Large Drawings and Watercolor Paintings

Mid-20th Century 1950s/1960s Soviet Ukraine - Khrushchev & Brezhnev Era. Three Generations Of Steel Factory Workers. Framed Charcoal On Paper Period Drawing. Image size 24.4 inches x...

James Nares Untitled flower monotype, 1988 Monotype on hand made paper Pencil signed and dated by James Nares on the lower right front Frame included: floated in the original wood fr...

Acrylic paint and Indian ink on archival paper. Set of 4 drawings 30x40 cm each. Shipped in a tube. Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi...

"Contemplation and Purring" captures a serene moment of harmony between a relaxed young woman and two playful cats. The woman, in gentle repose, embodies tranquility and introspecti...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

"Delivered and Discarded (Negatives) 1 " is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

ZENG JIANYONG (b. 1971) The Header No. 68 2008 Ink and watercolor on handmade paper 35 ½ x 28 ¾ inches (90 cm x 73 cm) Inventory Number: CNLS2643 Jiangyong Zeng was born in 1971 in...

Tess Michalik Lava Plume, 2025 oil on Yupo paper 38 x 25 in. (mic027)

In this New England wharf scene, Morris Blackburn composes a familiar assemblage of boats, dock, and weathered, wooden buildings against a crisp blue morning sky with light clouds....

Stephen Namara's work is a testament to technical mastery and emotional depth. His artistic execution showcases a level of skill that is both rare and commanding. His ability to rend...

About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love and happiness. Why is this organic che...

28"x34" (graphite and charcoal on paper) available unframed From the series: "The Hundred Acre Wood" Ragsdale’s process begins with sketches of places and things from his past...

Polis is one of the last artworks from Anna Pennati. Dedicated to the Polis or cities in his most conceptual meaning. It's la a dream that invite us to enter in. The work is shipped...

Cell 04, 2021 black ink on white paper 39 3/8 H x 27 9/16 w cm 100 H x 70 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of microscopic observation....

"Delivered and Discarded (positives) #2" is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

'Thin Dahlias' - unframed by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Internationally exhibited and celebrated worldwide, Bukovnik’s iconic works express a spiritual exultation - a joie de vivre - a vivid celebration of beauty. The painting captures the season of nature’s rebirth when the world awakes from its winter repose — Forever Spring...

Hand signed, numbered, and dated by the artist. Hand embellished by the artist on serigraph. Limited edition of 50. Each embellished print is unique. Image size: 36 x 26 inches. She...

Raúl Anguiano belongs to the “Third Generation” of post-revolutionary painters, with Juan O’Gorman, Jorge González Camarena, José Chávez Morado, Alfredo Zalce...

Chinese New Year paintings (nian hua) are colorful folk paintings created to celebrate the annual Spring Festival. Drawn or printed by folk artists in regional studios, nian hua paintings featured exaggerated characters with bright and contrasting colors. Put up around the home to beckon luck and happiness in the coming year, most paintings depicted mythical guardians, scenes from folk operas, or auspicious symbols of good luck. This New Year painting depicts a young woman with a child and is hand-painted in a palette of red, blue, and purple. Belonging to a genre known as 'beauties and babies,' the painting represents a harmonious family life. The early 20th century painting is from the town of Yangliuqing, one of the leading producers of traditional New Year's paintings known for its combination of woodblock printing...

Francesco Spicuzza (American, 1883-1962) Untitled Landscape, 20th century Pastel on paper Sight size: 24 x 30 in. Framed: 26 1/4 x 32 3/8 in. Signed lower right: Spicuzza Italian-born Francesco Spicuzza was primarily a Wisconsin painter who did portraits, still-lives and local landscapes. He spent the first part of his life in near-poverty to become a painter. An eternal optimist, in 1917, the artist reported: "I am happy and my only ambition now is to paint better and better until I shall have reached the measure of the best of which I am capable." (Spicuzza, 1917, p. 22). His predilection for beach scenes germinated early: reportedly, the five-year-old boy first drew the outlines of his father's fishing boat in the sand on the seashore near their home in Sicily. After setting himself up as a fruit peddler in Milwaukee, Spicuzza's father sent for his family when Francesco was eight years old. For the following six years the boy was unable to attend school because of his job in his father's fruit and vegetable business. The poor lad suffered a caved-in shoulder from carrying a heavy wooden crate. The young Spicuzza was aided by moral and financial support from a sympathetic Milwaukee businessman named John Cramer, publisher and editor of the Evening Wisconsin, who raised Spicuzza's salary as a newspaper assembler so that he could attend school. In 1899 or 1900, Spicuzza began studying drawing and anatomy under Robert Schade (1861-1912), a painter of panoramas who had been trained in Munich under Carl Theodor von Piloty. Spicuzza was also taught by Alexander Mueller (1872-1935), a product of the Weimar and Munich academies. Mueller realized Spicuzza was a colorist and encouraged that orientation (Madle, 1961). Spicuzza found it beneficial to accept an apprenticeship in a lithographic studio for $8 a week, which demanded most of his time. During the St. Louis Universal Exposition in 1904, still a struggling student, Spicuzza attended the fair, thanks to Cramer. It was not long before Spicuzza received a twenty-five dollar portrait commission, and this inaugural success led to new commissions and allowed him to continue as a painter. The earliest influences in his work appear to be from Edward H. Potthast and Maurice Prendergast, though Spicuzza never mentioned either artist. Already in August 1910, Spicuzza was described in a newspaper as "one of the most talented of Milwaukee's rising workers." He undoubtedly received lasting inspiration from his one summer study period in 1911 with John F. Carlson at the Art Students League's Summer School in Woodstock, New York. Certainly Spicuzza would have picked up spontaneity in handling the brush from Carlson. Although he executed numerous still-lives and an occasional religious work, Spicuzza is best known for his Milwaukee beach scenes populated with frolicking bathers in multi-colored attire, not unlike the images of Potthast, who used a similar technique. Many of these are small, preparatory works on canvas board executed between 1910 and 1915. Frequently with even greater animation than Potthast, Spicuzza produced moving images of youthful energy and uninhibited child's play. These beach genre scenes reflect the attitude of American impressionists who depicted the more pleasant side of life. Spicuzza manipulated a successful balance of rich pigment applied in varying degrees of impasto texture with subtle nuances of hue. Working all'aperto, he sought "the soft enticing shades of yellow, blue, green, pink and lavender . . . to get the effects of bright glistening summer air." (L.E.S., n.d.). As a painter whose color not only derived from direct observation but also from a personal theory of color symbolism, Spicuzza traded the linear approach of lithography for dynamic patches of brilliant color. Like Prendergast, he would often tilt the angle of the picture plane to bring the viewer's position above the scene. Spicuzza was unable to enter the 1913 Armory Show or the Panama-Pacific International Exposition two years later but he did submit work to the annual exhibitions of the Pennsylvania Academy of the Fine Arts and those of the Art Institute of Chicago. His first important award was the bronze medal presented by the St. Paul Institute in 1913, which was followed by the silver medal two years later. Before long, Spicuzza had acquired a greater sense of security in his profession and was described by a writer in International Studio (April 1917) as "an independent artist with an assured future. His pastels and water-colours are poetic and joyous bits of nature with a genuine out-of-door feeling." In 1918, his Spirit of Youth, exhibited at the National Academy of Design, sold for $112.50. Four years later, the artist achieved his greatest local recognition by winning the gold medal from the Milwaukee Art Institute. Spicuzza spent a great deal of time painting en plein air and by 1925 he began summering at Big Cedar Lake, near West Bend, Wisconsin to gather his subject matter. Easter Morning (1926) owes something to the Symbolist movement, with its figure of Christ appearing over a seascape. During the difficult era of the Depression, patrons came to Spicuzza's aid and during the 40s, he taught housewives, businessmen and students at the Milwaukee Art Institute, the Milwaukee Art Center, and in his private studio. In the following decade, although his kind of art was no longer popular in the "make-it-or-break-it" New York gallery world, Spicuzza enjoyed regular patronage and sales. His beach scenes became more static and he would experiment with modernist techniques. Spicuzza died at the age of seventy-eight. Sources: L.E.S., "Do Colors Change a Person's disposition? Experiments of a Milwaukee Artist...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in ...

Robin Hill, Australian (1932 - ) - Redish Egret, Year: 1972, Medium: Watercolor, signed, Size: 27 x 20 in. (68.58 x 50.8 cm), Frame Size: 38.5 x 31 in. (97.79 x 78.74 cm)

Landscape B/W Mineral Oxide on Paper ( Fabriano Elle Paper's 220 gr) 100x70 cm 2023 original art one-of-a-kind you get the framed drawing ready to hang frame as in the photo Marili...

Sunil Das - Early Horses VIII - 18.5 x 29 inches (unframed size) Charcoal on Paper Inclusive of shipment in ready to hang form. Sunil Das was one of India's most important postmoder...

Paul Simon's Live Concert Setup - Technical Drawing in Pen on Heavy Cardstock Detailed, accurate drawing of musical equipment for a live concert. The instruments and equipment are r...

Larry Rivers (1923-2002) Modernist Male Figure Original Charcoal Mid 20th C. Rare charcoal portrait by American modernist painter Larry Rivers. Original charcoal on paper. Dimensions 17" x 22". The frame measures 29.5" x 34". Signed lower right. Very good condition. Figurative artist Larry Rivers was born in the Bronx in 1923 to Ukrainian Jewish parents, and was named Yitzak Loiza Grossberg. Rivers belonged to the second generation of the New York School of painters, although unlike most of his contemporaries he stayed away from abstraction instead preferring narrative paintings. Rivers attended Hans Hofmann's school for nearly two years. In 1949, he had his first solo show at the Jane Street Gallery, an artist's co-op in the Village. Rivers received favorable reviews and was invited to join the Tibor de Nagy...

G_45, 2021 white ink on black cardboard (signed on reverse) 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm Alina Aldea's drawings project all the possible forms which appear to disappear...

Ronnie Cutrone Your Own Heart, 1987 Watercolor and Silkscreen on Paper Signed, dated and numbered from the edition of 7, with each work being unique. 40 × 30 inches Fantastic vintage...

Norman Gorbaty (1932-2020) Untitled, c. 1996 Pastel on paper Framed: 39 1/4 x 30 x 1 in. Signed and dated lower right After graduating from Amherst College, Gorbaty was the recipien...

Landscape BW Mineral Oxide on Paper 109 cm Original Art Ready to Hang A unique and original work of art This painting, made with mineral oxide powder pigments on Canson paper, is...

Tess Michalik Birdvine Tangles, 2025 oil on yupo 38 x 25 in. (mic034)

Historically, academic artists have always featured the central figures in their composition in a prominent light with the background figures being darker. In water sports...

Medium: Charcoal, Pastel Dimensions: 40.00" x 30.00" Signature: Signed Lower Left Les Misérables

Pastel on paper 20 1/2 x 28 1/2 in. Framed: 30 1/2 x 38 1/2 in. Signed lower right: ME...

Tess Michalik Plush Petals, 2025 oil on yupo 38 x 25 in. (mic037)

Charles E. Shaw (1866-1951) - Fine Original Early 20th Century Watercolour. Signed lower right. In a gold mount and decorative gilt frame. Artist name and title has been inscribed on...

"He [Cobble] has come to accept the fact that low production can lead to under appreciation in the short run, but he also knows that his gifts of perception and discrimination are ra...

Laboratory_Journal_Day 00204, 2022 black ink on white paper 27 9/16 H x 39 3/8 W cm 70 H x 100 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of micr...

A portrait of a Canadian Mountie and his horse are the subject of this unique 1970 print (edition 1 of 1) by Charles Pachter. The French titling of the work Noblesse Oblige...

Standing Female Figurative Nude in Watercolor and Pastel on Paper A woman is depicted standing, presumably pregnant, in the nude with her hand on the small of her back. The artist u...

Medium: Charcoal on Board Dimensions: 24.00" x 36.00" Signature: Signed Lower Right

This is an exclusive handprinted limited edition cyanotype. "Lake Tahoe Panorama" shows a sequence of abstracted ripples of the calm Tahoe waters. Details: + Title: Lake Tahoe Panor...

Pensando en ti, Marzo 13, 2014 by Celso Castro Watercolor on archival paper Image size: 39.2 H in. x 28 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each ca...

This architectural wall-hanging artwork titled "In Isolation Series II" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This pi...

Landscape B/W Mineral Oxide on Paper ( Fabriano Elle Paper's 220 gr) 100x70 cm 2023 original art one-of-a-kind you get the framed drawing ready to hang frame as in the photo Marili...

Subtle portrait from this accomplished English artist. Angela was born in 1946 and studied art at Kingston Art College, London. Her early career was predominantly spent designing ...

Vintage Minimalist Sand Dunes Landscape in Watercolor on Laid Paper Wonderful minimalist watercolor of sand dune with grass and birds by Ed Walaitis (Amer...

Meridional VII, 2013 Tempera on Paper 27.55 H x 39.37 W in. 70 H x 100 W cm The series "Meridional" from 2014 shows colorful landscapes under some occasional exemptions. The tree...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

"Line is the operative formal element in the work shown here, but there are many other lines in play. Pieces walk a line between drawings that might be tapestries or sculptures or p...

Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...

Abstract artwork on paper by a Bulgarian/American artist Iliyan Ivanov. Ivanov continues to treat color in a multilayered approach, introducing a wider palette with brighter and bol...

Katie DeGroot Cocktail Party Vlll (couples), 2023 watercolor on paper 48 x 72 in (groo117)

Bob Peak is one of the true giants of post-war American Illustration. He is a virtuoso artist, with a heightened level of skill and talent that very few living artists today possess...

This is an exclusive handprinted limited edition cyanotype of beautiful palm tree leaves. Details: + Title: Majesty Palm Pattern + Year: 2024 + Edition ...

Medium: Gouache on Paper Signature: Signed Lower Right Exhibitions: It's a Man's World, Illustration Art by and for Men: November 14-17 2012, Illustration House NYC

This triptych "Before and After" consists of three conceptual drawings on paper from the collection "Manuscripts". The size is 40x30cm of each artwork, high-density paper (360g/m2). ...

Abstract Painting with Yellow Orange Red & Pink by Contemporary British Artist, Angela Wakefield. This is the one of the earliest works from her Abstract Interior Design Series. A...

Frank Nelson Wilcox (American, 1887–1964) Home in the Village, Mt. St. Michel, France, c. 1926 Watercolor on board Signed lower right 21.75 x 28 inches 30.5 x 36.5 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...