Argentina - Sculptures

Carrara marble bust sculpture signed H. Moreau, France, circa 1890.

Art Deco mask attributed to Karl Hagenauer Hanging mask Patinated bronze Origin Austria Perfect condition with natural wear Woman face Karl Hagenauer (18...

Royal copenhagen porcelain porcelain with seal motif Origin Denmark circa 1940 20th century perfect condition. Royal Copenhagen, officially the Royal Porcelain Factory (Danish: Den K...

Ceramic Sign: Made in Austria Keramos 2051 19/M Wiener Keramos, later Keramos AG or Keramos KG , was a Viennese ceramics manufacturer that made a name for itself especially in the interwar period . In addition to their own designs, designs from the dissolved Wiener Werkstätte were also produced from 1932 onwards. In over 60 years of company history, around 3000 model designs have been produced by around 60 ceramists. Keramos also carried out commissions from the Wiener Werkstätte, such as vases by Dagobert Peche . History The origins of the Keramos company lie in two companies with the same name. The company Keramos – Invalid Society for Viennese Art Ceramics was founded at the end of 1919 on the initiative of the three ceramists Rudolf Wolf, Heinrich Wolf and Ludwig Rys, who had become invalids in World War I. Production started in September 1920. Art-ceramic lamps, figures, vases and boxes were produced. The company Keramos – Viennese art ceramics and porcelain manufactory was founded in 1920. Josef Hoffmann was a shareholder of Keramos for a long time, as was the sculptor Rudolf Podany, who was engaged from the start and created a large number of designs. From 1921 Anton Klieber was employed, who was also responsible for most of the models. Around 1924 both companies were merged and converted into an AG, commercial director became Otto Köller, the technical directors were the brothers Rudolf and Heinrich Wolf. "Some war invalid ceramists founded a workshop with the help of some artists, which was subsequently financed by the state and later enlarged with its participation and converted into a joint-stock company." The company's headquarters were in the Hofburg , Schwarze-Adler-Stiege, the factory in the 10th district of Vienna, Schleiergasse 17. Artistic collaborators at that time were Eduard Klablena , Otto Prutscher , Karl Perl , Karin Jarl-Sakellarios , IDA Schwetz- Lehmann and Grete Fucik-Fischmeister. On February 23, 1928, the triangular mark was entered in the trademark register. It was now also produced for the Wiener Werkstätte. Difficulties for the company arose from the Great Depression . Around 1932, 50 people were employed and a large number of models from Eduard Klabena and the dissolved Wiener Werkstätte were taken over. The works created by Keramos were labeled with their company brands until after 1941. From 1939 the economic situation of the company was better managed by taking over the production of ceramic winter welfare organization badges, the so-called WHW badges. Before 1941 the company is converted into a KG named Keramos, Wiener Kunstkeramik und Porzellanmanufaktur Brüder Wolf KG . Otto Köller was no longer active from this point on. After the end of World War II, Robert Obsieger recommended Robert Mathis as the new head of Keramos, who took over the management of the ceramics manufactory in 1945. In 1949 Mathis introduced a new company logo, which was used alongside the existing triangle mark, the so-called coat of arms mark. Anton Klieber and Rudolf Podany continued to work as ceramists, and new artists such as Josef Lorenzl and Stephan Dakon , both of whom had previously worked for Goldscheider , as well as Rudolf Chocholka, Karl Grössl and Ina Eisenbeisser were engaged. New models such as dancers, children's figures, animals and nudes were created, as well as the well-known wall masks, young people and poodles from the mid-1950s, which corresponded to the trend at the time. In addition, however, traditional designs such as Madonna statues and busts, saints and angels were still made. Utility ceramics such as crockery, vases, lamp bases, candle holders and flower pots also became an important branch of production, and cooperation with the German manufacturer Carstens at the beginning of the 1960s was just as lucrative. In the course of the 1960s, the sales markets for figurative ceramics became increasingly difficult. So until 1982, production was increasingly shifted to everyday ceramics, since ceramic figures were no longer modern due to changing tastes and the spirit of the times. Ultimately, the economic situation at Keramos became more and more difficult and Klaus Mathis, the son of Robert Mathis and then director, who succeeded his father at the helm of the company at the beginning of the 1970s, initiated the liquidation of the company at the end of 1982 . Staff The following artistic collaborators have worked for Keramos over the years: Hans Adametz , Franz Barwig the Elder , Franz Barwig the Younger , Andreas Beck, Hans Bolek, Angelo Bortolotti, Hertha Bucher , Rudolf Chocholka, Stephan Dakon , Ferdinand Doblinger, Eckstein, Franz Eggenberger , Ina Eisenbeisser, English, Stephan Erdös, Alois Feichtinger, Feyslitz, Hans Friedberger, Grete Fucik-Fischmeister, Kurt Goebel, Anton Grath, Karl Grössl, M. Günther, Otto Hafenrichter, Arnold Hartig , Friedrich Herkner, Trude Hillinger, Leopold Hohl, Hostasch, Karl Jamök, Karin Jarl-Sakellarios , Eduard Klablena, Klar, Anton Klieber, Maria Klinger, Josef Kostial, Josef Lorenzl , Wilhelm Otto Lugerth, Viktor Matula, Gusty Mundt-Amman, Novotny, Carl Perl, Rudolf Podany, Friedrich Pollak, Hugo Postl, Adolf Prischl, Otto Prutscher , Max Rieder , Elisabeth Rieger-Hofmann, Walter Ritter , Willibald Russ, Karl Sailer, Schönberg, Schwarz, Ida Schwetz-Lehmann , Sult, Robert Ullmann , Otto Weigand, IDA Weiss-Moricz, Rudolf Wolf. Exhibitions • Jubilee exhibition of the Wiener Kunstgewerbeverein, Austrian Museum , Vienna 1924. • Arts and Crafts Exhibition, Paris, 1925. • Exhibition of Austrian arts and crafts...

Belle Époque french bronze sculpture of a boy with overall and a hat by Louis Kley By: Louis Kley Material: bronze, copper, metal Technique: cast, patinated, molded, metalwork Dimen...

Mixed coloured "Greyhound" car mascot, from the 1960s French two-colour bronze figure depicting a hunting greyhound, in silver with a gold base. Measurements: Height: 10 centimetres ...

Late 19th century french bronze sculpture of a boy with a sword by Louis Kley By: Louis Kley Material: bronze, alabaster, copper, stone, metal Technique: cast, patinated, molded, me...

Early 20th century Expressionist patinated bronze woman sculpture with marble base signed by italian sculptor A. Monti By: A. Monti Material: bronze, marble, copper, metal Technique...

Goldscheider-like Art Déco dancing lady unglazed porcelain figurine from United Kingdom By: Goldscheider (in the style of) Material: ceramic, porcelain, paint Technique: unglazed, m...

Art Déco french nude lady in chains bronze sculpture with stone base in the style of Demetre Chiparus By: Demetre Chiparus (in the style of) Material: bronze, copper, metal, stone Technique: cast, molded, polished, metalwork, patinated Dimensions: 4.5 in x 8.5 in x 12 in Date: early 20th century Style: Art Déco Place of origin: France Crafted in France during the early 20th century, this remarkable Art Déco bronze sculpture embodies the spirit of the era with its unique portrayal of a nude woman entwined in delicate chains. With arms gracefully outstretched, she holds the chains that wrap around her body, shoulders and neck, creating a mesmerizing visual narrative. Created in the style of Demetre Chiparus, it pays homage to the renowned sculptor's iconic "Chain Dancer...

1920s Art Déco glazed ceramic sculpture with base 'La Femme voilée de Marrakech' by Céline Lepage, France By: Céline Lepage Material: ceramic, paint, enamel, clay Technique: cast, p...

A large pair of antique Japanese bronze vases with carp fishes, Meiji period. The bottle vases have carp in swirls of water, with some ver...

Pair of late 20th century french enameled glazed black ceramic women busts/heads By: unknown Material: ceramic, enamel, paint Technique: pressed, molded, enameled, polished, painted Dimensions: 9.5 in x 5.5 in x 13.5 in Date: late 20th century, circa 1970 Style: Post-Modern, Mid-Century Modern, Space Age, Minimalism Place of origin: France The sleek minimalism of French design in the 1960s and 70s took inspiration from groundbreaking fashion of the era. This stylish pair of black ceramic busts...

Late 19th century Romantic french black patina bronze sculpture of a hunter boy with riffle By: unknown Material: bronze, copper, metal Technique: cast, molded, patinated, polished,...

Porcelain and hand-painted figurine of a realistic Rosenthal bird. Beautiful porcelain carpenter's bird resting on a hand-painted trunk with a Rosenthal...

Goldscheider "Indian Dancer" ceramic statuette design by Podola and it was registered as "Model 4495". The stattuete depicts the female dancer Ruth Saint ...

Bronze alloy sculpture. Signed E. Blot, France, late 19th century. Orientalist style. Attributed to Anatole-Jean Guillot (1865-1911).

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Fantastic Sculpture of a couple of naked lovers kissing, Both nude. Perfect size, will go perfect in any space. Francesco Messina (15 December 1900 – 13 September 1995) was an Italian sculptor of the 20th century. Francesco Messina was born at Linguaglossa in the Province of Catania in a very poor family. Growing up in Genoa, where he also studied and lived until he was 32, he then moved to Milan. Art historians consider him one of the most important figurative sculptors of Novecento, together with Giacomo Manzù, Arturo Martini, Marino Marini. He is the author of some of the greatest works of the Novecento Italiano[citation needed] and his sculptures are displayed in the most famous museums, among which: Bern, Zürich, Gothenburg, Oslo, Munich, Paris, Barcelona, Berlin, São Paulo, Buenos Aires, Venice, Moscow, Saint Petersburg, Vienna, Washington, D.C. and Tokyo. From 1922, he began exhibiting his work regularly at the Biennale Internazionale d'Arte in Venice and between 1926 and 1929 he took part in the expos organised by the art group Novecento Italiano in Milan. In 1932, he moved to Milan, where in 1934 he obtained a tenured professorship 1934 in Sculpture at the Accademia di Belle Arti di Brera, of which he became the director within two years. During those years, about him wrote Carlo Carrà: Francesco Messina's sculpture is characterised by a simple and grandiose manner, by an idealistic and classic procedure, able to give life to forms which become "ideal images". In the 1930s, Messina exhibited at important collective expos of Italian art in Barcelona, Berlin, Bern, Gothenburg, Munich, Oslo, Paris, São Paulo, Zurich, while executing various sculptures in many Italian cities. In 1936 he was appointed director of the Accademia di Brera, which position he will keep until 1944. His work was also part of the sculpture event in the art competition at the 1936 Summer Olympics.[ In 1938, Giorgio de Chirico in Rome and Salvatore Quasimodo in Turin presented two personal exhibitions of Messina's work. In 1942 he won the Sculpture Prize at the XXIII Biennale Internazionale d’arte of Venice, where he exhibited fifteen sculptures and seventeen drawings. In 1943, Messina was appointed Academic Emeritus of Italy. On the collapse of the fascist regime, he was temporarily dismissed from the academy, only because he had been its director during the fascist period. However, by 1947 he had already regained his professorship. In the same period the artist took part in the Graphic & Sculpture Expo at Buenos Aires, in the Muller Gallery, achieve a noticeable success. In 1949 he exhibited at the 3rd Sculpture International held by the Philadelphia Museum of Art in Philadelphia, together with Marino Marini and Picasso. Romantica, c. 1973 (Fondazione Cariplo) In 1956 he participated with a personal exhibition at the XXVIII Biennale di Venezia. In 1963 he produced the great monument to Pope Pius XII for St. Peter's Basilica in the Vatican, as well as the bust of Pietro Mascagni for the Teatro alla Scala. In the same year he was awarded the Michelangelo Prize for Sculpture in Florence. In 1966 Messina was commissioned by Italian RAI to create the Cavallo morente (Dying Horse...

Centerplace, WMF, German WMF (Wurttembergische Metallwarenfabrik) Electro- Wurtemberg Plate Company in Geislingen, Germany, internationally known today as 'WMF' initials of the...

19th century Belle Époque bronze sculpture with greenish patina of a boy walking into water by sculptor Ruffino Besserdich By: Ruffino Besserdich Material: bronze, copper, metal Tec...

1930's American Folk Art Wooden Bulldog Sculpture. This is a wonderful Primitive Folk Art bull bog. A close look at the simplicity of design and constru...

Midcentury small silvered metallic sculpture of a dog, likely a terrier breed, standing on its hind legs with its front paws raised. The dog is detailed with fur texture and facial f...

Early 20th century italian bronze sculpture depicting Giambattista Perasso 'Balilla' By: unknown Material: bronze, copper, metal Technique: cast, molded, polished, metalwork Dimensi...

18th century Baroque/Rococo english glazed painted porcelain of a goat-riding tailor by Chelsea Pottery By: Chelsea Pottery, Meissen Porcelain (in the style of) Material: porcelain,...

Meisen Porcelain Figurine by Johann Joachim Kaendler and Johann Friedrich Eberlein This exquisite porcelain figurine depicts a cockatoo in a stately and alert pose. The piece is a te...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

20th Century Viennese bronze cat pincushion Pincushion showing a cat with bristly hair Viennese bronze with red velvet, figure of the Ea...

Antique Austrian Cold-Painted Bronze Boy on a leaf, 20th century Measures: 44 centimeters long 20,5 centimeters depth 11 centimeters high This antique cast and cold-painted bronze ...

Terracotta woman sculpture signed Goldscheider, Austria, circa 1900.

Painted wooden faces over a stand. Rare sculpture of the people talking. Nice colors. It has no signature. It was bought to a french family, everything in ...

Incredible boat: in solid wood. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushin...

Space Age Palatnik-like brazilian Op Art acrylic/lucite monochromatic translucent owl sculpture/paperweight by Aldemir Martins, Brazil By: Aldemir Martins, Abraham Palatnik (in the ...

Early 20th century Modern patinated bronze figurative bust with marble base, France By: unknown Material: bronze, copper, metal, stone, marble Technique: cast, molded, metalwork, pa...

Pair of ceramics Sign: Ceramic with enamel : Catherine Barjansky Made in Belgica Boch Ceramic White: Sign: BFK made in Belgium The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another known company, Villeroy & Boch. The direction of Boch Freres SNC was in 1844 taken by Victor Boch. Production could be started immediately thanks to other Boch family ceramic businesses that sold Victor ready-to-use copperplates. This faience manufacture developed very fast. In 1847 the company won a gold medal at the exhibition of the Belgian industry. In 1855 they already employeed 300 workers in La Louvière (Keramis) and 100 in Tournai (Boch Freres) factory. Around 1860 the production of polychrome pieces was started. In 1904 the first in Europe tunnel kiln was launched. Problems started in 1970s. The company went bankrupt in 1985 and was reactivated as Novoboch and MRL Boch. In 2015 was started Keramis Center, just two rooms showing Royal Boch history. One of the most important designers for Boch Frères Keramis was Charles Catteau. He was French but in 1906 moved to La Louvière. Patterns designed by Catteau were created in following years: The Boch Frères Kéramis factory (Belgium, province of Hainaut, La Louvière) is now well known thanks to the work of the very dynamic Charles Catteau. That of the sculptor Catherine Barjansky is much less so, even if her career is international: Rome, Berlin, New York, Vienna, Paris, Brussels... Catherine is from Odessa, a Ukrainian city located in the Soviet Empire. At the age of twenty, she studied sculpture in Monaco where she met her husband, Alexandre Barjansky, the famous violinist whose name is now inseparable from a Stradivarius! Thanks to her husband's job, she travels a lot. Witnesses to his exchanges with the intellectual milieu of the time, his portraits of personalities dominate his work: a bust of Einstein, kept at the Solvay Institute in Brussels; a bust of Freud; or even Colette, author who prefaced her first exhibition in Brussels. She made a bust of Queen Elisabeth of Belgium...

Early 20th century Art Déco golden bronze small sculpture/figurine seal of a gentleman, England By: unknown Material: bronze, copper, metal Technique: cast, molded, metalwork, patinated, polished, gilt Dimensions: 1 in x 1 in x 3 in Date: early 20th century Style: Art Déco Place of origin: England Embodying the quintessential English gentleman, this early 20th-century Art Déco seal...

Incredible boat: in solid wood. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushin...

Big silvered bronze Vienna dog sculpture, 1900s. Very good detailed silvered bronze dog sculpture. Perfect as desk paperweight.

Bronze sculpture model "Ariadne" by Johann Heinrich von Dannecker Beautiful sculpture that shows the goddess of hunting half-naked on a panther, in patinated bronze with a marble bas...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Pair of hands on ceramics. work glove molds They can be used as sculptures or also as coat racks. We have specialized in the sale of Art Deco and Art Nouveau ...

Mid-20th century astronaut bronze sculpture by italian-brazilian artist Doménico Calabrone By: Doménico Calabrone Material: bronze, copper, metal Technique: cast, hammered, hand-cra...

French Art Deco Indian Car Mascot by Ruffoni, 1930 Car radiator cap mascot depicting an Indian chief. Artist/Maker: Ruffony Signature/Marks: Ruffony Style: Art Deco Material: Bro...

Cute Art Deco Paperweight / Car Mascot Gilt Bronze in the shape of squirrel. Signed by the French artist Claude and with the founders' signature of Marcel Gui...

Art Nouveau glazed italian Torino-like porcelain figurine of a boy and his dog By: unknown Material: ceramic, porcelain, paint, enamel Technique: glazed, pressed, molded, painted, h...

Mid-20th century Modern italian glazed black ceramic rearing horse sculpture by Ugo Zaccagnini & Figli By: Ugo Zaccagnini & Figli Material: ceramic, paint Technique: pressed, molded...

Bronze Sculpture. Karl Sterrer Date of birth December 4, 1885 Birthplace Vienna Date of death June 10, 1972 Place of death Vienna Professional painter....

Nice pair of Art Deco seal bookends designed by the French artist Louis Albert Carvin, silvered white metal on a green marble base, France, 1930. “Anima...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Late 20th century dominican hand-carved varnished wooden hand sculpture/cigar holder By: unknown Material: wood Technique: carved, hand-carved, ...

Italian ceramics Cacciapuotti Art Deco in perfect condition.

This is a magnificent original 19th century French bronze on marble done by world famous 19th century listed artist Louis Kley born 1833. It shows a baby boy scared of the mouse. I...

Cold-painted bronze sculpture by Franz Bergmann. Austria, early 20th century.

Carrara marble sculpture "Schiava" attributed to Giacomo Ginotti (1845-1897). Italy, late 19th Century.

Mid Century / Modern - Acrylic / Lucite Sculpture Abstract, 1960s

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All...

Porcelain Figure "Beauty of Bath", Galluba & Hofmann Beautiful figure representing a blonde woman in a bathing suit, this one in particular consists of pink colors as if denoting inn...

This fine and powerful bronze sculpture, Lioness Carrying an Antelope, is after the work of renowned French sculptor Christophe Fratin (1801-1864). Sand-cast circa 1880, this strikin...