Vintage Herman Miller No1 Eames Conference Table & Brown Leather Softpad Chairs
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Vintage Herman Miller No1 Eames Conference Table & Brown Leather Softpad Chairs
About the Item
- Creator:Herman Miller (Designer),Charles and Ray Eames (Designer)
- Design:
- Dimensions:Height: 28.35 in (72 cm)Width: 79.93 in (203 cm)Depth: 41.74 in (106 cm)
- Sold As:Set of 7
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:Bamboo,Chrome,Leather,Hand-Crafted
- Place of Origin:Europe
- Period:20th Century
- Date of Manufacture:20th Century
- Condition:Wear consistent with age and use. Minor fading.
- Seller Location:GB
- Reference Number:1stDibs: LU2823327915392
Eames Executive Chair
American chess grand master Bobby Fischer pronounced the Eames Executive chair to be so comfortable that he insisted it was the only chair he could concentrate on during his world championship match against Boris Spassky in Iceland in 1972. In the end, both Spassky and Fischer were seated on the lightweight aluminum and leather chairs that have been seen in offices around the world since the piece's debut in 1960.
Modern American design luminaries Charles and Ray Eames (1907–78; 1912–88) initially came up with the concept for the Executive chair at the request of Time Inc. founder Henry Luce for the lobbies of the Time & Life Building in Manhattan. Luce had asked the Eameses to design several of the property’s lobbies as a return favor for their use of the Time/Life photo library, to which they had been granted access for their film Glimpses of the U.S.A., first shown at the American National Exhibition in Moscow in 1959.
Conceived to be smaller than the now-famous Eames lounge chair, the Executive chair was versatile enough to be used as a conference-room chair while still extremely comfortable. Since then, the Eames Executive chair, which features three individual upholstered cushions, has become so synonymous with chic mid-century modernism that examples of it were used around the conference table on the set of the TV series Mad Men.
Charles and Ray Eames first met at Cranbrook Academy of Art in Bloomfield Hills, Michigan, where Ray was taking classes after studying painting with Hans Hofmann in New York. Charles had already established his own architecture practice in St. Louis, when he received a fellowship to Cranbrook and later headed its industrial design department.
After marrying in 1941, the newlyweds moved to Los Angeles, where they established the Eames Office and eventually built their lifelong residence, the Eames House in Pacific Palisades as part of the Case Study House Program.
Perhaps best known for their visionary work with molded plywood, the Eameses’ furniture designs, toys, graphic and textile designs, films and architecture truly transformed American interior design and furniture like almost no other designer of the 20th century. Many museums throughout the United States, such as the Museum of Modern Art in New York, hold examples of the Eames Executive chair in their permanent collections.
Herman Miller, the core business of which was office furnishings by the 1960s, continues to produce the Eames Executive chair. In Europe, the alluring leather swivel chair is manufactured by Vitra as the Eames Lobby chair.
Herman Miller
No other business of its kind did more than the Herman Miller Furniture Company to introduce modern design into American homes. Working with legendary designers such as Charles and Ray Eames, George Nelson and Alexander Girard, the Zeeland, Michigan-based firm fostered some of the boldest expressions of what we now call mid-century modern style. In doing so, Herman Miller produced some of the most beautiful, iconic and, one can even say, noblest furniture ever.
Founded in 1923, Herman Miller was originally known for grand historicist bedroom suites: heavily ornamented wood furniture that appealed to a high-minded, wealthier clientele. The company — named for its chief financial backer — began to suffer in the early 1930s as the Great Depression hit, and D.J. De Pree, the company’s CEO, feared bankruptcy. In 1932, aid came in the form of Gilbert Rohde, a self-taught furniture designer who had traveled widely in Europe, absorbing details of the Art Deco movement and other modernist influences. After persuading De Pree that the growing middle-class required smaller, lighter household furnishings, Rohde set a new course for Herman Miller, creating sleek chairs, tables and cabinetry that were the essence of the Streamline Moderne style.
Rohde died suddenly in 1944. The following year, De Pree turned to George Nelson, an architect who had written widely about modern furniture design. Under Nelson’s leadership, Herman Miller would embrace new technologies and materials and audacious biomorphic forms. Some of the pieces the company produced are now emblems of 20th century American design, including the Eames lounge chair and ottoman and Nelson’s Marshmallow sofa and Coconut chair. As you can see on 1stDibs, such instantly recognizable furnishings have become timeless — staples of a modernist décor; striking, offbeat notes in traditional environments.
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