Texas - Abstract Paintings

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed verso. Some scratched out, illegible writing in paint and graphite verso, which may ha...

"Flight of the Butterfly" original oil on canvas painting of a blue and green butterfly by Steve McElroy. Is there anything more timeless than a butterfly? Representing new life,...

Black, gray, and white abstract contemporary painting by Houston, TX artist Winifred Booth. The piece depicts white writings all over the canvas against...

Artist unknown "Black & White Lounger" c. 1980s Acrylic on Strathmore paper 40.5"x25.75" unframed Unsigned Very Good Condition - Minor wear consistent with age and history 2" tear o...

Blue and Orange abstract with green accents by Tom Reno Acrylic on Canvas 60" x 48" Tom Reno is an abstract artist originally from Southern Cali...

Painted with acrylics, in a watercolour technique has given a richness and depth to this framed piece. It is part of a pair. Look for the matching listing by the same name. This heav...

Patricia Zippin White Box Blue Lines 1980s Mixed Media 30.75"x 22.5", unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks.

Colorful abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Currently on view in "David Hardaker: R...

Artist unknown "Black & Green Street Scene" c. 1970s Acrylic paint and oil pastel on paper 29.5"x4" black wood gallery frame float mount on linen 33"x1.5"...

Sea Lantern is part of the Light in the Deep Series by artist Ellen Hart. Sea Lantern investigates the ubiquitous patterns of light, shadow and reflection...

Finding My Way 3 Cheryl D. McClure oil on wood panel 30 x 30 x 2 Inv #: 821 Price $3,300 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

Sylvia Rutkoff (1919-2011) "Traffic" c.1950s Oil, sand, grout, gesso on masonite 48"x36" wood period frame Signed on reverse in pencil Collection acquired from family estate Sylvia ...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed and dated lower left. 47.25 x 47.25 inches 48.75 x 48.75 inches (framed) Custom fram...

Modern abstract painting in blue and gold by artist Spe, 2011. Signed and dated lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a stan...

Leopoldo Gonzales Jr Born 1921 San Antonio Artist Image Size: 48 x 36 Frame Size: 52 x 40 Medium: Oil / Casein Circa 1958 Mid Century Modern "Penguin" Signed and titled on verso. ...

Michael Knigin Abstract 3 Blue and Purple 1967 Ink brush and watercolor on paper 8.25"x11" unframed $675 Signed and dated in ink lower right Came from artist's estate *Custom framing...

Celadon Sea Celadon Sea is part of C. Ellen Hart’s Reflection Series. The works feature reflections found on the surfaces of water and glass. She seeks out images that commonly ...

Red and blue abstract figurative painting by Haitian artist Richard Antilhomme. The painting depicts four different red flowy figures that branch from each other. The figures are against a light blue background with green botanical elements. Signed by the artist at the bottom right. Framed in a beautiful gold frame. Dimensions With Frame: H 31.88” x W 23.75” Artist Biography: Born in 1922 in Petit Trou de Nippes. Antilhomme didn't start painting until he was 50 when Tiga, a famous Haitian artist, brought him into the Saint Soleil circle. Malraux mentioned him in L'intemporel as one of the finest artists. He paints vodou-inspired themes in a raw and naive format. He has participated in many exhibits. Saint Soleil was founded in the early 1970's under the direction of Tiga (Jean Claude Garoute...

Donald Stacy "Landscape wit Boulder" c.1950s Gouache paint on paper 24"x18'" unframed Unsigned Came from artist's estate *Custom framing available for ad...

Gray, black, and white abstract contemporary figurative painting by Houston, TX artist Scott Woodard. The painting depicts a silhouette of a man wearing a cop hat and smoking a tobac...

Serene yet filled with life, this abstract view of the horizon evokes the beach, or water, or a field. Two other matching paintings are available (see listings by the same name). Th...

White and grey structure on a grey sky with a few white clouds, a black palm tree, and bright blue water. Artist signed the work in the bottom right corner, as well as titled and dat...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Unsigned. 63 x 51.25 in. 64.5 x 52.5 in. (framed) Custom framed in an ebonized solid walnu...

"Kalahari Sun" is an earthy and mocha coffee toned original painting on paper by Kazaan Viveiros. It is an abstract geometric original work on paper with uplifting patterns and shape...

Colorful metallic gestural abstract painting by Brooklyn based artist Bret Shirley. The work features sweeping strokes of metallic blue, pink, and yellow ...

Contemporary abstract painting by local Houston artist Max Kremer. This piece is included in his solo show, "Perfect Day" at Reeves Art + Design in Houston, TX. Artist Biography: M...

“It’s complicated.” This current popular phrase used by Gen X’ers and Millennials to describe a new love life paradigm on social media is the phrase most likely used by outside obse...

Michael Knigin Abstract 2 Purple and Yellow 1967 Ink brush and watercolor on paper 8.25"x11" unframed $675 Signed and dated in ink lower left Came from artist's estate *Custom framin...

Huge painting in 4 panels. Acrylic on board. The pieces can be hung any direction you like to create an incredible optical effect. They were intended to hang in the diamond pattern shown. Vertically or horizontally. Doris Marie Leeper (1929 - 2000) was a sculptor and painter from New Smyrna Beach...

Black, gray, and white abstract contemporary painting by Houston, TX artist Winifred Booth. The piece depicts two gray rectangle shapes with white calli...

Space Mission is an contemporary abstract painting by Texan artist Eleanor McCarthy. Eleanor McCarthy uses acrylic paints on canvas to create the soothing colors in her new contemporary paintings that were just painted in 2021. LOOK FOR SHIPPING DISCOUNT QUOTE WHEN YOU CHECK OUT. The abstract paintings are on canvas and gallery wrapped and painted white on the sides so there is no need for a frame. She is inspired by the scenery of Texas, Southwestern Colorado, and Europe. Eleanor has recently begun to pursue non-representational painting and has enjoyed exploring the process of abstraction in creating new works of art. She has added acrylic painting and mixed media application to her artworks. Eleanor graduated from Tulane University with a BA in Sociology and from Southern Methodist University School of Law with a JD. Eleanor began to pursue painting after her children went to college. She has studied with Nancy Paris Pruden in Houston for the last 20 years and for two years with Arielle Masson at the Glassell School of Art. Eleanor has furthered her training with painting workshops in Texas, Colorado and Washington State under Mitch Albala, Jeanne Mackenzie, Joshua Been, LaNell Arndt, John Lasater, Qiang Huang, Derek Penix, Julie Schumer and Adele Sypesteyn...

Artist: Tom Reno Measurements: 41 x 46 inches Medium: Acrylic on Canvas This abstract acrylic painting by Tom Reno has a color pallet of turquoise, yellow, and black with some green...

Pastel yellow and lavender abstract geometric painting by artist C. Jones. The painting depicts abstract shapes in the forefront against a green and oran...

Nothing quite like the beauty of the Caribbean Islands. This piece is a reflection of that beauty. Sides are white, the piece is varnished for protection and it's wire backed, re...

Brown / sepia-toned abstract figurative surrealistic painting by Houston, TX artist Scott Woodard. The painting depicts a figure with shoulder-length hair against a serene minimalist...

Colorful abstract painting of a surreal orange-toned deer floating in a black starry dream landscape. This piece was recently included in the artist's solo show titled "Two-Headed Tu...

Contemporary mixed media and resin colorful food still life by Houston-based artist Diane Gelman. The work features a three dimensional portrait of a woman holding a variety of diff...

Contemporary pastel pop art portrait of Edward Scissorhands and Kim Bogs by Texas artist Robert Sandman. Posed in the style of the iconic "American...

Modern orange, brown, yellow, and black geometric abstract composition by textile designer John Little. The work was created as a proposed design for a wallpaper and features the original color codes in the front lower left corner. Currently hung in a solid black frame with a large white margin. Dimensions Without Frame: H 35.5 in. x W 33.5 in. Artist Biography: A painter and textile designer, John Little is best known for gestural works filled with boldly explosive color that reflect the influences of his teacher Hans Hofmann and for his involvement in the Abstract Expressionist movement in East Hampton, where he moved in the late 1940s. In East Hampton Little congregated with Jackson Pollock, Lee Krasner, and the other artists who were the leading innovators in the New York School. John Little was born in Sanford, Alabama. He left home at the age of fourteen to become an artist, and moved to Buffalo, New York, in 1923. After spending a year working as a stevedore on the docks to save money, he enrolled at the Buffalo Fine Arts Academy and developed an interest in singing. In 1927 he moved to New York City where he continued his vocal work and studied operatic literature. He also became involved in textile design, opening his own store in 1920, called John Little Studios: Fabric and Wallpaper Design. He ran the store until 1950. In 1933 John Little resumed his painting studies at the Art Students League in New York under the guidance of George Grosz (1893-1959). The following year he made his first visit to East Hampton, Long Island, which he would eventually call home. Later in the decade, he traveled to Paris where he became familiar with European modernism. On his return to America, he taught textile design at the Pratt Institute in Brooklyn. He hired Josephine Watkins to work for him; she later became his wife. Little's textile store and teaching job gave him a financial security that was rare during the Depression, and he never found it necessary to find employment with the Works Progress Administration. At the end of the decade, John Little studied with Hans Hofmann (1880-1966) in New York and Provincetown. Little was greatly influenced by Hofmann, particularly by his views on color theory. In 1942 John Little joined the Navy as an aerial photographer. In the late 1940s he purchased a rundown house on Three Mile Harbor...

Modern blue toned Abstract Expressionist painting by the French painter Joël Dabin. The work features a group of running horses set against an abstract yellow, orange, and light blue...

This work was commissioned in 1977 by the Baker Furniture Company and featured in the entryway of one of their flagship showrooms when they first introduced their Mastercraft line em...

GALLERY WILL PAY FOR SHIPPING-FREE SHIPPING Painting is 7.25 " x 4.75" Complete Work on Paper is 14 x 11 Joan Breckwoldt is an American contemporary artist living in Houston, Texas. This collection of mixed media abstractions in The Ocean Series on paper...

Blue and red geometric abstract painting by Houston, Texas artist Paul Reeves. The work features a variety of flowy and angular shapes in black and red against a sky-blue background. Signed by the artist on the back. Dimensions Without Frame: H 29.5 in. x W 29.5 in. Artist Biography: Paul Reeves is the owner of Reeves Antiques...

Contemporary abstract painting by Houston-based artist Gary Griffin. The work features a central amorphous hard-edge shape in blue and orange tones set against an off-white background. Signed and titled on the reverse. Recently featured in "No Zoning! A Very Houston Show" at Reeves Art + Design in Houston, TX. Currently unframed, but options are available. Artist Biography: As the son of deaf parents, Gary became a visual communicator at a very early age. Being able to “watch” conversations his parents had with their deaf friends, before he was able to read and write, informed practically every aspect of his thinking. Fascinated with design, color, light and composition, Gary set about photographing the world around him. Everything from West Texas landscapes...

“Two Divers Overcast Sky” is a captivating work by British contemporary artist Dan Parry-Jones, whose mixed-media paintings explore memory, landscape, and th...

Early work on canvas by Italian artist Oscar Piatella titled "La Lunga Strada" which translates as "The Long Way" executed in 1958. Bio: (Source: Brun Fine Art) Oscar Piattella wa...

"Butterfly" original oil on canvas painting by Steve McElroy, 2024. Butterflies have long represented new life, new beginnings and positive aspects of...

Red and blue-toned abstract contemporary painting by Houston, TX artist, Nathan Sing. This painting depicts Donald Judd's 100 untitled works in mill alumin...

Small size watercolor image of shells. Painting is mainly blue, yellow and brown tones. Painting is framed in a painted wooden gold frame with a yellow matte. Dimensions without Fram...

This collection is inspired in the deep ocean. The deep ocean has always been a mistery for me, in this series I wanted to make my own interpretation of the jellyfish and the bubbles...

Golden Opportunity is a contemporary and parametric wall sculpture. Made from oil lacquer paint and acrylic mirror on carved maple, this body of work i...

Golden Tide Golden Tide is part of C. Ellen Hart’s Reflection Series. The works feature reflections found on the surfaces of water and glass. She seeks out images that commonly su...

Beautiful, serene painting of a fall Texas road landscape by Henri Gadbois in a gold frame with light color mat. Artist Biography: Henri Gadbois is a second generation Houston arti...

Shades of Purple and Gold and abstracts is a new direction for Texas artist Lindy Schillaci. Shades of Purple and Gold shows the warm colors of the Te...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

Love Letters I is an contemporary abstract painting by Texan artist Eleanor McCarthy. Eleanor McCarthy uses mixed media and acrylic paints on canvas to create the soothing colors in her new contemporary paintings that were just painted in 2022. LOOK FOR SHIPPING DISCOUNT QUOTE WHEN YOU CHECK OUT. The abstract paintings are on canvas and gallery wrapped and painted on the sides so there is no need for a frame. She is inspired by the scenery of Texas, Southwestern Colorado, and Europe. Eleanor has recently begun to pursue non-representational painting and has enjoyed exploring the process of abstraction in creating new works of art. She has added acrylic painting and mixed media application to her artworks. Eleanor graduated from Tulane University with a BA in Sociology and from Southern Methodist University School of Law with a JD. Eleanor began to pursue painting after her children went to college. She has studied with Nancy Paris Pruden in Houston for the last 20 years and for two years with Arielle Masson at the Glassell School of Art. Eleanor has furthered her training with painting workshops in Texas, Colorado and Washington State under Mitch Albala, Jeanne Mackenzie, Joshua Been, LaNell Arndt, John Lasater, Qiang Huang, Derek Penix, Julie Schumer and Adele Sypesteyn...

Highways and Byways is painting on a wooden panel so there is no need for a frame.. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

Colorful abstract modern portrait painting of a couple by Texas artist Robert Sandman. Alternatively title "Unconscious Uncoupling" by the artist. While...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right; signed, titled, dated along rear stretcher. 48.25 x 52.25 in. 49.5 x 53.5 in. (framed) Custom framed in a solid maple floater, painted a light gray. Provenance Marian Locks Gallery, Philadelphia Exhibited 1996 - Locks Gallery, Philadelphia (Warren Rohrer...

Modern light blue, brown, and black geometric abstract circle pattern painting by textile designer John Little. The work was created as a proposed design for a wallpaper and features the original color codes in the front lower left corner. Currently hung in a solid black frame with a large white margin. Dimensions Without Frame: H 32.75 in. x W 35.63 in. Artist Biography: A painter and textile designer, John Little is best known for gestural works filled with boldly explosive color that reflect the influences of his teacher Hans Hofmann and for his involvement in the Abstract Expressionist movement in East Hampton, where he moved in the late 1940s. In East Hampton Little congregated with Jackson Pollock, Lee Krasner, and the other artists who were the leading innovators in the New York School. John Little was born in Sanford, Alabama. He left home at the age of fourteen to become an artist, and moved to Buffalo, New York, in 1923. After spending a year working as a stevedore on the docks to save money, he enrolled at the Buffalo Fine Arts Academy and developed an interest in singing. In 1927 he moved to New York City where he continued his vocal work and studied operatic literature. He also became involved in textile design, opening his own store in 1920, called John Little Studios: Fabric and Wallpaper Design. He ran the store until 1950. In 1933 John Little resumed his painting studies at the Art Students League in New York under the guidance of George Grosz (1893-1959). The following year he made his first visit to East Hampton, Long Island, which he would eventually call home. Later in the decade, he traveled to Paris where he became familiar with European modernism. On his return to America, he taught textile design at the Pratt Institute in Brooklyn. He hired Josephine Watkins to work for him; she later became his wife. Little's textile store and teaching job gave him a financial security that was rare during the Depression, and he never found it necessary to find employment with the Works Progress Administration. At the end of the decade, John Little studied with Hans Hofmann (1880-1966) in New York and Provincetown. Little was greatly influenced by Hofmann, particularly by his views on color theory. In 1942 John Little joined the Navy as an aerial photographer. In the late 1940s he purchased a rundown house on Three Mile Harbor...