Texas - Abstract Paintings

Colorful abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Currently on view in "David Hardaker: R...

Sailing into the Sun is an abstract landscape painting. It is oil on canvas. It is gallery wrapped so there is no need for a frame. On a summer morning in 1993 a 22 years old young came to Florida from a small old town in the central area of Cuba called Santa Clara. In his bag, he brought no more than two valuable things, his worn-out brushes and a great dream. The dream to one day become a professional artist in this new land that welcomed him with open arms. Captivated by his love for the beauty of the Landscapes, his last works are what he sees even in the most common scenes: the close relationship of life and who we are with the natural world around us that asks us to respect and care for it. Artist Statement: " I like to scrutinize in the simple things, sometimes it is there where the lost painting is waiting to be found by the painter's eyes. The landscape painting gives me the opportunity to establish a close relationship with the natural world and humbly capture on a canvas a little of its beauty listening to its voice that reminds us how valuable we are and how much we should love it". U.S Education: Art Florida Academy Abdon J. Romero Art Studio Chiaroscuro Atelier / Now MIFA Miami Workshops received: . Landscape painting workshop with Ramiro Sanchez director of advanced painting on Florence academy of art. . Plein Air painting workshop with the artist Allen Kriegshauser at 7th Annual Plein Air Festival Lighthouse Art...

Gray, pink, red, and yellow toned abstract contemporary painting by Chicago-based artist, Richard A. Johnson. Painting depicts various shapes and lines that appear to be floating above the canvas. Dimensions Without Frame: H 49.75 in. x W 55.88 in. Artist Biography: "There is something about the ocean that is so entwined with our makeup, that I can't help but be drawn to it. There really is nothing more powerful or hypnotic. The movement is ever changing and the attempt to capture that moment of change is what has engaged me in these pieces. There is something so ephemeral about all life that is perfectly captured in a wave. It only exists for a moment, but it's beauty and dynamism is so powerful that for that brief amount of time, nothing else matters. And yet, there is a subtlety, a moment of expansive calm, the monochrome of the colors and yet the exquisite and diverse play of tones. All of this captivates me and compels me to try and capture it all that on canvas." - Richard Johnson The luminescent beauty and lyrical quality of Richard S. Johnson's work is what captivates collectors today. "Old Masters" technical virtuosity, pre-Raphael romanticism, and contemporary expressionism and abstraction all combine to create his unique works of touching depth and artistry. Born in Chicago to an artistic family, his earliest reminiscences are of pouring through Charles Dana Gibson, N.C. Wyeth, and John Singer Sargent books on rainy afternoons. While still in grade school he won a scholarship to the prestigious Art Institute of Chicago. He later attended the American Academy of Art and upon graduation began a very successful career as an illustrator. Turning his attentions to fine art after winning a competition in International Artists Magazine, Rick was invited to Japan where his one man show was so successful that he has been invited back numerous times and has developed an international base of collectors. He has also won many awards in competitions here in the United States including the Award of Excellence, in the Oil Painters of America Midwest regional Juried Competition and People's Choice Award at the International Museum of Contemporary Master's of Fine Art in San Antonio, TX. Perhaps the term that best describes Rick's work is "Poetic Intimacy". His sure brush strokes, bold use of color and impasto, and delicate rendering of the human face and form all work together in a harmony that refuses to draw attention to themselves for their technical virtuosity, but rather to draw their viewer into the awareness that they are sharing one, serene, contemplative moment; that the light that pours over the subject's skin also caresses theirs. Rick's expressive skill for capturing the human form has brought him numerous commissions: - John F. Kennedy at the JFK Memorial Library in Boston. - A commemorative painting of the presidents from Eisenhower to Bush currently hanging at the President's Council on Physical Fitness in Washington D.C. - Rear Admiral Richard S. Truly, USN, the first commander of the NASA Space Shuttle...

Flower Power is an contemporary abstract painting by Texan artist Eleanor McCarthy. It can also be described as a abstract still-life painting if you see the white brush strokes as flowers. Eleanor McCarthy uses acrylic paints on canvas to create the soothing colors in her new contemporary paintings that were just painted in 2024. Every client sees a different image in her new series of paintings being produced in 2024. Flower Power by Eleanor McCarthy is gallery wrapped so there is no need for a frame. Eleanor McCarthy is inspired by the scenery of Texas, Southwestern Colorado, and Europe. Eleanor has recently begun to pursue non-representational painting and has enjoyed exploring the process of abstraction in creating new works of art. She has added acrylic painting and mixed media application to her artworks. Eleanor graduated from Tulane University with a BA in Sociology and from Southern Methodist University School of Law with a JD. Eleanor began to pursue painting after her children went to college. She has studied with Nancy Paris Pruden in Houston for the last 20 years and for two years with Arielle Masson at the Glassell School of Art. Eleanor has furthered her training with painting workshops in Texas, Colorado and Washington State under Mitch Albala, Jeanne Mackenzie, Joshua Been, LaNell Arndt, John Lasater, Qiang Huang, Derek Penix, Julie Schumer and Adele Sypesteyn...

Orange and gray abstract contemporary shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is a ...

Modern light blue, brown, and black geometric abstract circle pattern painting by textile designer John Little. The work was created as a proposed design for a wallpaper and features the original color codes in the front lower left corner. Currently hung in a solid black frame with a large white margin. Dimensions Without Frame: H 32.75 in. x W 35.63 in. Artist Biography: A painter and textile designer, John Little is best known for gestural works filled with boldly explosive color that reflect the influences of his teacher Hans Hofmann and for his involvement in the Abstract Expressionist movement in East Hampton, where he moved in the late 1940s. In East Hampton Little congregated with Jackson Pollock, Lee Krasner, and the other artists who were the leading innovators in the New York School. John Little was born in Sanford, Alabama. He left home at the age of fourteen to become an artist, and moved to Buffalo, New York, in 1923. After spending a year working as a stevedore on the docks to save money, he enrolled at the Buffalo Fine Arts Academy and developed an interest in singing. In 1927 he moved to New York City where he continued his vocal work and studied operatic literature. He also became involved in textile design, opening his own store in 1920, called John Little Studios: Fabric and Wallpaper Design. He ran the store until 1950. In 1933 John Little resumed his painting studies at the Art Students League in New York under the guidance of George Grosz (1893-1959). The following year he made his first visit to East Hampton, Long Island, which he would eventually call home. Later in the decade, he traveled to Paris where he became familiar with European modernism. On his return to America, he taught textile design at the Pratt Institute in Brooklyn. He hired Josephine Watkins to work for him; she later became his wife. Little's textile store and teaching job gave him a financial security that was rare during the Depression, and he never found it necessary to find employment with the Works Progress Administration. At the end of the decade, John Little studied with Hans Hofmann (1880-1966) in New York and Provincetown. Little was greatly influenced by Hofmann, particularly by his views on color theory. In 1942 John Little joined the Navy as an aerial photographer. In the late 1940s he purchased a rundown house on Three Mile Harbor...

Colorful abstract painting of a surreal orange-toned deer floating in a black starry dream landscape. This piece was recently included in the artist's solo show titled "Two-Headed Tu...

Painterly desert landscape with cacti and hill in the background. The landscape looks similar to New Mexico or West Texas Hill Country. Painting is mainly green, brown, and blue tone...

Modern realist daily life landscape painting by Haitian artist Felix Defournoy. The work features a bustling rural village market scene of vendors selling their various goods set against a dense, lush...

Bold and graphic orange abstract monotype by American artist Kismine Varner, circa 1990. Signed lower right. Original artwork on paper displayed on ...

Finding My Way 3 Cheryl D. McClure oil on wood panel 30 x 30 x 2 Inv #: 821 Price $3,300 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

Abstract contemporary still life painting by Texas artist, Nathaniel Sing. This piece features a hanging succulent wall blending with a colorful blue and g...

Modern blue and yellow abstract expressionist painting by English artist Tony Magar. The work features bold, emotive strokes that continue across both canvases. Signed in the front l...

Blue, red, and yellow abstract modern portrait painting by Texas artist Robert Sandman. The work features a well dressed man with part of his face obscu...

Warm-toned abstract illustrations of a study of crickets by German artist, Fred Darge. This painting depicts three varieties of crickets. Signed (monogram) by the artist at the bottom right corner. Unframed but framing options are available. Artist Biography: Friedrich Ernst (Fred) Darge was born in Rendsburg, Germany March 1, 1900, and died in Dallas, Texas April 10, 1978. He entered the U.S. at Port Arthur, Texas in 1923. By 1924 he was in Chicago painting under the W.P.A. Artists policy and attending the Art Institute of Chicago (1925-27, 1929) and at the Arts Students League in New York. While in Chicago, Darge painted, made model sail boats...

Red, Hot and You is an acrylic on canvas by artist Peggy Vineyard. It was completed in 2021. Red, Hot and You brings out the colors in this abstrac...

oil on copper

Sarah Boisvert combines abstraction and figuration in her stunning works. Compelling edge to edge dynamics that isn’t trying to tell a tale-it is awakening in the viewer’s e...

Yellow toned abstract figurative painting by French artist Christophe Stora depicting human bodies in a grid and in several postures and motions. This...

Small dark grey abstract expressionist painting of a figure's face by Dick Wray. The painting is currently unframed. Artist Biography: Dick Wray, a native Houstonian, born in Heigh...

Colorful metallic gestural abstract painting by Brooklyn based artist Bret Shirley. The work features sweeping strokes of metallic blue, pink, and yellow ...

Orange and blue toned abstract impressionist landscape painting by Houston, Texas artist Sha Mo depicting mountains and lake with flowing lava-like form. Signed...

"Floral Mystique" is an abstract diptych painted by Rebecca Sobin in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 44 x 44 inches. Each separate panel m...

Acrylic painting on paper Like the majority of my paintings this started out as a non-objective exercise with no idea what the final outcome would be. It should be matted and ...

Dark surrealist painting of masks and fish. The painting is signed by the artist and dated. The painting is framed is in a black frame. Dimens...

Abstract contemporary landscape painting by Texas artist, Nathaniel Sing. This piece features a building façade blending with a red and blue gradient background. Signed, titled, and ...

Hand painted and hand stretched op art painting by contemporary artist Austin Magruder. The work features abstract, geometric tessellations that create a mesmerizing pattern. Signed ...

Surreal abstract expressionist painting of a group of clowns in the style of Belgian painter James Ensor. Combining the macabre with the playful, the work features distorted clowns a...

Michael Frary (1918 - 2005) Austin Artist Image Size: 16 x 12.5 Medium: Oil "The Clown" Biography Michael Frary (1918 - 2005) Michael Frary was born in Santa Monica, California on Ma...

Song of Summer is an contemporary abstract painting by Texan artist Eleanor McCarthy. This is part of the "Song" series of paintings. Eleanor McCarthy uses acrylic paints on canvas to create the soothing colors in her new contemporary paintings that were just painted in 2022. LOOK FOR SHIPPING...

Yes It's Pink is an abstract painting by Texas artist Cheryl McClure on a wooden panel so there is no need for a frame.. Like a lot of artists, McClur...

Contemporary abstract painting by local Houston artist Max Kremer. This piece is included in his solo show, "Perfect Day" at Reeves Art + Design in Houston, TX. Artist Biography: M...

Highways and Byways is painting on a wooden panel so there is no need for a frame.. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

Abstract surrealist black and white airbrush painting of an Absolut Vodka bottle surrounded by a variety of figures. The piece includes the faces of ...

Abstract Composition with two black painted shapes on a white background. Artist Biography: Robin Utterback was born in 1949. He worked and lived in Houston, Texas as an important Houston contemporary painter. The Menil Collection...

Figurative contemporary painting by Houston, TX artist Tra' Slaughter. The painting features two figures wearing cowboy hats set against a light tan background. Signed in the front l...

Contemporary colorful abstract landscape painting by New Jersey based artist Russ Rubin. The work features an otherworldly landscape winding in muted desert...

"Sunflowers" oil on canvas original painting by Steve McElroy. 16 x 20 inches. This is the original painting! Beautiful archival quality limited edit...

Painted with acrylics, in a watercolour technique has given a richness and depth to this framed piece. It is part of a pair. Look for the matching listing by the same name. This heav...

Sea Lantern is part of the Light in the Deep Series by artist Ellen Hart. Sea Lantern investigates the ubiquitous patterns of light, shadow and reflection...

Flames of Love is an acrylic on canvas by artist Peggy Vineyard. It was completed in 2021. Flames of Love brings out the colors in this abstract/express...

Oil on linen. Unsigned. 58.25 x 46.75 in. 59.75 x 48 in. (framed) Custom framed in a solid maple floater with a polyurethane clear coat finish. Provenance Estate of Gottfried Mair...

Clowning Around is a 12" x 12" drip painting by Texan artist Marthann Masterson. Clowning Around is acrylic on canvas. It is finished on the sides so there is no need for a frame co...

acrylic & pastel on paper

Finding My Way 1 Cheryl D. McClure oil on paper on wood panel 20 x 20 x 2 in Inv #: 794 Price $1800 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

Red and yellow tonal minimal abstract painting with bicycles. The work is signed by the artist in the bottom corner. The canvas board is framed in a gold frame. Dimensions without F...

Contemporary mixed media and resin colorful food still life by Houston-based artist Diane Gelman. The work features a three dimensional portrait of a woman holding a variety of diff...

"Kalahari Sun" is an earthy and mocha coffee toned original painting on paper by Kazaan Viveiros. It is an abstract geometric original work on paper with uplifting patterns and shape...

Adrift in the Current is part of the Light in the Deep Series by artist Ellen Hart. Adrift in the Current investigates the ubiquitous patterns of light, shadow and reflection that w...

" Nane Chaha " is a small textural painting with a large presence. It depicts a pathway that the Choctaw people used to come from their place...

Vivid and luscious plumes of golden yellow pigment splayed across heavy watercolor bond. It was created with salt water and acrylics. The combination causes wonderful reactions, resu...

Contemporary abstract painting by local Houston artist Max Kremer. This piece is included in his solo show, "Perfect Day" at Reeves Art + Design in Houston, TX. Artist Biography: Max Kremer (b. 1999, Houston, TX) is currently working in Austin, Texas. Kremer obtained his BFA from the University of Texas in 2022. Past projects include his solo show Cliffhanger with Blank Check Gallery in 2019, participation in the Midas Touch group show curated by Preston Douglas...

Blue and white landscape painting by contemporary Texas artist Max Kremer. The work features a clean, blue, contoured outline of a waterfall flowing through a mountain range set agai...

Dark toned impressionist painting by Houston, Texas artist Sha Mo. Abstract painting with blue, green, red, and orange accents depicting landscape with flowing ...

Blue and purple toned surrealist still life with various shapes cut out of canvas adhered to the background canvas. Currently hung in a gold frame. Dimensions Without Frame: H 47 in x W 59 in x D .5 in. Biography: Paulo Laport...

This painting is about energy and gesture, a visual dance that bring tactual sensations and rhythms similar to ones created by nature. Painted with brushes and palette knife 20...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed, titled, and dated on verso. 36.25 x 42 in. 37.25 x 43.25 in. (framed) Custom framed in maple. Provenance Marcia Wood Gallery, Atlanta Yoshishige Furukawa...

"Texas Artist Richard E. Fluhr was born in New York City in 1955 and for the past forty years has been living the artists dream. He has refined his own visual and conceptual vocabul...

Abstract textured biomorphic shape painted with dark gray by contemporary Houston, TX artist Matthew Reeves. The work is designed to hang away from the wall and cast a bright pink sh...

This original abstract painting is on paper, and should be matted and framed. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the ...