Horizontal Art

Antique Canadian modernist landscape oil painting. Oil on board. Framed. Measuring 15 by 17 inches overall and 10 by 12 painting alone.

Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...

Nashville at Sunrise Oil on canvas, mounted to archival resin board Signed by the artist lower left Provenance: Estate of the artist By decent A gorgeous Indiana Impressionist oil painting, done "plein air" (on location, outdoors) Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts. In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop, Griffith was a member and president of the Chicago Palette and Chisel Club. He made his first trip to Brown County...

Born in Szeged, Hungary, he became one of the better known and successful illustrators of the Golden Age of Illustration, completing over 100 books. Among them are "A Treasury of Verse for Little Children," "The Rubaiyat of Omar Khayyam," and "The Rime of the Ancient Mariner." He is probably best known for pen and ink drawings of mythology subjects geared towards children. He studied at Budapest Technical University and attended art schools in Munich and Paris before moving to London at age 23. In 1907, he began illustrating children's books and did a series of annual gift books...

Stamped with the signature 'chAgAll' (lower left), inscribed '8 90-44 Passy.' (center left) and inscribed 'Carnot 35.40' (lower right) Pen and India ink on paper Executed circa 192...

Paris: Place de la Concorde looking towards Rue Royale by Henri Miloch (1898-1979) signed lower right and dated for 16th September 1948 watercolour and gouache painting on artist's paper, unframed Sheet:: 9.5 x 12.25 inches Very pretty painting by the highly regarded painter, Henri Miloch. It depicts Place de la Concorde with a cyclist making their way through the traffic. The artist was seated immediately by the fountain closest to Hotel de la Marine...

Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression. Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm). ABOUT THIS WORK In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy. In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market. ABOUT THE IMAGE The Hostellerie des Chiens du Guet is a small hotel at the edge of...

Signed lower right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and titled, 'Venedig' (Venice). Precocious as a child, Victor Isbrand painted professionally from a young age...

Light Through the Trees (Lumière à Travers l'Arbre) Raymond Thibesart (France, 1874-1968) Pastel on paper, circa 1920s Signed l.l. 12.5 x 9.5 (13/4 x 16 3/4 framed) inches Raymond...

Presenting three original set renderings by American artist Franz Bergmann(8198-1970) Franz Bergmann studied at the Academy of Fine Arts in Vienna, before settling in Northern Califo...

An impressionistic, antique landscape painting depicting the rugged coastal beauty of Race Point Beach, Massechusets. The rocky coastline and rushing waves are rendered in luminous ...

Mountain Reflections "Ben Venue" by John Copland a Kirkcudbright Scotland painter (Scottish, 1854-1929). Painting of Loch Achray and Mt. Ben Venue in Scotl...

Henry Ottmann (1877-1927) "Etal de Marché", A Market stall signed lower leftt pastel on paper 18 x 24.5 cm (view) In good condition Framed : 37 x 42 cm Published under n°580 of t...

'Still life’ By George William Bissill Medium - Watercolour and ink Signed - Yes Size - 240mm x 195mm Date - Circa 1920 Condition - very good. 9 out of 10. Colour of picture may not be accurate when viewed on a monitor. George William Bissill 1896 – 1973 was a British miner, painter, and furniture designer. Bissill's paintings are held in a number of important public collections, including the Tate Gallery, National Museum of Northern Ireland and the Manchester Art Gallery. Bissill was known for his landscapes and figurative paintings in oil, watercolour and woodcuts. George Bissill...

Medium: lithograph with pochoir coloring (after the 1885 watercolor). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and published...

Antique American impressionist landscape oil painting by Charles Gordon Harris (1891 - 1963). Oil on board, circa 1920. Signed. Displayed in a period giltwood frame. Image, 11"L x...

Dropping In Drypoint, c. 1940 Signed lower right (see photo) Titled lower left Condition: Excellent Brown paper tape around the sheet edges from the printing and air dryi...

The small harbour  is a black and white vintage photo, realized in 1925. The photo depicts a picturesque corner of  the chinese city, Wuchow. The work is glued on cardboard. Total ...

Charles CAMOIN Mediterranean Landscape, 1946 Original lithograph Signed in pencil bottom right Numbered / XX On Lana vellum 26 x 36 cm (c. 10...

The Philadelphia modernist Arthur B. Carles was a brilliant colorist and an extraordinarily innovative painter. Though Carles trained initially at the Pennsylvania Academy of the Fin...

An outstanding oil painting executed with thick use of paint capturing a luminous sight of a train in motion under a bridge with heavy smoke trailing upward. We can feel that a mood...

Still life with eleven objetcs in a sphere (Original Italian title: Natura morta in un tondo) is an etching realized by Giorgio Morandi (1890-1964) in 1942. Hand numbered Edition 5...

Original Mid-Century Red Farmhouse Watercolor Landscape Painting Beautiful mid-century 1940's watercolor of a bucolic farmhouse scene - sunset, undul...

La Tasse et la Pomme (The Cup and the Apple) Wash drawing and gouache transferred to lithograph stone, 1947 One of four unsigned proofs Edition: a proof outside the edition of 50 pri...

The mysterious bay is a black and white vintage photo, realized in 1925. The photo depicts a view of the chinese bay, in Wuchow. The work is glued on cardboard. Total dimensions: 2...

A 1920s caricature of author Sean O'Casey, by artist Isa M. Macnie. Inscription on drawing reads: "Author of 'Juno and the Paycock' etc," Image size: 8 7/8" x 6 7/8". Archivally...

Partial signature, lower right, "..chel", for William (Wilhelm) Frederick Ritschel (German-American, 1864-1949) and painted circa 1925 (Graphite landscape sketch...

Nashville in Winter Etching, c. 1928 Signed in pencil lower right (see photo) Very small edition A rare image of early Nashville, Indiana Excellent impression with plate tone in the sky First state before the aquatint depicting a winter nocturne with fall snow Printed on a fine laid paper with a Crown & Shield watermark Provenance: Estate of the artist By decent Louis Oscar Griffith (1875-1956) Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts. In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop...

Work on canvas mounted on cardboard Silver wooden frame 45 x 50 x 4 cm Wildhaus (Toggenburg) mit den Kurfirsten

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Watercolor on paper, 7 ¾ x 10 ½ inches unframed, 14 ½ x 16 ½ inches framed, signed, dated, and located lower left as follows: “David McCosh...

A 1920s caricature of Irish politician Padraic Colum by artist Isa M. Macnie. Inscription on drawing reads: "Padraic Colum". Image size: 8 7/8" x 6 7/8". Archivally matted to 12...

George Elbert Burr, 'Old Cedars – New Mexico', etching, 1920, edition 40, Seeber 218. Signed and annotated '(c) George Elbert Burr Del. et Imp.' in pencil. ...

Seibutsu (Still Life) A Vase and Apples Color woodcut, 1925 Signed on the mount (support sheet) From: Dojin zasshi, Hanga Magazine, Volume 8, No. 8 Condition: Excellent Image/Sheet ...

An original silver gelatin black and white photograph by Press Agency ROL, Paris 1929. Summer on the beach near Paris. Features: Original silver gelatin print photography unframed. P...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Gorgeous early 20th Century American Impressionist landscape of New England Farm by George M. Bruestle (American, 1871 - 1939), Circa 1914. Signed lower left and on verso. Presented in gilt-toned wood frame. Image size: 8"H x 10"W. George Matthew Bruestle is an American Realist/Impressionist painter known for his intimate landscapes. Born and raised in New York City, Bruestle studied at the Art Students' League of New York in 1886 at the young age of fifteen and later in Paris. That same year, Bruestle visited Essex, CT and eventually purchased a second home in Hadlyme, Old Lyme as the Art Colony formed. Bruestle's main studio was in New York City. Inspired by Jean-Baptiste-Camille Corot [1796-1875] and other French landscape painters, Bruestle's style was a mix of Early Realism and Early Impressionist techniques. He was an adept draftsman and his paintings favored earlier European examples but, later took on a brighter Impressionist palette and brushy quality of the Old Lyme Art...

Will barnet, 'Child Reaching', woodcut, 1940, edition 25, Cole 82. Signed and titled in pencil. A fine, black impression, on fibrous Japan paper, with full margins (5/8 to 1 3/4 inch...

Super rare World War Two period scene of St Pauls's Cathedral, London during the Blitz. Very few scenes of the Blitz were painted and this piece dated August 1945 was painted a few ...

Interested in “ordinary people" French photographer Willy Ronis was a postwar (WWII) photographer who roamed the streets whether In France or Italy, photographing people in love, at ...

China Camp Fishing Village - San Rafael California - Abstract Impressionist Wonderfully vivid nocturnal of coastal town by Roger Holt (American 1905-1979). Signed faintly lower right (see enhanced image of signature). Condition: good; professionally cleaned; edge wear consistent with age professionally restored; craquelure throughout, New UV-resistant, non yellowing varnish applied. Unframed. Image size: 14.25"H x 17.25"W. Signed indistinctly lower right. China Camp State Park is a 1,514-acre park in San Rafael, California. The park is known for its scenic views, hiking and mountain biking trails, and open spaces. It also features a historic Chinese American shrimp-fishing village and a salt marsh. By the mid-1880s, Chinese Americans had established a settlement of about 500 people in a village they called China Camp. Many of these villagers were originally from Canton, China, and supported themselves and their families here by shrimp fishing in San Francisco Bay. The village had three general stores, a barbershop, and a marine supply shop at its peak. China Camp was one of about twenty-six other shrimp-fishing villages along the coast that supported Chinese American immigrants fleeing San Francisco due to racial prejudice and persecution. Following the 1906 San Francisco earthquake, the population of China Camp ballooned as nearly 10,000 residents of San Francisco’s Chinatown fled the destruction and mayhem. Roger Holt was born in New Haven, Connecticut. After attending Rollins College and St. Paul's School of Art in Minnesota, he traveled extensively through the United States and Europe, forming his educational background. Hold was the recipient of five major awards, Mr. Holt exhibited in thirteen museums, including the Metropolitan Museum of Art, the Corcoran Gallery, Carnegie Institute and the United Nations Building. Settling in Jerome, Arizona in 1954, Roger assisted his wife, Shan Holt, in the operation of the Verde Valley Artist's Gallery and concentrated on his work, experimenting with different painting surfaces such as masonite, canvas board and stiff cardboard. His early work identified with the Expressionist school, while his later work tends toward increasing abstraction. Roger Holt's paintings are included in the collections of Abraham Ribicoff, Vincent Price, John McCloy, Artie Shaw, Burl Ives and numerous universities across the country including the Ogden Museum of Southern Art at the University of New Orleans. Arizona painter...

Studies is an original offset and lithograph realized by George Grosz. The artwork is the plate n.10 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-V...

En Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8 (sheet 11 1/2 x 18 5/16). Edition 100. A rich impression printed on cream wove paper with wide margins. Signed in ink. H...

A 1920s caricature of Irish senator W.B. Yeats by artist Isa M. Macnie. Inscription on drawing reads: "Senator W.B. Yeats, Nobel Prize, 1924". Image size: 8 7/8" x 6 7/8". Archi...

Signed lower left, 'Henri Buron' for Henri Lucien Joseph Buron (French, 1880-1969) and dated lower right 1927; additionally signed verso and dated. The painting is displayed in a cu...

Winter by MIGUEL TUSQUELLAS CORBELLA (Spanish, 1884-1969) signed - and painted on artists studio stamped board oil painting on board, unframed board: 5.5 x 8.5 inches provenance: pri...

Dazzling French watercolor of fall colored foliage lining a large path, circa 1920. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Archiv...

Dufza - Paris - Quai de la Tournelle - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm Unumbered as issued

Spring in the Mountains by Friedlander 1920s Expressive gouache painting of possibly the Swiss Alps by Friedlander On paper in a period rustic frame. I...

A unique original silver gelatin black and white photograph by French Press Agency, Paris 1925. International Decorative Arts Exhibition in Paris, October 1925, the front of the building of the electric transformer...

Hans Hofmann (1880-1966) was a pre-eminent figure of postwar American art and one of the most important artists (and instructors) of the 20th century. Born in Germany, Hofmann immigr...

Wheeler Williams (American, 1897-1972) Untitled Study, 1942 Pencil on paper 8 3/4 x 11 3/4 in. Signed lower right: Wheeler Williams, 1942 A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with honors from Yale University in 1919 and earned a Master of Architecture degree from Harvard in 1922. He studied at the Art Institute of Chicago with sculptor Albin Polasek...

A unique original silver gelatin black and white photograph. The Restaurant "A La Mere Fillioux," in Lyon, France, March 1927. A view of the facade of the famous Fillioux Restaurant...

Wheeler Williams (American, 1897-1972) Study for Twilight, 1947 Pencil on paper 9 1/4 x 12 1/4 in. Signed lower right: Wheeler Williams, 1947 Inscribed: Study for Twilight A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with honors from Yale University in 1919 and earned a Master of Architecture degree from Harvard in 1922. He studied at the Art Institute of Chicago with sculptor Albin Polasek...

Work on canvas Gilded wooden frame 42 x 49,5 x 5 cm

George Platt Lynes 1948 Photograph #8 of Balanchine Ballet ‘Orpheus’. George Platt Lynes rare original vintage 1948 silver gelatin photograph (dated by the NY City Public Library) of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet Orpheus. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition. This photograph is from my collection of 14 different poses in this series of nude photographs by Platt Lynes of Moncion and Magallanes in Orpheus. 8 different photographs are remaining and are available on request. Original gelatin silver prints that are stamped by the artist are rare. Photographs from this celebrated series are in the permanent collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), the NYC Public Library, and the art archives of many prominent universities. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950...

Swiss painter Sculptor, painter and ceramist. Landscape. Wall painting and drawing Artwork on cardboard

Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...

A significant early 20th century landscape watercolor of the paradisical gardens at San Anton Palace in Attard, Malta by Nicholas Krasnoff, 1920 (Russian, 1864-1939). This beautiful piece is a wonderful example of the renowned Russian architect's prized watercolors, created while he was exiled to Malta in the early 1920's. Depicting a lush garden full of blooming, colorful flowers and a stately fountain at the San Anton Palace in Malta, one can see the deft hand and attention to detail rendered by the proficient artist and architect's hand. Signed "N. Krasnoff" lower right. Titled and dated "Malta, St. Antonio 1920". Unframed. Measures 10.25"H x 14.25"W. Right corner has a crease from being bent. Nikolay Petrovich Krasnov, also known as Nicholas Krasnoff or Peter Nicholas Krasnoff, was a Russian Serbian architect and painter. He served as Chief Architect of Yalta, Crimea (1887-1899). From 1922 he lived and worked in the Kingdom of Yugoslavia, and was a key figure in the architectural development of Belgrade. Attending the Moscow School of Painting, Sculpture and Architecture in 1876, aged 12. As a young artist he received patronage from Sergey Tretyakov, brother of the founder of Moscow's Tretyakov Gallery, and entrepreneur Petar Gubonyin. In 1887 Krasnov became Chief Architect in Yalta. At the age of 23, Krasnov had large responsibility for the rapid growth of the city. He expanded the promenade, which by 1913 became the city's main street, before creating a new city plan in 1889 (including a new sewer system, planning regulations, new streets, prevention of unregulated construction, a school and children's hospital, and the construction of the Pushkin Boulevard). Two concrete bridges were built over the river, and the embankment strengthened. Krasnov also ran a private practice in Yalta until 1911. Among his most famous work is the Livadia Palace, later the location of the 1945 Yalta Conference. Designed over 60 buildings in Crimea, blending a modernist style with local traditions. Also of note: Dulber Palace, Koreiz (1895-97), Alexander Nevsky Cathedral, Yalta (1902), Yusupov Palace, Koreiz (1909), Kokkoz Jami Mosque, Sokolyne (1910). In 1913, he presented a collection of illustrations he had produced of his works to the Saint Petersburg Academy of Arts, where he held the title of academician. An opponent of the Russian Revolution, he left Yalta with his family in 1919 for Malta, alongside the Dowager Empress Marie Feodorovna, sister of Queen Alexandra, and over 600 members of the Russian aristocracy. Nikolay was in a group housed in the empty Villa St Ignatius, which had been a Jesuit college and then a hospital during World War I. To earn money, Nikolay painted many scenes of Malta, signing his paintings as N. Krasnoff. He is known as Nicholas Krasnoff in Malta. In May 2016 MaltaPost issued a commemorative set of stamps in his honor. In 1922 Krasnov moved to Belgrade, then part of the Kingdom of Yugoslavia, where he became head of the Department of Monumental Architectural Developments and Monuments. His building designs in Serbia number around 60, and were created under the name Nikola Krasnov, as a mark of respect to his adopted homeland. His key works in Belgrade include: Ministry of Forestry building (now Ministry of Foreign Affairs) (1923) which bears a memorial plaque...