Animal Skin Tables

A very handsome American Rococo Revival writing table in fine plum mahogany attributable to well-known New York City cabinet maker, Joseph Meeks & Sons. ...

Louis XVI style mahogany, satinwood, ebony and ormolu writing desk by Donald Ross English, Late 19th Century Height 73cm, width 108cm, depth 64cm This excellent piece, a table à écrire, or writing desk, was made by Donald Ross, an important English maker active in the late nineteenth century, in the manner of Jean-Henri Riesener, the renowned, highly acclaimed and towering ébéniste of the Louis XVI period in France. It features a rectangular top surface mounted with a gilt-bronze edge, in which is set a finely tooled gilt leather surface. This, like the frieze drawers around the sides, is set within a lattice veneer parquetry border. The table is divided by a central ormolu appliqué...

Contemporary rectangular leather stool - Olympia by Stephane Parmentier for Giobagnara. The object presented in the image has following finish: F95 Off White Nappa Leather (top), A02 Loden Green Suede Leather (base) and Bronze-laquered Wood Seat Bowl. A stylish combination of prized materials, this refined stool...

Oslo coffee table by Shou. Dimensions: W 100 x D 60 x H 42 cm. Materials: Tempered smoked glass, leather and wooden stick. The coffee table is p...

Black embossed crocodile leather desk with acrylic base. Made to order. Customization is available in different sizes and COM (Customer Own Material) for the top. 1 floor sample ...

19th century William IV rosewood library table. The rectangular top with rounded corners features a red tooled inset leather writing ...

Coffee Table Abel Travertine with structure in solid wood, with travertine double tops and with feet covered with genuine suede leather in olive green co...

Jumandie Seys is a Belgian artist and interior designer whose work straddles the boundary between art and design. In his quest for pure expression of for...

An Exceptional and Unusual 19th Century Louis XVI Style Gilt Bronze Mounted English Partners Desk Made for the French Market The rectangular top with gilt-tooled leather writing-sur...

About Impatia: At Impatia each creation is a tale of excellence, driven by the core value of empathy. The human-to-human approach creates a journey of exploration, which is highlighted by technical development, high-quality materials and incomparable aesthetic refinement. The development of each product is full of interpretation from the first glance, becoming a representation of a lifestyle and an instantly recognizable identity, that pushes to reinvent the classics. About the Unootto collection: Unootto is the reinterpretation of the traditional professional poker table, making the A-game stylish and sophisticated. The entire structure is made of glass and is inspired by the Classic cut of the diamond. The octagonal table consists of a frame that supports the playing surface in Alca- ntara®. The chrome finish metal legs make this jewel of an Italian design even more brilliant. A table with outstanding design and functionality, the Unootto steps up the game of poker with its stylish appearance. Featuring a medley of luxury materials, which are handcrafted by only the best. This listing only includes Poker Game Set...

Cognac leather, teak wood and white carrara marble deck table by Ox Denmarq Dimensions: D 57 x W 57 x H 67 cm Materials: Steel, Marble, Leather, Wood Also Available: Different tra...

This antique tray table is one of our favorite Moroccan finds. Simple in its design and construction, the table legs and removable tray top are embe...

A handsome and most elegant French 19th century Empire st. Mahogany, Leather and Gris St. Anne marble side/center/games table. This wonderful table is raised by Brass casters below t...

We are delighted to offer for sale this vintage Regency style drum table with mahogany frame and green leather top A very good looking well made and decorative piece, ideally sui...

1950's Stitched leather and oak cocktail table Rare with this shape France

A small French wooden side table with single drawer and leather top, from the early 19th century. This antique end table from France retains it's original black and green leather top...

Beautifully crafted "Telephone Table" in brown pony skin with leather on bottom and brass castors by Karl Springer, American 1980's (label on bottom reads “Karl Springer”). It is rar...

A Regency rosewood six drawer library table by Gillows, the rectangular top inset with a replaced tooled burgundy leather within a bead and reel border, with three frieze drawers on ...

Tommi Parzinger green leather occasional table, model no. 3303, ca. 1955 Ebonized wood, embossed leather. Manufactured by Charak, USA. Measures: 26" H ...

One of a pair commissioned by Jean Patou for his Paris maison de couture. Please note that our console retains its original traditional water gilding, creating an effect which is pa...

Handsome English Leather Bound Books As A Side Table With Interior Storage.

We are delighted to offer for sale this lovely vintage green leather topped lamp or side table with gold leaf inlaid boarder A good-looking well-made tripod table in good, we hav...

19th Century English mahogany side table with castors with a 19th century mahogany top.

Provenance: Palais des Consuls de Rouen. Bibliography: For an illustration of these pieces, see: Rouen, le Palais des Consuls. Presentation booklet. 26. For an illustration of these...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

A Late 20th Century Pedestal Tripod chocolate and Stenciled Tooled Leather Top Mahogany Candle Stand. Measures 13" in width, 13" in depth and 20.25" in height.

Leather pedestal leg sura side table by Madheke Dimensions: Ø 55 x H 55.5 cm Materials: Leather, veneer, metal Marquetry set in a contemporary metal...

Coffee table white leather I with structure in solid walnut wenge stained. With top covered with high quality withe genuine leather, Cat A. Available in: L40 x D40 x H 45cm, price:...

We are delighted to this lovely vintage circa 1970s impulse ST 210 Radiogram Military Campaign brown leather topped console table What a cool thing, on the outside you have the never out of style military Campaign style console table, it’s the size of a modern day coffee table, the top is brown cattle leather with gold leaf embossing Inside you have a full entertainment system, there’s a radio, tape...

Handmade game table featuring charming inlay work and a tooled leather top. Two drawers on opposing sides.

Ball foot chair by Panorammma Materials: Steel, nickel, leather. Dimensions: 90 x 49.5 x 49.5 cm. Panorammma is a furniture design atelier based in Me...

This beautiful manufactured coffee table by Maitland Smith shows the delicate work with materials like coral stone, Shagreen and ebony. The curved structure of the legs is covered by...

Jumandie Seys is a Belgian artist and interior designer whose work straddles the boundary between art and design. In his quest for pure expression of form and material, he creates ob...

Elegant, classic Maitland-Smith Florentine style glazed leather pedestal in cream with gold embossed details. A handsome statement in both traditional and modern settings.

We are delighted to offer for sale this lovely Bevan Funell vintage light Mahogany with green leather top lamp or side table A good looking well made t...

Attributed to: Karl Springer Vintage Snake Print Leather Wrapped Waterfall Accent Table Leather wrapped over solid wood design Red Accent on...

Delicate antique mahogany ladies' desk Louis XVI, Paris 1880 Semi-circular solid mahogany wood body. Extremely rare form. With 5 lockable drawers. Cover plate framed with brass gall...

Designed By Ludovica & Roberto Palomba A pebble, with its imperfect regularity, now becomes a piece of furniture with the Galet design. A pebble is a surface on which a world o...

This beautiful manufactured coffee table by Maitland Smith shows the delicate work with materials like coral stone, shagreen and ebony. The curved structure of the legs is covered by...

This remarkable 19th-century games table perfectly incorporates beauty and function with tasteful marquetry and a fold-out gaming surface. An elegant example of Dutch craftsmanship a...

Gorgeous table by Scala Luxury. A polished nickel base and goatskin top. This piece is a solid base side table that has been brush polished. The goatskin top is made from one rare la...

Designed by Tito Agnoli for Matteo Grassi in the 1970s, this side table is a fantastic example of mid-century Italian design. Constructed from steel, the frame of the table is cov...

A Louis XVI Style Gilt-Bronze Mounted Bois Satiné Parquetry Inlaid Writing Table, By Emmanuel Zwiener, Paris. The top of gilt-tooled tan leather surrounded by a stiff-leaf cast edge...

1950s pair of stitched leather gueridon by Jacques Adnet Re-varnished Mahogany top Very good shape Can be sold individually.

Table made of fluo two-tone painted metal, with an elegant hexagonal shaped crystal top. The structure, reminiscent of the origami technique, is achieved by complex bending and weldi...

Axis round table by Dovain Studio Dimensions: H 79 x Ø 120 cm Materials: Estremoz white marble, Eco leather Dovain Studio Creative direction by Sergio...

The Big Crocco desk belongs to the Big Crocco collection designed by Egg Designs and manufactured in South Africa. This high end, contemporary and bespoke desk...

The Magrini Stool was designed in 1963 by Sergio Rodrigues and produced by his company, Oca. These pieces are composed of a solid Rosewood structure w...

Gorgeous table by Scala Luxury. A polished nickel base and shagreen top. This piece is a solid base side table that has been brush polished. The shagreen top is made from one rare la...

A gorgeous and absolutely classic regency style executive writing desk or bureau plat desk in carved wood, with embossed leather top, original brass handles in the two drawers and ba...

If you are looking for an impressive and unique statement piece of furniture this table is for you! This Wood & Hogan bench-made late 17th century William & Mary style Walnut writing...

Italian modern Game table in green fabric, black leather and chromed steel, 1970s. Game table with square top with rounded corners: in the center it has a square of green fabric and black leather on the edges. At the four corners 4 round steel ashtrays inserted into the table. Below these there are 4 removable round shelves...

Italian modern Black sky, wood and black iron Coffee table by Gianni Moscatelli for Formanova, 1970s Elegant coffee table with square wooden top covered in black sky. The central st...

Set of Antique Rajasthan Courtyard Door Dining Table with 6 Spanish Oak and Leather Chairs This is a large antique Indian dining table from the 19th...

Side table on casters attributed to Jacques Adnet. Black leather handsitched top with brass corner details. Black wrought iron legs with faux bamboo detailing. This piece has a beaut...

Leather patchwork storage cube by De Sede, Switzerland, circa 1960s. The cube features a patinated patchwork leather exterior around the entire cube with a removable white laminate t...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning, exceptionally rare and very fine, fully restored Edward & Roberts stamped, Chinese Chippendale desk The firm Edwards and Roberts were among the best English antique furniture cabinet...

Unusual side or cocktail table in stitched leather by Jacques Adnet Very good vintage condition with a deep patina France

1920s cast iron and wood industrial examination side table by Karl Manufacturing Co. Recently salvaged from downtown Buffalo NY opticians. Nice vintage condition.Retains original red...

Admire this domed presidential office desk finely finished in natural walnut and silver leaf decorated carvings. Its curved baroque legs reall...