Large Drawings and Watercolor Paintings

Untitled 9 (Abstract painting) Acrylic and oil on paper - Unframed Claude Tétot is a French abstract artist whose work expresses harmony in disharmony ...

M252 (Abstract new media) Digital creation, printed on Hahnemühle Photo Rag de 308 gr - Unframed. Fluctuating between illustration and expressionism, connecting the geometric and ...

Transitions (Abstract Painting) Ink, gouache and acrylic on Fabriano paper - Unframed. Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural...

M377 (Abstract new media) Digital creation, printed on Hahnemühle Photo Rag de 308 gr - Unframed. Fluctuating between illustration and expressionism, connecting the geometric and ...

Storm Horizontal 82 (Abstract drawing) Graphite and color pencil on Mylar. Unframed. So many different storms, so hard to capture. Beginning in the wake of hurricanes Irene and S...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...

Maelstrom Series 67 (Abstract drawing) Pigment pencil on Mylar. Unframed. The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on ...

Survey 3 (Abstract painting) Acrylic on Fabriano paper - Unframed. This work is part of an ongoing series started in 2012 and titled Survey. McGlynn is interested in how a minimal...

Waterway II (Abstract drawing) Watercolor on Arches paper - Unframed but mounted and hinged on foamcore backing, ready for framing. Uchiyama works with watercolor on Arches paper. ...

M228 (Abstract new media) Digital creation, printed on Hahnemühle Photo Rag de 308 gr - Unframed. Fluctuating between illustration and expressionism, connecting the geometric and ...

Survey 1 (Abstract painting) Acrylic on Fabriano paper - Unframed. This work is part of an ongoing series started in 2012 and titled Survey. McGlynn is interested in how a minimal...

Survey 2 (Abstract Drawing) Acrylic on Fabriano paper - Unframed. This work is part of an ongoing series started in 2012 and titled Survey. McGlynn is interested in how a minimall...

Test Pattern 12 (Grey study) (Abstract painting) Ink, gouache and acrylic on Fabriano paper - Unframed. Test Pattern series sets up a generic template as ...

M228 (Abstract new media) Digital creation, printed on Hahnemühle Photo Rag de 308 gr - Unframed. Fluctuating between illustration and expressionism, connecting the geometric and ...

M323 (Abstract Print) Digital creation, printed on Hahnemühle Photo Rag de 308 gr - Unframed. Fluctuating between illustration and expressionism, connecting the geometric and biom...

Survey 3 (Abstract painting) Acrylic on Fabriano paper - Unframed. This work is part of an ongoing series started in 2012 and titled Survey. McGlynn is interested in how a minimal...

M288 (Abstract new media) Digital creation, printed on Hahnemühle Photo Rag de 308 gr - Unframed. Fluctuating between illustration and expressionism, connecting the geometric and ...

Untitled 10 (Abstract painting) Acrylic and oil on paper - Unframed Claude Tétot is a French abstract artist whose work expresses harmony in disharmony by exploring the enigmatic ...

Initialed and dated in the lower right Provenance: Martha Jackson Gallery, NY David Anderson Gallery, Buffalo NY David Anderson Grandchildren's Trust, Buffalo NY Exhi...

Encaustic on Okawara paper - Unframed. Adams works on panel and paper, using a mixture of paint, encaustic and graphite as well as elements of monotype and collage. Her background ...

Watercolor on Arches paper - Unframed but mounted and hinged on foamcore backing, ready for framing. Uchiyama works with watercolor on Arches paper. She often develops as many as ei...

March Story is a painting created by the artist using acrylic, greso, inspired by the afternoon sunset, the red lake surface with reflected red ripples, awakening strong creative emo...

Original pen & ink c1920s sketch of a classic gentlemen's private club interior scene, perhaps the Players Club to which this artist himself was a member,...

Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work from something observed, ideally ar...

Spray paint, pencil, ink, watercolor on paper. Unframed. L.I.C refers to Long Island City where Soriano currently has his studio. This drawing focuses of objects and elements within it, in particular the remnants of old closets...

Digital creation, printed on Hahnemühle Photo Rag de 308 gr - Unframed. Fluctuating between illustration and expressionism, connecting the geometric and biomorphic worlds, Perea co...

Pigment pencil on Mylar. Unframed. The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on a tilted table, she extends her fingers ...

Graphite on paper Image size of rectangular works: 33 x 43 inches (84 x 109 cm) Image size of arched central work: 38 1/4 x 29 inches (97 x 73.5 cm) Provenance Private Collection of Seymour Stein, Vice President of Warner Bros Records Sotheby's 'Modern British and Irish Art,' London, 19 May 2004, lot 92 The three impressive drawings are studies for Stroudley’s ‘Olympic Games in a Demi-Lune’. From left to right the studies depict groups of athletes practicing diving, a conversing crowd of oarsmen, hurdlers mid jump and a collection of javelin throwers. This study was created in 1930 when Stroudley practiced in the British School in Rome. There are few surviving works from Stroudley’s short stay in Rome, with the compositions from his Rome period being among the last wholly successful decorative cycles produced by a Rome Scholar prior to World War II. Indeed, as can be seen here, his drawings from this period are technically brilliant and even bear comparison with those of Eric Kennington. James Stroudley Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker, paid homage to Stroudley by including his work in the exhibition ‘Pupil & Masters’, held at Westgate House, Long Melford, Suffolk. Stroudley married three times, and his wives included the fashion artist to the Sun newspaper...

Ink on paper - Unframed. This artwork is a diptych made of 2 elements. Each element's dimensions are 65 x50 cm/ 25.5 x19.6 inches. Martín Reyna is an Argentinian-born abstract pain...

Acrylic on Fabriano paper - Unframed. This work is part of an ongoing series started in 2012 and titled Survey. McGlynn is interested in how a minimally-determined presentation of ...

Pastel and oil paint on cardboard Created in 2018 in Paris, France Unique work Signed and dated by the artist on the back Parmis Sayous was born in 1982 in Teheran, Iran. Since 2015...

Ink, gouache and acrylic on Fabriano paper - Unframed. Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses to color and form stim...

Signature: Unsigned Illustration for Cosmopolitan Magazine, July 10, 1926

38"x28" signed by the artist, David Kramer. (oil, acrylic, enamel, pencil on gessoed paper) In this conceptual work on paper, the imagery of a film director is overwritten with the ...

The delicate and intricate works in the Sediment series were inspired by the residue left behind when muddy water was emptied from a bath tub. Vein-like patterns seem to cascade towa...

Ashlie Benton Soft Dissolve, 2013 Oil, graphite, gold leaf on Nepal paper 38 x 26.75 inches (96.5 x 67.9 cm) Edition EV 2/9

Pigment pencil on Mylar - Unframed The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on a tilted table, she extends her fingers t...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

38"x25" signed by the artist, David Kramer. (oil, enamel, acrylic, pencil on gessoed paper) In this conceptual work on paper, the text "Keeping it Real...Whatever That Means" is wr...

Drawn from her imagination, Paula Elliott’s modern abstract works of art depict mysterious objects. In her works pastel has become the principal medium combined with charcoal, pencil...

Contrasts and tone values have caught my attention and these relations are the driving force behind my work with light as a final detail. One of my main inspirations for these artwor...

"At the Threshold To The Belly Of The Beast (Jaws)" features hues of blue, red, white and black. It is a stretched and framed work on paper. Andrew Herzog is a Brooklyn-based interd...

Ashley John is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) Gershon Benjamin is a painter of portraits, landscapes, still lives, and the urban scene. He had a pro...

An illustration depicting a circa late 19th century woman confronting a child, whose holster and gun are lying at his feet. Story illustration for "Pony-Express Boy" by M.G. Chute f...

"My watercolor paintings depict narrative dilemmas, light-hearted vignettes, or staged existential dramas on a microcosmic scale, as they might be seen through a shallow focus lens. ...

Abstract work of art. Charcoal, pencil, pastel, and acrylic on paper.

David Becker Adjust to Fit vine charcoal on paper 39.25h x 27.50w in 99.69h x 69.85w cm DB0025 David Becker Exhibitions 2017 Coming Attractions, Gallery Victor Armendariz, Cicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

Watercolor on paper. Apologies about the 2nd photo, the image is correct on my end, but there aren't any options to rotate after uploading. Please contact me if other images are nee...

38"x27" signed by the artist, David Kramer. (acrylic, pencil on gessoed paper) In this conceptual work on paper, the text "Handmade Memes... Old World Flavor." is hand drawn to loo...

Giorgia Oldano is a young Italian artist specialized in wildlife and avian drawings. She is regularly invited to exhibit at Bird in Art, Leigh Yawkey Woodson Art Museum (Winsconsin)...

Pastel on toned paperABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive wi...

Elfi Schuselka (Austrian, b. 1940), "The Grey One", Acrylic on Paper, signed in pencil lower right, signed and titled to verso. 25.75" H x 37.75" W. Provenance: From the collection o...

Charles Lewis Fussell (American, 1840–1909) Abandoned House on Country Road Watercolor on paper, 14 x 23 7/8 inches FRAMED: 31 1/4 x 39 1/4 inches Sig...

This superb, complex and relatively large watercolor won the Ida Wells Stroud Memorial Award from the American Watercolor Society in 2008, as evidenced by th...

watercolor on paper 28"x40" (available framed) Thomas Broadbent has shown extensively throughout the U.S. as well as internationally. Broadbent’s numerous solo exhibitions includ...

Ardeshir Mohassess (1938-2008) was a prolific, influential and internationally renowned Iranian artists. He graduated from the University of Tehran ...

28"x35.75" oil, graphite on canvas, signed on reverse by the artist. This contemporary abstract painting by New York artist, Mark Masyga is visually laid out with painted lines of c...

Rare original trio of drawings by Paul Desmond Brown (1893-1958) depicting: Virginia Gold Cup 1931/ Llangollen Farms 1932/ & National Horse Show 1932...

Date: 1938 Medium: Pastel on Board Dimensions: 38.00" x 28.00" Signature: Signed Lower Right Calendar Illustration Gerlach Barklow Calendar Company