spheres with a striking visual softness. Designed in 1998, the pieces were instantly popular and have remained a best seller for the legendary Italian lighting maker. Morrison’s Cork Family stools for Vitra, designed in 2004, have proved similarly timeless, with simple silhouettes reminiscent of thread spools whose unexpected material — solid cork — makes them particularly alluring.

By 2005, Morrison had befriended another designer working in a similar manner — Japan’s Naoto Fukasawa. That year, Fukasawa introduced his Déjà-vu stool for Magis at the Salone del Mobile in Milan and was dismayed when fairgoers barely noticed it. Crestfallen, Fukasawa talked to Morrison, who saw the scenario differently: The fact that people instinctively used the stool meant that it was successful. To cheer up Fukasawa, Morrison described his design as “super normal.” Morrison and Fukasawa latched onto this phrase as an ideal term for what they were up to.

Launched in 2006, Morrison and Fukasawa’s “Super Normal” — a traveling exhibition and a book that served as a visual manifesto — documented more than 200 utilitarian yet beautiful objects, ranging from a paper clip, a plastic bucket and a ballpoint pen to an Alessi citrus basket, Vitsoe’s 606 universal shelving system by Dieter Rams and Vitra’s Joyn office system by Ronan and Erwan Bouroullec. That same year, Morrison began playing with extreme simplicity and introduced the Crate, a wooden bedside table for Established & Sons that was modeled on an old wine crate he used for his own bedside table. 

Today, Morrison delights in finding the correct balance in his designs, turning out products that seem appealingly natural and precisely what they should be.

Find Jasper Morrison chairs, lighting, stools and other furniture for sale on 1stDibs.

Since the early 20th century, Fredericia has manufactured alluring and sophisticated Scandinavian furniture produced with the highest standards of quality in mind. The Danish brand collaborates with today’s top design talent and over time partnered with celebrated mid-century modernists such as Hans Wegner, Arne Vodder, Jens Risom — a leading figure in Scandinavian design and Knoll’s first designer — and Nanna Ditzel, whose Hanging Egg chair for Sika was a favorite for flashy fashion shoots of the 1960s.

Fredericia was founded in 1911 by N.P. Ravnsø as the Fredericia Chair Factory. In 1930, with the idea of creating a range of durable furniture made in the traditional styles of the era, Fredericia secured a license to manufacture pieces for German company Thonet.

In 1955 Danish businessman Andreas Graversen acquired Fredericia. Graversen had previously established what would become a long-lived partnership with notable furniture designer Børge Mogensen, a former teaching assistant to pioneering architect and designer Kaare Klint. Graversen sought to introduce modern flourishes to traditional Scandinavian furniture design at Fredericia — and owing to his business savvy and vision, coupled with Mogensen's artistic sensibilities and deep understanding of organic materials, the company successfully debuted various furnishings designed in the Scandinavian modern style that are still coveted today.

Fredericia brought Mogensen's iconic Spanish chair to market in 1958. With its solid European oak frame, wide armrests and suspended saddle leather seat and backrest, this signature piece solidified Fredericia's standing in Denmark — and around the world — as a premier furniture company. Mogensen designed many renowned pieces during his career at Fredericia, including the practical, rustic Hunting chair.

After Mogensen's death in 1972, Fredericia continued to flourish as a manufacturer. The company continues to work with legendary designers — witness its impossibly innovative Stingray rocking chair, designed by Thomas Pedersen, for example — and in 2020 acquired the Erik Jørgensen furniture company. Fredericia is now owned by Graversen's son, Thomas Graversen.

On 1stDibs, explore a range of vintage Fredericia seating, storage pieces and tables.