Sottsass “Filicudi” dining table for Zanotta, 1990s

An architect, industrial designer, philosopher and provocateur, Ettore Sottsass led a revolution in the aesthetics and technology of modern design in the late 20th century. He was a wild man of the Radical Design movement that swept Italy in the late 1960s and ’70s, rejecting rationalism and modernism in favor of ever-more outrageous imaginings in lighting and furniture such as mirrors, lamps, chairs and tables.

Sottsass was the oldest member of the Memphis Group — a design collective, formed in Milan in 1980, whose irreverent, spirited members included Alessandro Mendini, Michele de Lucchi, Michael Graves and Shiro Kuramata. All had grown disillusioned by the staid, black-and-brown “corporatized” modernism that had become endemic in the 1970s. Memphis (the name stemmed from the title of a Bob Dylan song) countered with bold, brash, colorful, yet quirkily minimal designs for furniture, glassware, ceramics and metalwork. 

The Memphis Group mocked high-status by building furniture with inexpensive materials such as plastic laminates, decorated to resemble exotic finishes such as animal skins. Their work was both functional and — as intended — shocking.

Even as it preceded the Memphis Group's formal launch, Sottsass's iconic Ultrafragola mirror — in its conspicuously curved plastic shell and radical pops of pink neon — embodies many of the collective's postmodern ideals. 

Sottsass created innovative furnishings for the likes of Artemide, Knoll, Zanotta and Poltronova, where he reigned as artistic director for nearly two decades beginning in 1958. His most-recognized designs appeared in the first Memphis collection, issued in 1981 — notably the multihued, angular Carlton room divider and Casablanca bookcase. As pieces on 1stDibs demonstrate, however, Sottsass is at his most inspired and expressive in smaller, secondary furnishings such as lamps and chandeliers, and in table pieces and glassware that have playful and sculptural qualities.

Sottsass left the Memphis Group in 1985 in order to concentrate on the growth of Sottsass Associati, a design and architecture consultancy he cofounded in 1980. 

It was as an artist that Sottsass was celebrated in his life, in exhibitions at the Los Angeles County Museum of Art, in 2006, and the Philadelphia Museum of Art a year later. Even then Sottsass’s work prompted critical debate. And for a man whose greatest pleasure was in astonishing, delighting and ruffling feathers, perhaps there was no greater accolade. That the work remains so revolutionary and bold — that it breaks with convention so sharply it will never be considered mainstream — is a testament to his genius.

Find Ettore Sottsass lighting, decorative objects and furniture for sale on 1stDibs.

Entrepreneur Aurelio Zanotta founded Zanotta in 1954 in Nova Milanese, Italy. Originally called Zanotta Poltrona, it specialized in traditional furniture. By the early 1960s, however, Zanotta had established a reputation for edgy mid-century modern design. Today’s vintage furniture collectors know the brand well for its innovative and wholly sculptural chairs, coffee tables and more.

One of Zanotta’s earliest successes was the Mezzadro stool — better known as the Tractor stool — designed by Pier Giacomo Castiglioni and his brother Achille in the late 1950s. In 1965, Zanotta was among the first furniture companies to work with expanded polyurethane foam and frameless construction, such as for the Throw-Away sofas and armchairs designed by Willie Landels. Another popular design was the Blow chair — designed by Jonathan De Pas, Donato D’Urbino, Paolo Lomazzi and Carla Scolari — viewed by many as a physical expression of late '60s carefree culture.

In 1969, amid the provocative movement we now call Italian Radical Design, Zanotta’s Sacco chair garnered major attention. The boundary-pushing beanbag chair was the brainchild of designers Piero Gatti, Cesare Paolini and Franco Teodoro who presented it to Aurelio Zanotta as a transparent vinyl sack loosely filled with small polystyrene balls. He suggested its signature brightly colored leather.

The Sacco chair won the 1970 ADI Design Museum’s Compasso d’Oro award. In 1972, the Museum of Modern Art in New York included it in the landmark exhibition “Italy: The New Domestic Landscape” curated by designer Emilio Ambasz. In 2020, it received a Compasso d’Oro ADI Lifetime Achievement Award for 50 years of enduring popularity. It is now in museum collections around the world including the Triennale Design Museum of Milan, the Musée des Arts Décoratifs in Paris, and London’s Victoria & Albert Museum.

After Aurelio Zanotta died in 1991, the company remained in his family and has been run by his three children since 2002. Zanotta continues to set the bar high for furniture design with trend-setting pieces.

On 1stDibs, find a collection of vintage Zanotta seating, tables and other furniture.