Yves Saint Laurent YSL Arty Navy Cluster Flowers Statement Chunky Ring, Size 6

Crafted from 18ct White Gold, this pre-owned ring is a true testament to the renowned Bvlgari brand's expertise in fine jewellery. With its immaculate design and exceptional craftsma...

A Cerrone Aquamarine Oval Ring, four claw set in 18ct white gold with 6 diamonds pavé set on the shoulders on a 3.9 to 2.8mm reverse tapered concave band. Aquamarine 10.92ct, 18.0 x...

This beautiful vintage 14k gold ring features an oval tanzanite framed by a halo of round brilliant diamonds. The tanzanite is a gorgeous rich blue color with purple undertones, which is considered to be one of the most desirable shades of tanzanite. The 14 diamonds surrounding the tanzanite create a stunning contrast that makes the blue stone pop and compliments the lighter hues that sparkle within its facets. Designed by LeVian, this ring emulates Princess Diana’s engagement ring—one of the most iconic pieces of jewelry in history...

Henry Dunay South Sea pearl and diamond ring with the 'Sabi' finish. Set with one South Sea cultured pearl measuring 13.25mm. One side of the mounting is pave-set with 68 round bri...

Beautiful cornflower blue natural sapphire weighing 3.25 carats set in four-prongs in a handmade platinum mounting. The sapphire is surrounded by ten near-colorless round brilliant-...

This vintage 18k gold ring features a cluster of deep red, faceted coral beads. The beads are held in place by gold wire, wrapped around the top center of the band—allowing for movem...

A rare late 19th century gem-set princely gold cluster ring made in Siam (Thailand). This gorgeous and colourful gem-set cluster ring is intricately crafted in high-karat gold, by the goldsmiths of the Siam court in the 19th century. The centre features a rose cut diamond in a rubber gold setting which is riveted to the body of the ring which is visible from the underside, a feature typical of 18th and 19th century Siam rings . It is surrounded by a halo of rubies, garnets and diamonds, with emeralds on the shoulders. The thick gold band features pierced scrollwork motifs and is stamped with a French gold import mark from when it was later brought into the country. This ring is a fine example of the lavish adornment worn by participants in royal and aristocratic life-cycle ceremonies in the courts of Bangkok. Aside from ceremonial use, they were also occasionally given as gifts to important visitors or other aristocratic families. Examples of these lavish jewels being worn can be seen on old photos and paintings of life-cycle ceremonies such as the Royal Tonsure Ceremony, also known as ‘the cutting of the top-knot’ ceremony, which marked the transition into adulthood for all of the (many!) sons and daughters of the Siam royal family. The huge expansion in the number of royals in 19th century Siam stemmed from Kings Mongkut (Rama IV) and Chulalongkorn (Rama V...

A rare late 19th century gem-set princely gold ring made in Siam (Thailand). The ring takes the form of a mythical winged bird, possibly the Gar...

An outstandingly rare mid-19th century royal Siam diamond cluster ring, made by the royal goldsmiths of the court of Bangkok. This is an extremely fine example of the jewellery commissioned and subsequently bestowed by the Kings of Siam, principally to be worn by participants in royal and aristocratic life-cycle ceremonies in the courts of Bangkok. In the mid-19th century, King Mongkut (Rama IV) of Siam also commissioned the courtly jewellers to create a number of faithful replicas of these ceremonial jewels to be offered as gifts to diplomatic families, important visitors and to Heads of State across the world when re-establishing diplomatic relationships. One such example (which is remarkably similar to the present ring) resides in the museum of the Château de Fontainebleau (item F1518C) where it was given as a gift from King Mongkut to Napoléon-III on the important ambassadorial visit of 1861 (see photos for a side by side comparison). Ceremonial Use: During the 19th century, many rings were made every year by the royal jewellers for ceremonial use. Examples of these lavish cluster rings being worn for these life-cycle ceremonies can be seen on old photos and paintings of the Royal Tonsure Ceremony, also known as ‘the cutting of the top-knot’ ceremony, which marked the transition from childhood into adulthood for all of the (many!) sons and daughters of the Siam royal family. The huge expansion in the number of royals in 19th century Siam stemmed from Kings Mongkut (Rama IV) and Chulalongkorn (Rama V) being highly polygamous. They had a joint total of 124 wives and 159 royal children, each requiring their own ceremonial regalia and princely jewels. As a result, Bangkok became home to some incredibly skilled goldsmiths in this period. The Tonsure ceremony was performed by the King, and lasted three days and three nights. All of the royal children would be dressed in the most splendid costumes and adorned with a vast amount of jewels on several parts of the body. Their costumes and jewels differed according to their title and rank. Diamonds for instance, would be bestowed to the highest ranking noble children. The royal children were allowed to keep their regalia and jewels as a present on entering adulthood to indicate their social status among society. Over the years, these royal jewels have been dispersed across the many noble families, with currently only a few important pieces remaining in the royal collection. Today, the number of royals in Thailand is contracting as the country follows the Chinese nobility system whereby with each generation the noble rank of a family decreases by one ranking so that eventually the majority of descendants will lose their noble status completely. This loss of royal privilege, coupled with the dilution of wealth has meant that items such as this ring become available on the open market. Following the end of the absolute monarchy in Thailand in 1932, many members of the royal family relocated to Europe and as a consequence, princely Thai items can occasionally be found in the European art market. Gift Exchange: In Siam culture, great importance is placed on the ancestral process of gift-exchange. During the reign of King Mongkut, close relationships with some powerful countries were cultivated in order to hold the balance of power and to save Siam from being colonised. The King used gift-exchange to establish diplomatic relations with other heads of state around the world, as well as with other kings, princes and sultans closer to home. He sent troupes of ambassadors to England (1857) and France (1861) with seemingly endless amounts of trunks filled with lavish gifts in order to dazzle the heads of state with the extraordinary quality and variety of Siam craftsmanship. These gifts consisted of faithful replicas of the Royal Regalia and objects belonging to the King himself; items and jewellery worn by him on his Tonsure ceremony and on his coronation day. Enormous time and effort was required by the Siam court to assemble these numerous gifts, as they emanated from the very same royal goldsmiths and courtly craftsman who had made the original ceremonial items. The most famous of these ceremonies took place at the Chateau de Fontainebleau in 1861. The painting by Jean-Léon Gérôme that immortalised the event prominently features the most spectacular of these gifts. Among the 150 gifts presented to Napoléon-III by the Siam ambassadors were two diamond-set rings, both of which are on display in the Musée du Chateau de Fontainebleau (item no. F1518C and F1519C). One of these rings is a rose cut diamond cluster and bears a striking resemblance to the ring we are offering. According to Bruley (2011), this ring, presented to Napoleon-III, was a faithful replica of the ring worn by King Mongkut on his own coronation day in 1851, which now resides in the Pavilion of Royal Regalia in Thailand. The Ring: From whichever angle the present ring is viewed, it is a masterpiece of design and a testament to the ingenuity and craftsmanship of the Siam royal goldsmiths. The bezel head is composed of two layers, the uppermost, containing the large triangle shaped table-cut diamond, is riveted to the main body of the ring. The second layer of the cluster is set with a further eight rose cut diamonds and this section allows for small rotation, typical of Siam jewellery...

A rare Portuguese 18th century ‘minas novas’ rock crystal cluster ring, circa 1770. A lovely example of Georgian period Portuguese jewellery, this m...